In terms of glamour and escapism, it doesn’t get much bigger than the Baftas and, while this weekend, the great and the good from British cinema will be getting ready to party, further down the food chain for those working behind the scenes there’s little cause to celebrate.
New research conducted exclusively for Sky News by the broadcasting union BECTU paints a bleak picture of what life is really like for ordinary workers within the British TV and film industry.
Thousands got in touch to report a dire shortage of paid work, with many saying they’re stressed, some even suicidal, taking on mounting debts to keep afloat financially.
“I feel abandoned,” one respondent wrote. “I’ve dedicated my life to this career and overnight everything I’ve worked towards has fallen apart.”
Another explained: “The whole experience is making me realise the sheer fragility of the industry and the money we earn simply isn’t enough.”
“I have never known a more dire situation… there is zero work around,” wrote another.
While, certainly in film, there had been the assumption that after SAG-AFTRA strikes ended last autumn work would slowly start to resume at the start of this year, for many that simply hasn’t been the case.
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Image: SAG-AFTRA members on strike in the US in August – the walkout lasted 118 days. Pic: Reuters
Last September – before the industrial action was over – 74% of BECTU union members said they were out of work.
Now, of the 4,160 people who responded to the Sky News/BECTU poll, it would seem little has changed with 68% writing to say that’s still the case.
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Those who are booking jobs wrote back to say their roles are changing, with many saying they’re now being overworked and asked to do more for less.
‘I had a breakdown on my last job’
We were told: “Positions… that are advertised seem to roll up about three or four jobs into one role – and the pay is linked to the most junior role.”
Another wrote to say: “Unauthorised overtime… is now the norm. I had a breakdown on my last job… the job before that, it was a common occurrence to see crew crying in the middle of the workshop.”
Thirty per cent reported having had no work at all in the past three months, while 34% have had less than a month’s worth of work since the US industrial action reached a settlement.
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Drill down into those figures for the past three months and freelancers who are black or Asian are less likely to have worked than their white colleagues (29% of white respondents had not worked at all, compared to 38% of respondents who are Asian and 32% of black respondents).
‘I’m at my wit’s end’
The precarious nature of working in UK production, for some, has become untenable.
This is summed up by one woman who said: “As an ethnic minority working mum… it’s all for nothing.
“I feel valueless and aggrieved that all those years of working crazy hours and lack of security is for nothing.”
Another wrote: “After this slowdown, there’ll be no more diversity, we’ll have gone back 20 years in terms of only the elite being able to afford to work in the industry.
“I’m at my wit’s end. I feel as though I may have to sell my house. My marriage is under strain as I can’t financially contribute.”
Of those surveyed 86% reported finding things either extremely difficult financially (42%) or more difficult than normal.
Understandably it is affecting people’s mental health, with more than a quarter saying they were really struggling – some of whom responded to say they’d had breakdowns, or even become suicidal as a result.
There’s also an increase in people taking on loans or unsecured debt to cover their bills (23% up from 15% in September).
Charlotte Sewell, an assistant costume designer working on the Mission Impossible franchise, told Sky News that while she knew it was unlikely the industry would immediately bounce back after the US strikes ended last year, her worst fears have been realised.
Image: Charlotte Sewell’s worst fears have been realised
“I think we all thought that what was shooting would come up quickly but new stuff, we were concerned… and unfortunately, it’s come true.”
The US strikes seemingly masked a much wider industry slowdown which is now being experienced across the board in both film and TV with television commissioning seeming to tail off as the industry experiences its worst advertising downturn in 15 years.
Until recently, unscripted projects, as they’re known, were a reliable all-year-round source of employment, but now 65% of people who once worked in reality TV are out of work.
For over two decades James Taylor has worked as a series producer on some of the biggest reality shows on TV, including the BBC’s Strictly Come Dancing and ITV’s Saturday Night Takeaway.
He told Sky News: “It’s easy to see that the strikes in America are having a direct issue in the UK, whereas something that’s less quantifiable is the commissioning slowdown here in the UK.
“You can’t really put your finger on it because the broadcasters aren’t releasing stats on that and saying we are commissioning fewer programmes.
Image: ‘It’s easy to see that the strikes in America are having a direct issue in the UK’, says James
“The economics within the industry are changing and all freelancers want to know is some information… if we know that there are going to be fewer programmes made here in the UK going forward, people can look for a job elsewhere.
“[Instead] there’s been this sort of tantalising prospect that things will get back to normal in a few weeks or months so people are waiting, in the meantime struggling to pay their bills and mortgages.”
