If you’ve read anything about Emma Stone’s latest film Poor Things, you’ll know the big takeaway: there’s lots and lots of sex.
Stone plays Bella Baxter, a woman who was pregnant before she died, only for a scientist to bring her back to life and replace her brain with that of the still-living baby. (Yes, you read that correctly). Bella has the mind of an infant, but the needs of a young woman discovering what life is all about.
The story of a Frankenstein-inspired sex-obsessive might sound too bizarre to work, but the film has been universally praised by critics and is already winning awards – Stone was named best actress at the Golden Globes at the weekend. And it’s not the only movie currently making headlines for its NSFW sex scenes (or not suitable for watching with your parents, as many found out the hard way over Christmas).
Image: Andrew Scott and Paul Mescal star in All Of Us Strangers. Pic: Parisa Taghizadeh/Searchlight Pictures
Filmmaker Emerald Fennell‘s class satire Saltburn features full-frontal nudity, graphic sex, and a bathwater scene that will leave you speechless, while also out this month is Andrew Scott and Paul Mescal’s All Of Us Strangers, a film that is both tender and explicit.
But is all this a turn-off for younger audiences? Age classification – the desire for a film to be seen by as many eyes possible – and changing cinematic tastes have made sex on screen something of a rarity nowadays.
Image: Emma Stone stars as Bella Baxter in Poor Things. Pic: Yorgos Lanthimos/Searchlight Pictures
Poor Things has certainly left wide-eyed critics questioning their own prurient curiosity over the sheer amount of times Stone’s character goes at it.
“I’m a producer on the film, so we definitely talked a lot about all of it,” the Oscar-winning star told Sky News. “It was very clear to me from the beginning that it was necessary because [Bella’s] not ashamed of what’s going on with her. So why would WE be?”
Sex is just one element of Bella’s experience, Stone says. “She’s soaking in everything for the first time: food, politics, philosophy, dancing, travel and, yes, sex. She’s just exploring everything and seeing what works for her… to me, it just furthers what she’s learning.”
Image: ‘She’s soaking in everything for the first time’. Pic: Yorgos Lanthimos/Searchlight Pictures/20th Century Studios
From today’s cultural perspective, movies such as Basic Instinct or Fatal Attraction – filmed by men and centred on the desires of men – haven’t exactly aged well. And you only need to look at the ever-declining levels of nudity throughout each season of Game Of Thrones to see how attitudes towards sex, particularly women and sex, have changed even since that first series in 2011.
Stone’s co-star Mark Ruffalo, who plays Baxter’s love (or sex) interest, says sex on screen is less gratuitous than it used to be – but argues the sex scenes in Poor Things are necessary.
“That’s a big part of our lives,” he says. “You don’t see it a lot anymore. It feels a little Victorian, in a way.”
Image: Mark Ruffalo plays the sex interest alongside Stone. Pic: Atsushi Nishijima/Searchlight Pictures
And in the last 12 months, sex on screen has made a bit of a comeback. Notably, Christopher Nolan wrote his first-ever sex scene into Oppenheimer, feeling the story necessitated it.
Saltburn, meanwhile, has divided critics, with some saying the graphic sex scenes do not make up for holes in the plot.
The bathwater scene in particular has prompted heated arguments online from those, mostly younger viewers, who argue sex on screen is inherently problematic – triggering to those who don’t want to watch it, exploitative to those made to act it out.
A recent UCLA (University of California, Los Angeles) Gen Z study found nearly half of the respondents felt sex wasn’t needed for the plot in most TV shows and films, while more than half wanted to see more platonic storylines.
Image: Don’t watch it with your parents: Barry Keoghan has some graphic scenes in Emerald Fennell’s Saltburn. Pic: MGM/Amazon Studios
Speaking to Sky News last year, Fennell disagreed with those findings: “I think that that has been blown out of proportion… I think that was quite a small study and, well, I’m not sure that it’s true.”
“It certainly feels like a post-COVID world,” said Fennell. “That the things of the body were not allowed to be touched. The more I think about it, the more I understand that’s where it comes from.”
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Rather than gratuitous nudity for the sake of it, as a filmmaker Fennell believes it’s about using sex to widen the lens of what she can say with her stories.
“Rarely you see anything like below the shoulder blades [in Saltburn], so the sex scenes in this film are all actually our own imagination.”
If sex on screen leaves you hot under the collar, it’s time to compose yourself – because film in 2024 is getting full-on.
Poor Things is showing in cinemas, All Of Us Strangers from 26 January. Saltburn is streaming on Amazon Prime Video
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.