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Photographer Edward Burtynsky says people should be “screaming 10 alarm fire right now,” due to the urgency of the climate crisis. Instead, he says “it still feels like we’re rearranging the deck chairs on the Titanic”.

The 69-year-old Canadian artist has re-invented landscape photography, spending the last 40 years documenting man’s dominance over the planet.

He explores human impact across the world – in all its beauty and bleakness.

But does he see any conflict in creating beautiful images documenting such devastating impact on the earth?

He tells Sky News: “My work is revelatory, not accusatory.

“Every living species takes something from nature to survive, and we as a top predator, take quite a bit from nature to survive.

“All these things I’m showing would be perfectly fine if there were one billion human beings on the planet. The fact that there’s eight billion makes it a problem. It’s just too much of a good thing.”

His large-scale panoramas both celebrate and question human ingenuity, challenging his audience to look beyond their backyard.

They also act as a critical reminder of what could be at stake without urgent changes to the way we use the planet’s resources.

Pic: Edward Burtynsky/Flowers Gallery
Image:
Coast Mountains, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery

Born in Ukraine, Burtynsky’s parents moved to Canada after the Second World War. His father – who gave him his first camera as a child – died when he was just 15.

Precipices and helicopters

The necessity to earn enough money to allow him to study photography led him to find work in big industry, working in both the auto and mining industries as a young man.

“I moved far north and worked in big mines. And I got to see those worlds, first-hand. And I think it was that kind of opening my eyes to this other world that gave me the idea that most people haven’t really seen these worlds”.

Progressing from standing on the edges of perilous quarries and mines to get his shots (admitting, “my mother didn’t approve, it was sort of dangerous”), he now uses helicopters to get his aerial images.

Pic: Edward Burtynsky/Flowers Gallery
Image:
Kooragang of Coal Terminal, Newcastle, New South Wales, Australia. Pic: Edward Burtynsky/Flowers Gallery


Over four decades, his photography has seen him travel to multiple countries across every continent (except for Antarctica), with his works included in the collections of more than 60 museums around the world.

Disappearing rivers of ice

His recent trip to photograph the Coast mountains of British Columbia, Canada, for his latest exhibition – New Works – was a stark reminder of a swiftly changing world.

From his bird’s eye view, he could see the glaciers – which date as far back as 150,000 years – had receded dramatically compared with 20 years ago because of warming as a result of human activity.

Not only a visible measure of man’s impact on the environment, the disappearing rivers of ice will go on to impact the ecosystems that rely on their meltwater.

Burtynsky’s new collection also explores soil erosion in Turkey, and the impact of coal mines in Australia.

Pic: Edward Burtynsky/Flowers Gallery
Image:
Salt Lakes, North-East Tuz Lake, Turkey. Pic: Edward Burtynsky/Flowers Gallery


He admits it’s sometimes frustrating trying to relay the urgency of the climate emergency message.

‘Our legacy is troubled’

“We have this particular moment in time and things are evolving rapidly. I’m trying to invoke a sense of urgency out there… This is actually scientifically being charted and we’re pretty good at predicting what to expect.”

His environmental message – which is his life’s passion – is deeply held.

“I have two daughters and I want them to have a chance to have a family, too. So, if you know, the legacy that we’re leaving behind is troubled.

But his ecological vigour is also rooted within his personal knowledge of big industry. He says our use of the world’s most valuable resources is not something that can just stop, but instead needs careful planning, with alternative energy incentivisation, to help us transition to more sustainable methods.

Pic: Edward Burtynsky/Flowers Gallery
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Erosion Control, Yesilhisar, of Central Anatolia, Turkey. Pic: Edward Burtynsky/Flowers Gallery

So, what’s his view on the growing army of climate activists drawing attention to the cause by doing ever more extreme things to hit the headlines – particularly when that involves demonstrations in art galleries?

‘I understand the frustration’

“I understand why culture and the arts in particular can be a target, and somebody trying to bring attention through art celebrity. And that’s what’s happening, they’re taking a famous painting and throwing some paint on it… Or gluing themselves…

“I would think that demonstrating in front of the companies that are causing the problem might be a better place – to go direct to the source of the problem. But I understand the frustration.”

