Photographer Edward Burtynsky says people should be “screaming 10 alarm fire right now,” due to the urgency of the climate crisis. Instead, he says “it still feels like we’re rearranging the deck chairs on the Titanic”.
The 69-year-old Canadian artist has re-invented landscape photography, spending the last 40 years documenting man’s dominance over the planet.
He explores human impact across the world – in all its beauty and bleakness.
But does he see any conflict in creating beautiful images documenting such devastating impact on the earth?
He tells Sky News: “My work is revelatory, not accusatory.
“Every living species takes something from nature to survive, and we as a top predator, take quite a bit from nature to survive.
“All these things I’m showing would be perfectly fine if there were one billion human beings on the planet. The fact that there’s eight billion makes it a problem. It’s just too much of a good thing.”
His large-scale panoramas both celebrate and question human ingenuity, challenging his audience to look beyond their backyard.
They also act as a critical reminder of what could be at stake without urgent changes to the way we use the planet’s resources.
Image: Coast Mountains, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
Born in Ukraine, Burtynsky’s parents moved to Canada after the Second World War. His father – who gave him his first camera as a child – died when he was just 15.
Precipices and helicopters
The necessity to earn enough money to allow him to study photography led him to find work in big industry, working in both the auto and mining industries as a young man.
“I moved far north and worked in big mines. And I got to see those worlds, first-hand. And I think it was that kind of opening my eyes to this other world that gave me the idea that most people haven’t really seen these worlds”.
Progressing from standing on the edges of perilous quarries and mines to get his shots (admitting, “my mother didn’t approve, it was sort of dangerous”), he now uses helicopters to get his aerial images.
Image: Kooragang of Coal Terminal, Newcastle, New South Wales, Australia. Pic: Edward Burtynsky/Flowers Gallery
Over four decades, his photography has seen him travel to multiple countries across every continent (except for Antarctica), with his works included in the collections of more than 60 museums around the world.
Disappearing rivers of ice
His recent trip to photograph the Coast mountains of British Columbia, Canada, for his latest exhibition – New Works – was a stark reminder of a swiftly changing world.
From his bird’s eye view, he could see the glaciers – which date as far back as 150,000 years – had receded dramatically compared with 20 years ago because of warming as a result of human activity.
Not only a visible measure of man’s impact on the environment, the disappearing rivers of ice will go on to impact the ecosystems that rely on their meltwater.
Burtynsky’s new collection also explores soil erosion in Turkey, and the impact of coal mines in Australia.
Image: Salt Lakes, North-East Tuz Lake, Turkey. Pic: Edward Burtynsky/Flowers Gallery
He admits it’s sometimes frustrating trying to relay the urgency of the climate emergency message.
‘Our legacy is troubled’
“We have this particular moment in time and things are evolving rapidly. I’m trying to invoke a sense of urgency out there… This is actually scientifically being charted and we’re pretty good at predicting what to expect.”
His environmental message – which is his life’s passion – is deeply held.
“I have two daughters and I want them to have a chance to have a family, too. So, if you know, the legacy that we’re leaving behind is troubled.
But his ecological vigour is also rooted within his personal knowledge of big industry. He says our use of the world’s most valuable resources is not something that can just stop, but instead needs careful planning, with alternative energy incentivisation, to help us transition to more sustainable methods.
Image: Erosion Control, Yesilhisar, of Central Anatolia, Turkey. Pic: Edward Burtynsky/Flowers Gallery
So, what’s his view on the growing army of climate activists drawing attention to the cause by doing ever more extreme things to hit the headlines – particularly when that involves demonstrations in art galleries?
‘I understand the frustration’
“I understand why culture and the arts in particular can be a target, and somebody trying to bring attention through art celebrity. And that’s what’s happening, they’re taking a famous painting and throwing some paint on it… Or gluing themselves…
“I would think that demonstrating in front of the companies that are causing the problem might be a better place – to go direct to the source of the problem. But I understand the frustration.”
