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Musicians have to sit beside sexual abusers at award ceremonies, MPs have said as they warned that misogyny and discrimination is “endemic” in the industry.

The Women and Equalities Committee has held an inquiry into the sector, where it found sexual harassment and abuse was common.

But it said many women did not report the incidents as they worried about whether they would be believed – or if their careers would be over as a result.

The cross-party group has recommended a number of measures to be put in place, including changing the Equalities Act to offer more protections to freelance workers and increased investment to get more women into the sector.

“People in the industry who attend award shows and parties currently do so sitting alongside sexual abusers who remain protected by the system and by colleagues,” the report said.

It added: “The music industry has always prided itself on being a vehicle for social change; when it comes to discrimination, and the harassment and sexual abuse of women, it has a lot of work to do.”

Committee chair, Conservative MP Caroline Nokes, called for a “shift in the behaviour of men” in the industry to ensure the “transformative change” needed.

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Caroline Nokes is Chair of the Women and Equalities Select Committee
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Caroline Nokes is Chair of the Women and Equalities Select Committee. Pic: Sky News

The committee gathered evidence from a range of people within the sector, from industry bodies and festival organisers, through to artists.

They concluded women were underrepresented in key roles across the industry – shown most clearly in the number of female artists signed by record labels or on festival line ups.

And while the numbers were “improving”, in certain areas progress is “slow and shackled by discrimination, misogyny and sexual abuse in an industry that is still routinely described as a ‘boys’ club'”.

They also said for women trying to get into the industry, they faced “unjustifiable limitations in opportunity, a lack of support, gender discrimination and sexual harassment as well as the ‘persistent issue of equal pay’ in a sector dominated by self-employment” – which was even worse for women from other minorities.

And while the MPs said abuse and discrimination was not unique in music, it was “amplified” by the high number of freelance workers, the informal nature of many workplaces, and “late-night working, often in places where alcohol and drugs are available, can result in women working in environments that are unsafe”.

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Is rock really only for the boys?

The committee has called on the government to change the Equality Act to give the same support against discrimination to freelance workers, and impose a duty on employers to protect workers from sexual harassment by third parties.

The also want non-disclosure agreements to be banned when it comes to cases of sexual abuse, harassment or misconduct.

The MPs called on ministers to increase investment in talent from a range of backgrounds, including through official schemes, and create pathways for women in male-dominated careers, such as sound engineering and production.

And they said record labels should regularly publish statistics about the diversity on their books.

Ms Nokes said: “Women’s creative and career potential should not have limits placed upon it by ‘endemic’ misogyny which has persisted for far too long within the music industry.

“Our report rightly focuses on improving protections and reporting mechanisms, and on necessary structural and legislative reforms.

“However, a shift in the behaviour of men – and it is almost always men – at the heart of the music industry is the transformative change needed for talented women to quite literally have their voices heard and be both recognised and rewarded on equal terms.”

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Urdd Eisteddfod: Why Strictly star Amy Dowden is supporting Welsh festival that is ‘like Britain’s Got Talent’

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Urdd Eisteddfod: Why Strictly star Amy Dowden is supporting Welsh festival that is 'like Britain's Got Talent'

Thousands of people are expected to attend Port Talbot this weekend as the town gears up to welcome an annual Welsh festival.

The Urdd Eisteddfod is a celebration of Welsh culture when children and young people up to the age of 25 take part in a variety of competitions.

There are 400 of them in total, including singing, reciting poetry and dancing.

The Urdd organisation itself was established more than a century ago in 1922, with the aim of giving children and young people in Wales the opportunity to learn and socialise in the Welsh language.

Its six-day Eisteddfod is held during May half-term and in a different part of Wales each year.

The Urdd Eisteddfod broke its own records last year, with more than 100,000 registrations to compete.

A choir competes at the 2024 Eisteddfod yr Urdd in Meifod, Powys.  The annual youth festival is Europe's largest touring youth festival. Pic: Urdd Gobaith Cymru
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A choir competes at the 2024 Eisteddfod yr Urdd. Pic: Urdd Gobaith Cymru

Margam Park is home to this year’s event – the first time since 2003 that it’s played host.

Among the main prizes up for grabs this year are the chair (awarded to the main poetry competition winner) and the crown (awarded to the main prose competition winner).

This year’s crown and chair have been made using some of the final pieces of steel produced at Port Talbot steelworks before the closure of the blast furnaces last year.

The chair at the 2025 Eisteddfod yr Urdd was created using some of the last pieces of steel produced at the Port Talbot steelworks. Pic: Urdd Gobaith Cymru
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The chair at the 2025 Eisteddfod yr Urdd was created using some of the last pieces of steel produced at the Port Talbot steelworks. Pic: Urdd Gobaith Cymru

The 2024 Eisteddfod yr Urdd "Maes" in Meifod, Powys.  The annual youth festival is Europe's largest touring youth festival. Pic: Urdd Gobaith Cymru
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Pic: Urdd Gobaith Cymru

There are some new additions to this year’s Eisteddfod, including awards for singing, musical theatre and acting, named in honour of Sir Bryn Terfel, Callum Scott Howells and Matthew Rhys.

Another new award – the Amy Dowden award for dance – will also be awarded for the first time this week.

Speaking to Sky News, Strictly Come Dancing star Dowden said it was a “real honour” to be supporting the next generation of dancers.

“The arts and the industry is tough, and I just hope that [the young people] can see that I’ve managed to push myself through it,” she said.

“I’ve worked hard, I’ve had a few challenges along the way. Hopefully I can help inspire them as well.”

Amy Dowden. File pic: PA
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Amy Dowden. File pic: PA

‘It’s like Britain’s Got Talent’

As a former competitor herself in what is one of Europe’s largest touring youth festivals, Dowden says she “couldn’t imagine [her] childhood without it”.

“I’ve loved Eisteddfods since I can remember. Every year at school I took part in everything, from the baking to the reciting poems, to the folk dancing, to the creative dancing,” she said.

“The Urdd Eisteddfod is literally like one big talent competition, it’s like Britain’s Got Talent.”

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The winner of the Amy Dowden award will get one-to-one sessions with her as part of the prize, as well as masterclasses at the Royal Welsh College of Music and Drama.

They will have the opportunity to perform on an international stage and also win a cash prize.

“I know from my dance training and everything, each of those is so beneficial to getting yourself to that professional level,” Dowden added.

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Former BBC executive and presenter Alan Yentob dies

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Former BBC executive and presenter Alan Yentob dies

Alan Yentob, the former BBC presenter and executive, has died aged 78.

A statement from his family, shared by the BBC, said Yentob died on Saturday.

His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.

“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”

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Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.

He was also the director of BBC drama, entertainment, and children’s TV.

Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.

Alan Yentob with former BBC director general Tony Hall in 2012. Pic: Reuters.
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Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.

The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.

In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.

“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”

BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.

“I commend his spirit to the living.”

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Gillian Anderson warns UK homelessness ‘will only get worse’

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Gillian Anderson warns UK homelessness 'will only get worse'

Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.

The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”

Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”

Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”

“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.

“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”

Pic: Steve Tanner/Black Bear
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Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear

The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.

Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.

Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.

With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.

Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.

Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.

They set off with just a tent and two backpacks to walk the coastal path.

Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.

Read more:
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Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.

Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”

Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.

Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.

Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.

“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”

The Salt Path comes to UK cinemas on Friday 30 May.

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