Andrew Scott and Paul Mescal on toxic masculinity: ‘The most macho man will be the first to break’

Published

1 year ago

January 26, 2024

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Andrew Scott says men are going through a “crisis” right now, struggling to find “what it means to be a man” in today’s society.

The Irish actor – who became a household name thanks to his role as ‘hot’ priest in Fleabag – tells Sky News: “There’s a sort of crisis in masculinity I think at the moment and what it means to be a man.

“We have all these things within us, there’s no one way of being, there just isn’t, and sometimes the people who are the most outwardly macho in some ways, are the people who aren’t going to be there for you emotionally.

His co-star, fellow Irishman Paul Mescal, whose breakout role in hit drama Normal People has made him one of the most in demand actors right now, adds, “and they’ll be the first to break”.

Scott nods: “When you are able to accept all those parts of you, I think that leads to better mental health and just a sense of stability.”

The 47-year-old plays screenwriter Adam in All Of Us Strangers – a fantasy romance merging the themes of grief, loss, identity and isolation.

Despite being overlooked in the Oscars nominations, the film has earned six BAFTA nods including outstanding British film and best director, and best supporting actor for Mescal.

The 27-year-old, who plays troubled neighbour Harry in the movie, says that while figures like Andrew Tate act as figureheads for toxic masculinity, this film showcases a very different kind of male energy.

“Adam and Harry, they’re going through difficult junctions and moments in their life.

“They’re also using their masculinity as a kind of haven for each other. They’re not using their masculinity as a barrier or something that is that is impenetrable, it’s the opposite, and I’m proud of that.”

Their connection breaks their solitude, lived out in a deserted tower block in the heart of the capital.

The film’s writer and director, Andrew Haigh tells Sky News male fragility was something he was keen to explore.

“I always think that so many men are just like lost little boys trapped in adults’ bodies. So, I wanted the film to speak to that a little bit, and I wanted it to sort of radiate vulnerability.”

A queer love story

Inspired by the 1987 novel Strangers by Japanese author Taichi Yamada who died in November, the movie’s set in London rather than Tokyo, and pulls away from the stock ghost story elements of its source material.

But the key difference is that the novel has a heterosexual love story at its centre rather than a queer one.

Haigh has said it was important for his lead character, Adam, to be played by an actor who shared his sexuality.

He explains that while it’s not a hard and fast casting rule, on this occasion he felt it was the right choice.

“There is so much nuance in Adam and the understanding of how the past has affected him, growing up in the 80s as a gay kid, what that has done to him as an adult, the trauma of growing up at that time, which was a really rough, difficult time.

“I wanted an actor who understood that on a very visceral level. And I think it’s a very hard thing to explain to people that didn’t experience that, or actually understand how it felt or how we carry the baggage of that into our adulthood.”

Scott, who first spoke about being gay in interviews 10 years ago when promoting the movie Pride, says it’s about so much more than whether a character is straight or gay.

‘You don’t play sexuality’

“I think the most important thing in any character is to look at what the attributes of the character are, not just the sexuality of the character.”

He says representation behind the camera is as important as that in front, with people in positions of power elsewhere on the production able to speak up if they feel a representation is false or inaccurate.

“You don’t play sexuality, otherwise all gay characters would just have the same attributes – one gay character is distinct from another gay character, depending on what their attributes are, in the same way, we’d apply that theory to straight characters.”

Admitting he sometimes gets frustrated when questions about sexuality are asked even when they have no relevance to a project, Scott explains: “What we’re talking about is storytelling because representation is incredibly important. I wouldn’t be here if I didn’t believe that.

“But so is transformation because it speaks to our empathy. And I think actors like to transform because you like to empathise, like to imagine what it’s like to be in someone else’s shoes…

“We’re all more similar to each other than we might imagine.”

The chemistry is for real

Mescal, who is straight, defends his casting in the role of a gay man.

He explains: “Historically, when there’s been performances that have been deemed offensive, it’s when actors or storytellers are attempting to play a sexuality. It’s impossible. And I often times think that one of the least interesting parts of these characters is their sexuality.

“They contain so much more than just that, and that’s what I like to find in this story, not just as a queer love story, but as a love story in general.”

Haigh says he cast Mescal as he felt he’d be “incredible and wonderful in that role”, adding, “of course you can cast someone, I think, in certain roles who don’t necessarily match the sexuality of the characters.

“It’s often about who is also writing the material and who is making the material and who is behind the material, and there are a lot of us on this project who are gay and are queer and understand what this experience is.”

When asked whether Scott and Mescal had a ‘chemistry test,’ (a read through set up with the film’s potential stars to ascertain how well they’d work together) Haigh laughs.

“Everyone asks about chemistry, but when you’re making a film, you’re not saying, ‘Do we all have chemistry? Is there chemistry here?’ You don’t just do the best you can with the material that you have.

“It was clear to me that [Scott and Mescal] liked each other a lot as actors, as people. The characters are falling in love, so the actors know how to generate chemistry…

“They clearly have amazing chemistry, and they’re really good friends now, and they care and love for each other. So, something magical happened. I’m very grateful for that.”

All Of Us Strangers is in UK cinemas today.

Entertainment

Glastonbury 2025 line-up revealed

Published

11 hours ago

March 6, 2025

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The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.

Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.

The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.

Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.

The announcement comes after Sir Rod Stewart was booked for the Sunday teatime legend slot and Young was confirmed as a headliner earlier this year.

Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.

The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.

The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.

The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.

Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.

Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.

They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.

The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.

The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.

2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.

Entertainment

Sabrina Carpenter and Charli XCX BRIT Awards appearances spark hundreds of Ofcom complaints

Published

1 day ago

March 5, 2025

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Sabrina Carpenter and Charli XCX BRIT Awards appearances spark hundreds of Ofcom complaints

Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.

US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.

The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.

She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.

Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.

But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.

Ofcom said some of the complaints were also aimed at British pop sensation Charli XCX, who dominated the night by winning five awards, including album of the year.

Some viewers took issue with her outfit – a black see-through dress.

The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”

Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”

Entertainment

Why is Noel Clarke suing The Guardian?

Published

1 day ago

March 5, 2025

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Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.

Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.

They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.

Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.

What will the trial cover?

Clarke is suing GNM for libel, sometimes also referred to as defamation.

It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.

Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.

He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.

“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”

The Guardian is defending the claim on the basis of truth and public interest.

It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.

“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”

The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.

The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.

His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.

Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.

The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.

What has happened since the articles were published?

A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.

However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.

His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.

ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.

The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.

Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.

He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.

‘Rising star’

Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.

Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.

He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.

It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.