Edward Burtnysky on climate crisis: ‘We should be screaming fire… but we’re rearranging deck chairs on the Titanic’
Photographer Edward Burtynsky says people should be “screaming 10 alarm fire right now,” due to the urgency of the climate crisis. Instead, he says “it still feels like we’re rearranging the deck chairs on the Titanic”.
The 69-year-old Canadian artist has re-invented landscape photography, spending the last 40 years documenting man’s dominance over the planet.
He explores human impact across the world – in all its beauty and bleakness.
But does he see any conflict in creating beautiful images documenting such devastating impact on the earth?
He tells Sky News: “My work is revelatory, not accusatory.
“Every living species takes something from nature to survive, and we as a top predator, take quite a bit from nature to survive.
“All these things I’m showing would be perfectly fine if there were one billion human beings on the planet. The fact that there’s eight billion makes it a problem. It’s just too much of a good thing.”
His large-scale panoramas both celebrate and question human ingenuity, challenging his audience to look beyond their backyard.
They also act as a critical reminder of what could be at stake without urgent changes to the way we use the planet’s resources.
Coast Mountains, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
Born in Ukraine, Burtynsky’s parents moved to Canada after the Second World War. His father – who gave him his first camera as a child – died when he was just 15.
Precipices and helicopters
The necessity to earn enough money to allow him to study photography led him to find work in big industry, working in both the auto and mining industries as a young man.
“I moved far north and worked in big mines. And I got to see those worlds, first-hand. And I think it was that kind of opening my eyes to this other world that gave me the idea that most people haven’t really seen these worlds”.
Progressing from standing on the edges of perilous quarries and mines to get his shots (admitting, “my mother didn’t approve, it was sort of dangerous”), he now uses helicopters to get his aerial images.
Kooragang of Coal Terminal, Newcastle, New South Wales, Australia. Pic: Edward Burtynsky/Flowers Gallery
Over four decades, his photography has seen him travel to multiple countries across every continent (except for Antarctica), with his works included in the collections of more than 60 museums around the world.
Disappearing rivers of ice
His recent trip to photograph the Coast mountains of British Columbia, Canada, for his latest exhibition – New Works – was a stark reminder of a swiftly changing world.
From his bird’s eye view, he could see the glaciers – which date as far back as 150,000 years – had receded dramatically compared with 20 years ago because of warming as a result of human activity.
Not only a visible measure of man’s impact on the environment, the disappearing rivers of ice will go on to impact the ecosystems that rely on their meltwater.
Burtynsky’s new collection also explores soil erosion in Turkey, and the impact of coal mines in Australia.
Salt Lakes, North-East Tuz Lake, Turkey. Pic: Edward Burtynsky/Flowers Gallery
He admits it’s sometimes frustrating trying to relay the urgency of the climate emergency message.
‘Our legacy is troubled’
“We have this particular moment in time and things are evolving rapidly. I’m trying to invoke a sense of urgency out there… This is actually scientifically being charted and we’re pretty good at predicting what to expect.”
His environmental message – which is his life’s passion – is deeply held.
“I have two daughters and I want them to have a chance to have a family, too. So, if you know, the legacy that we’re leaving behind is troubled.
But his ecological vigour is also rooted within his personal knowledge of big industry. He says our use of the world’s most valuable resources is not something that can just stop, but instead needs careful planning, with alternative energy incentivisation, to help us transition to more sustainable methods.
Erosion Control, Yesilhisar, of Central Anatolia, Turkey. Pic: Edward Burtynsky/Flowers Gallery
So, what’s his view on the growing army of climate activists drawing attention to the cause by doing ever more extreme things to hit the headlines – particularly when that involves demonstrations in art galleries?
‘I understand the frustration’
“I understand why culture and the arts in particular can be a target, and somebody trying to bring attention through art celebrity. And that’s what’s happening, they’re taking a famous painting and throwing some paint on it… Or gluing themselves…
“I would think that demonstrating in front of the companies that are causing the problem might be a better place – to go direct to the source of the problem. But I understand the frustration.”
Erosion Nallıhan, Ankara Province, Turkey. Pic: Edward Burtynsky/Flowers Gallery
As for the renewed scrutiny on the source of funding for some of our big arts institutions, including galleries and museums accepting money from big oil companies, he says it’s a tricky path to navigate.
