Women dominate this year’s Grammys, with female artists taking home the biggest four awards of the night.
Taylor Swift made history when she won best album for Midnights, becoming the first artist to win the prize for a fourth time, having previously won for Fearless,1989 and Folklore.
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Oscar-winning actress Meryl Streep was late to the Grammys, interrupting host Trevor Noah’s opening speech.
The ceremony was the first big music event Swift has attended since falling victim to a deepfake attack on social media late last month, when fake, sexually explicit images of her were shared online.
Accepting the prize, Swift ushered her team around her saying, “Guys I feel so alone” before going on to thank everyone who made the album a success.
She said: “I would love to tell you this is the best moment of my life, but I feel this happy when I finish a song, or when I crack the code to a bridge that I love, or when I’m shortlisting a music video, or when I’m working with my dancers.
“For me the reward is the work… All I want to do is keep doing this, so thanks so much for giving me the opportunity. Mind blown!”
The award was presented by Canadian superstar Celine Dion, who in 2022 revealed that she was suffering from the rare neurological disorder known as stiff-person syndrome (SPS), forcing her to cancel numerous tour dates.
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Clearly emotional to be back on the stage, she told the crowd: “When I say that I’m happy to be here, I really mean it from my heart”.
Swift also delighted her legion of fans by revealing during the show that she would be releasing a new album on 19 April – The Tortured Poets Department – and sharing a photo of the album’s front cover on social media.
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Accepting best pop vocal album, the 34-year-old said she’d be keeping the secret for the last two years.
Record of the year was taken by Miley Cyrus, for her viral summer hit Flowers, who broke her no-Grammy spell with two wins on the night. She said that she hoped her life didn’t change as it was already “beautiful.”
Reeling off a list of people to thank, the 31-year-old star who was wearing a sequined black gown with a high side split joked, “I don’t think I forgot anyone… But I may have forgotten underwear”.
Cyrus also won best pop solo performance for Flowers, which she performed during the ceremony.
Accepting her award from Mariah Carey, she told the audience she’d nearly missed the start of the show due to the rain, going on to tell a story of a little boy who could not catch a butterfly until one landed on his nose, concluding, “this song is my butterfly”.
Image: Big hair, don’t care – Miley Cyrus gets her first Grammy. Pic: AP
The award was presented by record producer Mark Ronson, along with his mother-in-law, Oscar-winning actress Meryl Streep.
Song of the year went to Billie Eilish, for her Barbie song What Was I Made For? who appeared to be truly shocked by her own win, telling the audience, “This is the dumbest thing… Damn, I’m shocked,” and concluding her speech, “This is stupid, I’m not supposed to be here”.
Image: Billie Eilish poses in the press room with the awards for best song written for visual media and song of the year for “What Was I Made For?” from “Barbie the Album” during the 66th annual Grammy Awards on Sunday, Feb. 4, 2024, in Los Angeles. (Photo
The track from the movie which dominated the summer and broke box office records also took home the award for best song written for visual media.
Eilish performed on the night, dressed in black sunglasses and a pink headscarf in homage to the 1965 Barbie Poodle parade doll.
Image: Victoria Monet accepts the award for best new artist during the 66th annual Grammy Awards on Sunday, Feb. 4, 2024, in Los Angeles. (AP Photo/Chris Pizzello)
Best new artist went to R&B singer-songwriter Victoria Monet, who kicked off her acceptance speech by thanking “the champagne servers of the night,” going on to dedicate her award to anyone “who has a dream”.
Using the analogy of a growing plant in the “soil” of the music industry, Monet said her “roots had been growing underground for so long, and were finally sprouting over ground”.
Image: SZA gets emotional on stage. Pic: AP
SZA – who had the most nominations going into the night – took three awards – including best R&B song for Snooze, giving an emotional and out of breath speech due to the fact she was changing her outfit, during which she gave a shout out to Swift (the star of the night) saying “Hi Taylor… I’m not an attractive crier. Have a good evening.”
Kylie Minogue was honoured with the inaugural best pop dance recording for hit Padam Padam – the Australian star’s second Grammy.
Image: Phoebe Bridgers, from left, Lucy Dacus and Julien Baker, of boygenius accept the award for best rock performance “Not Strong Enough” during the 66th annual Grammy Awards on Sunday, Feb. 4, 2024, in Los Angeles. (AP Photo/Chris Pizzello)
Highlighting the success of the night for female talent, indie supergroup Boygenius took three awards, with bandmember Phoebe Bridgers taking a fourth for her collaboration with SZA Ghost in the Machine.
Another notable win went to rapper Jay-Z who won the Dr Dre global impact award took his daughter Blue Ivy up onto the stage, as used the opportunity to take a swipe at the Recording Academy.
Image: Jay-Z and his daughter Blue Ivy. Pic: AP
He drew gasps when he chided the Grammy’s have previously neglected rap stars, before putting the spotlight on his wife, Beyonce, questioning how she’d won the most Grammy’s in history, but never won best album.
He joked, “Sorry, when I get nervous, I tell the truth”.
