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Photographer Edward Burtynsky says people should be “screaming 10 alarm fire right now,” due to the urgency of the climate crisis. Instead, he says “it still feels like we’re rearranging the deck chairs on the Titanic”.

The 69-year-old Canadian artist has re-invented landscape photography, spending the last 40 years documenting man’s dominance over the planet.

He explores human impact across the world – in all its beauty and bleakness.

But does he see any conflict in creating beautiful images documenting such devastating impact on the earth?

He tells Sky News: “My work is revelatory, not accusatory.

“Every living species takes something from nature to survive, and we as a top predator, take quite a bit from nature to survive.

“All these things I’m showing would be perfectly fine if there were one billion human beings on the planet. The fact that there’s eight billion makes it a problem. It’s just too much of a good thing.”

His large-scale panoramas both celebrate and question human ingenuity, challenging his audience to look beyond their backyard.

They also act as a critical reminder of what could be at stake without urgent changes to the way we use the planet’s resources.

Pic: Edward Burtynsky/Flowers Gallery
Image:
Coast Mountains, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery

Born in Ukraine, Burtynsky’s parents moved to Canada after the Second World War. His father – who gave him his first camera as a child – died when he was just 15.

Precipices and helicopters

The necessity to earn enough money to allow him to study photography led him to find work in big industry, working in both the auto and mining industries as a young man.

“I moved far north and worked in big mines. And I got to see those worlds, first-hand. And I think it was that kind of opening my eyes to this other world that gave me the idea that most people haven’t really seen these worlds”.

Progressing from standing on the edges of perilous quarries and mines to get his shots (admitting, “my mother didn’t approve, it was sort of dangerous”), he now uses helicopters to get his aerial images.

Pic: Edward Burtynsky/Flowers Gallery
Image:
Kooragang of Coal Terminal, Newcastle, New South Wales, Australia. Pic: Edward Burtynsky/Flowers Gallery


Over four decades, his photography has seen him travel to multiple countries across every continent (except for Antarctica), with his works included in the collections of more than 60 museums around the world.

Disappearing rivers of ice

His recent trip to photograph the Coast mountains of British Columbia, Canada, for his latest exhibition – New Works – was a stark reminder of a swiftly changing world.

From his bird’s eye view, he could see the glaciers – which date as far back as 150,000 years – had receded dramatically compared with 20 years ago because of warming as a result of human activity.

Not only a visible measure of man’s impact on the environment, the disappearing rivers of ice will go on to impact the ecosystems that rely on their meltwater.

Burtynsky’s new collection also explores soil erosion in Turkey, and the impact of coal mines in Australia.

Pic: Edward Burtynsky/Flowers Gallery
Image:
Salt Lakes, North-East Tuz Lake, Turkey. Pic: Edward Burtynsky/Flowers Gallery


He admits it’s sometimes frustrating trying to relay the urgency of the climate emergency message.

‘Our legacy is troubled’

“We have this particular moment in time and things are evolving rapidly. I’m trying to invoke a sense of urgency out there… This is actually scientifically being charted and we’re pretty good at predicting what to expect.”

His environmental message – which is his life’s passion – is deeply held.

“I have two daughters and I want them to have a chance to have a family, too. So, if you know, the legacy that we’re leaving behind is troubled.

But his ecological vigour is also rooted within his personal knowledge of big industry. He says our use of the world’s most valuable resources is not something that can just stop, but instead needs careful planning, with alternative energy incentivisation, to help us transition to more sustainable methods.

Pic: Edward Burtynsky/Flowers Gallery
Image:
Erosion Control, Yesilhisar, of Central Anatolia, Turkey. Pic: Edward Burtynsky/Flowers Gallery

So, what’s his view on the growing army of climate activists drawing attention to the cause by doing ever more extreme things to hit the headlines – particularly when that involves demonstrations in art galleries?