‘Be careful what you wish for’
“The line in a way is dangerous because you can all of a sudden find out that culture is no longer viable.
“I think as well, the oil companies have to transition, and they can do a lot to make a difference.
“We still need oil in the meantime until the transition occurs, [and we should] be careful what we wish for, because if all of a sudden the oil stopped tomorrow, I’d call that anarchy.
“We wouldn’t have food coming into the cities. We wouldn’t have transport working, everything would come to a screeching halt. So we are, unfortunately, still bound to that energy source for the foreseeable future.”
Ravensworth Coal Tailing, Ravensworth Mine, Hunter Valley, New South Wales, Australia,. Pic: Edward Burtynsky/Flowers Gallery
Part of that future, he believes, lies in the essential role that art can play in raising ecological awareness.
‘There’s still time’
“Artists have a role and creativity has a huge role in the future, because we have to reinvent our world. We have to find a world that isn’t built on this consumer culture saying the more stuff I own, the happier I am.
“I think everybody’s finding that that’s a bit of a shallow value system that may have been sold to us by some very influential advertising campaigns.”
So, should viewers of his work feel optimistic or pessimistic on leaving the gallery?
“I hope people can walk away saying there’s still time to do something.
“I think pessimism tends to lead to cynicism that nothing will work, so [people think] ‘Why should I bother? I’ll just carry on business as usual’. And I don’t think that’s the right attitude.”
Coast Mountains, Monarch of Ice Cap, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
But alongside that optimism, Burtynsky’s clear-eyed on the challenges the world is facing.
Atmospheric rivers, water bombs and heat domes
“The storms are coming – we’re hearing all kinds of new terminology: ‘Atmospheric rivers’; ‘water bombs’ – these the massive amounts of water hitting a city all at once; ‘heat domes’. All of these new terms to try and describe what’s coming.
“The fire seasons have already started early, Texas is having one of its worst fire seasons ever, and it’s a month and a half, two months early.”
Coast Mountains, receding of glacier, British Columbia, Canada. Pic: Edward Burtynsky/Flowers Gallery
He concludes: “It’s a question of how quickly we’re able to cease and desist the worst activity that we’re doing, which I’d say right now is CO2 loading in the atmosphere and is our most immediate problem.
“We’ve got a lot of problems, and I think if people are going to act, they need to act. The time for words is way over.”
Edward Burtynsky New Works is showing at Flowers Gallery until 6 April.
A retrospective of his work, Extraction /Abstraction, is showing at the Saatchi Gallery until 6 May.
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Entertainment
Idris Elba joins Prime Minister Sir Keir Starmer for launch of new anti-knife crime coalition
Idris Elba will join the prime minister to launch a new anti-knife crime coalition in Downing Street on Monday.
The actor and musician, 52, will attend what is set to be the first annual knife crime summit with Sir Keir Starmer and Home Secretary Yvette Cooper on Monday morning.
As an anti-knife crime campaigner, he will help bring together community groups and victims’ families who have first-hand experience that can be used to change policy.
With the help of the coalition, which will include his Elba Hope Foundation, the government hopes to halve knife crime over the next 10 years.
It is currently in the process of banning ninja swords and strengthening the law on online knife sales.
As well as community leaders and grassroots organisations, the coalition will include tech companies, sports groups, and representatives from the NHS, education sector, and the police, the government said.
Keep up with all the latest news from the UK and around the world by following Sky News
Ahead of the summit, Elba described the coalition as a “positive step toward rehabilitating our communities from the inside out”.
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The King met with Idris Elba in July. Pic: PA
Earlier this year, he met the King to discuss more ways to reduce youth violence – particularly through the King’s Trust.
When the Luther star was a teenager, he received a £1,500 grant from what was then the Prince’s Trust to attend the National Youth Music Theatre.
In January, he launched his own initiative, Don’t Stop Your Future, when he called for an immediate ban on zombie knives to speed up the previous government’s plans for one later this year.
Idris Elba launched his Don’t Stop Your Future campaign in Parliament Square in January. Pic: PA
Review into online knife sales
As the former Director of Public Prosecutions, Sir Keir says he “saw first-hand the devastating impact knife crime has on young people and their families”.
