First it was bent coppers, now it’s explosives planted around London – Vicky McClure’s characters never have it easy.
The BAFTA-winning actress is currently on screen as Lana Washington in the second series of ITV drama Trigger Point, leading a team of bomb disposal experts – or “expos” – working for the Met Police.
Written by Daniel Brierley, it’s another series executive produced by Jed Mercurio, the man behind Line Of Duty. While it hasn’t quite reached the same fevered levels of fandom just yet, the first season was a ratings winner and a linear TV draw for viewers tuning in to see what – or who – will face an explosive end each Sunday night.
Warning – contains spoilers
Image: Stay away from the lift shaft: McClure and co-star Mark Stanley as DCI Thom Youngblood. Pic: ITV
The penultimate episode airs this evening and the tension has ramped up; Lana has faced car park bombs, disused tube station bombs and laptop bombs – not to mention her detective ex being pushed down a lift shaft by a woman disguised as a firefighter checking the scene, right after their romance had been rekindled.
But how good is Trigger Point at getting the work of a real-life expo right?
Major Chris Hunter, who spent years in bomb disposal for the army and the Special Forces – and whose work inspired the Oscar-winning film The Hurt Locker – has written books including Extreme Risk and Eight Lives Down.
He now works for an NGO clearing explosives from conflict zones and has been watching Trigger Point in Iraq. While he wasn’t too impressed with the first series, he says things have vastly improved second time round.
“You can’t help sort of looking at the technical aspects of it and critiquing it,” he told Sky News. “And I think a lot of the aspects are really technically on the ball [in series two].”
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‘Absence of the normal, presence of the abnormal’
Image: Experts agree the second series is more true to life than the first. Pic: ITV
There’s still “a little bit of running around, a little bit of shouting” in the show, he understates it, but appreciates you need this to make a drama. In reality, he says it’s not so chaotic.
“We don’t do that as bomb techs, we just don’t shout. We don’t run around. We don’t run towards a bomb, we don’t run away from a bomb. Everything is calculated. Everything. You’re constantly going through this threat assessment.
“When you turn up at a bomb scene, you’ve got to draw on your experience, you’ve got to draw on your intelligence, your intellect, your IQ. You’ve got to draw on your intuition as well, because you’ve never got 100% of the threat picture, if you like. So you have to make a plan based on what information you’ve got.
“It’s cold, it’s calculating, it’s thorough. And then you’ve got to walk up to that bomb – and I say walk, you don’t run up to a bomb, ever. You walk up to that bomb and as you’re walking up to it, you’re continually refining that threat assessment. You’re looking at the environment. You’re looking at the atmospherics. You’re taking in every single aspect of the information around you.
“You’re looking at absence of the normal, you’re looking at presence of the abnormal. And as you take each step towards that bomb, you’re constantly updating the threat picture. Is there something right, is there something wrong?”
You have to think about intent, he adds, and what type of bomb you’re dealing with. “Is it time? Is it command? Is it victim-operated? And you constantly hear Vicky McClure’s character asking that question and that’s really good to see as well, they’ve absolutely got that right. And then finally when you get up to the bomb, that’s when you’ve built up most of your threat picture.”
In this series, drones have been used in an attack on Washington and her team.
“Drone warfare is very much at the forefront of what we do,” says Chris. “So I think that’s something they’ve got absolutely right, it’s definitely in every aspect of conflict. It’s something we’re seeing now, and it’s something we’re going to see 100% in the future. I think they’ve done a really good job at looking at the current technologies and how to turn those into IEDs and threats, and a good sort of analysis of future technologies as well. Things that are just around the corner.”
‘I can suspend my disbelief’
Image: Kerry Godliman stars alongside McClure as data analyst Sonya. Pic: ITV
Lucy Lewis, the army’s first female bomb disposal expert, says there are parts the show gets right and parts it gets wrong – but these things are often incorrect on purpose.
“In these kinds of shows you have to get some bits wrong so they can never be mistaken as a documentary,” she says. “When it’s a police [or military] uniform, you have to get something visually wrong so there’s no way snippets could be mistaken for the real thing.” For example, in the recent police procedural series Vigil, she points out, military badges read “British Air Force” and not “Royal Air Force”.
In Trigger Point, as there are no distinguishing badges for the expos they often have their radios upside down, “which I find really annoying”, she says, “but it’s because there’s nothing else they can really ‘get wrong’, visually”.
Lucy has written a book about her work, titled Lighting The Fuse, and says there has been renewed interest since Trigger Point debuted six months later, such is the fascination with the show. She says she has watched it “between my fingers and shouted at the telly quite a lot” at some points.
“It must be the same for police watching police [portrayed in TV dramas], medics watching medics,” she says. “But I love watching Vicky McClure and I think Jed Mercurio is really good. I watch for quality of the drama rather than technical aspects. But this series is better than the first, and I can suspend my disbelief.”
