If you’ve read anything about Emma Stone’s latest film Poor Things, you’ll know the big takeaway: there’s lots and lots of sex.
Stone plays Bella Baxter, a woman who was pregnant before she died, only for a scientist to bring her back to life and replace her brain with that of the still-living baby. (Yes, you read that correctly). Bella has the mind of an infant, but the needs of a young woman discovering what life is all about.
The story of a Frankenstein-inspired sex-obsessive might sound too bizarre to work, but the film has been universally praised by critics and is already winning awards – Stone was named best actress at the Golden Globes at the weekend. And it’s not the only movie currently making headlines for its NSFW sex scenes (or not suitable for watching with your parents, as many found out the hard way over Christmas).
Filmmaker Emerald Fennell‘s class satire Saltburn features full-frontal nudity, graphic sex, and a bathwater scene that will leave you speechless, while also out this month is Andrew Scott and Paul Mescal’s All Of Us Strangers, a film that is both tender and explicit.
But is all this a turn-off for younger audiences? Age classification – the desire for a film to be seen by as many eyes possible – and changing cinematic tastes have made sex on screen something of a rarity nowadays.
Poor Things has certainly left wide-eyed critics questioning their own prurient curiosity over the sheer amount of times Stone’s character goes at it.
“I’m a producer on the film, so we definitely talked a lot about all of it,” the Oscar-winning star told Sky News. “It was very clear to me from the beginning that it was necessary because [Bella’s] not ashamed of what’s going on with her. So why would WE be?”
Sex is just one element of Bella’s experience, Stone says. “She’s soaking in everything for the first time: food, politics, philosophy, dancing, travel and, yes, sex. She’s just exploring everything and seeing what works for her… to me, it just furthers what she’s learning.”
From today’s cultural perspective, movies such as Basic Instinct or Fatal Attraction – filmed by men and centred on the desires of men – haven’t exactly aged well. And you only need to look at the ever-declining levels of nudity throughout each season of Game Of Thrones to see how attitudes towards sex, particularly women and sex, have changed even since that first series in 2011.
Stone’s co-star Mark Ruffalo, who plays Baxter’s love (or sex) interest, says sex on screen is less gratuitous than it used to be – but argues the sex scenes in Poor Things are necessary.
“That’s a big part of our lives,” he says. “You don’t see it a lot anymore. It feels a little Victorian, in a way.”
And in the last 12 months, sex on screen has made a bit of a comeback. Notably, Christopher Nolan wrote his first-ever sex scene into Oppenheimer, feeling the story necessitated it.
Saltburn, meanwhile, has divided critics, with some saying the graphic sex scenes do not make up for holes in the plot.
The bathwater scene in particular has prompted heated arguments online from those, mostly younger viewers, who argue sex on screen is inherently problematic – triggering to those who don’t want to watch it, exploitative to those made to act it out.
A recent UCLA (University of California, Los Angeles) Gen Z study found nearly half of the respondents felt sex wasn’t needed for the plot in most TV shows and films, while more than half wanted to see more platonic storylines.
Speaking to Sky News last year, Fennell disagreed with those findings: “I think that that has been blown out of proportion… I think that was quite a small study and, well, I’m not sure that it’s true.”
“It certainly feels like a post-COVID world,” said Fennell. “That the things of the body were not allowed to be touched. The more I think about it, the more I understand that’s where it comes from.”
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Rather than gratuitous nudity for the sake of it, as a filmmaker Fennell believes it’s about using sex to widen the lens of what she can say with her stories.
“Rarely you see anything like below the shoulder blades [in Saltburn], so the sex scenes in this film are all actually our own imagination.”
If sex on screen leaves you hot under the collar, it’s time to compose yourself – because film in 2024 is getting full-on.
Poor Things is showing in cinemas, All Of Us Strangers from 26 January. Saltburn is streaming on Amazon Prime Video
Angelina Jolie says although she appreciates being an artist, she would prefer for her legacy to be “a good mother” and to be known for her “belief in equality and human rights”.
The Oscar-winning actress stars as Maria Callas in the new Pablo Larrain film about the opera singer’s life.
