Badderz UK is an online reality show in which contestants are encouraged to drink, fight and generally behave badly.
It’s quickly gone viral, raking up almost 100,000 views in less than a week.
It is – as its executive producer Lani Good admits – unashamedly “extreme”. Were it to be on TV, without question she says “it would be watered down”.
While UK broadcasters would be criticised for not protecting participants were they to air a similar show on TV, on the internet, the same duty of care rules don’t apply.
“I feel like TV needs to take a chill pill, we’re just trying to have to have a laugh… the [contestants] were dying to do it, they literally want the drama,” Ms Good insists.
On terrestrial television, reality ratings have experienced something of a slump in recent years, so has the future of the genre moved online where environments are more raw and less controlled?
TV producers are “out of touch”, Ms Good insists, adding the majority of young people think “reality TV is pants”.
“I didn’t want to wait for opportunities to come my way,” the Youtuber-turned-TV producer told Sky News. “I thought I’ve got a bit of money, I’ll do it myself.”
That money was in fact her share of winnings from appearing on the Channel 4 reality show Tempting Fortune almost a year ago now.
If her name doesn’t ring a bell, then you might perhaps remember her from briefly being one of the most “hated people on TV”, as she puts it.
The premise of the Paddy McGuinness show saw 12 strangers take part in an 18-day-long trek, the goal being not to give in to the temptations of home comforts en route, which would see money taken out of the shared prize pot at the end.
Ms Good happily blew the group’s cash pot on a £900 hot chocolate, then a £500 milkshake. As her teammates lost it with her, in reality terms, it was TV gold.
Afterwards, she says trolls tried to get her sacked from her day job as a graphic designer. The criticism was brutal, which is why she maintains she’s better placed to fully prepare contestants on her own self-funded show.
Warnings about trolling
She maintains on her show she gave contestants “a level of transparency” she never experienced when she appeared on reality TV about the level of trolling they could potentially receive.
“Mainstream TV and broadcasters, when they do their duty of care beforehand, I think they do what they need to do so they don’t get sued,” she says. “I don’t believe they really care. They don’t ever fully prepare you for what you can go through.”
While she admits she’s setting out to get clicks, she doesn’t believe she’s exploiting her young stars, who are happy to be shown screaming and fighting.
“It’s an exchange, I believe,” she says. “I benefit obviously because I’m a producer, I gain the profit, but… young people in this day and age want to be popular, if you don’t have a thousand likes in your picture who are you? You’re nobody.
“That’s what young people care about these days, that’s not my fault… and I’ve given it to them, that’s priceless, it’s not easy to get clout.”
Tightening protections for participants
Traditional broadcasters are now obliged to follow Ofcom-dictated regulations to protect the mental and physical well-being of contestants, but the media regulator has little control over content creation online.
Developmental psychologist and filmmaker Professor John Oates says it isn’t a level playing field.
“It’s totally unbalanced because in the last few years protections for participants – and to some extent crews – has really been tightened up in terms of protecting wellbeing,” he says.
“[Online] it’s the wild west, you can do what you like on social media as long as you don’t put up illegal content, basically as long as you don’t put up pornography or incitement to terrorism primarily.”
Are online viral shows even more problematic?
While broadcasters may claim to take the moral high ground now, it wasn’t too long ago that even on mainstream TV, on shows like the original Channel 4 Big Brother, contestants would depart to baying mobs, whipped into a frenzy with seemingly little thought given as to how they’d cope with such a reception when they were alone in the real world.
Of course, the ITV dating show has had to navigate countless complaints over the years – from sexism and ageism to racism over how black contestants are frequently picked last when it comes to coupling up. But are the quick-to-go-viral alternatives online even more problematic if they look like Badderz?
Shows ‘feed into the stereotype’
TV presenter and social commentator Zeze Millz hates the message it sends out.
“Being a black woman, we already have a stereotype of being aggressive or having a chip on our shoulder,” she tells Sky News.
“I feel like shows like this when fighting and discourse is the main premise of it, is never going to work in our favour, will never make us look good, and in fact just feeds into the stereotype.”
A concern for Millz is that while the show’s rebellious contestants might be enjoying a boost in followers now, they’re not taking a step back to think about the potential future harm it might do.
“You’ve got that digital footprint… and literally you’re dragging girls across the floor,” she says.
On her YouTube show, Ms Millz makes the point that “young people can do better”.
“The culture that we’re in at the moment, being a TikTok star, being a viral star, is probably more appealing to young people right now than getting a normal nine to five,” she says.
