Taylor Swift’s much-anticipated appearance at the Super Bowl saw her down a beer on the big screen as she celebrated her boyfriend’s victory.
The singer was repeatedly shown on the big screens of Las Vegas’ Allegiant Stadium and the cameras caught her winning what appeared to be a beer-chugging contest, prompting cheers through the stadium.
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The 14-time Grammy winner cuddled with Blake Lively during Post Malone’s performance of America The Beautiful after she flew halfway around the world to see her boyfriend, Travis Kelce, and his team the Kansas City Chiefs face off against the San Francisco 49ers.
The Chiefs beat the 49ers 25-22 in overtime.
Image: Pic: Joe Camporeale-USA TODAY Sports/Reuters
Image: Pic: Joe Camporeale-USA TODAY Sports/Reuters
Image: Swift flew halfway around the world to see Travis Kelce and his team play. Pic: AP
Image: Travis Kelce. Pic: AP
Swift made it to the stadium after flying on a private plane across nine time zones from the last of four shows at the Tokyo Dome in Japan, with self-proclaimed Swifties across the globe speculating about the potential strain on her schedule for weeks.
The singer has been criticised for her use of private jets by climate activists and appears to have sold one of her two personal planes over a dispute with a student who had been tracking her flights.
The 34-year-old and Kelce have been dating since around September 2023.
Elsewhere, the “Queen of Country” Reba McEntire sang The Star-Spangled Banner before kickoff, while Andra Day sang Lift Every Voice And Sing, a song that has become known as the black national anthem.
Image: Usher and Lil John perform together. Pic: Kirby Lee-USA TODAY Sports/Reuters
Usher put on a halftime show marked by impressive choreography and several guest appearances.
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He performed a 13-minute set starting with Caught Up and moving on to other big hits, including U Don’t Have To Call and Love In The Club.
Image: Usher and Alicia Keys. Pic: Mark J Rebilas-USA TODAY Sports/Reuters
Image: Usher and Alicia Keys during the halftime show. Pic: Reuters
Image: Usher performs with Alicia Keys. Pic: James Lang-USA TODAY Sports/Reuters
Alicia Keys joined him in front of a red piano resembling an abstract sculpture for her song If I Ain’t Got You, which morphed into My Boo.
Usher also brought out several other guests including HER and Jermaine Dupri, with Lil Jon joining for Turn Down For What and Yeah!, with Ludacris putting in a guest appearance.
Adverts during the Super Bowl also saw Beyonce tease a new album, with her ad for Verizon ending with the superstar saying: “They ready, drop the new music.”
Later, a cryptic Instagram video appeared on her page teasing Act II – her previous album Renaissance is frequently referred to as Act I: Renaissance – and she released two new country tracks.
She was joined at the Super Bowl with her husband Jay Z and their children Blue Ivy and Rumi.
Image: Rumi Carter, Jay Z and Blue Ivy Carter. Pic: AP
But they were not the only celebrities at the big game.
Swift’s long-standing nemesis Kanye West, as well as fellow musicians Lana Del Ray, Justin Bieber and Lady Gaga were in the stands.
Image: Kanye West and his wife Bianca Censori. Pic: AP
Image: Lana Del Ray. Pic: Joe Camporeale/USA TODAY Sports/Reuters
Image: Justin Bieber. Pic: Joe Camporeale/USA TODAY Sports/Reuters
Image: Lady Gaga. Pic: Kyle Terada/USA TODAY Sports/Reuters
Post Malone performed at the game, while Swift and Paul McCartney were pictured speaking in her suite.
Image: Post Malone performs before the Super Bowl. Pic: AP
Image: Paul McCartney and Taylor Swift during Super Bowl LVIII
Actors Paul Rudd and Jeff Goldblum, basketball star LeBron James and X boss Elon Musk were also at the hotly anticipated game.
Image: Paul Rudd. Pic: PA
Image: Jeff Goldblum. Pic: Kyle Terada/USA TODAY Sports/Reuters
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.