‘I understand the frustration’

“I understand why culture and the arts in particular can be a target, and somebody trying to bring attention through art celebrity. And that’s what’s happening, they’re taking a famous painting and throwing some paint on it… Or gluing themselves…

“I would think that demonstrating in front of the companies that are causing the problem might be a better place – to go direct to the source of the problem. But I understand the frustration.”

Pic: Edward Burtynsky/Flowers Gallery
Image:
Erosion Nallıhan, Ankara Province, Turkey. Pic: Edward Burtynsky/Flowers Gallery

As for the renewed scrutiny on the source of funding for some of our big arts institutions, including galleries and museums accepting money from big oil companies, he says it’s a tricky path to navigate.

‘Be careful what you wish for’

“The line in a way is dangerous because you can all of a sudden find out that culture is no longer viable.

“I think as well, the oil companies have to transition, and they can do a lot to make a difference.

“We still need oil in the meantime until the transition occurs, [and we should] be careful what we wish for, because if all of a sudden the oil stopped tomorrow, I’d call that anarchy.

“We wouldn’t have food coming into the cities. We wouldn’t have transport working, everything would come to a screeching halt. So we are, unfortunately, still bound to that energy source for the foreseeable future.”

Pic: Edward Burtynsky/Flowers Gallery
Image:
Ravensworth Coal Tailing, Ravensworth Mine, Hunter Valley, New South Wales, Australia,. Pic: Edward Burtynsky/Flowers Gallery


Part of that future, he believes, lies in the essential role that art can play in raising ecological awareness.

‘There’s still time’

“Artists have a role and creativity has a huge role in the future, because we have to reinvent our world. We have to find a world that isn’t built on this consumer culture saying the more stuff I own, the happier I am.

“I think everybody’s finding that that’s a bit of a shallow value system that may have been sold to us by some very influential advertising campaigns.”

So, should viewers of his work feel optimistic or pessimistic on leaving the gallery?

“I hope people can walk away saying there’s still time to do something.

“I think pessimism tends to lead to cynicism that nothing will work, so [people think] ‘Why should I bother? I’ll just carry on business as usual’. And I don’t think that’s the right attitude.”

Pic: Edward Burtynsky/Flowers Gallery
Image:
Coast Mountains, Monarch of Ice Cap, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery

But alongside that optimism, Burtynsky’s clear-eyed on the challenges the world is facing.

Atmospheric rivers, water bombs and heat domes

“The storms are coming – we’re hearing all kinds of new terminology: ‘Atmospheric rivers’; ‘water bombs’ – these the massive amounts of water hitting a city all at once; ‘heat domes’. All of these new terms to try and describe what’s coming.

“The fire seasons have already started early, Texas is having one of its worst fire seasons ever, and it’s a month and a half, two months early.”

Pic: Edward Burtynsky/Flowers Gallery
Image:
Coast Mountains, receding of glacier, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery

He concludes: “It’s a question of how quickly we’re able to cease and desist the worst activity that we’re doing, which I’d say right now is CO2 loading in the atmosphere and is our most immediate problem.

“We’ve got a lot of problems, and I think if people are going to act, they need to act. The time for words is way over.”

Edward Burtynsky New Works is showing at Flowers Gallery until 6 April.

A retrospective of his work, Extraction /Abstraction, is showing at the Saatchi Gallery until 6 May.

Click to subscribe to ClimateCast wherever you get your podcasts

Watch the full interview on The Climate Show with Tom Heap, Saturday and Sunday at 3.30 and 7.30pm on Sky News.

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Harper Lee mystery:  Is there a To Kill A Mockingbird prequel and true crime novel ‘waiting to be published’?

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Harper Lee mystery:  Is there a To Kill A Mockingbird prequel and true crime novel 'waiting to be published'?

One of Harper Lee’s surviving relatives says it’s possible there could be major unpublished works by the author still to be discovered, following the release of eight of her previously unseen short stories.

