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Film-makers Karni Arieli and Saul Freed took a “method directing” approach to their latest film – an eco-fantasy about the life cycle of a wild salmon.

Pitching Wild Summon to the British Film Institute, the husband-and-wife team took a bold approach: “We went into the office and just said, ‘We want to become fish’.”

Pic: Karni Arieli and Saul Freed. Pic: Sulkybunny
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Pic: Karni Arieli and Saul Freed. Pic: Sulkybunny

It paid off and they got the gig.

Moving to Iceland to learn how to dive in a bid to get the most authentic portrayal, it was a true family affair, with their eldest son, Yuli, taking on the role of drone cinematographer on the shoot.

The 14-minute animated short, which premiered at Cannes film festival and is executive produced by Don’t Look Up director Adam McKay, went on to be shortlisted for an Oscar, and is up for a BAFTA this weekend.

Hailed as a new form of a nature documentary, it combines animation with live-action underwater photography, anthropomorphising the salmon, and her babies.

Taking us on a journey through rivers and out to sea, our heroine is transposed into the body of an athletic female swimmer.

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Freed says it was a new approach they felt compelled to try out: “We’re always looking for fantasy in our work… when you come to think about the life of the salmon as a human, all these situations come to light, which are just brilliant…

“We’ve seen a lot of beautiful natural history documentaries showing nature in its glory. We think we can build on top of that, show a new angle, let people connect to wildlife in a different way.”

Arieli adds: “It’s flipping the narrative on its head, because in the end, we empathise with things that are like us, that are in human form. And so, giving a salmon that you might not look too closely at a human female form, creates a sense of connection and empathy.”

She says getting the animation just right was critical: “Not too fish, not too women, not too live action, not too animation.”

Sadly for the salmon, our close association with them as a source of food doesn’t lead us to naturally connecting with their fight for survival.

Arieli explains: “The salmon is super sensitive, and they’re overlooked because people love to eat them.”

Depicting the negative human impact on their world – in addition to growing threats caused by climate change – was an important part of their message.

Pic: Sulkybunny
Image:
Pic: Sulkybunny

Arieli says: “Beyond the 50 predators that the salmon has on this journey from birth to death, man is one of its biggest problems – pollution and farming and overfishing.”

Nearly a quarter of the world’s freshwater fish are at risk of extinction, according to a report published by the International Union for Conservation of Nature late last year.

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Additionally, it showed that wildlife populations have plummeted by 69% since 1970, and more than 41,000 species are under threat of extinction.

A moment in the short where the heroine finds herself confronted with a fish farm is according to Freed “probably one of the most powerful moments in the film” and one which they could give more weight to that moment, thanks to her human-recasting.

Pic: Sulkybunny
Image:
Pic: Sulkybunny

Pic: Sulkybunny
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Pic: Sulkybunny

Arieli says: “Once you give a fish human form and you put them in a cage and it’s too crowded, you get these other metaphors, not only about how we look at nature but about how we look and treat each other as humans. And that’s another deep meaning within the layers of the film.”

With the self-scored music as the film’s emotional heartbeat, blending Middle Eastern influences with the Nordic landscape visuals, the narration was provided by singer and actress Marianne Faithfull.

Searching for an “iconic voice”, Arieli says she was the perfect casting as an “artist, a mother, a woman, a fighter and a survivor”.

Pic: Sulkybunny
Image:
Pic: Sulkybunny

Before plumping for Faithfull, they “went through a lot of different options” including Swedish activist Greta Thunberg, English anthropologist Jane Goodall and Icelandic singer and composer Bjork.

So, what’s the message they hope audiences will take from the film?

Arieli explains: “We’re not trying to tell people what to do or to be preachy… We’re trying to tell people to just look closely at these things, and how we interact with these elements, whether it’s farming or fishing or what we’re eating, and to make small choices, because I think we have to.

“We’re a lot more interconnected than we’re led to believe in the Western world.”

She says the short had a real impact on their youngest son, Teo, who “stopped eating fish and any seafood after making this film with us”.

Pic: Sulkybunny
Image:
Pic: Sulkybunny

And while the climate crisis message can sometimes seem a little bleak, Freed says there’s light at the end of the tunnel.

“The story’s hard… but although we do see her die in the end, the last shot of the film is the new generation, a new baby, so for us, it’s a happy end.”

With a potential eco-series in the pipeline, Freed and Arieli are philosophical about their BAFTA hopes this weekend, borrowing a metaphor from the fish star of their film: “It’s all about the journey.”

