David Attenborough at 97: ‘He still works harder than most of us – seven days a week’
At 97, Sir David Attenborough is a man still happy to crawl on his belly through wet grass to get his shot.
For his latest Sky Nature project, Secret World Of Sound, the world-renowned naturalist and broadcaster explores the ways that animals hear and produce sound, using cutting-edge technology to record noises from nature – with some captured on film for the first time.
Attenborough’s long-time collaborator, and the show’s series producer, Sharmila Choudhury tells The Climate Show: “David keeps us on our toes. He sets the bar very high. And that’s a good thing.
“I think he work still works harder than most of us, usually seven days a week… When he commits himself to something, he gives it 100%.”
Sir David Attenborough puts sound centre stage in his new three-part documentary, Secret World Of Sound. Pic: Sky Nature/NOW
Joining the team for filming in the Wye Valley in Monmouth to capture the song of a wild dipper, Attenborough found himself lying on the damp ground hoping that the small bird would show up.
Truly at one with nature, he didn’t have long to wait.
Choudhury explains: “He crawled through the grass to get into the best position, and was all up for it… We didn’t want to leave him lying in the wet grass for hours.
“Miraculously, and this often happens when David arrives on location, the sun suddenly burst through the clouds.
“The dipper flew in. David smiled and delivered his lines of what he wanted to say, you know, smoothly in one go. It’s amazing.”
Pic: Sky Nature/NOW
‘It hits you in the core’
For the same episode, Attenborough explains how bees are struggling with modern fertilisers and climate change.
Choudhury says: “Him looking straight to camera and delivering a message like that is so powerful. It literally hits you in the core.”
Calling him an “inspiration,” and praising his “unrivalled” breadth of knowledge, she adds: “And he obviously has a fabulous voice and style of delivery, which is the cherry on the cake of any natural history program.”
A three-part series, the documentary studies animal behaviour, breaking the sounds they make down into four functions – finding a mate, looking after young, hunting for food or avoiding becoming prey.
Technology worthy of 007
Some of the technology used in the series was borrowed from other walks of life, while other bits of kit were of true James Bond status.
Choudhury says: “We used everything from the tiniest microphone the size of your fingernail, that you could put inside a bird nest or a beehive, to super sensitive hydrophones that you can put underwater to record, the faintest communications between fish.
“There were also a couple of, gadgets that were actually developed for other industries – the gas industry, or for espionage purposes, that we thought might help us to listen in on sounds that we don’t normally get to hear.”
One of those gadgets was the laser vibrometer – a machine which shoots out a laser beam to detect any vibrations caused by noise and amplifies them, so they are audible to the human ear.
Pic: Sky Nature/NOW
It was used to capture the love song of a pair of amorous treehoppers in Costa Rica.
While sound was the focus of the documentary, another theme became impossible to ignore while filming.
‘Every single shoot was impacted by climate change’
Choudhury says: “The biggest challenge, without any doubt, was climate change. It’s something that we’ve seen creep in on us over the years.
“I’ve been making wildlife films for over 30 years. And in the last decade or so, more and more shoots have been impacted by climate change.
“That means animals that would have been predictable in their movements, say, their migrations or where they would be, or the time of year they’d be breeding, are not doing the usual things anymore.
“It started off with one or two parts of the world, or one or two shoots being affected by this. But on this particular series, every single shoot was impacted by climate change.
“That made filming very difficult, and it was very distressing to see the animals suffering in this new world.”
‘The elephants were so stressed’
One example was the team’s trip to Amboseli National Park in Kenya to film elephants.
Pic: Sky Nature/NOW
The plan had been to shoot a story about how mothers and babies communicate with each other – but when they arrived following Kenya’s worst drought in 40 years, they found the elephants in an awful plight.
“The elephants were behaving very differently to before. They had split up into tiny herds and every night they would go out of the park to surrounding fields to try and find some food.
“Every morning they would walk back into the waterhole in the middle of the park, and they would walk single file heads down, absolutely dejected. They didn’t make a single sound.
“The animals were so stressed, they had no energy left to talk to each other effectively.
“After we left, Kenya and Amboseli experienced the worst deaths of wildlife, including elephants, recorded history and that was clearly a result of climate change.”
Pic: Sky Nature/NOW
‘Buy the coral reefs a little time’
But there was some hope amid the devastation being caused to the natural world by the climate crisis – and this was very much set in the world of sound.
During filming, the team discovered an Australian scientist whose research had found that by playing the sound of a healthy coral reef at the site of a dying reef it could help regenerate it and bring back some of the fish.
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Choudhury explains: “They are hopeful that they might be able to buy coral reefs a little bit of time whilst we tackle climate change.