Describing the mystery around a manuscript titled The Long Goodbye, which Lee wrote before To Kill A Mockingbird, Lee’s nephew, Dr Edwin Conner, told Sky News: “Even the family doesn’t know everything that remains in her papers. So, it could be there waiting to be published.”

Dr Conner says Lee submitted a 111-page manuscript, titled The Long Goodbye, after writing Go Set A Watchman in 1957.

The retired English professor explains: “It’s not clear to me or to others in the family, to what extent [The Long Goodbye] might have been integrated into To Kill a Mockingbird, which she wrote immediately after, or to what extent it was a freestanding manuscript that is altogether different and that might stand to be published in the future.”

Lee researched Reverend Maxwell's death, but no book was ever published. Pic: AP
Image:
Lee researched Reverend Maxwell’s death, but no book was ever published. Pic: AP

A second mystery exists in the form of a true crime novel, The Reverend, which Lee was known to have begun researching in the late 1970s, about Alabama preacher Reverend Willie Maxwell who was accused of five murders before being murdered himself.

Dr Conner said: “The manuscript of a nonfiction piece, that according to some people doesn’t exist, according to others who claim to have seen it, does [is also a mystery]. We don’t know where it is, or whether it is, really.

“That could be a surprise that has yet to be revealed if we discover it and it’s published, which is a real possibility.”

More on Literature

He believes much of the manuscript was written in his family home and says his mother, Louise, who was Lee’s older sister, saw a “finished version of it” on the dining room table.

Dr Conner says there are “others who just as fiercely say no, it was never completed”.

A C Lee (L) - the inspiration for Atticus Finch with his grandchildren, including Edwin Conner (C), in 1953
Image:
A C Lee (L) – the inspiration for Atticus Finch with his grandchildren, including Edwin Conner (C), in 1953

‘She did want to publish these stories’

There has long been debate over why Lee published just two books in her lifetime.

To Kill a Mockingbird came out in 1960. Selling more than 46 million copies worldwide, translated into more than 40 languages and winning a Pulitzer Prize, it’s arguably the most influential American book of the 20th century.

Fifty-five years later, Lee published a sequel, Go Set A Watchman, written ahead of Mockingbird, but set at a later date.

Then aged 88, and with failing health, there were questions over how much influence Lee had over the decision to publish.

Asked how happy she’d be to see some of her earliest work, containing early outlines for Mockingbird’s narrator Jean Louise Finch and the story’s hero Atticus Finch, now hitting the shelves, Dr Conner says: “I think she’d be delighted.”

A previously unseen image of one of Lee's short story transcripts. Pic: Harper Lee Estate
Image:
A previously unseen image of one of Lee’s short story transcripts. Pic: Harper Lee Estate

He says Lee had presented them to her first agent, Maurice Crane, at their first meeting in 1956, “precisely because she did want to publish these stories”.

And while dubbing them “apprentice stories,” which he admits “don’t represent her at her best as a writer,” he says they show “literary genius of a kind”.

Notoriously private, he says the stories – which were discovered neatly typed out in one of Lee’s New York apartments after her death – offer “deeply enthralling new glimpses into her as a person”.

Never marrying or having children, he says Lee maintained a degree of privacy even with her family: “You never saw her complete personality… We thought we knew her, we thought we’d seen everything, but no, we hadn’t.”

George W Bush awards Lee with the Presidential Medal of Freedom in 2007. Pic: Reuters
Image:
George W Bush awards Lee with the Presidential Medal of Freedom in 2007. Pic: Reuters

‘That’s it, I’m not giving any more interviews’

While describing her as a “complicated woman,” he insists Lee was far from the recluse she’s frequently painted as.

He says: “In company, she was most of the time delightful. She was a lively personality, she was funny, witty, and you would think she was very outgoing.”

But Lee was known to have struggled with her success.

Dr Conner explains: “She never ever wanted fame or celebrity because she suspected, or knew, that would involve the kind of uncomfortable situations in public situations that she found just no satisfaction or pleasure in”.