Pic: Edward Burtynsky/Flowers Gallery
Image:
Erosion Nallıhan, Ankara Province, Turkey. Pic: Edward Burtynsky/Flowers Gallery

As for the renewed scrutiny on the source of funding for some of our big arts institutions, including galleries and museums accepting money from big oil companies, he says it’s a tricky path to navigate.

‘Be careful what you wish for’

“The line in a way is dangerous because you can all of a sudden find out that culture is no longer viable.

“I think as well, the oil companies have to transition, and they can do a lot to make a difference.

“We still need oil in the meantime until the transition occurs, [and we should] be careful what we wish for, because if all of a sudden the oil stopped tomorrow, I’d call that anarchy.

“We wouldn’t have food coming into the cities. We wouldn’t have transport working, everything would come to a screeching halt. So we are, unfortunately, still bound to that energy source for the foreseeable future.”

Pic: Edward Burtynsky/Flowers Gallery
Image:
Ravensworth Coal Tailing, Ravensworth Mine, Hunter Valley, New South Wales, Australia,. Pic: Edward Burtynsky/Flowers Gallery


Part of that future, he believes, lies in the essential role that art can play in raising ecological awareness.

‘There’s still time’

“Artists have a role and creativity has a huge role in the future, because we have to reinvent our world. We have to find a world that isn’t built on this consumer culture saying the more stuff I own, the happier I am.

“I think everybody’s finding that that’s a bit of a shallow value system that may have been sold to us by some very influential advertising campaigns.”

So, should viewers of his work feel optimistic or pessimistic on leaving the gallery?

“I hope people can walk away saying there’s still time to do something.

“I think pessimism tends to lead to cynicism that nothing will work, so [people think] ‘Why should I bother? I’ll just carry on business as usual’. And I don’t think that’s the right attitude.”

Pic: Edward Burtynsky/Flowers Gallery
Image:
Coast Mountains, Monarch of Ice Cap, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery

But alongside that optimism, Burtynsky’s clear-eyed on the challenges the world is facing.

Atmospheric rivers, water bombs and heat domes

“The storms are coming – we’re hearing all kinds of new terminology: ‘Atmospheric rivers’; ‘water bombs’ – these the massive amounts of water hitting a city all at once; ‘heat domes’. All of these new terms to try and describe what’s coming.

“The fire seasons have already started early, Texas is having one of its worst fire seasons ever, and it’s a month and a half, two months early.”

Pic: Edward Burtynsky/Flowers Gallery
Image:
Coast Mountains, receding of glacier, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery

He concludes: “It’s a question of how quickly we’re able to cease and desist the worst activity that we’re doing, which I’d say right now is CO2 loading in the atmosphere and is our most immediate problem.

“We’ve got a lot of problems, and I think if people are going to act, they need to act. The time for words is way over.”

Edward Burtynsky New Works is showing at Flowers Gallery until 6 April.

A retrospective of his work, Extraction /Abstraction, is showing at the Saatchi Gallery until 6 May.

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Watch the full interview on The Climate Show with Tom Heap, Saturday and Sunday at 3.30 and 7.30pm on Sky News.

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Remember Monday: Meet the Eurovision hopefuls who sing their trollers’ insults

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Remember Monday: Meet the Eurovision hopefuls who sing their trollers' insults

You have to have a thick skin to take part in Eurovision which might be why last year’s UK entrant, singer Olly Alexander, has already reached out to this year’s hopefuls to talk about the pitfalls of putting yourself out there.

Lauren Byrne, Holly-Anne Hull, and Charlotte Steele – members of the country-pop girl group Remember Monday – say they plan to get a drink date with the Years And Years singer before they perform in the contest in May.

Lauren says they had a “lovely chat” with Olly, and “drinks are pending” after he “reached out to us and has sent his well-wishes and given us some advice”.

