Photographer Edward Burtynsky says people should be “screaming 10 alarm fire right now,” due to the urgency of the climate crisis. Instead, he says “it still feels like we’re rearranging the deck chairs on the Titanic”.
The 69-year-old Canadian artist has re-invented landscape photography, spending the last 40 years documenting man’s dominance over the planet.
He explores human impact across the world – in all its beauty and bleakness.
But does he see any conflict in creating beautiful images documenting such devastating impact on the earth?
He tells Sky News: “My work is revelatory, not accusatory.
“Every living species takes something from nature to survive, and we as a top predator, take quite a bit from nature to survive.
“All these things I’m showing would be perfectly fine if there were one billion human beings on the planet. The fact that there’s eight billion makes it a problem. It’s just too much of a good thing.”
His large-scale panoramas both celebrate and question human ingenuity, challenging his audience to look beyond their backyard.
They also act as a critical reminder of what could be at stake without urgent changes to the way we use the planet’s resources.
Image: Coast Mountains, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
Born in Ukraine, Burtynsky’s parents moved to Canada after the Second World War. His father – who gave him his first camera as a child – died when he was just 15.
Precipices and helicopters
The necessity to earn enough money to allow him to study photography led him to find work in big industry, working in both the auto and mining industries as a young man.
“I moved far north and worked in big mines. And I got to see those worlds, first-hand. And I think it was that kind of opening my eyes to this other world that gave me the idea that most people haven’t really seen these worlds”.
Progressing from standing on the edges of perilous quarries and mines to get his shots (admitting, “my mother didn’t approve, it was sort of dangerous”), he now uses helicopters to get his aerial images.
Image: Kooragang of Coal Terminal, Newcastle, New South Wales, Australia. Pic: Edward Burtynsky/Flowers Gallery
Over four decades, his photography has seen him travel to multiple countries across every continent (except for Antarctica), with his works included in the collections of more than 60 museums around the world.
Disappearing rivers of ice
His recent trip to photograph the Coast mountains of British Columbia, Canada, for his latest exhibition – New Works – was a stark reminder of a swiftly changing world.
From his bird’s eye view, he could see the glaciers – which date as far back as 150,000 years – had receded dramatically compared with 20 years ago because of warming as a result of human activity.
Not only a visible measure of man’s impact on the environment, the disappearing rivers of ice will go on to impact the ecosystems that rely on their meltwater.
Burtynsky’s new collection also explores soil erosion in Turkey, and the impact of coal mines in Australia.
Image: Salt Lakes, North-East Tuz Lake, Turkey. Pic: Edward Burtynsky/Flowers Gallery
He admits it’s sometimes frustrating trying to relay the urgency of the climate emergency message.
‘Our legacy is troubled’
“We have this particular moment in time and things are evolving rapidly. I’m trying to invoke a sense of urgency out there… This is actually scientifically being charted and we’re pretty good at predicting what to expect.”
His environmental message – which is his life’s passion – is deeply held.
“I have two daughters and I want them to have a chance to have a family, too. So, if you know, the legacy that we’re leaving behind is troubled.
But his ecological vigour is also rooted within his personal knowledge of big industry. He says our use of the world’s most valuable resources is not something that can just stop, but instead needs careful planning, with alternative energy incentivisation, to help us transition to more sustainable methods.
Image: Erosion Control, Yesilhisar, of Central Anatolia, Turkey. Pic: Edward Burtynsky/Flowers Gallery
So, what’s his view on the growing army of climate activists drawing attention to the cause by doing ever more extreme things to hit the headlines – particularly when that involves demonstrations in art galleries?
‘I understand the frustration’
“I understand why culture and the arts in particular can be a target, and somebody trying to bring attention through art celebrity. And that’s what’s happening, they’re taking a famous painting and throwing some paint on it… Or gluing themselves…
“I would think that demonstrating in front of the companies that are causing the problem might be a better place – to go direct to the source of the problem. But I understand the frustration.”
Image: Erosion Nallıhan, Ankara Province, Turkey. Pic: Edward Burtynsky/Flowers Gallery
As for the renewed scrutiny on the source of funding for some of our big arts institutions, including galleries and museums accepting money from big oil companies, he says it’s a tricky path to navigate.