He says while in the early years of Mockingbird Lee gave interviews, the wild success of the book soon rendered such promotion unnecessary, leading her to decide: “That’s it, I’m not giving any more interviews”.

While he admits she was subsequently much happier, he goes on: “Not that she was a recluse, as some people thought. She wasn’t at all a recluse, but she didn’t enjoy public appearances and interviews particularly. She wanted the work to speak for itself.”

Truman Capote and Harper Lee in April 1963. Pic: AP/The Broadmoor Historic Collection
Image:
Truman Capote and Harper Lee in April 1963. Pic: AP/The Broadmoor Historic Collection

‘Deeply hurt’ by Truman Capote

Famously close to Truman Capote, one of the pieces in Lee’s newly released collection is a profile of her fellow author.

Dr Conner says that piece – a love-letter of sorts, describing Capote’s literary achievements – is all the more remarkable because at the point Lee wrote it in 1966, when she and Capote “were not even on speaking terms”.

He says Lee “probably knew [Capote] better than any other person alive when that was written”, adding, “she did love him as a friend very much, even when he was not speaking to her”.

Friends since childhood – and the prototype for the character of Dill in Mockingbird – Capote later hired Lee to help him research his 1965 true crime novel In Cold Blood.

Despite his book’s relative success, Dr Conner believes Capote was “bitter” over the fact Mockingbird far eclipsed it in accolades and recognition.

“He had been writing for much longer. He felt that he was at least as good as she was, and he was very envious of her success”.

Dr Conner says Lee was “deeply hurt” at Capote’s rejection of her, never speaking about him in later life.

Recalling his own meeting with Capote many years later, Dr Conner says he “got a personal sense of how [Capote] could charm the socks off of anybody, male or female”.

He says it was noteworthy that while Capote asked about his mother, who he had been fond of, he “never once mentioned” Harper.

Sky News has contacted Lee’s lawyer and the executor of her estate, Tonya Carter, for comment.

The Land of Sweet Forever: Stories and Essays, by Harper Lee is on sale from Tuesday

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No more investigations into ‘non-crime hate incidents’ after Linehan case, Met Police says

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No more investigations into 'non-crime hate incidents' after Linehan case, Met Police says

Metropolitan Police is to stop investigating “non-crime hate incidents” to “reduce ambiguity” after prosecutors dropped a case against Graham Linehan.

Linehan, 57, will face no further action after being arrested over his social media posts about transgender people.

The Father Ted and IT Crowd creator said his lawyers had been told the case wouldn’t proceed. The Crown Prosecution Service confirmed the move.

Linehan, 57, was arrested on suspicion of inciting violence when he landed at Heathrow from his home in the US on 1 September.

The incident drew criticism of the police and government from some politicians and free-speech campaigners.

Met Police said today it would stop investigating “non-crime hate incidents” to “reduce ambiguity” and “provide clearer direction for officers”.

Posting on X, Linehan announced : “After a successful hearing to get my bail conditions lifted (one which the police officer in charge of the case didn’t even bother to attend) the Crown Prosecution Service has dropped the case.

More on Graham Linehan

“With the aid of the Free Speech Union, I still aim to hold the police accountable for what is only the latest attempt to silence and suppress gender critical voices on behalf of dangerous and disturbed men.”

The union said it had hired a “top flight team of lawyers to sue the Met for wrongful arrest, among other things”.

“The police need to be taught a lesson that they cannot allow themselves to be continually manipulated by woke activists,” it added.

A Crown Prosecution Service spokesperson confirmed it had reviewed the case file and decided “no further action” would be taken.

Linehan said he had to be taken to hospital on the day of his arrest. Pic: PA
Image:
Linehan said he had to be taken to hospital on the day of his arrest. Pic: PA

In one of his posts, Linehan wrote: “If a trans-identified male is in a female-only space, he is committing a violent, abusive act. Make a scene, call the cops and if all else fails, punch him in the balls.”