She has called Maria “the hardest” and “most challenging” role she has had in her career and put months of preparation into immersing herself into the world of opera.
Jolie, who recently reached a divorce settlement with actor Brad Pitt, told Sky News: “To be very candid, it was the therapy I didn’t realise I needed. I had no idea how much I was holding in and not letting out.
“So, the challenge wasn’t the technical [side of opera], it was an emotional experience to find my voice, to be in my body, to express. You have to give every single part of yourself.”
The biopic combines the voice of the Maleficent actress with recordings of Maria Callas.
Jolie believes it “would be a crime to not have [Callas’] voice through this because, in many ways, she is very present in this film”.
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Who was Maria Callas?
Born in New York in 1923, Maria Callas was the daughter of Greek immigrants who moved back to Athens at the age of 13 with her mother and sister.
After enrolling at the Athens Conservatory, she made her professional debut at 17 and went on to become one of the most famous faces of opera, travelling around the world and performing at Covent Garden in London, The Met in New York and La Scala in Milan.
Callas’s final operatic performance took place at Covent Garden in 1965 when she was 41 but she continued to work conducting master classes at Juilliard School, doing concert tours and starring in the 1969 film Medea.
Written by Peaky Blinders creator Steven Knight, Maria focuses on the artist’s final years in the 1970s when she moved to Paris and disappeared from public view.
She died on 16 September 1977 at the age of 53.
Jolie on changing motivations as an actor
Maria follows the life of an artist fully consumed by the art she creates and even remarks that “happiness never developed a beautiful melody”.
Reflecting on her own life in the spotlight, Jolie said she noticed her own career motivations change over the years.
“There’s this kind of study of being human that we do when we create, and we communicate with an audience because our work is not in isolation – it’s a connection.
“I think when I was younger, I had different questions about being human and different feelings and now as I’ve gotten older, I understand some things and now I have different questions.
“It’s a matter of life, right? And so maybe that’s interesting that this now is a character really contemplating death and really contemplating the toll of certain things in life that I, of course, couldn’t have understood in my 20s”.
A family affair
Two of Jolie’s children, Maddox and Pax, took on production assistant roles during the filming of Maria and witnessed their mother perform opera for the first time in public.
She says the film allowed them to create new experiences together and for her children to see her approach to playing a difficult role.
“Everyone in my home, we all give each other space to be who we are and we’re all different.
“I’m the mom, but I’m also an artist and a person and so my family has been very kind and gives me their understanding. They make fun of me, and they support me and just as you’d hope it would be.”
She adds: “When you play somebody who is dealing with so much pain, it’s very important to come home to some kindness.”
Sam Moore, who sang Soul Man and other 1960s hits in the legendary Sam & Dave duo, has died aged 89.
Moore, who influenced musicians including Michael Jackson, Al Green and Bruce Springsteen, died on Friday in Coral Gables, Florida, due to complications while recovering from surgery, his publicist Jeremy Westby said.
No additional details were immediately available.
Moore was inducted with Dave Prater into the Rock and Roll Hall of Fame in 1992.
This breaking news story is being updated and more details will be published shortly.
Neither star has publicly addressed the rumours but Tom’s comedian father, Dominic Holland, has now confirmed the pair are set to wed.
He wrote in a post on his Patreon account: “Tom, as you know by now was very incredibly well prepared. He had purchased a ring.
“He had spoken with her father and gained permission to propose to his daughter.”
“Tom had everything planned out… When, where, how, what to say, what to wear,” he added.
Dominic also noted that while most men worry about being able to afford an engagement ring, he suspects his actor son was “more concerned with the stone, its size and clarity, its housing, which jeweller”.
Tom and Zendaya met on the set of Spider-Man: Homecoming in 2016, when they played the titular hero and his love interest MJ, respectively. Their romance was confirmed in 2021.
In his post, Tom’s father admitted fears over whether being in the spotlight could put a strain on the couple’s relationship.
He wrote: “I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”
“And even though show business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention […] yet somehow right at the same time, I am completely confident they will make a successful union.”