Andrew Scott and Paul Mescal on toxic masculinity: ‘The most macho man will be the first to break’
Andrew Scott says men are going through a “crisis” right now, struggling to find “what it means to be a man” in today’s society.
The Irish actor – who became a household name thanks to his role as ‘hot’ priest in Fleabag – tells Sky News: “There’s a sort of crisis in masculinity I think at the moment and what it means to be a man.
Paul Mescal in All Of Us Strangers. Pic: Chris Harris/Searchlight Pictures
“We have all these things within us, there’s no one way of being, there just isn’t, and sometimes the people who are the most outwardly macho in some ways, are the people who aren’t going to be there for you emotionally.
His co-star, fellow Irishman Paul Mescal, whose breakout role in hit drama Normal People has made him one of the most in demand actors right now, adds, “and they’ll be the first to break”.
Scott nods: “When you are able to accept all those parts of you, I think that leads to better mental health and just a sense of stability.”
The 47-year-old plays screenwriter Adam in All Of Us Strangers – a fantasy romance merging the themes of grief, loss, identity and isolation.
Despite being overlooked in the Oscars nominations, the film has earned six BAFTA nods including outstanding British film and best director, and best supporting actor for Mescal.
The 27-year-old, who plays troubled neighbour Harry in the movie, says that while figures like Andrew Tate act as figureheads for toxic masculinity, this film showcases a very different kind of male energy.
“Adam and Harry, they’re going through difficult junctions and moments in their life.
“They’re also using their masculinity as a kind of haven for each other. They’re not using their masculinity as a barrier or something that is that is impenetrable, it’s the opposite, and I’m proud of that.”
Pic: Searchlight Pictures
Their connection breaks their solitude, lived out in a deserted tower block in the heart of the capital.
The film’s writer and director, Andrew Haigh tells Sky News male fragility was something he was keen to explore.
“I always think that so many men are just like lost little boys trapped in adults’ bodies. So, I wanted the film to speak to that a little bit, and I wanted it to sort of radiate vulnerability.”
A queer love story
Inspired by the 1987 novel Strangers by Japanese author Taichi Yamada who died in November, the movie’s set in London rather than Tokyo, and pulls away from the stock ghost story elements of its source material.
But the key difference is that the novel has a heterosexual love story at its centre rather than a queer one.
Haigh has said it was important for his lead character, Adam, to be played by an actor who shared his sexuality.
He explains that while it’s not a hard and fast casting rule, on this occasion he felt it was the right choice.
“There is so much nuance in Adam and the understanding of how the past has affected him, growing up in the 80s as a gay kid, what that has done to him as an adult, the trauma of growing up at that time, which was a really rough, difficult time.
“I wanted an actor who understood that on a very visceral level. And I think it’s a very hard thing to explain to people that didn’t experience that, or actually understand how it felt or how we carry the baggage of that into our adulthood.”
Pic: Parisa Taghizadeh/Searchlight Pictures
Scott, who first spoke about being gay in interviews 10 years ago when promoting the movie Pride, says it’s about so much more than whether a character is straight or gay.
‘You don’t play sexuality’
“I think the most important thing in any character is to look at what the attributes of the character are, not just the sexuality of the character.”
He says representation behind the camera is as important as that in front, with people in positions of power elsewhere on the production able to speak up if they feel a representation is false or inaccurate.
“You don’t play sexuality, otherwise all gay characters would just have the same attributes – one gay character is distinct from another gay character, depending on what their attributes are, in the same way, we’d apply that theory to straight characters.”
Admitting he sometimes gets frustrated when questions about sexuality are asked even when they have no relevance to a project, Scott explains: “What we’re talking about is storytelling because representation is incredibly important. I wouldn’t be here if I didn’t believe that.
“But so is transformation because it speaks to our empathy. And I think actors like to transform because you like to empathise, like to imagine what it’s like to be in someone else’s shoes…
“We’re all more similar to each other than we might imagine.”
The chemistry is for real
Mescal, who is straight, defends his casting in the role of a gay man.
He explains: “Historically, when there’s been performances that have been deemed offensive, it’s when actors or storytellers are attempting to play a sexuality. It’s impossible. And I often times think that one of the least interesting parts of these characters is their sexuality.
“They contain so much more than just that, and that’s what I like to find in this story, not just as a queer love story, but as a love story in general.”
Pic: Chris Harris/Searchlight Pictures
Haigh says he cast Mescal as he felt he’d be “incredible and wonderful in that role”, adding, “of course you can cast someone, I think, in certain roles who don’t necessarily match the sexuality of the characters.
“It’s often about who is also writing the material and who is making the material and who is behind the material, and there are a lot of us on this project who are gay and are queer and understand what this experience is.”
When asked whether Scott and Mescal had a ‘chemistry test,’ (a read through set up with the film’s potential stars to ascertain how well they’d work together) Haigh laughs.
“Everyone asks about chemistry, but when you’re making a film, you’re not saying, ‘Do we all have chemistry? Is there chemistry here?’ You don’t just do the best you can with the material that you have.
“It was clear to me that [Scott and Mescal] liked each other a lot as actors, as people. The characters are falling in love, so the actors know how to generate chemistry…
“They clearly have amazing chemistry, and they’re really good friends now, and they care and love for each other. So, something magical happened. I’m very grateful for that.”
All Of Us Strangers is in UK cinemas today.
Entertainment
Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
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