More than a quarter (26%) of those surveyed reported really struggling with their mental health as a result of the drop off of available work, with a number of respondents reporting having had breakdowns or becoming suicidal as a result.
‘No pension, no career, no future’
As the head of BECTU, Philippa Childs, explained: “It’s a perfect storm. There are tens of thousands of people who work in this industry and they’re facing a crisis… this is a real crisis for the industry.”
“I think we all hoped 2023 was a bit of a blip… but unfortunately that hasn’t proven to be the case… people are really getting very desperate.”
Not only does the British TV and film industry generate billions of pounds for the economy, it also employs tens of thousands of people and a dream career for many skilled workers in this country has now become a nightmare.
As one woman wrote: “We’re told it’s part of the risk of choosing this job we’re “so lucky” to have… yet what do we have to show for it? Nothing. No pension. No career. No future… It feels like redundancy without any severance package.”
To see Koven’s Katie Boyle perform live is beyond impressive. Hailing from Luton, she is one of the most influential women in drum ‘n’ bass today, an artist who pioneered the art of singing live while DJing.
Although she’s now been doing it for 12 years, her vast knowledge doesn’t silence the trolls online.
“There is a real bad misogyny online against women,” she says of the industry, with plenty of critics refusing to “believe they’re doing what they say they’re doing, and that’s been quite a hard thing to combat”.
Koven is a duo. In the studio, Boyle collaborates with producer Max Rowat; live, she performs and mixes alone. They have just released their second album, Moments In Everglow.
Image: Koven (L-R): Max Rowat and Katie Boyle
While both Boyle and Rowat are equally involved in making tracks, a minority of very vocal fans still refuse to accept she does anything other than sing.
“I will always be accused of the male half doing more on anything to do with technology,” says Boyle. “The amount of comments [I get] to say, ‘she didn’t make this’. No explanation as to why they think that it is, just purely because [I’m] a woman, which is just mad.”
Image: Koven’s Katie Boyle says she has had some ‘awful incidences’
While Boyle loves performing live, there are moments, she admits, where being one of the few women on the scene can feel unsafe.
“I’ve had some awful incidences,” she says. “I had someone run on stage and completely grab me, hand down my top, down my trousers, while I was on the stage, which is crazy because you think that’s happening in front of an audience. I mean, this guy literally had to be plied off me.
“That was when I did think, ‘I need to bring someone with me to most places’. I didn’t feel safe travelling around by myself.”
‘You get trolled for everything’
Image: DJ Paulette. Pic: Paulette
Sadly, Boyle isn’t alone. Over a 30-year career, DJ Paulette has scaled the heights of dance music fame, playing throughout Europe, with a residency back in the day at Manchester’s Hacienda.
“Let’s just say I have two towels on my rider and it’s not just because I sweat a lot,” she jokes, miming a whack for those around her.
“I’ve spent time in DJ booths where I’ve had a skirt on and people have been taking pictures up my skirt. People think upskirting is a joke… and I got fed up with it.” Wearing shorts, she says, she still ended with “people with their hands all over me”. Now, she sticks to trousers. “But we shouldn’t have to alter the way we look for the environment that we work in.”
She admits, in order to stick it out, she’s had to bulletproof herself. “You get trolled for everything, for the way you look – if you put on weight, if you’ve lost weight.”
Not only is the discourse towards female DJs different online, she says, she has also been repeatedly told by those working in the industry that because she’s a woman, she has a sell-by date.
“I went for dinner with three guys… one of them said to me, ‘you know Paulette there is no promoter or organiser who is ever going to employ a black female DJ with grey hair’, and they all laughed.
“That was them saying to me that my career was over, and I was in my 40s. At the time, I felt crushed… I think it really does take women who have a real steel will to make their way through.”
‘I will not stop talking about it’
Image: DJ Jaguar at the International Music Summit in Ibiza. Pic: Ben Levi Suhling
As the great and the good of the dance world gather in Ibiza for the industry’s annual International Music Summit, with dance music more popular than ever there is of course much to party about.
But for BBC Radio 1 broadcaster and DJ Jaguar, one of this year’s summit’s cohosts, some serious conversations also need to be had.
“You can get off the plane and look at the billboards around Ibiza and it’s basically white men – David Guetta, Calvin Harris, and they are incredible artists in their own right – but the women headliners, there’s barely any visibility of them, it’s awful.”
She adds: “I will not stop talking about it because it is the reality.”
