It was the sequel film fans didn’t realise they needed, but when Chicken Run: Dawn of the Nugget came out before Christmas – 23 years after the original – it topped Netflix’s most-watched charts for weeks.
Speaking to Sky News, director Sam Fell admits: “You send it out into the world and it’s like a kid really, you hope everyone is going to treat it nicely.”
It has been a vindication for Fell, who made headlines even before a frame of the film had been shot after he decided to recast the voices of Rocky and Ginger – replacing Mel Gibson and Julia Sawalha with Zachary Levi and Thandiwe Newton.
Image: Sam Fell said he wanted to be ‘brave’ when making the sequel. Pic: Aardman/Netflix
He admits he was “surprised” by the reaction. “I didn’t expect any feathers to be ruffled. But I suppose, looking back on it, you’re going to have to break a few eggs to make a new omelette,” he said.
Fell explained that the cast refresh had “more to do with the time gap – not age in particular – but just who’s around now”.
Describing his approach to the film as more a “reboot” than a sequel, he added: “You have to be brave and just move forward with the way you think it should be…
“At the time it seemed like a perfectly natural thing to try, Britain’s changed, the world’s changed, let’s shift the texture and sound of the movie for now.”
The filmmaker said it had been particularly satisfying to gauge audience reactions to new characters such as Rocky and Ginger’s daughter Molly, who is voiced by Bella Ramsey.
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“Bella’s sound is just so unique… we caught Bella just at the right time,” he said.
Image: Pic: Aardman/Netflix
Rise Of The Vegan Pancake
Fell said he was “just very lucky” to cast Ramsey after they starred in Game Of Thrones – but before they had gone on to work on award-winning zombie drama The Last Of Us.
“When you work with an actor of that age a lot changes in a few years and that’s how long we took to make the movie.”
Given that it took over two decades to bring the claymation sequel to screens, Fell teased we can expect a third movie in: “2055… The Rise Of The Vegan Pancake!”
“I can’t promise anything,” he said while laughing. “It is a slow game… but, you know, it hopefully won’t be a quarter of a century to the next one.
“There are ideas of movies, maybe a spin-off thing because there were some new characters that are interesting, like Molly…There’s certainly many stories you can tell with these characters.”
Image: Pic: Aardman/Netflix
Think like a chicken
While Fell admits winning the BAFTA would be “the icing on the cake”, he said making the film was life-changing in one fundamental way.
“I’ve not eaten a nugget [since]…I stopped eating meat after I did some [background] research…. I just start to care about chickens a great deal.
“I hope it’s made some people think like a chicken and see the world a bit more from a chicken’s point of view.”
But Fell realises that might be a long shot, especially given how he wasn’t even able to persuade Aardman’s caterers to reconsider their menu during their shoot.
“The canteen served chicken every Wednesday, as much as I protested about it, and the crew enjoyed eating it!”
Chicken Run: Dawn of the Nugget is available to watch now on Netflix.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.