“They really believe ‘I’m going to go viral… and then I’m going to get a deal, then I’m going to get loads of money… I don’t care about my job’. Because I’m in their head, they think that they’ve already got to that point where they don’t even need a job.”
It is a genre that’s all too easily dismissed as harmless trash TV but could the reality be that what we’re watching matters more than we might realise?
It’s been five years since since we last caught up with Gavin and Stacey, and, more importantly, since Nessa got down on one knee to propose to Smithy.
Left on a Christmas cliffhanger, not since Rachel got off the plane has the nation been so invested in the fate of a will-they-won’t-they. Because Gavin and Stacey might have sweetly brought the worlds of Billericay and Barry together, but Nessa and Smithy’s anti-romance provided the comedy heart.
So. Seventeen years after that eventful first night in a central London hotel room (and en suite), one of the most beloved British comedies of all time has finally come to an end.
* Warning – some spoilers for Gavin & Stacey: The Finale ahead *
Gavin and Stacey are getting ready for a wedding. There is talk of suit fittings and bridesmaids and Smithy standing at the end of the aisle.
It’s the night before the stag and the hen dos, an occasion in itself, and in Essex, Gavin’s mum Pam is stressing about the “flow of the buffet”. Dad Mick is now retired, so her home, her sanctuary, is filled with golf balls and “Sky Sports blasting”. In Wales, Stacey’s mum Gwen appears to have a secret and Uncle Bryn is worrying about his roof rack and whether everyone will be ready to hit the road in three hours and 11 minutes.
So it seems Smithy did indeed say yes. Hurrah! But does this all feel a bit too easy? In John Lewis for official wedding list business, we finally catch a glimpse of his bride-to-be.
And… she isn’t Nessa. She is, in fact, Sonia, the girlfriend he fleetingly introduced five years ago, who left the 2019 Christmas celebrations early. Back then, they didn’t appear to be a match made in heaven. Have things changed?
“I’m so excited,” Sonia tells her fiance. “Somebody’s already bought the handheld Dyson.”
Smithy is more concerned about his stag – “the most important day of my life”.
Elsewhere, Stacey is keen to spice up hers and Gavin’s sex life, Dawn and Pete have finally ended their marriage (but not their sniping), and Nessa and Smithy’s son, Neil the Baby, is now 16 and about to start a plumbing course.
Over the course of an hour-and-a-half, we find out what happened five years ago and what Smithy did, or didn’t, say to Nessa. In a turn of events no one was expecting, there was Cossack dancing involved. Now, she wants to bail on Sonia’s hen do – “full Gareth” – and later reminds Smithy she won’t be at the wedding itself, but not because she has other plans. “We both knows that.”
As the families and friends are reuniting for a wedding, the finale is filled with familiar faces: Budgie and co are back (of course, when there’s a stag do involved), Smithy’s little sister makes an appearance, despite him blocking her on Snapchat, and Dave Coaches also has an unexpected new role…
We also hear more celebrity anecdotes from Nessa – she “done The Knowledge back in the day” and drove a black cab, which is how she “fell in with Hale and Pace” – and jokes referencing everything from Byker Grove to Baby Reindeer.
And of course, the infamous fishing trip. The finale gets tantalisingly close to revealing what happened, but Bryn is saved by the bell; or in this case, Gwen’s omelette and a fire alarm.
As always, the laughs and emotion are perfectly balanced, with one particularly lovely moment coming from Mick’s stag-do speech. He and Pam weren’t able to have another child after Gavin, he tells the boys, but when a seven-year-old Smithy came into their lives, “it didn’t feel like there was anything missing anymore”. There’s no time to get too sentimental though – not when there’s a foam party on the horizon.
As the big day approaches, Smithy’s friends start to voice their doubts. We see he still has Nessa’s ring. But she’s thinking of leaving Barry and returning to the ships…
At the preview screening, Corden and Jones were joined by castmates, who all shared their experiences of filming the final scenes.
“I remember just getting to the end and thinking, my God, I’m never going to get through that,” said Joanna Page, who plays Stacey, of the first time she read the script. I [knew I was] going to find that so hard to film because they’re all my friends and it’s such memories.”
Larry Lamb, who plays Mick, described the script as “another miracle from the dream weavers” Corden and Jones, and became emotional as he added: “I do not think I can ever remember being so moved by something either that I’ve been involved with or not involved with.”
