Hollywood blockbuster Oppenheimer has topped the Critics Choice Awards taking home eight gongs.
London-born filmmaker Christopher Nolan won the award for best director for his film about J Robert Oppenheimer, the so-called father of the atomic bomb.
The film also won best picture, while Robert Downey Jr won the award for best supporting actor for his role as Lewis Strauss, the former head of the US Atomic Energy Commission.
However, Irish actor Cillian Murphy, who played Oppenheimer, was snubbed in the best actor category, with the award going to The Holdovers star Paul Giamatti.
The 29th ceremony also saw success for Greta Gerwig’s box office hit Barbie, which picked up six awards including best comedy, best original screenplay and best original song for British star Mark Ronson’s I’m Just Ken – sung by Ryan Gosling.
The TV categories saw Succession, Beef and The Bear dominate in the major awards.
Image: Christopher Nolan receives the best director award
Image: Robert Downey Jr receives the best supporting actor award for his role in Oppenheimer
Collecting his award for best director, Nolan said: “To mangle a quote from Sir Isaac Newton, ‘If I appear tall it’s because I stand on the shoulders of giants’ – the particular giants I am standing on is Kai (Bird) and Marty (Sherwin) who wrote the incredible book American Prometheus and spent 25 years doing it.
“I thank you Kai for trusting me with your work and Marty, unfortunately he left us before I was able to show him the final script, but Kai your constant reassurances once you saw the film that he would have approved meant the world to me.”
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Image: Greta Gerwig (L) and Margot Robbie receive the best comedy award for Barbie
Image: Emily Blunt collects the award for best acting ensemble for Oppenheimer
Oppenheimer star Emily Blunt, who played the American physicist’s wife Katherine, also thanked Nolan for his “ability to connect with actors” as she collected the award for best ensemble on behalf of the cast.
“I love that we’re calling this an ensemble and we’re very grateful, but most of us were part-timers that gathered around this completely riveting fire of Cillian Murphy. Truly,” she said.
While Downey Jr read his own worst reviews from critics as he accepted the award for best supporting actor.
“I was thinking this morning, I just love critics… you know, they’ve given me such beautiful feedback, really just so many great moments, and some of it is so poetic. I just want to share some of their thoughts with you over the year.
“The first one is kind of like Haiku: ‘Sloppy, messy and lazy’. The next one is more metaphoric: ‘Like Pee-Wee Herman emerging from a coma’. This was from a Brit: ‘A puzzling waste of talent’. And lastly, and this one lingered: ‘Amusing as a bed-locked fart’.”
Image: Sarah Snook, winner of the best actress in a drama series award for Succession, poses with Kieran Culkin, winner of the best actor in a drama series for the same programme
Image: Emma Stone won best actress for her role in Poor Things
He went on to thank his “Oppen-homies” who he worked alongside on the film, joking: “Every day of filming was like having my ego’s ass handed to me at the door, and I think it couldn’t have happened to a nicer guy.”
However, Cord Jefferson trumped Nolan’s Oppenheimer in the best adapted screenplay category for his directorial debut American Fiction based on the 2001 novel titled Erasure by Percival Everett.
A number of awards, including best comedy for Barbie, were not televised, however Critics Choice presenter Chelsea Handler encouraged Gerwig and Robbie to come on stage to collect the award – which was not part of the scheduled show.
The ceremony also saw best supporting actress go to Da’Vine Joy Randolph for The Holdovers, while Emma Stone won best actress for Poor Things.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”