Climate crisis on screen: ‘It was dystopian – now it feels contemporary’
First-time mothers battling apocalyptic flooding – it’s a storyline we’d like to confine to the realms of fantasy drama – but the author of The End We Start From says it’s a case of fiction becoming reality.
Megan Hunter tells Sky News: “It was the dystopian future novel. But now when people talk about the film, they talk about the present moment. It doesn’t really feel so future-orientated anymore unfortunately, it feels more relevant in a directly contemporary way.”
The novel, which she wrote in 2017, has been made into a film starring Jodie Comer as the nameless female protagonist fighting to survive in a waterlogged London.
Hunter says now, just six years on from finishing the book, “it feels a bit more like that is happening here.”
She adds: “There was that sense of, this isn’t something that happens to other people elsewhere, you know, far away. This is something that could happen here.”
The book was partly inspired by an out-of-print anthology of creation mythology she had on her bookshelf “about different ways people around the world have thought about how the world began and also how the world might end”.
With potential End Times being a pretty big plot point to digest, Hunter explains she brought together the universal – “our relationship to the world – to water, nature and the planet over thousands of years of human thought” – with a very personal story of “one woman in London making jokes about Match Of The Day”.
A mother to two young children herself, she says: “Watching a lot of disaster films I’d seen in the past, I didn’t feel that those characters were that relatable to me. They didn’t feel three-dimensional. I really wanted these people to feel completely real.
“We see the woman breastfeeding the baby. We see all of this kind of intimacy, this kind of closeness between people, and to bring that together with the much bigger picture, this much more global scenario. It brings it home.”
Jodie Comer – a first-time mother adrift in The End We Start From. Pic: Anika Molnar
Hunter says by telling the story this way it becomes “very present, very real” and “very hard to turn away”.
We can feel ‘stifled’ by fear
The film’s star, Jodie Comer, tells Sky News she recognises the dilemma of wanting to close your eyes to the climate catastrophe.
“I think we all feel incredibly overwhelmed by it is my worry. You know, I think it can be very scary. And I think as a result of that, we can feel stifled and not know what it is that we can do.”
Pic: Anika Molnar
The film’s director, Mahalia Belo, hopes the movie could encourage those in power to sit up and take note.
“The feeling is that it’s inevitable to some extent, unless some change happens and unless people who have some ability to make change actually really listen to what experts are saying and basically make sure that we aren’t living in a challenging state in the future.
“Everybody knows we’re on an island. Sea levels will rise at some point. You know what’s going to happen.”
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Meanwhile, Sophie Rundle, the lead star of ITV drama After The Flood says the whole point of art is to reflect the world around us.
Sophie Rundle as PC Jo Marshall in After The Flood. Pic: ITV
Northern communities left ‘decimated’
She plays heavily pregnant PC Jo Marshall in the police procedural, where again we see a community left reeling by extensive flooding.
Rundle tells Sky News: “A show purely about climate change might be quite hard to watch or might be quite isolating – it’s such an enormous conversation that we need to be having…
“I think people can be overwhelmed by headlines. And what do you do? Where do you begin? When do you begin talking when you see wildfires and flooding…
“How do we distil that conversation down into a human drama that we are comfortable with? Perhaps comfortable is the wrong word but is accessible to us.”
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With the climate crisis storyline working away behind the scenes, Rundle says the show can focus on the effects such catastrophes might have on society.
“What is the impact on you and your neighbours and the people on the street? On the people in your community? That’s what we are seeing happening, especially in smaller communities up in the north, towns are being decimated. There is no infrastructure in place to protect them. So, what does that world look like?”
‘Light in the darkness’
She credits the show’s writer, Mick Ford, with telling the story in a way that makes people think while still enjoying the ride.
“He draws this community, this collective of people and says, ‘There’s this huge flood, what happens next?’ And I think that’s palatable for people and that’s a way into this conversation while still being entertaining and still being exciting and thrilling.
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For all the doom and gloom around the future of the planet, such cultural explorations of the climate crisis in TV and film undoubtedly raise awareness and open up the conversation – small but necessary steps to making change.
Looking to the future, the author of The End We Start From remains optimistic.
“I think if we feel hopeless, then it can feel like there’s nothing that can be done. It can feel like a stuck end position. So, I do believe in having hope and continuing to look for the light in the darkness.”
The End We Start From is in cinemas now and After The Flood is on Wednesdays at 9pm on ITV1 or all there to stream on ITVX.
Angelina Jolie says although she appreciates being an artist, she would prefer for her legacy to be “a good mother” and to be known for her “belief in equality and human rights”.