He finished by urging fellow artists “to keep showing up,” imploring, “Just in life, you’ve got to keep showing up. Just keep showing up.
Held at the Crypto.com arena in Los Angeles, the 66th annual ceremony was hosted by comedian Trevor Noah – his fourth consecutive year fronting the show.
Image: Joni Mitchell performing Both Sides Now. Pic: AP
There were a host of performances from living legends, with cultural icon Joni Mitchell making her Grammy debut aged 80.
With an impressive five-decade music career, and after overcoming a near-fatal brain aneurysm in 2015, she sang her 1966 hit Both Sides Now, sat in a golden armchair and accompanied by singer-songwriter Brandi Carlile on guitar.
Mitchell also took home the prize for best folk album. She previously won the Recording Academy lifetime achievement award in 2002.
Other veteran entertainers to perform included Stevie Wonder who paid tribute to singer Tony Bennet, Billy Joel and Tracy Chapman.
Image: Annie Lennox pays tribute to Sinead O’Connor. Pic: AP
Eurhythmics star Annie Lennox gave an emotional rendition of Sinead O’Connor’s Nothing Compares 2 U during the In Memoriam section of the show, wearing a black suit and with a glittery black tear running from one eye.
Finishing the song, the 69-year-old singer brought politics to the fore, saying: “Artists for ceasefire, peace in the world,” appearing to refer to the ongoing Gaza-Hamas war.
Later in the show, Recording Academy The CEO Harvey Mason Jr spoke about the power of music to unite, calling out attacks at music venues including the Bataclan concert hall in Paris, the Manchester Arena in England, the Route 91 Harvest Music Festival in Las Vegas and most recently the Supernova Music Festival for Love.
As he spoke, a string quartet of musicians of Palestinian, Israeli and Arab origin performed live, with Mason concluding: ” Now is the time for us, for humanity, to play together and to come together with empathy and with love.”
The 48-year-old activist and performer took home best rap album for his sixth studio album, Michael, while his track Scientists And Engineers featuring Andre 3000, Future And Eryn Allen Kane won best rap song and best rap performance.
A spokesperson from the Los Angeles Police Department confirmed a man had been arrested but did not give any further details.
A judge has quashed a summons against comedian Reginald D Hunter, brought privately by Campaign Against Antisemitism, ruling it “abusive” and intended to get the comedian “cancelled”.
The 56-year-old US comic had been accused of three counts of sending an offensive communication on three different occasions – 24 August, 10 September and 11 September last year – to Heidi Bachram on X.
The summons was quashed at Westminster Magistrates’ Court on Tuesday by District Judge Michael Snow following an application by the defence.
Judge Snow ruled that the Campaign Against Antisemitism (CAA) charity’s motive in seeking to prosecute Hunter was “to have him cancelled” and that the prosecution was “abusive”.
Bought as a private prosecution, rather than by the state, the judge said the charity was seeking to use the criminal justice system “for improper reasons”.
The CAA describes itself as a volunteer-led charity, “dedicated to exposing and countering antisemitism through education and zero-tolerance enforcement of the law”.
In his ruling, Judge Snow said: “The CAA have demonstrated by the misleading and partial way in which it summarised its application and its wilful, repeated, failure to meet its disclosure obligations, that its true and sole motive in seeking to prosecute Reginald Hunter is to have him cancelled.
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“I have no doubt that the prosecution is abusive.
“My view of the conduct of the CAA is consistent with them as an organisation which is not ‘playing it straight’ but is seeking to use the criminal justice system, in this case for improper reasons.”
Image: Hunter at Westminster Magistrates’ Court earlier this year.Pic: PA
‘Inadequate’ summary and failure to flag compliance probe
Judge Snow said the summary of Ms Bachram’s tweeting in the application case summary was “wholly inadequate”.
He added: “It did not reveal the extent of her tweets directed against Reginald Hunter in the period immediately preceding the complaints (her tweets were sent between 15 August and 11 September 2024).
“The summary misled me into believing that his comments were addressed to her involvement with the Jewish faith as opposed to his response to attempts that were being made to have him ‘cancelled’.”
The judge said the CAA had failed to inform him of a compliance investigation by the Charity Commission into the CAA in November 2024.
CAA accused of ‘weaponising’ the court
Hunter’s lawyer Rebecca Chalkley KC told the hearing on Tuesday that “very little was disclosed” to the judge and the “lack of candour” meant the summons should be quashed.
Ms Chalkley said: “It calls into question the whole juridical process as judges before issuing summonses need to have everything in front of them.”
The lawyer told the judge: “You were led to believe in papers in front of you that the CAA was no more than a charity, that it had no history – as since demonstrated as a vexatious litigant – no complaints, no criticism in Parliament, no investigations by the Charity Commission.”
The lawyer added: “The CAA are weaponising and using the courts for their own political agenda and not just in this case.”
The CAA’s prosecutor Donal Lawler told the hearing that the charity had complied with its duty of candour.
Hunter regularly tours the UK and has appeared on comedy panel shows Never Mind The Buzzcocks, Have I Got News For You and 8 Out Of 10 Cats.
