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At 97, Sir David Attenborough is a man still happy to crawl on his belly through wet grass to get his shot.

For his latest Sky Nature project, Secret World Of Sound, the world-renowned naturalist and broadcaster explores the ways that animals hear and produce sound, using cutting-edge technology to record noises from nature – with some captured on film for the first time.

Attenborough’s long-time collaborator, and the show’s series producer, Sharmila Choudhury tells The Climate Show: “David keeps us on our toes. He sets the bar very high. And that’s a good thing.

“I think he work still works harder than most of us, usually seven days a week… When he commits himself to something, he gives it 100%.”

Pic: Sky Nature/NOW
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Sir David Attenborough puts sound centre stage in his new three-part documentary, Secret World Of Sound. Pic: Sky Nature/NOW

Joining the team for filming in the Wye Valley in Monmouth to capture the song of a wild dipper, Attenborough found himself lying on the damp ground hoping that the small bird would show up.

Truly at one with nature, he didn’t have long to wait.

Choudhury explains: “He crawled through the grass to get into the best position, and was all up for it… We didn’t want to leave him lying in the wet grass for hours.

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“Miraculously, and this often happens when David arrives on location, the sun suddenly burst through the clouds.

“The dipper flew in. David smiled and delivered his lines of what he wanted to say, you know, smoothly in one go. It’s amazing.”

Pic: Sky Nature/NOW
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Pic: Sky Nature/NOW

‘It hits you in the core’

For the same episode, Attenborough explains how bees are struggling with modern fertilisers and climate change.

Choudhury says: “Him looking straight to camera and delivering a message like that is so powerful. It literally hits you in the core.”

Calling him an “inspiration,” and praising his “unrivalled” breadth of knowledge, she adds: “And he obviously has a fabulous voice and style of delivery, which is the cherry on the cake of any natural history program.”

A three-part series, the documentary studies animal behaviour, breaking the sounds they make down into four functions – finding a mate, looking after young, hunting for food or avoiding becoming prey.

Technology worthy of 007

Some of the technology used in the series was borrowed from other walks of life, while other bits of kit were of true James Bond status.

Choudhury says: “We used everything from the tiniest microphone the size of your fingernail, that you could put inside a bird nest or a beehive, to super sensitive hydrophones that you can put underwater to record, the faintest communications between fish.

“There were also a couple of, gadgets that were actually developed for other industries – the gas industry, or for espionage purposes, that we thought might help us to listen in on sounds that we don’t normally get to hear.”

One of those gadgets was the laser vibrometer – a machine which shoots out a laser beam to detect any vibrations caused by noise and amplifies them, so they are audible to the human ear.

Pic: Sky Nature/NOW
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Pic: Sky Nature/NOW

It was used to capture the love song of a pair of amorous treehoppers in Costa Rica.

While sound was the focus of the documentary, another theme became impossible to ignore while filming.

‘Every single shoot was impacted by climate change’

Choudhury says: “The biggest challenge, without any doubt, was climate change. It’s something that we’ve seen creep in on us over the years.

“I’ve been making wildlife films for over 30 years. And in the last decade or so, more and more shoots have been impacted by climate change.

“That means animals that would have been predictable in their movements, say, their migrations or where they would be, or the time of year they’d be breeding, are not doing the usual things anymore.

“It started off with one or two parts of the world, or one or two shoots being affected by this. But on this particular series, every single shoot was impacted by climate change.

“That made filming very difficult, and it was very distressing to see the animals suffering in this new world.”

‘The elephants were so stressed’

One example was the team’s trip to Amboseli National Park in Kenya to film elephants.

Pic: Sky Nature/NOW
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Pic: Sky Nature/NOW

The plan had been to shoot a story about how mothers and babies communicate with each other – but when they arrived following Kenya’s worst drought in 40 years, they found the elephants in an awful plight.

“The elephants were behaving very differently to before. They had split up into tiny herds and every night they would go out of the park to surrounding fields to try and find some food.

“Every morning they would walk back into the waterhole in the middle of the park, and they would walk single file heads down, absolutely dejected. They didn’t make a single sound.

“The animals were so stressed, they had no energy left to talk to each other effectively.

“After we left, Kenya and Amboseli experienced the worst deaths of wildlife, including elephants, recorded history and that was clearly a result of climate change.”

Pic: Sky Nature/NOW
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Pic: Sky Nature/NOW

‘Buy the coral reefs a little time’

But there was some hope amid the devastation being caused to the natural world by the climate crisis – and this was very much set in the world of sound.

During filming, the team discovered an Australian scientist whose research had found that by playing the sound of a healthy coral reef at the site of a dying reef it could help regenerate it and bring back some of the fish.