Another was a photo of a trans-rights protest, with the comment “a photo you can smell”, and a follow-up post saying: “I hate them. Misogynists and homophobes. F*** em.”

A Met Police statement after the case was dropped acknowledged “concern” around Linehan’s arrest.

It added: “The commissioner has been clear he doesn’t believe officers should be policing toxic culture war debates, with current laws and rules on inciting violence online leaving them in an impossible position.

“As a result, the Met will no longer investigate non-crime hate incidents.

“We believe this will provide clearer direction for officers, reduce ambiguity and enable them to focus on matters that meet the threshold for criminal investigations.”

Linehan said on his blog that his was arrested by five armed officers and had to go to A&E after his blood pressure reached “stroke territory” during his interrogation.

Police said the officers’ guns were never drawn and were only present as Linehan was detained by the aviation unit, which routinely carries firearms.

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Farage likens UK to North Korea in Congress

Read more:
Linehan: Satire ‘dying’ and Father Ted wouldn’t be made today
What you can’t say online

JK Rowling, who’s regularly shared her views on women’s rights in relation to transgender rights, was among those who had criticised the arrest, calling it “utterly deplorable”.

Reform’s Nigel Farage, shadow justice secretary Robert Jenrick, and ex-foreign secretary Sir James Cleverly also hit out at the treatment of Linehan.

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Harper Lee mystery:  Is there a To Kill A Mockingbird prequel and true crime novel ‘waiting to be published’?

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Harper Lee mystery:  Is there a To Kill A Mockingbird prequel and true crime novel 'waiting to be published'?

One of Harper Lee’s surviving relatives says it’s possible there could be major unpublished works by the author still to be discovered, following the release of eight of her previously unseen short stories.

Describing the mystery around a manuscript titled The Long Goodbye, which Lee wrote before To Kill A Mockingbird, Lee’s nephew, Dr Edwin Conner, told Sky News: “Even the family doesn’t know everything that remains in her papers. So, it could be there waiting to be published.”

Dr Conner says Lee submitted a 111-page manuscript, titled The Long Goodbye, after writing Go Set A Watchman in 1957.

The retired English professor explains: “It’s not clear to me or to others in the family, to what extent [The Long Goodbye] might have been integrated into To Kill a Mockingbird, which she wrote immediately after, or to what extent it was a freestanding manuscript that is altogether different and that might stand to be published in the future.”

Lee researched Reverend Maxwell's death, but no book was ever published. Pic: AP
Image:
Lee researched Reverend Maxwell’s death, but no book was ever published. Pic: AP

A second mystery exists in the form of a true crime novel, The Reverend, which Lee was known to have begun researching in the late 1970s, about Alabama preacher Reverend Willie Maxwell who was accused of five murders before being murdered himself.

Dr Conner said: “The manuscript of a nonfiction piece, that according to some people doesn’t exist, according to others who claim to have seen it, does [is also a mystery]. We don’t know where it is, or whether it is, really.

“That could be a surprise that has yet to be revealed if we discover it and it’s published, which is a real possibility.”

More on Literature

He believes much of the manuscript was written in his family home and says his mother, Louise, who was Lee’s older sister, saw a “finished version of it” on the dining room table.

Dr Conner says there are “others who just as fiercely say no, it was never completed”.

A C Lee (L) - the inspiration for Atticus Finch with his grandchildren, including Edwin Conner (C), in 1953
Image:
A C Lee (L) – the inspiration for Atticus Finch with his grandchildren, including Edwin Conner (C), in 1953

‘She did want to publish these stories’

There has long been debate over why Lee published just two books in her lifetime.

To Kill a Mockingbird came out in 1960. Selling more than 46 million copies worldwide, translated into more than 40 languages and winning a Pulitzer Prize, it’s arguably the most influential American book of the 20th century.

