The producers of a West End show are “carefully considering” plans to hold evenings aimed at black-only audiences following criticism from Downing Street.
Slave Play, which features Game Of Thrones star Kit Harington among the cast, will run from 29 June to 21 September at the Noel Coward Theatre in London.
It is set to include two performances aimed at an “all-black-identifying audience” that is “free from the white gaze”.
Similar “Black Out” nights were held during the show’s run on Broadway in New York in 2019, with organisers describing them as “private, invitation-only events”.
Image: Game Of Thrones star Kit Harington is among the ensemble cast. Pic: PA
The West End move was announced earlier this week, with the “Black Out” events confirmed to be taking place on 17 July and 17 September.
But when asked about the plans on Thursday, Prime Minister Rishi Sunak‘sofficial spokesperson said: “Restricting audiences on the basis of race would be wrong and divisive”.
However, organisers said they would not “prevent or preclude anyone” from attending and said “nobody” had been turned away in the past.
They told Sky News in a statement: “As the producers of Slave Play in the West End, our intent is to celebrate the play with the widest possible audience. We want to increase accessibility to theatre for everyone.
“The Broadway production conceived of Black Out nights and we are carefully considering how to incorporate this endeavour as part of two performances in our 13-week run. We will release further details soon.
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“To be absolutely clear, no one will be prevented or precluded from attending any performance of Slave Play.”
On Friday morning the website for the play showed that, on the “Black Out” dates, tickets were available to buy for a matinee performance on 17 July, but not an evening performance.
No ticketed show appeared to be scheduled for 17 September.
Mr Sunak’s spokesman said on Thursday: “The prime minister is a big supporter of the arts and he believes that the arts should be inclusive and open to everyone, particularly where those arts venues are in receipt of public funding.
“Obviously, these reports are concerning and further information is being sought. But clearly, restricting audiences on the basis of race would be wrong and divisive.”
‘No colour bar’
Slave Play is written by US actor and playwright Jeremy O Harris, with Banana star Fisayo Akinade and Denzel Washington‘s daughter Olivia Washington also among the cast.
After being accused by some social media users of being “racist against white people”, Emily In Paris star Harris wrote on X: “I don’t have to imagine the roles were reversed in my grandparents’ lifetimes AND WORSE.
“I’m not even saying BLACKS ONLY I’m saying I’m inviting black ppl first! They can bring their white friends or lovers if they want. There’s no colour bar. But one existed in the UK recently!”
Slave Play was nominated for 12 Tony Awards for its Broadway run and tells a story of “race, identity and sexuality” at a plantation in the southern US during the early 21st century.
During a 2019 “Black Out” staging of the play in New York’s Golden Theatre, all 804 seats were used by black-identifying theatregoers, according to organisers.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.