“It won’t be a solution in the long run because the reef will continue to die off if the oceans continue to warm. But it’s a little ray of hope, at a time when we so badly needed.”
Watch the full interview with Sharmila Choudhury on The Climate Show with Tom Heap, Saturday and Sunday at 3.30 and 7.30pm on Sky News.
Secret World Of Sound With David Attenborough is streaming on Sky Nature and NOW.
Wes Anderson is a rarity in Hollywood, with an unswayed distinct aesthetic which has every big name in Hollywood pleading to be in his next project.
Fronted by Benicio del Toro, his new film The Phoenician Scheme sees the return of numerous previous collaborators including Tom Hanks, Jeffrey Wright and Scarlett Johansson, but also adds new faces to the Anderson universe.
It is set in the 1950s and follows a ruthless yet charismatic European business tycoon called Zsa-Zsa Korda who, in Anderson’s own words, “has very little obligation to honour the truth.”
Looking to solidify his own legacy, without much thought for his 10 children, the slaves he wants to use or the land he wants to exploit, Sza-Sza chases multiple deals so he can build his career-defining project, Korda Land and Sea Phoenician Infrastructure Scheme.
Director Wes Anderson on set. Pic: Roger Do Minh/TPS Productions/Focus Features
‘A motivation pill
The Phoenician Scheme was partly inspired by the life of Anderson’s father-in-law, whom he dedicated the film to, Lebanese businessman Fouad Malouf.
Del Toro tells Sky News it was a gift to play a truly unique character.
“It’s like taking a motivation pill,” he says.
“You’re motivated because it’s Wes Anderson, you’re motivated because of the script and the story and the character. It’s unpredictable, original. [There’s] one hell of an arc, and it’s full of contradictions.”
Director Wes Anderson on set. Pic: Roger Do Minh/TPS Productions/Focus Features
Always an actor in mind – well, mostly…
Michael Cera, who plays Bjorn, says he had a “sense of dread” joining the cast. His role was written with him in mind, something he still can’t believe is true.
“[Anderson] has got every actor at his disposal, you’d imagine,” he says.
With production pushed back due to an actors’ strike, Cera feared the project might “fall apart”.
“I was not really at ease until we were there,” he admits.
Every detail is meticulously planned in the Anderson film universe – from the art on the walls (original works from Renoir and Magritte in this case), to the intricate backstory of a character collecting fleas in a plastic bag as a child.
While most roles are written by the Fantastic Mr Fox filmmaker with certain actors in mind – the exception this time is Liesl, the daughter of the business tycoon.
Michael Cera as Bjorn and Benicio del Toro as Zsa-Zsa Korda. Pic: Focus Features
The dream phone call
After months of an audition process, Mia Threapleton got the call to play the straight-talking nun who is beckoned by her father to inherit the family business after his sixth near-death experience.
The 24-year-old daughter of Kate Winslet got the news via a call from her agent while she was on the train – and was in such disbelief she told her to call them back.
“I didn’t believe them – and she laughed at me [and said] ‘of course I’m not lying to you, this is true’. And then I sat on the floor and I cried.”
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Del Toro believes it was Threapleton’s screen test where she stood out as an “inventive” actor who thought on her feet that got her the part, having fashioned part of a makeshift nun costume with a napkin from a lunch tray.
“I said, ‘is there anyone who got any hairpins?’ And I pinned it to my head.”
Ticking a Wes Anderson film off the bucket list is a goal for many actors. Threapelton says she still hasn’t come to terms with achieving it so early in her career.
The Phoenician Scheme is in cinemas now.
Eight people have been found guilty of crimes connected to the gunpoint robbery of Kim Kardashian at a Paris hotel.
The theft targeting the TV personality, socialite and businesswoman in 2016 was carried out by a group the media dubbed the “grandpa robbers” as most were close to or of retirement age.
A six-member jury, led by three judges, reached a verdict on Friday following a four-week trial at Paris’s Palais de Justice.
The court found the ringleader and seven others guilty over the raid at the Hotel de Pourtales. Their sentences ranged from prison terms to a fine, but with time already served in pretrial detention, none of those convicted will go to jail.
The group were accused of pulling off one of the most audacious heists against a celebrity in modern French history, in the early hours of 3 October 2016 during Paris Fashion Week.
Wearing ski masks and disguised as police, the thieves stormed Kardashian‘s luxury hotel apartment, bound the star with zip ties, and stole jewellery worth an estimated $6m (£4.4m), including a ring given to her by then husband Kanye West.
‘You caused harm’
Chief judge David De Pas said the defendants’ ages – with the oldest being 79 and some others in their 60s and 70s – weighed on the court’s decision not to impose harsher sentences, and the nine years between the robbery and the trial was also taken into account.
