Judge Timothy Fancourt also said that phone hacking continued “to some extent” during the Leveson Inquiry into media standards in 2011 and 2012, and concluded that Harry‘s phone was hacked “to a modest extent” by MGN.
At a hearing to determine costs on Friday, Harry’s lawyer David Sherborne said the publisher had now accepted it would pay “a substantial additional sum” by way of damages, as well as the Duke of Sussex’s legal costs – on top of the £140,600 previously awarded.
Image: Prince Harry, pictured outside the High Court in March 2023. Pic: PA
Image: Pic: Sina Schuldt/picture-alliance/dpa/AP
In a statement read on behalf of Prince Harry, Mr Sherborne said outside court: “Everything we said was happening at Mirror Group was in fact happening, and indeed far worse as the court ruled in its extremely damning judgment.
“As the court said this morning we have uncovered and proved the shockingly dishonest way in which the Mirror acted for so many years and then sought to conceal the truth.
“In light of all this, we call again for the authorities to uphold the rule of law and to prove that no one is above it.”
Piers Morgan singled out
Mr Sherborne singled out former Mirror editor Piers Morgan, adding: “That includes Mr Morgan, who as editor, knew perfectly well what was going on, as the judge held.
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“Even his own employer realised it simply could not call him as a witness of truth. His contempt for the court’s ruling and his continued attacks ever since demonstrate why it was so important to obtain a clear and detailed judgment.”
The statement finished by saying the duke’s “mission continues”. “I believe in the positive change it will bring for all of us. It is the very reason why I started this, and why I will continue to see it through to the end,” it added.
During the costs hearing, Mr Sherborne said the publisher would make an interim payment of £400,000.
A MGN spokesperson said in a statement: “We are pleased to have reached this agreement, which gives our business further clarity to move forward from events that took place many years ago and for which we have apologised.”
His case against the publisher was “proved in part” during a privacy trial last year, with 15 of the 33 articles presented in court found to be the product of phone hacking or other unlawful information gathering.
However, a further 115 articles in his claim could have led to a further trial had a settlement not been reached.
Image: Nikki Sanderson. Pic: PA
Mirror Group and other claimants forced to pay costs
Harry’s case was heard alongside similar claims brought by actor Michael Turner, who is known professionally as Michael Le Vell and is most famous for playing Kevin Webster in Coronation Street, Hollyoaks and former Coronation Street actress Nikki Sanderson, and Fiona Wightman, the ex-wife of comedian Paul Whitehouse.
Claims brought by Ms Sanderson and Ms Wightman were dismissed by the judge because they were made too late, despite the judge finding that some of their complaints were proved.
As well as the “representative” claims brought by the duke and the three others, the trial last year also heard “generic” evidence about wider alleged wrongdoing at MGN.
During Friday’s hearing, Mr Justice Fancourt said MGN should pay so-called “generic” legal costs to those currently involved in legal action against them.
“On the generic issues, there can be little doubt that the claimants were successful,” he said. “In this unusual case, justice is only done by awarding the claimants their costs of the generic issues.”
Image: Michael LeVell. Pic: PA
The final figure of costs is yet to be assessed, but the High Court in London heard the group of people who sued the publisher were currently seeking payment of around £1.9m from MGN towards the legal costs of bringing those allegations to court.
Ms Sanderson and Ms Wightman should pay MGN the legal costs of defending their individual claims, the judge ruled on Friday, while Mr Turner should pay MGN’s costs of responding to his claim from the date of 5 March 2022, after an offer was made.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”