Trolling and safety are also big concerns. “You’re in these green rooms, there’s a lot of people there, drinking and doing other things… and I’ve walked into green rooms where I felt incredibly uncomfortable, especially when I was a bit younger. I was on my own, it’s like 2am, and you have to watch yourself.”
Male DJs don’t have the same stories
Image: The International Music Summit in Ibiza
She says she has female friends who have had drinks spiked when they were DJing. But her male friends? “They don’t have the same stories to tell me.”
Creamfields, arguably the UK’s biggest dance festival, is emblematic of the gender imbalance. It remains one of the least representative festivals in terms of female artists, with last year’s line-up more than 80% male.
Laila MacKenzie, founder of Lady Of The House, a community that supports and tries to encourage more women into dance music, says the talent pipeline problem isn’t helped by the current discourse online.
“There is a real damaging factor how people can be really nasty online and really nasty in the media and how that actually may discourage and demotivate women from stepping forward into their talent,” she says.
In reality, for so many women working within dance music, the trolling can be so unpleasant that it’s drowning out the good.
“There is so much positivity and so many lovely and supportive people,” says Boyle. “But unfortunately it feels like the negative and the toxic energy is just louder sometimes.”
In October 2016, Kim Kardashian was robbed at gunpoint – with jewellery worth millions of dollars stolen during the audacious heist in Paris.
It was the biggest robbery of an individual in France for more than 20 years – and made front pages around the world.
Now, almost a decade on, the case is finally coming to court.
Why has it taken so long? Will Kardashian give evidence? And who exactly are the “grandpa robbers” facing trial?
Here’s everything you need to know.
Image: Kardashian at the Siran Presentation on the day of the robbery. Pic: Rex Features
What happened?
Two years after Kardashian and rapper Kanye West tied the knot in an ostentatious week-long celebration spanning Paris and Florence, the Kardashian-West clan were back in the French capital for Paris Fashion Week.
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Her then husband had returned to the US to pick up his Saint Pablo tour – but Kardashian, along with her sister Kourtney and various members of their entourage, remained in Paris, staying in an exclusive set of apartments so discreet they’ve been dubbed the No Address Hotel.
Nestled on Tronchet Street, just a stone’s throw from Place de l’Opéra, and close to the fashionable Avenue Montaigne, the Hotel de Pourtalès is popular with A-list stars staying in the French capital.
A stay in the Sky Penthouse, the suite occupied by Kardashian, will currently set you back about £13,000 a night.
Image: Kardashian was staying at the Hotel de Pourtales
On the evening of 3 October, after attending a fashion show with her sister, Kardashian remained in the apartment alone while the rest of her convoy – including her bodyguard Pascal Duvier – went out for the night.
At about 2.30am, three armed men wearing ski masks and dressed as police forced their way into the apartment block – and according to investigators, they threatened the concierge at gunpoint.
Two of them are alleged to have forced the concierge to lead them to Kardashian’s suite. He later told police they yelled at him: “Where’s the rapper’s wife?”
Kardashian said she had been “dozing” on her bed when the men then entered her room.
She has said she believes her social media posts provided the alleged robbers with “a window of opportunity”.
“I was Snapchatting that I was home, and that everyone was going out,” she said in the months after the incident.
The Keeping Up With The Kardashians star vividly described the attack in a police report, as reported in the French weekly paper Le Journal du Dimanche.
“They grabbed me and took me into the hallway. They tied me up with plastic cables and taped my hands, then they put tape over my mouth and my legs.”
She said they pointed a gun at her, asking specifically for her ring and also for money.
Image: Police guard the entrance to the Hotel de Pourtalès the day after the robbery
Kardashian says they carried her into the bathroom and put her in the bathtub. She said she was wearing only a bathrobe at the time.
She had initially thought the robbers “were terrorists who had come to kidnap me”, according to a French police report taken in New York three months after the robbery.
Kardashian told officers: “I thought I was going to die.”
According to police, the robbers – who left the room after grabbing their haul, escaped on bicycles with items estimated to be worth about $10m (£7.5m), including a $4m (£3m) 18.88-carat diamond engagement ring from West.
After they had left, Kardashian said she escaped her restraints and went to find help. After speaking to detectives, she immediately returned to the US on a private jet and later hired a completely new security team.
Image: Kardashian shows off her $4m ring on Instagram
What was stolen?
As well as her engagement ring, Kardashian said the thieves took her large Louis Vuitton jewellery box, which she said contained “everything I owned”.