Image: Erosion Nallıhan, Ankara Province, Turkey. Pic: Edward Burtynsky/Flowers Gallery
As for the renewed scrutiny on the source of funding for some of our big arts institutions, including galleries and museums accepting money from big oil companies, he says it’s a tricky path to navigate.
‘Be careful what you wish for’
“The line in a way is dangerous because you can all of a sudden find out that culture is no longer viable.
“I think as well, the oil companies have to transition, and they can do a lot to make a difference.
“We still need oil in the meantime until the transition occurs, [and we should] be careful what we wish for, because if all of a sudden the oil stopped tomorrow, I’d call that anarchy.
“We wouldn’t have food coming into the cities. We wouldn’t have transport working, everything would come to a screeching halt. So we are, unfortunately, still bound to that energy source for the foreseeable future.”
Image: Ravensworth Coal Tailing, Ravensworth Mine, Hunter Valley, New South Wales, Australia,. Pic: Edward Burtynsky/Flowers Gallery
Part of that future, he believes, lies in the essential role that art can play in raising ecological awareness.
‘There’s still time’
“Artists have a role and creativity has a huge role in the future, because we have to reinvent our world. We have to find a world that isn’t built on this consumer culture saying the more stuff I own, the happier I am.
“I think everybody’s finding that that’s a bit of a shallow value system that may have been sold to us by some very influential advertising campaigns.”
So, should viewers of his work feel optimistic or pessimistic on leaving the gallery?
“I hope people can walk away saying there’s still time to do something.
“I think pessimism tends to lead to cynicism that nothing will work, so [people think] ‘Why should I bother? I’ll just carry on business as usual’. And I don’t think that’s the right attitude.”
Image: Coast Mountains, Monarch of Ice Cap, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
But alongside that optimism, Burtynsky’s clear-eyed on the challenges the world is facing.
Atmospheric rivers, water bombs and heat domes
“The storms are coming – we’re hearing all kinds of new terminology: ‘Atmospheric rivers’; ‘water bombs’ – these the massive amounts of water hitting a city all at once; ‘heat domes’. All of these new terms to try and describe what’s coming.
“The fire seasons have already started early, Texas is having one of its worst fire seasons ever, and it’s a month and a half, two months early.”
Image: Coast Mountains, receding of glacier, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
He concludes: “It’s a question of how quickly we’re able to cease and desist the worst activity that we’re doing, which I’d say right now is CO2 loading in the atmosphere and is our most immediate problem.
“We’ve got a lot of problems, and I think if people are going to act, they need to act. The time for words is way over.”
Edward Burtynsky New Works is showing at Flowers Gallery until 6 April.
A retrospective of his work, Extraction /Abstraction, is showing at the Saatchi Gallery until 6 May.
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Former MasterChef host Gregg Wallace has vowed he will “not go quietly”, amid reports that he has been sacked by the BBC.
It comes after the TV hostfaced an investigation, commissioned by MasterChef’s production company Banijay UK, into alleged inappropriate behaviour while working for the BBC.
In November, the 60-year-old stepped back from presenting the cooking show after accusations that he made sexual comments towards staff and celebrity guests on a range of programmes over 17 years.
Image: Gregg Wallace received an MBE for services to food and charity in 2023. Pic: PA
Broadcaster Kirsty Wark, author and actor Emma Kennedy, and presenter Kirstie Allsopp, were among the high-profile figures who made claims of inappropriate behaviour against Wallace.
In a statement, released ahead of the publication of the summary of a report into the claims, the 60-year-old said he had been “cleared of the most serious and sensational accusations” made against him.
However, he said the report, carried out by independent law firm Lewis Silkin, had found him “primarily guilty of inappropriate language between 2005 and 2018”.
Wallace’s statement, published on Instagram, came hours before the BBC News reported that 50 more people had made claims to the corporation against the presenter, including allegations he groped one MasterChef worker and pulled his trousers down in front of another.