In real life, bomb disposal work is “very boring, lots of hanging about”, she says. “There’s a small crack and a puff of smoke and nothing happens. They’ve made it very dramatic in Trigger Point – every explosion is always a fireball.”
‘It’s a problem that needs to be dealt with’
Image: McClure and co-star Nabil Elhouahabi, who plays Hass. Pic: ITV
But rather than being annoyed at the exaggerations, Lucy enjoys “the drama of it”. And to critics on social media who have questioned certain actions, such as Lana sometimes removing her helmet when searching for explosive devices, she says this does happen. “We do take our helmets off to look under cars,” she says. “And we do use fibreoptics to look inside things. They’ve also done the controlled explosions right, pretty much. But there’s a lot more snipping of the red wire than really goes on.”
Most people would say bomb disposal experts must need nerves of steel, but Lucy is having none of it. “Not at all – it’s a problem that needs to be dealt with. For me, the worst part was always the journey there, not knowing what I was going to find. As soon as you arrive there’s bits to check – where gas mains are, what’s in the buildings around you, why the bomb is where it is, is it next to something vulnerable and what are the consequences of that?”
As has been shown in Trigger Point, “very rarely is where the bomb is placed the actual target, that’s what it gets right… they’ll put in a small bomb that draws you in, but the main bomb is in location two. In Afghanistan, the idea was not to kill but to injure, to then target the Chinook coming in to get the injured.”
The show has faced questions from some viewers about potentially giving away too much about how to make and operate explosives, or work out ways to prevent expos from doing their job, but Chris says there is enough missing from the show to prevent too much information being given away.
“They’ve got the technical aspects correct enough for it to be absolutely authentic, but not quite enough for somebody to go in there and say, oh, I’m going to go make a bomb now. If you tried to use it as some sort of recipe book, then you would definitely be getting it slightly wrong.”
And like Lucy, he plays down the bravery aspect, saying dealing with explosives comes after years of training and experience.
“As bomb techs, we know exactly what we’re doing. And I guess, more importantly, we know what we don’t know. Everything is calculated risk, it’s not foolhardy risk. So, I guess, yeah, a healthy amount of courage, but I wouldn’t say nerves of steel, no.”
As for Lana Washington – would he have her on his team?
“You know what? I think when she was in series one, probably not. I think she needed a bit more training. I think series two, yeah, she’s definitely very good.
“I’ve heard actually, through the grapevine – I don’t know if this is true, but apparently – I’ve heard that when [McClure] talks to the technical adviser, she’s actually read the script [at times] and said, ‘I’m not sure I’d do that, I’d probably want to do this’, because she’s learnt so much she’s actually started to think like an operator now. So, you know, kudos to her, and her technical adviser as well. Good effort.”
A man has been arrested on suspicion of murder after three children and a woman died in a house fire in Brent, northwest London.
Metropolitan Police officers are investigating after being called to assist firefighters in Stonebridge, near Wembley, shortly after 1.20am.
A 43-year-old woman and three children, a 15-year-old girl, an eight-year-old boy and a four-year-old boy, died at the scene, the force said. Their next of kin have been informed.
Police are waiting for an update on the conditions of two others who were taken to hospital.
A 41-year-old man was arrested at the scene in connection with the incident and remains in custody.
Image: Pics: PA
Eight fire engines and around 60 firefighters responded to the blaze, the London Fire Brigade (LFB) said.
Two terrace houses, each with three floors, were severely damaged in the fire, which was under control by around 3.25am, the fire service added.
Firefighters rescued the woman and one of the children from the second floor of the house, but they were declared dead by air ambulance crews.
The two other children were found inside the property and were also declared dead at the scene, LFB said.
Image: Emergency services at the scene. Pics: PA
LFB assistant commissioner Keeley Foster said: “Upon arrival, firefighters were met with a well-developed fire, involving two adjoining properties. Crews immediately set to work carrying out firefighting operations in order to bring the incident under control.
“Sadly, a woman and three children have died as a result of this fire.
“Crews wearing breathing apparatus were able to rescue the woman and one of the children from the second floor, but they were later declared deceased at the scene.
“A further two children were discovered to have died in the fire, as crews carried out a search of the properties involved.”
She added: “This is an extremely tragic incident, and the thoughts of everyone across the brigade are with those impacted by this incident.”
Image: Pic: PA
London Ambulance Service said an air ambulance, incident response officers, advanced paramedic and hazardous area response team were deployed to the scene.
Superintendent Steve Allen, from the Met’s local policing team in northwest London, said: “This is an extremely tragic incident and our thoughts are with everyone involved.
“Officers arrested a man at the scene and we continue to work alongside investigators from the London Fire Brigade to establish the cause of the fire.
“Emergency services will remain in Tillett Close throughout the day as these enquiries take place.”
Mayor of London Sadiq Khan said in a post on X: “This is devastating news and my thoughts are with the family, friends and wider community of the four people who sadly have lost their lives.