In police reports given to the French authorities at about 4.30am on the night of the alleged robbery, Kardashian listed these items as having been stolen:
• Two diamond Cartier bracelets • A gold and diamond Jacob necklace • Diamond earrings by Lauren Schwartz • Yanina earrings • Three gold Jacob necklaces • Little bracelets, jewels and rings • A Lauren Schwartz diamond necklace • A necklace with six little diamonds • A necklace with Saint spelt out in diamonds • A cross-shaped diamond-encrusted Jacob cross • A yellow gold Rolex watch • Two yellow gold rings • An iPhone 6 and a BlackBerry
Police recovered only the diamond-encrusted cross that was dropped by the robbers while leaving.
It’s likely the gold in the haul was melted down and resold, while the diamond engagement ring that is now so associated with the robbery would be far too recognisable to sell on the open market.
Image: Kardashian at the Siran Presentation on the day of the robbery. Pic: Rex Features
What will happen in court?
The hearing will begin at the Court of Appeal of Paris – the largest appeals court in France – on 28 April and is scheduled to last a month.
It will consist of a presiding judge, two professional assessors, and six main jurors.
The hearing involves more than 2,000 documents and there are four civil parties.
Image: Kardashian at the Balenciaga show on the day of the robbery. Pic: Rex Features
Who is being tried?
There were initially 12 defendants in the case, but one person has died and another has a medical condition that prevents their involvement. This means 10 people – nine men and one woman – are standing trial.
Five of them, who were all aged between 60 and 72 at the time of the incident, face armed robbery and kidnapping charges. They are:
• Yunice Abbas • Aomar Ait Khedache • Harminv Ait Khedache • Didier Dubreucq • Marc-Alexandre Boyer
Abbas, 72, has admitted his participation in the robbery. In 2021, he published a book about the robbery, titled I Kidnapped Kim Kardashian. In 2021, a court ruled he would not benefit financially from the book.
Aomar Ait Khedache, 69, known to French crime reporters as “Old Omar”, has also admitted participating in the heist but denies the prosecution’s accusation that he was the ringleader.
The remaining five defendants are charged with complicity in the heist or the unauthorised possession of a weapon. They are:
• Florus Heroui • Gary Mader • Christiane Glotin • François Delaporte • Marc Boyer
Among those, Mader was a VIP greeter who worked for the car company Kardashian used in Paris, and Heroui was a bar manager who allegedly passed on information about Kardashian’s movements.
With many of the accused now ageing and with various serious health conditions, and some having spent time in jail following their arrest, all are currently free under judicial supervision.
If found guilty, those accused of the more serious crimes could face 10 years to life imprisonment.
Image: Kardashian at the Off-White show three days before the robbery. Pic: Rex Features
Will Kardashian give evidence?
Yes.
Lawyer Michael Rhodes said Kardashian has “tremendous appreciation and admiration for the French judicial system” and “wishes for the trial to proceed in an orderly fashion in accordance with French law and with respect for all parties to the case”.
A trainee lawyer herself, Kardashian has become a high-profile criminal justice advocate in the US in recent years.
Image: (R-L) Kanye West, Kim Kardashian, Kourtney Kardashian, Kris Jenner in the front row three days before the robbery. Pic: Rex Features
Why has it taken so long to come to court?
There was initially a manhunt after the robbery, with French police under pressure to prove that Paris’s security was not in question.
Just the year before in 2015, the capital had been shaken by terrorist attacks by Islamic militants, in which 130 people were killed, including 90 at a music event at the Bataclan theatre.
French police initially arrested 17 people in the Kardashian case in January 2017 – three months after the robbery – assisted by DNA traces found on plastic bands used to tie her wrists. Twelve people were later charged.
It was ordered to be sent to trial in 2021 – at a time when limited court proceedings were happening due to multiple COVID lockdowns, and France was holding its largest ever criminal trial over the November 2015 terror attacks.
Image: Kardashian at the Givenchy show on the day of the robbery. Pic: Rex Features
What has Kardashian said about the incident?
Kardashian has described the robbery as a “life-changing” moment. She took three weeks away from filming her reality TV show Keeping Up With the Kardashians, and took a three-month break from social media.
In a March 2017 episode titled Paris, Kardashian first spoke publicly about her ordeal.
She described first hearing a noise in her apartment, and calling out, thinking it was her sister and assistant: “At that moment when there wasn’t an answer, my heart started to get really tense. Like, you know, your stomach just kind of like, knots up and you’re like, ‘OK, what’s going on?’ I knew something wasn’t quite right.”