Describing it as a “national crisis that we will tackle head-on” he reiterated Labour’s promise to halve offences over the next decade.
A rapid review into how knives are sold and delivered to under-18s online is being led by Commander Stephen Clayman, the national policing lead for knife crime.
As part of the new coalition, he will report back to the home secretary by the end of the year.
He warned that “knives are far too easily accessible” and that he hopes to work with “government, retailer and the third sector to find ways we can bring meaningful, long-term change”.
Home Secretary Ms Cooper described the coalition as “crucial” and promised: “We will not sit back while precious lives are being lost and young people’s futures destroyed.”
The launch of the coalition and summit is part of the government’s 10-year plan on knife crime and builds on the Home Office’s Young Futures programme, which is working to offer young people a path away from violence.
Entertainment
Liam Gallagher ‘seriously gutted’ over Oasis ticket chaos as fans join lottery for extra gigs
Fans have started receiving invites to join a lottery to buy tickets for two extra Oasis concerts next year.
It follows a major backlash over ticketing issues for the UK and Ireland gigs, which sold out in less than a day and triggered an investigation by competition watchdogs.
A message posted on Oasis’s X account said they would be sending the invites out to “eligible fans we have been able to identify” who were signed into a Ticketmaster account on Saturday 31 August – when tickets initially went on sale.
Those who were able to join a queue for tickets “may be eligible to take part” and will receive an email on how to register for the ballot.
Ticketmaster was widely criticised for dynamic pricing – a system used during high demand and limited supply – which caused the cost of a standard ticket to more than double from £148 to £355.
The Competition and Markets Authority has asked for evidence from fans, including website screenshots during the buying process, as it examines concerns over whether the policy is fair.
Culture Secretary Lisa Nandy also promised a government review and the European Commission said it would examine the issue too.
Ticketmaster defended dynamic pricing and said concert prices are down to the “event organiser” who “has priced these tickets according to their market value”.
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Mercury artists on dynamic pricing outcry
But dynamic ticket pricing has prompted strong criticism from other artists, including this year’s Mercury Prize winner, English Teacher.
Extra Wembley dates announced
Fans were also furious after being left empty-handed, despite waiting in an online queue for hours.
On Wednesday, Oasis announced they would play two more dates at Wembley Stadium on 27 and 28 September as part of next year’s Live ’25 tour using the new ticketing plan.
In a statement, the band said they hoped the strategy would make “the process far smoother for fans by reducing the stress and time it takes” to obtain tickets.
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Movies to look out for at London Film Festival 2024
Meanwhile, Liam Gallagher has been speaking about his brother Noel.
Liam will ‘blow kisses’ to Noel on stage
During a series of messages on X he said he “won’t have a bad word said” about him, and added he would be “blowing him kisses in between each song”.
He also addressed the chaos over ticketing: “I’m seriously gutted for people that can’t get tickets, I can’t even go there it hurts my heart and I know people will think I’m taking the piss, but I’m not.”
On Friday he had joked about the price of tickets.
Liam talks setlist for reunion gigs
Replying to one fan who was kicked off Ticketmaster’s website while trying to buy tickets for the band’s Cardiff gig, Liam replied: “If that’s what happened I’m sure someone will be in touch coz that ain’t cool, good luck.”
Liam also gave away some details about their tracks for their reunion gigs, telling one fan Don’t Go Away from their 1997 album Be Here Now was “not on the list”.
Formed in the early 1990s, Oasis rose to fame with songs such as Supersonic, Cigarettes & Alcohol and Live Forever, before second album (What’s The Story) Morning Glory gave them their first number one single, Some Might Say.
As film festival season gathers pace, the 68th BFI London Film Festival (LFF) has announced its full 2024 programme, featuring a whopping 39 world premieres.
Angelina Jolie, Daniel Craig and Sir Elton John are among the stars to head up the 255-strong collection of movies from around the world.
Here are seven LFF films to look out for – with some hotly tipped for the coming awards season.
Saoirse Ronan in Blitz. Pic: BFF via Getty
Blitz
London-born director Steve McQueen opens the festival for the third time, with the world premiere of his World War Two drama Blitz. The movie re-creates a war-torn London, bombarded by nightly air raids, as battle rages all around.