“I remain in close contact with the London Fire Brigade and Metropolitan Police as they work to establish the cause of the fire and offer support to all those impacted.”
Dawn Butler, the local Labour MP for Brent East, posted: “Devastated to see the fatal fire at homes in Tillett Close last night.
“My prayers are with the family and friends affected by this is a very sad tragedy.
“@LFB_Brent worked hard to get it under control, thank you.”
The teacher of one of the Southport stabbing victims has told Sky News they “don’t want her to be forgotten”, 10 months after the knife attack in which she was murdered.
Seven-year-old Elsie Dot Stancombe was killed along with Bebe King, six, and nine-year-old Alice da Silva Aguiar in an attack by Axel Rudakubana at a Taylor Swift-themed dance class last July.
Jennifer Sephton, headteacher of Farnborough Road Infant School, will be skydiving to raise funds for the Elsie’s Story charitable trust, which has been set up in memory of the former pupil.
Image: (L-R) Alice da Silva Aguiar, Elsie Dot Stancombe and Bebe King were killed in an attack at a Taylor Swift-themed class
“She’d been with us for four years, throughout her education,” Ms Sephton told Sky News, “and we just want everybody to know Elsie’s spirit.”
Describing Elsie as “such a determined young lady,” Ms Sephton said Elsie had “a real zest for life, and a sparkle in her eye all the time.”
She added that Elsie’s Story, which has been set up by Elsie’s family, is about “continuing that legacy.”
Image: Jennifer Sephton
In the aftermath of the July 2024 attack, the gates outside Elsie’s school were lined with flowers, balloons, and cards bearing her name.
Since then, memorial benches and a tree have been planted in the school grounds, providing pupils and staff with a place to “remember and reflect”, Ms Sefton says.
“[Elsie’s death] had such an impact on all our community,” the teacher said, “it’s had an impact on her friends, their siblings, our school as a community and our staff.”
Ms Sephton will be joined in the skydive by Adrian Antell, headteacher at the adjoining junior school where Elsie had been due to start.
“Elsie was due to come to us last September,” he told Sky News, “but what we’ve learned about her is that she had a wonderful impact in the infant school, and we don’t want her to be forgotten.
“We want her name to have to live on and to be thought of in a positive way.”
Mr Antell said they continue to support Elsie’s classmates, who joined the new school without her.
“There’s no instruction manual for this,” he explained, “every day is different, and every day is one step at a time.
“So all we can do as a school is to think about individual children and support them in the best way we can.”
Scientists from Kew Gardens are using a new study to track which trees bees prefer to try to stem the decline in our vital pollinators.
Bee populations are falling all over the world due to a mixture of habitat loss, climate change, and the use of pesticides, with a devastating impact on our biodiversity and food production.
But it’s feared that not enough comprehensive, global research is being done to understand the issue or find solutions.
Image: The study is building up heat maps of the most popular trees
Image: Non-invasive monitors track the buzz created by bees’ wing beats
UK becoming a no-fly zone
Researchers based at Wakehurst in Sussex, known as Kew’s “Wild Botanic Garden”, have begun placing advanced bio-acoustics sensors in some of their trees to track which ones bees favour.
They hope it’ll help urban planners know which trees to plant in built-up areas, as a way of combating the worrying decline in bee numbers.
Pollination research lead Dr Janine Griffiths-Lee said: “Nearly 90% of our flowering plants depend on the contribution of pollinators, but in the UK the population of flying insects in the last 20 years has decreased by around 60%.
“It’s really hard to be able to put a figure on the decline of our pollinators, but we do know that globally the number is declining.
“And with that comes crop yield instability and the loss of an essential ecosystem service.”
Their new, non-invasive monitors listen for the buzz created by bees’ wing beats, building up heat maps of the most popular spots.
Image: Bio-acoustics sensors are placed in trees to track which ones the bees are more drawn to
‘We’re facing twin crises’
Dr Griffiths-Lee said: “If you think about the tree’s footprint, it’s very small, but they’re huge 3D structures covered in pollen and nectar, which are essential resources of pollinators.
“So we really wanted to think about which are the best trees for bees for us to plant, and that can inform landscape planners, urban architects.”
Eight different species of tree were chosen for the study, including horse chestnut and lime trees, with a mixture of native and non-native species.
The scientists have also been gathering DNA from pollen, which also helps them to map which plants and flowers the insects prefer.
Wakehurst’s director, Susan Raikes, calls the 535-acre estate a “living laboratory”, and said the project’s all about searching for nature-based solutions to the impacts of climate change.
“The stakes couldn’t be higher, really. We know that we’re facing these twin crises of biodiversity loss and climate change,” she added.
“We need to be able to understand, as the climate changes, which plants from warmer climes will be good here in the UK for pollinators in the future.
“If all of our native plants are struggling, then we need to find new sources of pollen – for us all to survive.”