(L-R) Charlotte Steele, Holly-Anne Hull and Lauren Byrne of Remember Monday are this year's UK Eurovision entrant
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(L-R) Charlotte Steele, Holly-Anne Hull and Lauren Byrne of Remember Monday are this year’s UK Eurovision entrant

Olly Alexander attending the MTV Europe Music Awards 2024 at the Co-Op Live Arena, Manchester. Picture date: Sunday November 10, 2024. PA Photo. Photo credit should read: Ian West/PA Wire
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Olly Alexander at the MTV Europe Music Awards 2024 in Manchester. File pic: PA

Of course, positivity is a must if you are the UK’s Eurovision entrant (Olly only managed 18th place) and thankfully Remember Monday have quite a history of setting their critics to music, performing medleys on TikTok of some of their trolls’ funniest comments.

“Some people, you just won’t be their cup of tea, so, yeah, we started kind of singing those insults,” Lauren explains.

Holly-Anne says the overall reaction to their song What The Hell Just Happened has been “overwhelmingly positive”, admitting they have been “taken aback by how kind and positive everyone’s been”.

So who are this trio? Well, they have a background in musical theatre and have known each other for years.

More on Eurovision

As Holly-Anne explains: “We met at sixth form college, we were all in the same performing arts class.

“We were kind of known as the three girls that constantly sang every genre, everything, and I guess that’s kind of still what we’re doing.

“Our teachers constantly would knock on the door. I think we had an A level final paper due or something… which was not even slightly a priority. The priority was getting an incredible cover of My Milkshake Brings All The Boys To The Yard down pat,” she laughs.

Like former UK runner-up Sam Ryder, they have already got a huge fanbase of over half a million followers on TikTok, which has to be a help in terms of winning votes.

(L-R) Charlotte Steele, Holly-Anne Hull and Lauren Byrne of Remember Monday are this year's UK Eurovision entrant
Image:
Remember Monday said they would be singing at school even if ‘we had an A level final paper due or something’

Although the girls are big fans of Bucks Fizz’s “iconic” 80s performance, they say they’ve no plans to rip off their skirts on the big night.

Charlotte refuses to say much about the staging itself, but adds that “we are all from theatre backgrounds and I think that you can definitely expect some theatrics”.

Holly-Anne says they have “some incredible people working with us in terms of creative direction and styling.

“We just can’t wait for everyone to see it.”

The UK's Olly Alexander performs during the semi-final. Pic: Reuters
Image:
The UK’s Olly Alexander performing during the 2024 Eurovision semi-final. Pic: Reuters

Eurovision being non-political did not stop politics creeping its way into last year’s event with several of the finalists referring to ongoing global disputes in the build-up.

This year, between the wars in Ukraine and Gaza, it’s hard to imagine we will not see similar scenes.

But Lauren hopes the peaceful message at the show’s heart remains the focus, as Eurovision “was designed to bring people together and bring countries together and celebrate artists from all around the world.

“So we’re just really looking forward to doing that and celebrating, you know, the music and the artistry that we get to kind of witness.”

Around 200 million viewers are expected to watch the competition in the Swiss city of Basel, where Remember Sunday take on 36 other hopefuls.

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The band has two months to hone their performance and perhaps the faces they will have to make when the votes come in, too.

While they look cool, calm and can’t stop singing now, Charlotte says to start worrying if they go quiet nearer the time, as the marker of them feeling nervous is “we go completely silent, like right before we go on stage.

“If we’re nervous, you will be able to tell…but hopefully not on stage.”

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Hollyoaks and reality TV star Paul Danan died from cocktail of drugs, inquest hears

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Hollyoaks and reality TV star Paul Danan died from cocktail of drugs, inquest hears

Hollyoaks star Paul Danan died from a cocktail of drugs including cocaine and heroin, an inquest has heard.

Danan, 46, was found dead at his Bristol home in January.

The actor and reality TV star was best known for playing bad boy Sol Patrick in the Channel 4 soap Hollyoaks from 1997 to 2001. He later appeared on the celebrity versions of Love Island and Big Brother.

An inquest into Danan’s death was this morning opened and adjourned at Avon Coroner’s Court, Bristol.