He also told them the reality TV star had been traumatised by the raid, adding: “You caused harm. You caused fear.”
Some arrived in court in orthopaedic shoes and one leaned on a cane. But prosecutors warned observers not to be fooled.
Read more: Everything you need to know about the Paris trial
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Kim Kardashian’s testimony: What happened?
Ringleader Aomar Ait Khedache, 69, who arrived at court walking with a stick, was sentenced to eight years imprisonment, with five of those suspended.
His DNA, which was found on the bands used to bind Kardashian, was a key breakthrough that helped crack open the case. Wiretaps captured him giving orders, recruiting accomplices and arranging to sell the diamonds in Belgium.
Three others who were accused of the most serious charges got seven years imprisonment, five of them suspended.
‘Most terrifying experience of my life’
After the ruling, 44-year-old Kardashian, who was not present for the verdict, issued a statement, saying: “I am deeply grateful to the French authorities for pursuing justice in this case.
“The crime was the most terrifying experience of my life, leaving a lasting impact on me and my family.
“While I’ll never forget what happened, I believe in the power of growth and accountability and pray for healing for all. I remain committed to advocating for justice, and promoting a fair legal system.”
The court in the French capital found a ninth person guilty of illegal weapons charges, while a tenth person was cleared.
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Kardashian departing Paris court on 13 May
Kardashian ‘thought she would be raped and killed’
Five of the defendants, who were all aged between 60 and 72 at the time of the incident, faced armed robbery and kidnapping charges.
The remaining five defendants were charged with complicity in the heist or the unauthorised possession of a weapon.
During the robbery, Kardashian, who previously told the court she thought she would be raped and killed, was bound with zip-ties and left in the bathtub.
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She described the robbery as “terrifying” and said while she felt forgiveness, that in no way altered “the emotion and the feelings and the trauma,” adding “my life is forever changed”.
Two members of the group – Khedache, known as “Old Omar”, and Yunice Abbas – who wrote a book called I Kidnapped Kim Kardashian, admitted some part in the robbery, while the remaining eight denied the charges.
Prosecutors had requested sentences of up to 10 years.
Kardashian earlier this week completed her six-year legal apprenticeship in California.
Most of the jewellery, which is understood to have been sold in Belgium, was never found.
A diamond-encrusted cross, dropped during the escape, was the only piece ever recovered.
Kneecap have released a new single ahead of their headline performance at London’s Wide Awake festival, just days after one of their members was charged with a terror offence.
The rap trio from Belfast shared a link to the song – The Recap – which opens with Sky News presenter Wilfred Frost reporting about the counter terrorism police investigation – on Instagram, linking to their WhatsApp channel.
Kneecap performing in Belfast last year. Pic: PA
Bandmembers Liam O hAnnaidh, Naoise O Caireallain and JJ O Dochartaigh, also thanked the 25,000 fans who had bought tickets for Friday night’s festival.
They also reference Conservative Party leader Kemi Badenoch, with whom they’ve had previous run-ins, writing: “Kemi Badenoch you might wanna sit down for this one, if you’ve any seats left.”
Last year, Kneecap won a discrimination case against the UK government in Belfast High Court after former business secretary Ms Badenoch tried to refuse them a £14,250 funding award when she was a minister.
Ms Badenoch has called for Kneecap to be banned and suggested they should be dropped from the Glastonbury Festival line-up. Some other politicians have made the same demand.
The track mocks Badenoch’s attempts to block their arts funding and the Conservative Party’s election loss. It features DJ Mozey.
It comes after O hAnnaidh, who performs under the stage name Mo Chara, was charged over the alleged display of a Hezbollah flag at a gig at the O2 Forum in Kentish Town, north London, in November last year, the Metropolitan Police said on Wednesday.
On Thursday, the band held a surprise gig at the 100 Club on Oxford Street, where O hAnnaidh could be seen in videos on social media arriving on stage with tape covering his mouth.
He then joked about being careful about what he said, adding that he wanted to thank his lawyer, saying: “I need to thank my lawyer, he’s here tonight as well.”
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Stars talk about risks of speaking out
In video footage posted to YouTube, the band led the audience in a chant of “free Mo Chara” and joked about the police presence at the venue.
Police said they attended to manage visitors to the sold-out event.
The band said on X that the central London event sold out in 90 seconds, with 2,000 people on the waiting list.
O hAnnaidh, 27, is due to appear at Westminster Magistrates’ Court on 18 June.
Formed in 2017, the group are known for their provocative lyrics in both Irish and English and proved a critical hit in the 2024 semi-fictionalised band origin story movie Kneecap, starring actor Michael Fassbender.
Their best-known tracks include Get Your Brits Out, Better Way To Live, featuring Grian Chatten from Fontaines DC, and 3Cag.
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