A crowdfunding campaign he launched to help him cover his legal fees raised over £58,000 in less than six months.
Chris Rea, known for hits including Driving Home For Christmas and The Road To Hell, has died after a short illness, according to a family spokesperson.
A statement on behalf of his wife and two children stated: “It is with immense sadness that we announce the death of our beloved Chris.
“He passed away peacefully in hospital earlier today following a short illness, surrounded by his family.”
Image: Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA
The Middlesbrough-born musician was diagnosed with pancreatic cancer and had his pancreas removed in 2001, and in 2016 he suffered a stroke.
Rea found fame in the late seventies and eighties with hits such as Fool (If You Think It’s Over), Let’s Dance and The Road To Hell.
Known for his gravelly voice and latterly for his slide guitar playing, he was nominated for a slew of top awards, including Brit Awards, at the height of his success and sold millions of records.
Rea’s debut album, titled Whatever Happened To Benny Santini?, a reference to the stage name his record label wanted him to adopt, was released in 1978.
His track Fool (If You Think It’s Over), from the album, went on to be nominated for a Grammy.
He did not find such success again for a few years, but by the time his eighth album On The Beach was released, he was a star in the UK and around Europe, with sporadic hits in the US.
When Road To Hell was released in 1989, he became one of the biggest solo stars in the UK. Two of his studio albums – The Road To Hell (1989) and Auberge (1991) – went to number one in the country.
His famous song Driving Home For Christmas, first released in 1986, features in this year’s M&S Food Christmas advert – which sees comedian Dawn French sing along to the single in her car.
Speaking about the song during the 2020 Mortimer And Whitehouse Gone Fishing Christmas special, he told comedian Bob Mortimer: “I was on the dole when I wrote that.
Image: Chris Rea arrives at the Mojo Awards in 2009. Pic: PA
“My manager had just left me. I’d just been banned from driving, right. My now wife, Joan, she had to drive down to London, picked me up in the Mini, and take me home, and that’s when I wrote it.”
The singer returned to his blues roots after a string of health problems.
“I wasn’t frightened of dying,” he once said in an interview.
“It did look like the end, but what got me through was the thought of leaving a record that my two teenage daughters could say, ‘That’s what Papa did – not the pop stuff, but the blues music. That’s what he was about’.”
Image: Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA
Image: The coffin is carried from the ceremony by Alan Wren (L), Liam Gallagher (R) and John Squire (2nd R). Pic: PA
Image: Pic: PA
His death came two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.
He had been due to travel the UK later this year for an in-conversation tour sharing memories of his rock experiences.
The funeral, which was held at Manchester Cathedral, drew hundreds of fans, including a guard of scooter riders with black bands and a photo of Mani on their bikes.
Arriving at the service, The Stone Roses frontman Ian Brown said Mani was “a brother to me”, calling him a “beautiful human being”.
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Some of the biggest names of British 1990s music were at the ceremony, including Oasis star Liam Gallagher, singer-songwriter Paul Weller, Primal Scream frontman Bobbie Gillespie and Bez, from the Happy Mondays.
Tim Burgess, lead singer of The Charlatans, Elbow frontman Guy Garvey, Ian McCulloch of Echo & The Bunnymen, Mike Joyce, drummer from The Smiths, Inspiral Carpets keyboardist Clint Boon, and former Joy Division and New Order bassist Peter Hook also came to pay tribute.
Image: Liam Gallagher. Pic: PA
Image: David Beckham. Pic: PA
Former Manchester United players David Beckham and Gary Neville were also among hundreds of mourners arriving for the service.
Manchester mayor Andy Burnham and Coronation Street star Sally Lindsay were also in attendance.
Image: Paul Weller. Pic: PA
Image: Bez from the Happy Mondays. Pic: PA
Hundreds more fans gathered outside the cathedral and applauded as the cortege arrived, and as I Wanna Be Adored – one of The Stone Roses’ biggest hits – blared from the speakers.
The coffin, which was decorated with artwork from the cover of The Stone Roses – the band’s self-titled debut album – had travelled around eight miles from Heaton Moor in Stockport to the cathedral.
Gallagher, along with The Stone Roses drummer Alan Wren – also known as Reni – and bandmate John Squire carried the coffin from the ceremony after the service.
Mani was part of the Stone Roses’ classic line-up alongside Brown, Squire and Wren.
Pausing briefly as he went into church, Brown said he was there to celebrate “what a beautiful human being that he was”.
Asked what his bandmate meant to him, the singer said: “Everything. He’s a brother to me.”
Image: Guy Garvey, from Elbow, arriving for the funeral service of former The Stone Roses and Primal Scream bass player Gary Mounfield, who was known as Mani
Image: Actress Sally Lindsay. Pic: PA
Forming in 1983, Mani was part of The Stone Roses until they split in 1996, playing on both the eponymous debut album, released in 1989, and their 1995 follow-up, Second Coming.
The “Madchester” band was known for blending indie with acid house, psychedelia and pop.
Mani went on to play with Scottish band Primal Scream for 15 years, leaving in 2011 to rejoin the reuniting Roses.