In his statement, Wallace labelled BBC News’s claims as “uncorroborated tittle-tattle”.
Wallace wrote: “I have taken the decision to speak out ahead of the publication of the Silkin’s report – a decision I do not take lightly.
“But after 21 years of loyal service to the BBC, I cannot sit in silence while my reputation is further damaged to protect others.
“I have now been cleared by the Silkin’s report of the most serious and sensational accusations made against me.
“The most damaging claims (including from public figures which have not been upheld) were found to be baseless after a full and forensic six-month investigation.
“To be clear, the Silkin’s report exonerates me of all the serious allegations which made headlines last year and finds me primarily guilty of inappropriate language between 2005 and 2018.”
Image: Gregg Wallace on MasterChef. Pic: BBC/ Shine TV 2024
‘I was hired as the cheeky greengrocer – now that’s a problem’
Wallace said he recognised that “some of my humour and language” was at times “inappropriate” and, for that, he apologised “without reservation”.
“But I was never the caricature now being sold for clicks,” Wallace, who also referred to his recent diagnosis of autism, added.
“I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges, and all.
“For over two decades, that authenticity was part of the brand. Now, in a sanitised world, that same personality is seen as a problem.”
Image: Wallace and his partner Anna Wallace, pictured in 2014
Wallace: Complaints from ‘middle-class women of a certain age’
Shortly after the allegations first emerged, Wallace recorded a video where he dismissed his accusers as “middle-class women of a certain age”.
His remarks were met with huge criticism – including from Downing Street, where a spokesperson for the prime minister described them as “completely inappropriate and misogynistic”.
Wallace responded by posting a follow-up clip where he apologised and said he “wasn’t in a good space” when he posted the comments.
In April, Wallace spoke to the Daily Mail, denying all accusations against him and saying he had contemplated suicide following the allegations.
Wallace’s lawyers have previously called allegations that he engages in behaviour of a sexually harassing nature “entirely false”.
A spokesperson for the BBC said: “Banijay UK instructed the law firm Lewis Silkin to run an investigation into allegations against Gregg Wallace. We are not going to comment until the investigation is complete and the findings are published.”
A Banijay spokesperson told Sky News: “We won’t be commenting until our report is published.” They have signalled the report will be published later this week or next.
Banijay previously said Wallace is “committed to fully co-operating” with the external review.
Alongside MasterChef, Wallace presented Inside The Factory for BBC Two from 2015 to 2023.
He also featured on various BBC shows over the years, including Saturday Kitchen, Eat Well For Less, Supermarket Secrets, Celebrity MasterChef and MasterChef: The Professionals, as well as being a Strictly Come Dancing contestant in 2014.
More recently, Wallace has been promoting his health and lifestyle website, offering one-to-one coaching from both himself and a team of experts, which includes nutritionists and doctors, and his wife Anna in the role of recipe curator.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.
Ozzy Osbourne has reunited with Black Sabbath and performed his final gig – telling fans “you’ve no idea how I feel – thank you from the bottom of my heart”, in an emotional but truly metal goodbye.
Announced earlier this year, Back To The Beginning at Villa Park stadium was billed as the “final bow” for the man revered as a founder of heavy metal after several years of health problems, including Parkinson’s disease.
Rising up on a black throne featuring jewelled skulls, the 76-year-old performed a solo set before being joined by his original bandmates – Terence “Geezer” Butler, Tony Iommi and Bill Ward – for Black Sabbath’s first performance in 20 years.
“Let the madness begin,” Osbourne cried as he appeared for the first time, telling about 40,000 fans: “It’s so good to be on this stage.”
Image: Ozzy smiles and waves his arms. Pic: Ross Halfin
Image: Ozzy Osbourne sings while sitting on a black throne
With the crowd chanting his name, he performed both sets sitting down, but the voice and the crazed glint in his eyes were there almost throughout.