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Choudhury explains: “They are hopeful that they might be able to buy coral reefs a little bit of time whilst we tackle climate change.

“It won’t be a solution in the long run because the reef will continue to die off if the oceans continue to warm. But it’s a little ray of hope, at a time when we so badly needed.”

Watch the full interview with Sharmila Choudhury on The Climate Show with Tom Heap, Saturday and Sunday at 3.30 and 7.30pm on Sky News.

Secret World Of Sound With David Attenborough is streaming on Sky Nature and NOW.

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

Actor Gina Carano has settled her lawsuit with Disney and Lucasfilm after claiming she was wrongfully dismissed from The Mandalorian for expressing her political opinions.

Carano was fired in February 2021 after starring as Rebel ranger Cara Dune in two series of the Disney+ Star Wars series The Mandalorian.

According to court documents, it came after the 41-year-old referenced the Nazis’ treatment of Jewish people while discussing current political differences in the US.

At the time, production company Lucasfilm said in a statement that her “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable”.

But late on Thursday, she posted on X: “I have come to an agreement with Disney/Lucasfilm which I believe is the best outcome for all parties involved.”

She added that she “hopes this brings some healing to the force”.

The details of the financial settlement have not been disclosed.

When filing her lawsuit at the Californian District Court last year, she had sought $75,000 (£59,000) in damages.

She also thanked Elon Musk for financing the lawsuit, despite the two having never met.

“I want to extend my deepest most heartfelt gratitude to Elon Musk, a man I’ve never met, who did this Good Samaritan deed for me in funding my lawsuit,” she wrote in her post. “Thank you Mr. Musk and X for backing my case and asking for nothing in return.”

The X owner is an ardent advocate of free speech and has funded similar legal battles previously.

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Carano as Cara Dune.'The Mandalorian'. Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Carano as Cara Dune.’The Mandalorian’. Pic: Lucasfilm/Disney/Kobal/Shutterstock

Carano signed off: “I am excited to flip the page and move onto the next chapter.

“My desires remain in the arts, which is where I hope you will join me. Yes, I’m smiling. From my heart to yours, Gina.”

In response to the settlement, Lucasfilm said in a statement: “Ms Carano was always well respected by her directors, co-stars, and staff, and she worked hard to perfect her craft while treating her colleagues with kindness and respect.

“With this lawsuit concluded, we look forward to identifying opportunities to work together with Ms. Carano in the near future.”

In legal documents, Carano’s team claimed both Disney and Lucasfilm had “targeted, harassed, publicly humiliated, defamed, and went to great lengths to destroy Carano’s career”.

She also alleged she was treated differently to her male colleagues. Neither company commented on these claims.

Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Pic: Lucasfilm/Disney/Kobal/Shutterstock

Lawyer Gene Schaerr, managing partner at Schaerr Jaffe, said at the time: “Disney bullied Ms Carano, trying to force her to conform to their views about cultural and political issues, and when that bullying failed, they fired her.

“Punishing employees for their speech on political or social issues is illegal under California law.”

Carano, who began her career as a mixed martial arts fighter, has starred in other Hollywood franchises, including Fast & Furious 6 as Riley Hicks, and Deadpool, in which she played Angel Dust.

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Eddie Murphy: I’ll get an Oscars trophy eventually – when I’m old and have no teeth

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Eddie Murphy: I'll get an Oscars trophy eventually - when I'm old and have no teeth

Eddie Murphy has told Sky News he doesn’t ever expect to win awards – but will happily accept an honorary Oscar when he’s 90.

Murphy is one of the biggest stars in comedy after starting out on Saturday Night Live (SNL) in 1980 and starring in a number of big franchises from Beverly Hills Cop to Shrek.

His latest project is heist comedy The Pickup, centred on two security van drivers. Keke Palmer and Pete Davidson star alongside him.

Pete Davidson, Eddie Murphy and Keke Palmer in The Pickup. Pic: Amazon MGM Studios
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Pete Davidson, Eddie Murphy and Keke Palmer in The Pickup. Pic: Amazon MGM Studios

Murphy says award recognition was never something that shaped the projects he chose.

“The movies are timeless, and they’re special, so for years and years those movies play and the movies have commercial success.

“So you make a lot of money and people love it, so you don’t even think about ‘I didn’t win a trophy!’ The response from the people and that the movie has legs, that’s the trophy.

“You know what I’ve earned over these years? One day, they’ll give me one of those honorary Oscars. When I’m really old. And I’ll say thank you so much for this wonderful honour. I’ll be old like that and I’ll have no teeth. I’m cool with getting my honorary Oscar when I’m 90.”