Saoirse Ronan stars as Rita, an East End mother who makes the heartbreaking decision to send her young son George, played by newcomer Elliott Heffernan, to safety in the countryside. But, George has other ideas, and is determined to return home despite the many dangers ahead.
The ensemble cast includes Kathy Burke, Benjamin Clementine, Harris Dickinson and Stephen Graham, with a score by Oscar-winning composer Hans Zimmer.
Angelina Jolie stars as Maria Callas. Pic: BFF via Getty
Maria
Angelina Jolie makes a return to the big screen after several years away, starring in the biopic about famed opera singer Maria Callas, one of the greatest sopranos of all time.
While the majority of the vocals we hear in the movie are from original recordings of Callas in her prime, the depictions of singing at the end of her life are mostly Jolie’s own voice. The Oscar-winning actress, who spent seven months training for the role, has called it the most demanding of her career.
Directed by Pablo Larrain, it depicts Callas’s final days in Paris when she was addicted to anti-anxiety drugs, looking back to the peak of her career when she wowed audiences around the world. Larrain has said he hopes it will encourage people to listen to more opera.
Daniel Craig in Queer. Pic: BFF via Getty
Queer
Bond star Daniel Craig plays a drug-addicted American living in 1950s Mexico, in the historical drama Queer.
Based on the 1985 semi-autobiographical novel by Beat Generation author William Burroughs, the film delves into the nightlife of Mexico City, in an immersive flood of colour, and doesn’t shy away from full-on sex scenes.
With some reviewers praising it as Craig’s best performance to date, it also stars Jason Schwartzman, Lesley Manville and newcomer Drew Starkey.
Amy Adams in Nightbitch. Pic: BFF via Getty
Nightbitch
A comedy horror starring the ever-adaptable Amy Adams as a stay-at-home mother who slowly thinks she may be turning into a dog.
Based on the 2021 novel by Rachel Yoder, it’s pitched as a modern feminist fable, examining a society in which women are told they can “have it all”.
The movie is directed by Marielle Heller, who in 2020 was one of the female filmmakers many felt were snubbed by the Oscars and Golden Globes when she failed to get a nomination for her movie A Beautiful Day In The Neighborhood. Heller will no doubt be hoping this film – as offbeat as it is – is a different story.
Jeremy Strong and Sebastian Stan (L-R). Pic: Apprentice Productions Ontario / Profile Productions/ Tailored Films
The Apprentice
One of the most polarizing political figures of the 21st century, this film unpacks the young Donald Trump, examining his life before politics, and his career in real estate in New York in the 1970s and 1980s.
Directed by Iranian-Danish filmmaker Ali Abbasi, it stars Sebastian Stan stars as Trump, with Succession actor Jeremy Strong (aka Kendall Roy) playing attorney Roy Cohn.
Possibly the most controversial film of the year, it’s been beset with legal issues, not least of which include a cease-and-desist letter from Mr Trump’s legal team.
With a US election due in November, this one will at least be topical when it finally makes it to cinemas.
Sadie Frost with her subject, Twiggy. Pic: BFF via Getty
Twiggy
This is the first fully approved documentary to tell British model Twiggy’s life story.
Directed by actor-turned-director Sadie Frost it tells the story of the fashion icon – whose real name is Lesley Lawson – going back to her working-class childhood in northwest London, through to her international stardom as a celebrity model, and her career as an actor, singer, fashion designer, writer and TV presenter.
Other noteworthy documentaries screening at LFF include Elton John: Never Too Late, about the singer’s final US live shows, and Super/Man: The Christopher Reeve Story, which looks back at the late actor’s rise to fame as the superhero and his life following a horse-riding accident that left him paralysed from the neck down.
Pharrell Williams’s life story in Lego. Pic: Courtesy of Focus Features
Piece By Piece
A movie about the life of musician Pharrell Williams will close the festival – but told entirely using Lego.
Directed by Morgan Neville, and produced by Williams himself, it depicts the Happy singer’s early life in Virginia, through to his rise to fame as he tops the charts.
Williams recorded five new songs for the soundtrack, and many think it’s a likely contender for best animated feature and best original song come awards season.
LFF takes place from Wednesday 9 October to Sunday 20 October.
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