Singing fan favourites including Mr Crowley and Crazy Train, and Iron Man and Paranoid with Black Sabbath, Osbourne conducted the crowd to sing “louder, louder”, and “go f****** crazy”.
This was an orchestrated exit by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries – from Slayer and Halestorm to Metallica and Guns ‘n’ Roses, plus stars including Steven Tyler, Ronnie Wood, Yungblud, Travis Barker and Chad Smith, who showed up for “supergroup” performances.
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Many said they would not be the musicians they are without Osbourne and Black Sabbath.
Image: Ronnie Wood was among the hard rock luminaries in the line-up. Pic: Ross Halfin
Image: Stars at the concert included Steven Tyler. Pic: Ross Halfin
“You know, there’s not another guy as respected in metal as Ozzy Osbourne,” former Van Halen singer Sammy Hagar told Sky News just ahead of his performance. “And for him to be sick and to be saying, I’m out, I’m done. Man. There’s no one else that can replace that.”
“Without Sabbath, there would be no Metallica,” said frontman James Hetfield during their performance.
“We’re not here to say goodbye,” said Anthrax’s Scott Ian. “We’re just here to say thank you.”
Throughout the day, giant Ozzy and Black Sabbath beach balls, in the Aston Villa claret and blue, were bounced around a jubilant crowd.
Tributes from other celebrity friends and fans, from Billy Idol and Ricky Gervais to Dolly Parton and Sir Elton John, were played on screen.
Image: Metallica frontman James Hetfield during the show. Pic: Ross Halfin
Image: Yungblud also performed. Pic: Kazuyo Horie
Hollywood actor Jason Momoa, who hosted the event, told the crowd heavy metal had been a “safehaven” for many growing up, and Black Sabbath’s music had “influenced and inspired musicians” of all eras and genres.
The farewell show was the idea of Osbourne’s wife, Sharon – one final gig to finish his performing career on a high – after he was forced to cancel shows he had planned in 2023, telling fans he “never imagined” his touring days would end that way.
Sharon Osbourne told Sky News earlier this year that his one regret was not being able to say a thank you to his fans, and so the idea for the reunion gig was born.
Profits from the show will be shared between Cure Parkinson’s, Birmingham Children’s Hospital, and Acorn’s Children’s Hospice.
Image: Confetti rained down on fans during the show
The gig came after the Black Sabbath band members were awarded the freedom of Birmingham earlier in June, recognised for their significance to the cultural and musical identity of the city they grew up in.
The group formed in 1968 and went on to become one of the most successful metal bands of all time, selling more than 75 million albums worldwide over the years.
They were inducted into the Rock & Roll Hall of Fame in 2006 – Osbourne again later as a solo artist last year – and awarded a lifetime Ivor Novello songwriting award in 2015. In 2019, they were presented with a Grammy lifetime achievement prize.
Image: Back To The Beginning’s all star line-up. Pic: Ross Halfin
Now, their first performance in 20 years will also be their last – one for the metal history books.
The show ended with fireworks and a roar from the crowd, who had chanted Ozzy’s name throughout.
For fans, Back To The Beginning capped it all – the ultimate rock and metal line-up, and one last opportunity to show their love for the Prince of Darkness.
“I feel lucky to be able to attend this,” said Calum Kennedy, 19, from Dunfermline. “It’s the biggest metal show known to man, [the biggest line-up] ever. I’ve never seen anything better.”
Image: Ozzy wore a shiny black jacket and a gold armband bearing his name. Pic: Ross Halfin
Ben Sutton, 24, from Chester, added: “I feel like it’s important – we’re of the younger generation – for us to see some of the heritage and history of the genre we love, metal in general. It’s such an honour to say goodbye to him.”
Steve Townson, from Lincolnshire, said: “I saw him the first time round and the fact that he’s still going is incredible, isn’t it? I was there at the start, I’m happy to be here at the end.”
Oasis have reunited on stage for the first time in almost 16 years – with brothers Liam and Noel Gallagher sharing a high five and the briefest of hugs as they closed a performance that for fans was more than worth the wait.