Alison Steadman, who plays Pam, said she was “completely choked” watching the episode back. “It’s been one of the best jobs of my whole career,” she said. And it was never hard, she added, for her and Lamb to feel “like husband and wife”.
Up there with presents, turkey and Wham!, Christmas TV specials are as much a part of the UK’s annual traditions come 25 December. The best, from the soap drama of EastEnders and Coronation Street to the comedy of The Royle Family and The Office, are always remembered.
In saying goodbye to Gavin and Stacey, Nessa and Smithy, Corden and Jones have left fans with a pretty much perfect ending. Tears, laughs, joy – it has it all.
The finale sums up what is at heart a show about family, the one we are born into and the one we build. Gavin & Stacey is loved because it is so relatable, particularly at Christmas, capturing so well those wonderful snapshots of life spent with very different friends and relatives, whose paths otherwise might not cross.
“You just want it to feel satisfying,” Corden said of the ending. The last day in particular, he said, “was probably the most emotional film set that I’ve ever been on”.
Richard Perry, a hitmaking record producer who worked with Carly Simon, Rod Stewart, Ringo Starr and the Beatles, has died aged 82.
Perry, a recipient of a Grammys Trustee Award in 2015, died on Tuesday at a Los Angeles hospital after suffering cardiac arrest, friend Daphna Kastner said.
“He maximised his time here,” said Ms Kastner, who called him a “father friend” and said he was godfather to her son.
“He was generous, fun, sweet and made the world a better place. The world is a little less sweeter without him here. But it’s a little bit sweeter in heaven.”
Perry, who dated celebrities such as Jane Fonda and Elizabeth Taylor, was widely known as a “musician’s producer”.
Singers turned to him for a variety of reasons, including to try to update their sound, as in Barbra Streisand’s case, or to revive their career, like for Fats Domino.
“Richard had a knack for matching the right song to the right artist,” Streisand wrote in her 2023 memoir, My Name is Barbra.
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Starr’s album Ringo, released in 1973, would prove the drummer was a commercial force in his own right.
The album featured work from the other three Beatles as well as contributions from Harry Nilsson, Billy Preston, Steve Cropper, Martha Reeves and all five members of The Band.
It reached No. 2 on Billboard and sold more than 1m copies.
Hit singles included the chart toppers Photograph, co-written by Starr and George Harrison, and a remake of the 1950s favourite You’re Sixteen.
I’m the Greatest was another memorable track on the album as, thanks to Perry’s help, Starr, Lennon and Harrison came together for a near-total Beatles reunion just three years after the band’s break-up.
Perry was briefly married to the actor Rebecca Broussard.
Soap star Helen Worth is set to make her final appearance on Coronation Street on Christmas Day, after more than 50 years.
Worth, 73, made her first appearance as Gail Platt on 29 July 1974 and has been at the heart of several major storylines over the years.
She said in June that her golden anniversary year “felt like the perfect time to leave the show”, having made the decision to quit at the start of the year.
“I have been truly blessed to have been given the most incredible scripts week in week out, and to have worked with fantastic actors, directors and a brilliant crew,” she said when her exit was announced.
“The past 50 years have flown by and I don’t think the fact that I am leaving has quite sunk in yet.”
Her storylines have included her turbulent relationships with her children Nick (Ben Price), Sarah (Tina O’Brien) and David (Jack P Shepherd) and mother Audrey (Sue Nicholls).
Gail has had five husbands over the years, with her exit storyline focused on whether she will make it down the aisle with a sixth in the form of Jesse Chadwick (John Thompson).
In the Christmas Eve episode, her serial killer former husband Richard Hillman (Brian Capron) returned from the dead after more than 20 years.
In the dream sequence, Hillman urged Gail not to go ahead with her wedding.
The storyline planned initially for Gail’s exit, which would have seen Sean Wilson reprise his role as Martin Platt, had to be re-written after the 59-year-old unexpectedly left the show for “personal reasons”.
The actor later claimed he was axed by soap bosses after a historic assault allegation emerged, which he denies.
He was later told that after a police investigation, no further action would be taken.
At the time of Worth’s announcement, Coronation Street executive producer Iain MacLeod said she is a “legend” and “icon”.
“Gail has given us countless hours of entertainment but it should also be said that Helen herself is a consummate professional and a thoroughly good egg,” he said.
“Everyone connected to the show will miss having her around the place just as much as the viewers will miss having her on their screens and we wish her all the very best for the future.”
Gail’s final appearance on Coronation Street airs at 7pm on ITV 1 on Christmas Day.