‘Be careful what you wish for’
“The line in a way is dangerous because you can all of a sudden find out that culture is no longer viable.
“I think as well, the oil companies have to transition, and they can do a lot to make a difference.
“We still need oil in the meantime until the transition occurs, [and we should] be careful what we wish for, because if all of a sudden the oil stopped tomorrow, I’d call that anarchy.
“We wouldn’t have food coming into the cities. We wouldn’t have transport working, everything would come to a screeching halt. So we are, unfortunately, still bound to that energy source for the foreseeable future.”
Image: Ravensworth Coal Tailing, Ravensworth Mine, Hunter Valley, New South Wales, Australia,. Pic: Edward Burtynsky/Flowers Gallery
Part of that future, he believes, lies in the essential role that art can play in raising ecological awareness.
‘There’s still time’
“Artists have a role and creativity has a huge role in the future, because we have to reinvent our world. We have to find a world that isn’t built on this consumer culture saying the more stuff I own, the happier I am.
“I think everybody’s finding that that’s a bit of a shallow value system that may have been sold to us by some very influential advertising campaigns.”
So, should viewers of his work feel optimistic or pessimistic on leaving the gallery?
“I hope people can walk away saying there’s still time to do something.
“I think pessimism tends to lead to cynicism that nothing will work, so [people think] ‘Why should I bother? I’ll just carry on business as usual’. And I don’t think that’s the right attitude.”
Image: Coast Mountains, Monarch of Ice Cap, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
But alongside that optimism, Burtynsky’s clear-eyed on the challenges the world is facing.
Atmospheric rivers, water bombs and heat domes
“The storms are coming – we’re hearing all kinds of new terminology: ‘Atmospheric rivers’; ‘water bombs’ – these the massive amounts of water hitting a city all at once; ‘heat domes’. All of these new terms to try and describe what’s coming.
“The fire seasons have already started early, Texas is having one of its worst fire seasons ever, and it’s a month and a half, two months early.”
Image: Coast Mountains, receding of glacier, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
He concludes: “It’s a question of how quickly we’re able to cease and desist the worst activity that we’re doing, which I’d say right now is CO2 loading in the atmosphere and is our most immediate problem.
“We’ve got a lot of problems, and I think if people are going to act, they need to act. The time for words is way over.”
Edward Burtynsky New Works is showing at Flowers Gallery until 6 April.
A retrospective of his work, Extraction /Abstraction, is showing at the Saatchi Gallery until 6 May.
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Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.
The remarks were revealed following a freedom of information request that was sent to Edinburghcouncil – ahead of the band’s three sold-out shows in Scotland this August.
The documents expressed concerns that the OasisLive ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.
Image: Liam Gallagher (left) and Noel Gallagher. Pic: PA
One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.
Another note suggested “medium to high intoxication” should be expected at the concert.
An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.
Image: The Fringe is one of the world’s largest performance arts festivals. File pic: PA
It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.
“Many performers are considering not attending for that weekend,” one note read.
Liam Gallagherwas not impressed – and left the following message for the council on his social media.
“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”
In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”
Image: Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP
David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.
“It’s a jaundiced view,” he added.
Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.
The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.
“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”
Image: Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA
Around 210,000 fans are expected to attend the three Edinburgh gigs.
Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.
Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.
Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.
“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”
The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.
When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.
But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.
Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.
Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios.
More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.
Now, after more than 11 months of discussions, a “tentative” agreement has been reached.
“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.
Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.
Image: Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP
Other studios were also impacted by the strike, as actors took industrial action in solidarity.
“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.
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“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”
In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.
Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.
The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.
Image: Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.
“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.
“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.
Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.
Games take years to make and any game already in development before September 2023 was exempt from the strike.
Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.
Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.
As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.
Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.
“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.
Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.
A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.
“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.
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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.
“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.
“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.
“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.
“Thank you from the bottom of our hearts for your unwavering support.”
Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.
He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.
James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.
It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.
However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.
His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.
In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.
Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.
But some called the record a masterpiece, a eulogy to the 1960s.
In the early 1970s, Stone became erratic and missed shows. Some members left the band.
But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.
Ms Silva filed for divorce less than a year later.
Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.
The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.
He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.
In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.
That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.
Stone had a son, Sylvester, with Ms Silva.
He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.