After the split in 2009, for many years Noel said he would never go back – and for a long time, as the brothers exchanged insults through separate interviews (and on social media, for Liam), it seemed pretty unlikely to ever happen.
But now, here they are. As they walked out on stage at Cardiff’s Principality Stadium, all eyes were on the Gallaghers for a sense of their relationship – dare we say it, friendship? – now after all these years.
There was no reference to their fall-out or making up, but the gestures were there – lifting hands together as they walked out for the first time.
Image: The headline “OASIS REUNITED” was shown on stage at the gig. Pic: PA
Image: Fans at the Oasis gig. Pic: PA
Headlines and tweets of speculation and then confirmation of the reunion filled the screens as the show started. “This is happening,” said one, repeatedly.
In the end, it was all about the music.
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Liam has received criticism in the past for his voice not being what it once was, but back on stage with his brother tonight he delivered exactly what fans would have hoped for – a raw, steely-eyed performance, snarling vocals, and the swagger that makes him arguably the greatest frontman of his day.
This was Oasis sounding almost as good as they ever have.
Image: Fans sang along and held up their phones to film as Oasis performed. Pic: PA
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2:56
Oasis: ‘It’s good to be back’
They opened with Hello, because of course, “it’s good to be back”. And then Acquiesce, and those lyrics: “Because we need each other/ We believe in one another.”
The song is said to be about friendship in the wider sense, rather than their brotherly bond and sibling rivalry, but you can’t help but feel like it means something here.
Over two hours, they played favourite after favourite – including Morning Glory, Some Might Say, Cigarettes & Alcohol, Supersonic and Roll With It.
Image: Liam Gallagher as Oasis takes to the stage in Cardiff. Pic: PA
In the mid-section, Liam takes his break for Noel to sing Talk Tonight, Half The World Away and Little By Little; the tempo slows but there is by no means a lull, with the fans singing all his words back to him.
Liam returns for hits including Stand By Me, Slide Away, Whatever and Live Forever, before sending the crowd wild (or even wilder) with Rock And Roll Star.
Image: Noel Gallagher performing on stage. Pic: PA
Image: An Oasis fan is pointing at the stage during the gig. Pic: PA
When the reunion announcement was made last summer, it quickly became overshadowed by the controversy of dynamic pricing causing prices to rocket. As he has done on X before, Liam addressed the issue on stage with a joke.
“Was it worth the £4,000 you paid for the ticket?” he shouted at one point. “Yeah,” the crowd shouts back; seemingly all is forgiven.
After Rock And Roll Star, the dream that very quickly became a reality for this band, Noel introduced the rest of the group, calling Bonehead a “legend”.
Image: Paul ‘Bonehead’ Arthurs of Oasis. Pic: PA
Image: Liam Gallagher carried a tambourine in his mouth during the concert. Pic: PA
Then he acknowledges all their young fans, some who maybe weren’t even born when they split. “This one is for all the people in their 20s who’ve never seen us before, who’ve kept this shit going,” he says before the encore starts with The Masterplan.
Noel follows with Don’t Look Back In Anger, and the screens fill with Manchester bees in reference to the arena bombing and how the song became the sound of hope and defiance for the city afterwards.
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1:31
‘I’d have paid £10,000 to see them’
Image: Two fans sat on their friends’ shoulders as Oasis performed. Pic: PA
During Wonderwall, there’s a nice touch as Liam sings to the crowd: “There are many things I would like to say to you, but I don’t speak Welsh.”
It is at the end of Champagne Supernova, which closes the set, that it happens; Noel puts down his guitar, and they come together for a high-five and a back-slap, a blink-and-you’d miss it hug.
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“Right then, beautiful people, this is it,” Liam had told the crowd as he introduced the song just a few minutes earlier. “Nice one for putting up with us over the years.”
From the roar of the audience, it’s safe to say most people here would agree it’s been worth it.