Annie Nightingale: How Radio 1’s first female presenter and longest-serving broadcaster changed the industry forever
“Our disc jockeys are husband substitutes,” Annie Nightingale was told when she knocked on Radio 1’s door following it’s launch in 1967. So why on Earth, they said, would a woman would want to join the airwaves?
“They were bewildered,” Nightingale told Desert Island Disc’s presenter Lauren Laverne, during her appearance on the much-loved radio show in 2020.
The male bosses were bewildered, but Nightingale was determined. Not only was she the first woman to join the station, in 1970 – remaining the only female host until Janice Long’s arrival 12 years later – she was also its longest-serving broadcaster, male or female, still on air until late last year with Annie Nightingale presents…
Nightingale paved the way for the likes of Jo Whiley (left)
She was a friend of The Beatles and David Bowie, but more importantly supported waves of popular music genres including prog rock, German electronica, punk, acid house and grime. Now highlighted following her death at 83, her influence on the world of British music culture cannot be overstated.
Even into her 80s, she was a champion of new music. Look at her Desert Island Discs choices and you see a mix including John Lennon and Bowie, yes, but also Billie Eilish and Beyonce, interspersed with Ethel Merman and Sid Vicious.
While most of us turn to the music of our formative years and early adulthood when we think of the songs that have defined our lives, Nightingale was constantly soaking up the new, always with an ear for those artists who might become stars. “You want to hear something you’ve never heard before,” she told Laverne, quoting the late John Peel. “Something that surprises you.”
Nightingale was born in Osterley, now part of outer west London but then part of Middlesex, on 1 April 1940. She started her career as a journalist in Brighton and first broadcast on the BBC in 1963 as a panellist on the TV show Juke Box Jury.
Nightingale was friends with Paul McCartney and The Beatles
It was in Brighton where she first interviewed The Beatles, and she went on to become a frequent guest at the band’s Apple Studios in London during the 1960s – a front-row seat to one of the most creative periods in British popular music.
She knew about John Lennon and Yoko Ono’s relationship before it was made public, but did not report what she knew would be a headline-making story as she did not want to break her bond of trust with the band.
And Paul McCartney even proposed to her on one occasion, according to the BBC. “Well, sort of yes,” she said when asked about it in an interview. “But I don’t think he was serious!”
‘I hate the R word’
Nightingale said she had not really experienced sexism until she was “rebuffed” by Radio 1.
But in 1969, a new controller arrived who wanted a female DJ, and asked The Beatles’ publicist for a recommendation. Her first show was a disaster technically, she said, but it was the start of an incredible career.
As a DJ she travelled the world, telling The Independent in 2009 that she had been “mugged in Cuba, drugged in Baghdad and bugged in Russia”.
She was also the first woman to present music show The Old Grey Whistle Test, from 1978, which featured live performance from artists as diverse as Bob Marley, Siouxsie And The Banshees, Roxy Music and Randy Newman.
She would say in interviews how she had no plans to slow down. “I hate the ‘R’ word: retire,” she told This Is Money just six months ago. “I don’t want to watch daytime TV.”
Nightingale received an MBE in 2002 and a CBE for services to radio in 2020, which she described as the “coolest big-up ever”.
Her memoir Hey Hi Hello was released in 2020 and offered a look back at her five decades at the forefront of popular music culture in Britain, coming after previous autobiographical books Chase The Fade: Music Memoirs And Memorabilia in 1981, and Wicked Speed in 1999.
A ‘trailblazer’ and ‘legend’
In 2021, a scholarship for female and non-binary music DJs was launched by Radio 1 and named after Nightingale, aiming to “celebrate and elevate talented women and non-binary people in the electronic music scene”.
She kept going, a role model who rallied against not just sexism but ageism, too, a much-loved favourite and authoritative voice on music into her 80s, on a station whose target audience is 15-29 year olds.
“She kept going, her very existence as an older woman playing underground music on Radio 1 was subversive,” said Annie Mac in her tribute.
For Mac and the other female presenters who followed in Nightingale’s footsteps – the likes of Zoe Ball, Jo Whiley, Sara Cox, Fearne Cotton and Clara Amfo – she was a “trailblazer”, a “legend”, “the coolest woman who ever graced the airwaves”; a woman who broke down doors during a time when the industry was pervaded by sexism, and held them open to break the misogyny down, little by little, over more than 50 years.
“Thank you, Annie,” said Laverne, sharing a photo of her conversation with Nightingale. “For opening the door and for showing us all what to do when we got through it.”
Hip hop mogul Sean “Diddy” Combs has lost a bid to delay his upcoming sex-trafficking trial by two months.
US district judge Arun Subramanian said the 55-year-old rapper made his request too close to his trial, which is due to start next month.
Jury selection is currently scheduled for 5 May with opening statements set to be heard seven days later.
Combs has pleaded not guilty to five criminal counts including racketeering and sex trafficking.
Prosecutors with the Manhattan US attorney’s office accuse Combs of using his business empire to sexually abuse women between 2004 and 2024.
Combs’s lawyers say the sexual activity described by prosecutors was consensual.
In a court filing on Wednesday, Combs’s lawyer Marc Agnifilo asked Mr Subramanian to delay the trial because he needed more time to prepare his defence to two new charges which were brought on 4 April.
The charges were of sex trafficking and transportation to engage in prostitution.
Mr Agnifilo also said his team needs extra time to review emails it wants an alleged victim to turn over.
The new allegations brought the total number of criminal charges against the rap mogul to five – following the three original counts, which also included racketeering conspiracy, filed in September.
Federal prosecutors were opposed to any delay, writing in a Thursday court filing that the additional charges brought
earlier this month did not amount to substantially new conduct.
They also said Combs was not entitled to the alleged victim’s communications.
Read more: Everything you need to know about the Sean Combs trial
A sketch of Combs during one of his court appearances. Pic: Reuters
Meanwhile, Mr Subramanian is weighing other evidentiary issues, such as whether to allow alleged victims to testify under pseudonyms.
Also known during his career as Puff Daddy and P Diddy, Combs founded Bad Boy Records and is credited with helping turn rappers and R&B singers such as Notorious B.I.G, Mary J. Blige, Faith Evans and Usher into stars in the 1990s and 2000s.
But prosecutors have said his success concealed a dark side.
They say his alleged abuse included having women take part in recorded sexual performances called “freak-offs” with male sex workers, who were sometimes transported across state lines.
Combs has been in jail in Brooklyn since September, having been denied bail.
He also faces dozens of civil lawsuits by women and men who have accused him of sexual abuse.
Combs has strenuously denied all allegations of wrongdoing.
Entertainment
Warfare’s Alex Garland: ‘Being anti-war is not the same as saying it should never happen’
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
(L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
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D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”
Warfare is in cinemas now.
Birmingham band UB40 say the city’s striking bin workers and their union should “keep fighting” in their dispute over pay.
It comes as the government and the council urged them to accept a “fair and reasonable offer”.
“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.
“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.
“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”
Members of the Unite union in Birmingham earlier this month. Pic: PA
Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.
“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.
“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”
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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”
About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.
Rubbish has blighted the city’s streets for weeks . Pic: PA
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Bin situation ‘pains me’ – council boss
On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.
He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.
Read more:
Bin workers urged to accept ‘fair’ offer
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“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.
Sky News understands talks are not set to resume until next week.
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