She went on: “They asked for money. I said, ‘I don’t have any money’. They dragged me out to the hallway on top of the stairs. That’s when I saw the gun, clear as day. I was looking at the gun, looking down back at the stairs. I was like, I have a split second in my mind to make this quick decision.
“Either they’re going to shoot me in the back or if I make it [down the stairs] and the elevator does not open in time or the stairs are locked, there’s no way out.”
Three months later, she told a Forbes Power Women’s Summit she had changed her approach to posting on social media: “They had followed my moves on social media, and they knew my every move and what I had.”
She added: “It was definitely a huge, huge, huge lesson for me to not show off some of the things that I have. It was a huge lesson to me to not show off where I go.
“It’s just changed my whole life, but I think for the better.”
Image: West and Kardashian at the Off-White show three days before the robbery. Pic: Rex Features
In October 2020, Kardashian told US interviewer David Letterman she feared she would be raped and murdered during the heist, and that her sister had been at the forefront of her mind during the incident.
Speaking on My Next Guest Needs No Introduction, Kardashian said: “I kept on thinking about Kourtney, I kept on thinking she’s going to come home and I’m going to be dead in the room and she’s going to be traumatised for the rest of her life if she sees me… I thought that was my fate.”
When speaking to French police about the impact the robbery had had on her three months after it, Kardashian said: “I think that my perception of jewellery now is that I am not as attached to it as I used to be. I don’t have the same feeling about it. In fact, I even think that it has become a bit of a burden to have the responsibility of such expensive jewels.
“There is nothing of sentimental value to compare with the act of going home and finding one’s children and one’s family.”
She went on to describe Paris as “not the right place” for her, and didn’t return to the French capital for two years following the robbery.
Kardashian has since said in a 2023 episode of Keeping Up With The Kardashians that she did not purchase any jewellery in the seven years following the robbery, kept no jewellery at her home and only wore items that are either borrowed or fake.
She said the realisation that material items don’t matter has made her “a completely different person in the best way”.
She told Sky News how returning feels like the society has “made good on something that was wrong”.
Image: Sophie Lloyd, who tricked the Magic Circle into believing she was a man
How did she infiltrate that exclusive group that nowadays counts the likes of David Copperfield and Dynamo as members?
In March of that year, she took her entry exam posing as a teenage boy, creating an alter-ego called Raymond Lloyd.
“I’d played a boy before,” she explained, but “it took months of preparation” to secretly infiltrate the Circle’s ranks half a year before it would officially vote to let women in.
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“Really, going back 30 years, men’s clubs were like, you know, just something you accepted.”
The men-only rule had been in place since the Circle was formed in 1905. The thinking behind it being that women just couldn’t keep secrets.
Aware of the frustration of female magicians at the time, Lloyd felt she was up for the challenge of proving women could be as good at magic as the men.
The idea was, in fact, born out of a double act, thought up by a successful magician called Jenny Winstanley who’d wanted to join herself but wasn’t allowed.
She recognised the hoax would probably only work with a much younger woman posing as a teenage boy, and met Lloyd through an acting class.
Image: Sophie Lloyd as teenage magician Raymond Lloyd. Pic: Sophie Lloyd
Lloyd said: “We had to have a wig made… the main thing was my face, I had plumpers made on a brace to bring his jawline down.”
To hide her feminine hands, she did the magic in gloves, which she says “was so hard to do, especially sleight of hand.”
The biggest test came when she was invited for a drink with her examiner, where she had to fake having laryngitis.
“After the exam, which was 20 minutes, he invited Jenny and I – she played my manager – and I sat there for one hour and three quarters and had to say ‘sorry, I’ve got a bad voice’.”
Raymond Lloyd passed the test, and his membership certificate was sent through to Sophie.
Then, in October of the same year, when whispers started circulating that the society was going to open its membership to both sexes, she and Jenny decided to reveal all. It didn’t go down well.
Rather than praise her performance, members were incandescent about the deception and, somewhat ironically, Raymond Lloyd was kicked out just before women members were let in.
Lloyd said: “We got a letter… Jenny was hurt… she was snubbed by people she actually knew, that was hurtful. However, things have really changed now…”
Three decades later the Magic Circle put out a nationwide appeal stating they wanted to apologise and Lloyd was recently tracked down in Spain.
While Jenny Winstanley died 20 years ago in a car crash, as well as Sophie receiving her certificate on Thursday, her mentor’s contribution to magic is being recognised at the special show that’s being held in both their honour at the Magic Circle.
Lloyd says: “Jenny was a wonderful, passionate person. She would have loved to be here. It’s for her really.”