Danan was pronounced dead by emergency services at his home on 15 January and his body was identified at the scene by his partner, Melissa Crooks, the inquest heard.

His provisional cause of death has been recorded as combined toxicity of heroin, methadone, codeine, pregabalin, cocaine and zopiclone, contributed to by benzodiazepine use, the court heard.

“I understand there are no family concerns,” coroner’s officer Alexis Camp said.

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She added: “No note was left.”

Paul Danan during his appearance on Celebrity Big Brother in 2017
Image:
Paul Danan during his appearance on Celebrity Big Brother in 2017. Pic: PA

Danan’s GP and family members will be asked to provide statements, as will police officers and ambulance service members, Ms Camp said. Inquiries are also ongoing with Avon and Wiltshire Mental Health Partnership NHS Trust.

The provisional date for the full inquest hearing is 28 May.

Danan had been due to appear for a plea hearing on 16 January after being charged with possession of cocaine and cannabis.

He had also been accused of driving while under the influence of drugs in October last year.

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Danan had been open about his struggles with substance abuse, which he said began when he was a teenager.

In 2019, he said on ITV’s The Jeremy Kyle Show that he had to “work hard at it every day to keep in recovery”.

Paying tribute to Danan after his death, fellow Love Island star Calum Best wrote on Instagram: “Life wasn’t always easy for him, but he faced it with such heart and courage, and that inspired so many of us.

“We shared many laughs, chats, and unforgettable moments. My heart goes out to his loved ones right now. Rest easy, brother.”

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Bridgerton star Simone Ashley on ‘normalising’ the narrative for South Asian actors

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Bridgerton star Simone Ashley on 'normalising' the narrative for South Asian actors

British actress Simone Ashley says she believes the industry has “come a long way” in terms of diversifying – but says the process is ongoing.

The Bridgerton and Sex Education star says that growing up she loved watching Hollywood royalty Julia Roberts, Cameron Diaz and Anne Hathaway take on romcom leads.

But the 29-year-old South Asian – who is of Indian Tamil descent and grew up in Surrey – says she never really saw people like her in those roles.

Ashley told Sky News: “I always wanted to play a character like that.

“So, when we got the script, I just jumped on it – because I wanted to fill those shoes, and kind of bring back that 90s romcom world.”

Pic: Amazon Studios
Image:
Simone Ashley in Picture This. Pic: Amazon Studios

Simone’s new film Picture This sees her in the starring role as London photographer Pia, who’s navigating a struggling business while dealing with the societal pressures of finding love.

Though the character is more than content with the life she’s built, a prediction from a spiritual guru threatens to throw that into chaos as she’s set up on five blind dates.

Hero Fiennes Tiffin – star of the After film series and nephew of Ralph and Joseph Fiennes – and British comedian Asim Chaudhry also join the Picture This cast.

Ashley goes on: “What was so important about this film is that we celebrated and enhanced the culture, and any aspects of comedy were just from the characters themselves – it wasn’t making fun of the culture.”

Pic: Amazon Studios
Image:
Pic: Amazon Studios

‘Part of the change’

And while the film is centred around a South Asian family, Ashley says that’s not what she wants viewers to take from it.

“This is a story that is a classic romcom – and I want that to be the selling point, that’s how we normalise this narrative.

“The billboards aren’t ‘Indian girl in the movie’.

“I’m just super proud, super pleased and I just hope that universally all women – not just South Asian women – can see themselves in this character.”

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Not only does the movie mark Ashley’s first romcom role, but also her first as executive producer.

Since being named one of Variety’s 2021 Brits to Watch, she’s made her stamp on the acting world – most notably as leading lady Kate Sharma in the second season of Netflix period drama Bridgerton.

And she recently confirmed she’ll be releasing her first music album soon.

Ashley has previously picked apart what she’s described as the “restrictive” nature of being an Indian actress – and how it took her longer to break into the industry compared to her white peers.

But she says the industry is changing.

“I think we’ve come a long way – I think we’re part of the change and I think more movies like [Picture This] – more women like you in your seat, more women in my seat – I think that’s part of the change.”

Picture This is available to watch on Prime Video now.

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