Wild Summon can be streamed for free on Bafta’s YouTube until 20 February.

Watch the full interview on The Climate Show with Tom Heap, Saturday and Sunday at 3.30 and 7.30pm on Sky News.

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

Actor Gina Carano has settled her lawsuit with Disney and Lucasfilm after claiming she was wrongfully dismissed from The Mandalorian for expressing her political opinions.

Carano was fired in February 2021 after starring as Rebel ranger Cara Dune in two series of the Disney+ Star Wars series The Mandalorian.

According to court documents, it came after the 41-year-old referenced the Nazis’ treatment of Jewish people while discussing current political differences in the US.

At the time, production company Lucasfilm said in a statement that her “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable”.

But late on Thursday, she posted on X: “I have come to an agreement with Disney/Lucasfilm which I believe is the best outcome for all parties involved.”

She added that she “hopes this brings some healing to the force”.

The details of the financial settlement have not been disclosed.

When filing her lawsuit at the Californian District Court last year, she had sought $75,000 (£59,000) in damages.

She also thanked Elon Musk for financing the lawsuit, despite the two having never met.

“I want to extend my deepest most heartfelt gratitude to Elon Musk, a man I’ve never met, who did this Good Samaritan deed for me in funding my lawsuit,” she wrote in her post. “Thank you Mr. Musk and X for backing my case and asking for nothing in return.”

The X owner is an ardent advocate of free speech and has funded similar legal battles previously.

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Carano as Cara Dune.'The Mandalorian'. Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Carano as Cara Dune.’The Mandalorian’. Pic: Lucasfilm/Disney/Kobal/Shutterstock

Carano signed off: “I am excited to flip the page and move onto the next chapter.

“My desires remain in the arts, which is where I hope you will join me. Yes, I’m smiling. From my heart to yours, Gina.”

In response to the settlement, Lucasfilm said in a statement: “Ms Carano was always well respected by her directors, co-stars, and staff, and she worked hard to perfect her craft while treating her colleagues with kindness and respect.

“With this lawsuit concluded, we look forward to identifying opportunities to work together with Ms. Carano in the near future.”

In legal documents, Carano’s team claimed both Disney and Lucasfilm had “targeted, harassed, publicly humiliated, defamed, and went to great lengths to destroy Carano’s career”.

She also alleged she was treated differently to her male colleagues. Neither company commented on these claims.

Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Pic: Lucasfilm/Disney/Kobal/Shutterstock

Lawyer Gene Schaerr, managing partner at Schaerr Jaffe, said at the time: “Disney bullied Ms Carano, trying to force her to conform to their views about cultural and political issues, and when that bullying failed, they fired her.

“Punishing employees for their speech on political or social issues is illegal under California law.”

Carano, who began her career as a mixed martial arts fighter, has starred in other Hollywood franchises, including Fast & Furious 6 as Riley Hicks, and Deadpool, in which she played Angel Dust.

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Eddie Murphy: I’ll get an Oscars trophy eventually – when I’m old and have no teeth

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Eddie Murphy: I'll get an Oscars trophy eventually - when I'm old and have no teeth

Eddie Murphy has told Sky News he doesn’t ever expect to win awards – but will happily accept an honorary Oscar when he’s 90.

Murphy is one of the biggest stars in comedy after starting out on Saturday Night Live (SNL) in 1980 and starring in a number of big franchises from Beverly Hills Cop to Shrek.

His latest project is heist comedy The Pickup, centred on two security van drivers. Keke Palmer and Pete Davidson star alongside him.

Pete Davidson, Eddie Murphy and Keke Palmer in The Pickup. Pic: Amazon MGM Studios
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Pete Davidson, Eddie Murphy and Keke Palmer in The Pickup. Pic: Amazon MGM Studios

Murphy says award recognition was never something that shaped the projects he chose.

“The movies are timeless, and they’re special, so for years and years those movies play and the movies have commercial success.

“So you make a lot of money and people love it, so you don’t even think about ‘I didn’t win a trophy!’ The response from the people and that the movie has legs, that’s the trophy.

“You know what I’ve earned over these years? One day, they’ll give me one of those honorary Oscars. When I’m really old. And I’ll say thank you so much for this wonderful honour. I’ll be old like that and I’ll have no teeth. I’m cool with getting my honorary Oscar when I’m 90.”

Murphy, 64, has only been nominated once – for Dreamgirls in 2007, when Alan Arkin won the best supporting actor Oscar for Little Miss Sunshine.