The Oscar-winning actress stars as Maria Callas in the new Pablo Larrain film about the opera singer’s life.
Pic: StudioCanal
She has called Maria “the hardest” and “most challenging” role she has had in her career and put months of preparation into immersing herself into the world of opera.
Jolie, who recently reached a divorce settlement with actor Brad Pitt, told Sky News: “To be very candid, it was the therapy I didn’t realise I needed. I had no idea how much I was holding in and not letting out.
“So, the challenge wasn’t the technical [side of opera], it was an emotional experience to find my voice, to be in my body, to express. You have to give every single part of yourself.”
The biopic combines the voice of the Maleficent actress with recordings of Maria Callas.
Jolie believes it “would be a crime to not have [Callas’] voice through this because, in many ways, she is very present in this film”.
Who was Maria Callas?
Born in New York in 1923, Maria Callas was the daughter of Greek immigrants who moved back to Athens at the age of 13 with her mother and sister.
After enrolling at the Athens Conservatory, she made her professional debut at 17 and went on to become one of the most famous faces of opera, travelling around the world and performing at Covent Garden in London, The Met in New York and La Scala in Milan.
Callas’s final operatic performance took place at Covent Garden in 1965 when she was 41 but she continued to work conducting master classes at Juilliard School, doing concert tours and starring in the 1969 film Medea.
Written by Peaky Blinders creator Steven Knight, Maria focuses on the artist’s final years in the 1970s when she moved to Paris and disappeared from public view.
She died on 16 September 1977 at the age of 53.
Pic: StudioCanal
Jolie on changing motivations as an actor
Maria follows the life of an artist fully consumed by the art she creates and even remarks that “happiness never developed a beautiful melody”.
Reflecting on her own life in the spotlight, Jolie said she noticed her own career motivations change over the years.
“There’s this kind of study of being human that we do when we create, and we communicate with an audience because our work is not in isolation – it’s a connection.
“I think when I was younger, I had different questions about being human and different feelings and now as I’ve gotten older, I understand some things and now I have different questions.
“It’s a matter of life, right? And so maybe that’s interesting that this now is a character really contemplating death and really contemplating the toll of certain things in life that I, of course, couldn’t have understood in my 20s”.
Jolie at the New York Film Festival in September with three of her children (L-R) Pax, Zahara and Maddox. Pic: AP
A family affair
Two of Jolie’s children, Maddox and Pax, took on production assistant roles during the filming of Maria and witnessed their mother perform opera for the first time in public.
She says the film allowed them to create new experiences together and for her children to see her approach to playing a difficult role.
“Everyone in my home, we all give each other space to be who we are and we’re all different.
“I’m the mom, but I’m also an artist and a person and so my family has been very kind and gives me their understanding. They make fun of me, and they support me and just as you’d hope it would be.”
She adds: “When you play somebody who is dealing with so much pain, it’s very important to come home to some kindness.”
Maria is in cinemas now.
Tom Holland’s dad has confirmed his son’s engagement to Zendaya – revealing how the 28-year-old meticulously planned the proposal.
Zendaya, also 28, sparked engagement rumours when she attended last Sunday’s Golden Globes wearing a sparkling diamond on her ring finger.
Neither star has publicly addressed the rumours but Tom’s comedian father, Dominic Holland, has now confirmed the pair are set to wed.
He wrote in a post on his Patreon account: “Tom, as you know by now was very incredibly well prepared. He had purchased a ring.
“He had spoken with her father and gained permission to propose to his daughter.”
“Tom had everything planned out… When, where, how, what to say, what to wear,” he added.
Zendaya arrived at the Golden Globes with a noticeable piece of new jewellery. Pic: Invision/AP
Dominic also noted that while most men worry about being able to afford an engagement ring, he suspects his actor son was “more concerned with the stone, its size and clarity, its housing, which jeweller”.
Tom and Zendaya met on the set of Spider-Man: Homecoming in 2016, when they played the titular hero and his love interest MJ, respectively. Their romance was confirmed in 2021.
In his post, Tom’s father admitted fears over whether being in the spotlight could put a strain on the couple’s relationship.
He wrote: “I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”
“And even though show business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention […] yet somehow right at the same time, I am completely confident they will make a successful union.”
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Zendaya rose to fame after landing a role in Disney sitcom Shake It Up, and became a household name after starring in Euphoria.
Holland – who has starred in three Spider-Man films opposite his now-fiancée – made his stage debut in Billy Elliot the Musical in 2008.
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