Fifty-five years later, Lee published a sequel, Go Set A Watchman, written ahead of Mockingbird, but set at a later date.

Then aged 88, and with failing health, there were questions over how much influence Lee had over the decision to publish.

Asked how happy she’d be to see some of her earliest work, containing early outlines for Mockingbird’s narrator Jean Louise Finch and the story’s hero Atticus Finch, now hitting the shelves, Dr Conner says: “I think she’d be delighted.”

A previously unseen image of one of Lee's short story transcripts. Pic: Harper Lee Estate
Image:
A previously unseen image of one of Lee’s short story transcripts. Pic: Harper Lee Estate

He says Lee had presented them to her first agent, Maurice Crane, at their first meeting in 1956, “precisely because she did want to publish these stories”.

And while dubbing them “apprentice stories,” which he admits “don’t represent her at her best as a writer,” he says they show “literary genius of a kind”.

Notoriously private, he says the stories – which were discovered neatly typed out in one of Lee’s New York apartments after her death – offer “deeply enthralling new glimpses into her as a person”.

Never marrying or having children, he says Lee maintained a degree of privacy even with her family: “You never saw her complete personality… We thought we knew her, we thought we’d seen everything, but no, we hadn’t.”

George W Bush awards Lee with the Presidential Medal of Freedom in 2007. Pic: Reuters
Image:
George W Bush awards Lee with the Presidential Medal of Freedom in 2007. Pic: Reuters

‘That’s it, I’m not giving any more interviews’

While describing her as a “complicated woman,” he insists Lee was far from the recluse she’s frequently painted as.

He says: “In company, she was most of the time delightful. She was a lively personality, she was funny, witty, and you would think she was very outgoing.”

But Lee was known to have struggled with her success.

Dr Conner explains: “She never ever wanted fame or celebrity because she suspected, or knew, that would involve the kind of uncomfortable situations in public situations that she found just no satisfaction or pleasure in”.

He says while in the early years of Mockingbird Lee gave interviews, the wild success of the book soon rendered such promotion unnecessary, leading her to decide: “That’s it, I’m not giving any more interviews”.

While he admits she was subsequently much happier, he goes on: “Not that she was a recluse, as some people thought. She wasn’t at all a recluse, but she didn’t enjoy public appearances and interviews particularly. She wanted the work to speak for itself.”

Truman Capote and Harper Lee in April 1963. Pic: AP/The Broadmoor Historic Collection
Image:
Truman Capote and Harper Lee in April 1963. Pic: AP/The Broadmoor Historic Collection

‘Deeply hurt’ by Truman Capote

Famously close to Truman Capote, one of the pieces in Lee’s newly released collection is a profile of her fellow author.

Dr Conner says that piece – a love-letter of sorts, describing Capote’s literary achievements – is all the more remarkable because at the point Lee wrote it in 1966, when she and Capote “were not even on speaking terms”.

He says Lee “probably knew [Capote] better than any other person alive when that was written”, adding, “she did love him as a friend very much, even when he was not speaking to her”.

Friends since childhood – and the prototype for the character of Dill in Mockingbird – Capote later hired Lee to help him research his 1965 true crime novel In Cold Blood.

Despite his book’s relative success, Dr Conner believes Capote was “bitter” over the fact Mockingbird far eclipsed it in accolades and recognition.

“He had been writing for much longer. He felt that he was at least as good as she was, and he was very envious of her success”.

Dr Conner says Lee was “deeply hurt” at Capote’s rejection of her, never speaking about him in later life.

Recalling his own meeting with Capote many years later, Dr Conner says he “got a personal sense of how [Capote] could charm the socks off of anybody, male or female”.

He says it was noteworthy that while Capote asked about his mother, who he had been fond of, he “never once mentioned” Harper.

Sky News has contacted Lee’s lawyer and the executor of her estate, Tonya Carter, for comment.

The Land of Sweet Forever: Stories and Essays, by Harper Lee is on sale from Tuesday

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