At his studio on the outskirts of east London, Ghetts is working on new music.
Given his latest album, On Purpose, With Purpose, was introduced to the world just a few days before we meet it seems unusual, but when the ideas don’t stop there is no time for rest.
Ghetts describes his working days “as pretty much Groundhog Day”, with a gym workout at 9.30am then straight to the studio. But this is his sanctuary. “It’s like therapy almost. I’m happy when I’m here.”
One of the UK’s most influential rap artists, Ghetts, real name Justin Clarke, was a teenager when grime emerged in the UK in the early 2000s. He has been in the business for half his life and hailed a trailblazer in the genre, with the mainstream catching up in recent years; in 2019, he received an Ivor Novello nomination, followed by a number two chart position and Mercury Prize nomination for third album, Conflict Of Interest, in 2021.
Image: Ghetts says working in his studio is like ‘therapy’
At this year’s MOBOs he received the pioneer award, a “crazy” moment that saw him joined on stage by his parents, who have supported him since the start. “I feel like that’s not just a ‘me’ moment, that’s quite an ‘us’ moment, you know, the culture,” he says of the award. “That meant a lot.”
Ghetts is known for delivering sharp, social commentary through his lyrics, and as something of a veteran now he feels more comfortable than ever getting his message across. In On Purpose, With Purpose, he features collaborations with musicians including Kano, Wretch 32 and Sampha, and touches on everything from politics, war, and knife and gun crime, to parenting, abortion laws and postnatal depression. However, he dismisses the idea of it as political commentary.
“I guess it’s just a reflection of the times,” the rapper says. “I don’t think it’s anything political just to state facts… Some of [the songs] are not as controversial as others, but like I said, it’s a reflection of the world, seeing these things happening. I wouldn’t necessarily say I was calling them out. I’m an artist and I’m painting pictures with words.”
Image: Ghetts picked up the pioneer award at the 2024 MOBOs earlier this year. Pic: PA/ Danny Lawson
Postnatal depression and knife crime
In Jonah’s Safety, Ghetts raps: “I know this lady/ Diagnosed with postnatal depression/ She don’t wan hold her baby… Nobody knew that’s how she felt/ She had the smile that concealed it.” It’s an issue discussed openly much more than it was even just 10 years ago, but by women. It is refreshing to hear a male rapper taking it on.
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“I heard the beat and the first two lines just came into my head almost instantly,” he tells us. It was a “massive” subject for a man to take on, he adds, “one that deserves research other than just my perspective”.
In Street Politics, he aims to give “a different perspective” to the headlines on youth knife crime, showing “somebody that was a straight-A student fall into a certain way of protecting himself due to fear… I believe it gives a different kind of understanding of why, maybe.”
Having spent time in prison as a teenager, he is aware things could have turned out differently in his own life. “Yeah, sometimes,” he responds, when asked how much he thinks about life’s turning points. “But it’s just testament, you know, to having a vision and living that vision. And being convicted in that vision as well.”
In another album track, Double Standards, the rapper calls out the “structural imbalance” in everything from racism, the justice system and technology, to the different ways he believes the world has reacted to the wars in Ukraine and Gaza.
Image: Pic: Darkside Media
‘We shouldn’t be scared to ask for peace’
It’s about “the yin and yang”, he says. “A double standard of how people of the world are living in different countries and the punishments that differ also, the treatment that differs also. It’s that left, that right, that light, that dark, and everything in between.”
In the track, he raps: “I was on the phone with a pal of mine / they asked me why they’re helping Ukraine and not Palestine / And I’ve replied brown skin we was so whitewashed.”
In person, he says. “I think that peace is not too much to ask for. That’s what I believe… I think everything plays a part within these things – rich, poor, and so on. Not just race… but I go back to saying peace aint too much to ask for. That’s a powerful statement… we shouldn’t be scared to ask for peace.”
So it does seem political, despite his saying otherwise. In 2019, Ghetts endorsed Jeremy Corbyn “because I believe he’s a genuine person that wants to make things better”, but he doesn’t feel the same way about current Labour leader Keir Starmer. Voting at this moment in time, he says, would be “like voting for a lesser evil, I suppose… I don’t know”.
He also laments cancel culture and “fake rage” in his final track. “I think sometimes that lacks a lot of critical thinking of how we may have got to that point,” he says. “You know, it’s just a million voices in one place and reiterating the same thing over and over again, making it spread.”
With Ghetts and his team ready to get to work, we leave it there. Given he had about 50 tracks in the mix for Conflict Of Interest and more that didn’t make the cut for On Purpose, With Purpose, plus his current work, it feels as if there must be a big vault of Ghetts music still waiting to be heard.
“Even though some of these tracks are very good standalone tracks, when they’re together they don’t sound like it’s a journey, it sounds pretty random,” he says. “So that’s the only reason why they don’t make it sometimes.”
Will his fans ever hear them?
“One day I want to do a big release,” he teases. “One day.”
Ghetts is performing in Birmingham, Manchester and London between 22 and 27 March. On Purpose, With Purpose is out now
The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.
Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.
The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.
Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.
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Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.
The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.
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The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.
The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.
Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.
Image: Neil Young performing at the New Orleans Jazz & Heritage Festival last May. Pic: Amy Harris/Invision/AP
Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.
They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.
The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.
The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.
2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.
Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.
US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.
The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.
She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.
Image: Sabrina Carpenter performing her second song. Pic: Reuters
Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.
But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.
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The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”
Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”
Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.
Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.
They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.
Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.
What will the trial cover?
Clarke is suing GNM for libel, sometimes also referred to as defamation.
It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.
Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.
He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.
“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”
The Guardian is defending the claim on the basis of truth and public interest.
It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.
“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”
The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.
The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.
His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.
Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.
The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.
Image: In July 2015. Pic: PA
What has happened since the articles were published?
A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.
However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.
His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.
ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.
The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.
Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.
He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.
Image: At the UK premiere of Kidulthood in London’s Leicester Square in 2006. Pic: PA
‘Rising star’
Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.
Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.
He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.
It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.