Oppenheimer is the winner of the night at this year’s BAFTAs, taking home seven awards, including the big one – best film.
Irish actor Cillian Murphy, who stars as “father of the atomic bomb” J Robert Oppenheimer, was named best actor – and thanked his “Oppen-homies” on stage – while co-star Robert Downey Jr was honoured in the supporting category.
Accepting his trophy, Murphy described his character as “colossally knotty,” and added: “We have a space to debate and interrogate and investigate that complexity and it’s a privilege to be a part of this community with you all.”
Image: Irish actor Cillian Murphy is this year’s BAFTA best actor. Pic: Kate Green/BAFTA/Getty
For Christopher Nolan, the film’s acclaimed British director – also known for Inception, The Dark Knight, and Dunkirk – the “incredible honour” of his first ever BAFTAwas a case of third time lucky.
He paid tribute to the film’s cast, led by the “peerless” Murphy, as he accepted the award.
Downey Jr, who plays Lewis Strauss, head of the Atomic Energy Commission, set a new record for the longest gap between wins by an actor – with his latest trophy coming 31 years after his previous BAFTA for Chaplin, in 1993.
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On stage, he thanked Nolan, joking: “Recently that dude suggested I attempt an understated approach as a last ditch effort to resurrect my dwindling credibility.”
It was also a successful night for Emma Stone, who was named best actress for her performance in Poor Things, and Da’Vine Joy Randolph – who took home the supporting actress trophy for her portrayal of a grieving school chef in The Holdovers.
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Image: Emma Stone stars in Poor Things. Pic: Kate Green/BAFTA/Getty
Stone’s win was one of five for Poor Things, in which she plays a woman with the mind of a child discovering life for the first time, making the film the night’s second big winner.
The American actress said she was “in awe” of all of the team behind the surreal comedy, and thanked her British dialect coach for “not laughing” when she said water in an American accent.
All four acting winners are among the favourites to take home prizes at the Oscars in March.
Image: The show was hosted by David Tennant. Pic: Joe Maher/BAFTA/Getty
In her speech, Randolph paid tribute to her co-star and fellow nominee, Paul Giamatti, saying she “cries every time” she says his name.
“I’m proud to call you a friend and thank you for never wavering,” she said.
She also hailed her character Mary, who would “never would have got a chance to wear a beautiful gown”, before saying it was a “responsibility I don’t take lightly”.
Elsewhere, Holocaust drama The Zone Of Interest took home three awards, including best film not in the English language – and also outstanding British film, due to British involvement behind the scenes, including Jonathan Glazer directing.
Image: Prince William, president of BAFTA, and David Beckham were among the BAFTA VIPs. Pic: PA
Despite being the biggest film of 2023, and heading into the ceremony with five nominations, Barbie left the BAFTAs empty-handed.
The show was hosted by David Tennant, who kicked things off with a Zoom-style sketch about looking after Michael Sheen’s dog, Bark Ruffalo – which ended with the dog being handed to the Welsh star at the ceremony.
The ceremony also included a memorable performance from Sophie Ellis-Bextor – whose 2001 hit Murder On The Dancefloor has soared up the charts once again thanks to its inclusion in the particularly memorable final scene in viral hit film Saltburn.
Image: Emma Stone stars in Poor Things. Pic: Kate Green/BAFTA/Getty
Samantha Morton, known for films and TV shows including Minority Report, The Whale and The Walking Dead, was named this year’s BAFTA fellowship winner, and used her speech to highlight problems in the children’s care system.
The actress and director, who grew up in foster care, said on stage: “It costs the taxpayer a huge amount of money to keep a child in care, to take care of them. And that money is wasted and spent ridiculously.
“I used to say when I was a kid of many children’s homes, I used to say, ‘It’d be great, why don’t I just go to some fancy boarding school? At least then I get an education’. But that wasn’t on the cards.”
She added: “To those kids in care, don’t allow the system to drag you down because it can and it will.”
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British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”