Murphy’s co-star Palmer says she considers Murphy an icon in the industry, and The Nutty Professor was a true display of his artistry.

Eddie Murphy as Sherman Klump in The Nutty Professor. Pic: Reuters
Image:
Eddie Murphy as Sherman Klump in The Nutty Professor. Pic: Reuters

“I feel like recognition and [being] underrated and all this stuff, it annoys me a little bit because I think impact is really the greatest thing, like how people were moved by your work, which can’t really be measured by an award or really anything,” Palmer says.

“It’s very hard to make people laugh, and so when I think about it like The Nutty Professor, Eddie was doing everything, and I swear that the family members were real people.

“He didn’t camp it to the point where they weren’t realistic. His roles had integrity, even when he was in full costume. And I do think that’s something that should change in our industry. Comedy, it should be looked at just as prestigious as when you see somebody cry, because it’s that hard to make somebody laugh.”

Eddie Murphy and Pete Davidson in The Pickup. Pic: Amazon MGM Studios
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Eddie Murphy and Pete Davidson in The Pickup. Pic: Amazon MGM Studios

Recalling his time on the 90s comedy, Murphy says he’s still in disbelief of what they achieved in making the film with him playing seven characters – Professor Sherman Klump, Buddy Love, Lance Perkins, Young Papa Klump, Granny Klump, Ernie Klump and Mama Klump.

“You can only shoot one character a day. And the rest of the time you’re shooting, I’m talking to tennis balls where the people were sitting.

“So to this day when I watch it, I’m like, wow, that’s a trip. But we were able to mix all that stuff up and different voices and make it feel so that you don’t even feel like when you’re watching it, someone have to tell you, hey, you know, those are all one person.”

The film won best makeup at the 1997 Academy Awards.

Security guards buddy comedy

Palmer says their new project, The Pickup, is responsible for one of the most memorable moments of her life when she mistook Murphy’s acting for real praise.

“First of all, Eddie gives me this big speech before I do the monologue, where he’s like, ‘this is not playing around. This is a pivotal point in the movie’.

“I’m crying in the scene, and then it comes to the end, and Eddie’s [clapping] like, and I’m literally like, ‘oh my gosh, thank you so much’. And he’s like, ‘I’m acting’. When I tell you, it was so crazy, yeah. That’s like one of my most memorable moments in life.”

Keke Palmer and Pete Davidson star in The Pickup
Image:
Keke Palmer and Pete Davidson star in The Pickup

Davidson is excited to see how the UK puts its own stamp on SNL, the show where both he and Murphy got their start on-screen.

“It’s a smart idea to have SNL over there because it’s not that it’s a different brand of comedy, but it is a little bit. A lot of the biggest stuff that’s in the States is stuff that we stole from you guys, like The Office or literally anything Ricky Gervais does.

“This is the first time I’ve ever heard anything American going to the UK, so I think it’s great. I think it’s great to have two opposite sorts of takes on things, but both be funny. That just shows you how broad comedy can be, you know?

The Pickup is out on Prime Video now.

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Ex-Superman Dean Cain to join ICE ‘ASAP’ to ‘save America’

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Ex-Superman Dean Cain to join ICE 'ASAP' to 'save America'

Dean Cain has been branded the “worst superman ever” as he announced he will join the US Immigration and Customs Enforcement (ICE) “ASAP”.

The 59-year-old, who was cast as Superman in the TV series Lois & Clark: The New Adventures of Superman, announced he had joined the team amid the federal agency’s unprecedented immigration raids.

He told Fox News on Wednesday his recruitment video on Instagram had gone viral and since then, “I have spoken with some of the officials over at ICE and I will be sworn in as an ICE agent ASAP”.

“You can defend your homeland and get great benefits,” he said in the Instagram post where he appealed for his followers to join ICE.

Speaking with the Superman theme song in the background, he said “hundreds of thousands of criminals” had been arrested since US President Donald Trump took office.

He then told his followers they would get a series of benefits if they joined ICE, including a $50,000 (£37,407) signing bonus and student loan repayment.

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“If you want to help save America ICE is arresting the worst of the worst and removing them from America’s streets,” he said, before adding: “I voted for that.”

ICE agents are under pressure from the White House to boost their deportation numbers in line with Mr Trump’s campaign promise to crack down on illegal immigration.

Cain’s post on Instagram received some backlash, with one user commenting: “Worst superman ever”.

Another said: “Shame on you Dean – that’s the most un-Superman thing you could possibly advocate.”

One fan turned against him and said: “Until I saw this I was such a fan. What a sad human being you must be.”

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