Murphy, 64, has only been nominated once – for Dreamgirls in 2007, when Alan Arkin won the best supporting actor Oscar for Little Miss Sunshine.

Murphy’s co-star Palmer says she considers Murphy an icon in the industry, and The Nutty Professor was a true display of his artistry.

Eddie Murphy as Sherman Klump in The Nutty Professor. Pic: Reuters
Image:
Eddie Murphy as Sherman Klump in The Nutty Professor. Pic: Reuters

“I feel like recognition and [being] underrated and all this stuff, it annoys me a little bit because I think impact is really the greatest thing, like how people were moved by your work, which can’t really be measured by an award or really anything,” Palmer says.

“It’s very hard to make people laugh, and so when I think about it like The Nutty Professor, Eddie was doing everything, and I swear that the family members were real people.

“He didn’t camp it to the point where they weren’t realistic. His roles had integrity, even when he was in full costume. And I do think that’s something that should change in our industry. Comedy, it should be looked at just as prestigious as when you see somebody cry, because it’s that hard to make somebody laugh.”

Eddie Murphy and Pete Davidson in The Pickup. Pic: Amazon MGM Studios
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Eddie Murphy and Pete Davidson in The Pickup. Pic: Amazon MGM Studios

Recalling his time on the 90s comedy, Murphy says he’s still in disbelief of what they achieved in making the film with him playing seven characters – Professor Sherman Klump, Buddy Love, Lance Perkins, Young Papa Klump, Granny Klump, Ernie Klump and Mama Klump.

“You can only shoot one character a day. And the rest of the time you’re shooting, I’m talking to tennis balls where the people were sitting.

“So to this day when I watch it, I’m like, wow, that’s a trip. But we were able to mix all that stuff up and different voices and make it feel so that you don’t even feel like when you’re watching it, someone have to tell you, hey, you know, those are all one person.”

The film won best makeup at the 1997 Academy Awards.

Security guards buddy comedy

Palmer says their new project, The Pickup, is responsible for one of the most memorable moments of her life when she mistook Murphy’s acting for real praise.

“First of all, Eddie gives me this big speech before I do the monologue, where he’s like, ‘this is not playing around. This is a pivotal point in the movie’.

“I’m crying in the scene, and then it comes to the end, and Eddie’s [clapping] like, and I’m literally like, ‘oh my gosh, thank you so much’. And he’s like, ‘I’m acting’. When I tell you, it was so crazy, yeah. That’s like one of my most memorable moments in life.”

Keke Palmer and Pete Davidson star in The Pickup
Image:
Keke Palmer and Pete Davidson star in The Pickup

Davidson is excited to see how the UK puts its own stamp on SNL, the show where both he and Murphy got their start on-screen.

“It’s a smart idea to have SNL over there because it’s not that it’s a different brand of comedy, but it is a little bit. A lot of the biggest stuff that’s in the States is stuff that we stole from you guys, like The Office or literally anything Ricky Gervais does.

“This is the first time I’ve ever heard anything American going to the UK, so I think it’s great. I think it’s great to have two opposite sorts of takes on things, but both be funny. That just shows you how broad comedy can be, you know?

The Pickup is out on Prime Video now.

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Ex-Superman Dean Cain to join ICE ‘ASAP’ to ‘save America’

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Ex-Superman Dean Cain to join ICE 'ASAP' to 'save America'

Dean Cain has been branded the “worst superman ever” as he announced he will join the US Immigration and Customs Enforcement (ICE) “ASAP”.

The 59-year-old, who was cast as Superman in the TV series Lois & Clark: The New Adventures of Superman, announced he had joined the team amid the federal agency’s unprecedented immigration raids.

He told Fox News on Wednesday his recruitment video on Instagram had gone viral and since then, “I have spoken with some of the officials over at ICE and I will be sworn in as an ICE agent ASAP”.

“You can defend your homeland and get great benefits,” he said in the Instagram post where he appealed for his followers to join ICE.

Speaking with the Superman theme song in the background, he said “hundreds of thousands of criminals” had been arrested since US President Donald Trump took office.

He then told his followers they would get a series of benefits if they joined ICE, including a $50,000 (£37,407) signing bonus and student loan repayment.

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“If you want to help save America ICE is arresting the worst of the worst and removing them from America’s streets,” he said, before adding: “I voted for that.”

ICE agents are under pressure from the White House to boost their deportation numbers in line with Mr Trump’s campaign promise to crack down on illegal immigration.

Cain’s post on Instagram received some backlash, with one user commenting: “Worst superman ever”.

Another said: “Shame on you Dean – that’s the most un-Superman thing you could possibly advocate.”

One fan turned against him and said: “Until I saw this I was such a fan. What a sad human being you must be.”

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