Grammys 2024: Taylor Swift makes history as women rule the night

Published

1 year ago

February 5, 2024

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Women dominate this year’s Grammys, with female artists taking home the biggest four awards of the night.

Taylor Swift made history when she won best album for Midnights, becoming the first artist to win the prize for a fourth time, having previously won for Fearless,1989 and Folklore.

The ceremony was the first big music event Swift has attended since falling victim to a deepfake attack on social media late last month, when fake, sexually explicit images of her were shared online.

Accepting the prize, Swift ushered her team around her saying, “Guys I feel so alone” before going on to thank everyone who made the album a success.

She said: “I would love to tell you this is the best moment of my life, but I feel this happy when I finish a song, or when I crack the code to a bridge that I love, or when I’m shortlisting a music video, or when I’m working with my dancers.

“For me the reward is the work… All I want to do is keep doing this, so thanks so much for giving me the opportunity. Mind blown!”

The award was presented by Canadian superstar Celine Dion, who in 2022 revealed that she was suffering from the rare neurological disorder known as stiff-person syndrome (SPS), forcing her to cancel numerous tour dates.

Clearly emotional to be back on the stage, she told the crowd: “When I say that I’m happy to be here, I really mean it from my heart”.

Swift also delighted her legion of fans by revealing during the show that she would be releasing a new album on 19 April – The Tortured Poets Department – and sharing a photo of the album’s front cover on social media.

Accepting best pop vocal album, the 34-year-old said she’d be keeping the secret for the last two years.

Record of the year was taken by Miley Cyrus, for her viral summer hit Flowers, who broke her no-Grammy spell with two wins on the night. She said that she hoped her life didn’t change as it was already “beautiful.”

Reeling off a list of people to thank, the 31-year-old star who was wearing a sequined black gown with a high side split joked, “I don’t think I forgot anyone… But I may have forgotten underwear”.

Cyrus also won best pop solo performance for Flowers, which she performed during the ceremony.

Accepting her award from Mariah Carey, she told the audience she’d nearly missed the start of the show due to the rain, going on to tell a story of a little boy who could not catch a butterfly until one landed on his nose, concluding, “this song is my butterfly”.

The award was presented by record producer Mark Ronson, along with his mother-in-law, Oscar-winning actress Meryl Streep.

Song of the year went to Billie Eilish, for her Barbie song What Was I Made For? who appeared to be truly shocked by her own win, telling the audience, “This is the dumbest thing… Damn, I’m shocked,” and concluding her speech, “This is stupid, I’m not supposed to be here”.

The track from the movie which dominated the summer and broke box office records also took home the award for best song written for visual media.

Eilish performed on the night, dressed in black sunglasses and a pink headscarf in homage to the 1965 Barbie Poodle parade doll.

Best new artist went to R&B singer-songwriter Victoria Monet, who kicked off her acceptance speech by thanking “the champagne servers of the night,” going on to dedicate her award to anyone “who has a dream”.

Using the analogy of a growing plant in the “soil” of the music industry, Monet said her “roots had been growing underground for so long, and were finally sprouting over ground”.

SZA – who had the most nominations going into the night – took three awards – including best R&B song for Snooze, giving an emotional and out of breath speech due to the fact she was changing her outfit, during which she gave a shout out to Swift (the star of the night) saying “Hi Taylor… I’m not an attractive crier. Have a good evening.”

Kylie Minogue was honoured with the inaugural best pop dance recording for hit Padam Padam – the Australian star’s second Grammy.

Highlighting the success of the night for female talent, indie supergroup Boygenius took three awards, with bandmember Phoebe Bridgers taking a fourth for her collaboration with SZA Ghost in the Machine.

The celebration of female talent was in stark contrast to a UK MP report released last week, which revealed that women working in the music industry face “endemic” misogyny and discrimination.

Another notable win went to rapper Jay-Z who won the Dr Dre global impact award took his daughter Blue Ivy up onto the stage, as used the opportunity to take a swipe at the Recording Academy.

He drew gasps when he chided the Grammy’s have previously neglected rap stars, before putting the spotlight on his wife, Beyonce, questioning how she’d won the most Grammy’s in history, but never won best album.

He joked, “Sorry, when I get nervous, I tell the truth”.

He finished by urging fellow artists “to keep showing up,” imploring, “Just in life, you’ve got to keep showing up. Just keep showing up.

Held at the Crypto.com arena in Los Angeles, the 66th annual ceremony was hosted by comedian Trevor Noah – his fourth consecutive year fronting the show.

There were a host of performances from living legends, with cultural icon Joni Mitchell making her Grammy debut aged 80.

With an impressive five-decade music career, and after overcoming a near-fatal brain aneurysm in 2015, she sang her 1966 hit Both Sides Now, sat in a golden armchair and accompanied by singer-songwriter Brandi Carlile on guitar.

Mitchell also took home the prize for best folk album. She previously won the Recording Academy lifetime achievement award in 2002.

Other veteran entertainers to perform included Stevie Wonder who paid tribute to singer Tony Bennet, Billy Joel and Tracy Chapman.

Eurhythmics star Annie Lennox gave an emotional rendition of Sinead O’Connor’s Nothing Compares 2 U during the In Memoriam section of the show, wearing a black suit and with a glittery black tear running from one eye.

Finishing the song, the 69-year-old singer brought politics to the fore, saying: “Artists for ceasefire, peace in the world,” appearing to refer to the ongoing Gaza-Hamas war.

Later in the show, Recording Academy The CEO Harvey Mason Jr spoke about the power of music to unite, calling out attacks at music venues including the Bataclan concert hall in Paris, the Manchester Arena in England, the Route 91 Harvest Music Festival in Las Vegas and most recently the Supernova Music Festival for Love.

As he spoke, a string quartet of musicians of Palestinian, Israeli and Arab origin performed live, with Mason concluding: ” Now is the time for us, for humanity, to play together and to come together with empathy and with love.”

Meanwhile, in sharp contrast to the glitz and glamour of the night, rapper Killer Mike was led from the ceremony in handcuffs, shortly after winning three gongs.

The 48-year-old activist and performer took home best rap album for his sixth studio album, Michael, while his track Scientists And Engineers featuring Andre 3000, Future And Eryn Allen Kane won best rap song and best rap performance.

A spokesperson from the Los Angeles Police Department confirmed a man had been arrested but did not give any further details.

Entertainment

Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born

Published

12 hours ago

April 5, 2025

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

Entertainment

Russell Brand charged with rape and sexual assault

Published

18 hours ago

April 4, 2025

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Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

Entertainment

Tom Cruise leads moment of silence in tribute to ‘dear friend’ Val Kilmer

Published

2 days ago

April 3, 2025

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Tom Cruise leads moment of silence in tribute to 'dear friend' Val Kilmer

Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.

Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.

Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.

His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.

Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.

“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.

“I wish you well on the next journey.”

The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.

Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.

Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.

He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.

Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.

He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.

In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.

The couple had two children before divorcing in 1996.