Oscars 2024: Oppenheimer takes best film as Al Pacino makes slip up

Published

1 year ago

March 11, 2024

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Oppenheimer has swept this year’s Oscars, winning seven gongs, including best actor, best director and best picture.

The top prize of the night was presented by The Godfather star Al Pacino – who seemed to jump the gun by announcing the winner before listing the nominees.

The movie had been widely expected to rule the night, and didn’t disappoint, possibly leading the 83-year-old actor to speed up the whole announcement process, peeping into the envelope and declaring “I see Oppenheimer”.

While not in the league of the great La La Land / Moonlight mix up of 2017 (when Faye Dunaway and Warren Beatty announced that La La Land had taken best picture when in fact it was Moonlight), it certainly added a final frisson to the evening, even allowing it to wrap a few minutes early, rather than running late which is somewhat of an Academy Award tradition.

Director Christopher Nolan – one of Britain’s most commercially successful filmmakers – won his first Oscar for his three-hour epic about J Robert Oppenheimer, the father of the atomic bomb.

He thanked his wife and producer of the film, Emma Thomas, along with its lead actor Cillian Murphy, adding, “Thank you for those who have been there for me and believed in me my whole career.”

All four of the acting prizes were presented in a new way – by five former winners of each prize.

Best actor, which was presented by stars including Matthew Mcconaughey, Nicolas Cage and Brendan Fraser, was won by Oppenheimer star Murphy, who called himself “a very proud Irishman” and dedicated his prize “to the peacemakers everywhere”.

The 47-year-old star kissed his wife before heading to the stage, where Murphy told producers Nolan and Emma Thomas that making the film had “been the wildest, most creatively satisfying journey”.

He ended his speech by speaking in Irish, saying “Go Raibh Maith Agat” which means thank you.

Best actress – presented by performers including Charlize Theron, Sally Field, Jessica Lange and Jennifer Lawrence – went to Emma Stone for her performance as Bella Baxter in Poor Things.

Announcing breathlessly as she entered the stage, “my dress is broken… I think it happened during I’m Just Ken!” Stone said the win felt “overwhelming”.

She said she had been previously “panicking” about “something like this happening,” but was advised by the film’s director Yorgos Lanthimos to “take herself out of it”.

She also paid tribute to her daughter Louise Jean, who she said would be three-years-old in a few days, saying she loved her “more than the whole sky”.

The first prize of the night went to Da’vine Joy Randolph, who won best supporting actress – a win that had been widely considered to be locked in thanks to Randolph’s earlier wins across the awards season.

It was presented by actresses including Jamie Lee Curtis, Lupita Nyong’o, Rita Monero and Regina King.

Nyong’o was tasked with summing up Randolph’s performance in The Holdovers, revealing that she wore her grandmother’s glasses in the film and saying: “What an honour to see the world though your eyes and hers,” which drew a tear from the actress in the audience.

Accepting her prize, Randolph said: “God is so good. I didn’t think I was supposed to do this as a career.”

She went on: “For so long I thought I needed to be different, and I’ve realised I just needed to be myself.”

She also talked about “being the only black girl in the class,” and being forced to forge her own path, before giving a shout out to her publicist as one in a million – but forgetting to mention their name.

The best supporting actor prize was given out by actors including Ke Huy Quan, Sam Rockwell and Mahershala Ali.

Marking the first prize of the night for Oppenheimer, the gong went to Robert Downey Jr who joked: “I’d like to thank my terrible childhood and the Academy, in that order.”

He went on to pay tribute to his wife, Susan Downey, saying: “I’d like to thank my veterinarian, I mean my wife, she found me a snarling rescue (pet and) you loved me back to life. That is why I’m here.” He also gave a shout out to his lawyer and stylist too.

On a more serious note, the first time Oscar-winner said: “What we do is meaningful, and the stuff we decide to make is important”.

It’s been quite the year for the 58-year-old star, whose had a clean sweep of wins this award season, having previously won at the BAFTAs, Golden Globes, Screen Actors Guild and Critics’ Choice awards.

Achievement in cinematography, which was presented by singer and actress Zendaya, also went to Oppenheimer.

Poor Things took four prizes in total, as well as best actress for Stone, it took three on the trot earlier in the night – best production design, best make-up and hairstyling and best costume design.

In a night with plenty of comedy moments, the costume prize was announced with a skit referencing the 1974 Oscars which infamously saw a naked streaker run across the stage.

Wrestler John Cena was tasked with handing out the gong seemingly naked -except for the envelope containing the winner’s name. He went on to be wrapped in a curtain before handing over the prize, to preserve his modesty.

Best original screenplay went to French film Anatomy Of A Fall, with director and co-writer Justine Triet joking that it would help her through her “mid-life crisis”.

She said she and husband Arthur Harari came up with the idea for the film when they were stuck in the house during the pandemic and changing their children’s nappies.

Best adapted screenplay went to American Fiction, a film about a Black author satirizing offensive tropes of Black entertainment in his book, and finding to his immense irritation that it’s a hit with the publishers.

Accepting the prize, writer and director Cord Jefferson thanked his collaborators on the film for “trusting a 40-year-old black guy who’d never directed anything before,” and gave a shout out to the next generation of writer and directors out there sriving to bring their work to the screen.

Actors Ryan Gosling and Emily Blunt paired up to pay tribute to the stunt people in showbiz, with the pair enacting a mock-squabble which saw Gosling criticise Oppenheimer for “riding on the coat tails of Barbie all summer,” and Blunt accuse Gosling of “drawing on his six pack”. Their jokes were warmly received by the audience.

English film The Zone Of Interest, directed and written by Jonathan Glazer, took best international film.

Referencing the themes of his unsettling holocaust drama, Glazer said: “Our film shows where dehumanization leads, at its worst.”

He went on: “Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people.

“Whether the victims of October the seventh in Israel, or the ongoing attack on Gaza, all the victims, this humanization, how do we resist?”

His comments drew a round of applause from the audience, and tears from his leading actress, Sandra Huller.

Best live action short film went to The Wonderful Story Of Henry Sugar, directed by Wes Anderson.

A short film inspired by the music of John and Ono Lennon – War Is Over! – took best animated short film, with Lennon’s son Sean who was an executive producer on the show part of the team accepting the prize.

Stepping up to the microphone, Sean said: “My mother turned 91 today, and it’s Mother’s Day today in the UK, so could everyone just say ‘Happy Mother’s Day Yoko'”.

The visual effects prize – presented by odd couple Arnold Schwarzenegger and Danny DeVito, the stars of comedy films Twins and Junior – went to Japanese epic Godzilla Minus One.

Created by Takashi Yamazaki – who also oversaw the visual effects – it was a seeming underdog in the category thanks to its small team (35-peope) and comparatively small budget ($12m). They brought two mini-reptilian monsters on stage to accept their prize.

Schwarzenegger and DeVito also gave out the best editor prize, which went to Oppenheimer.

The Boy And The Heron, written and directed by Hayao Miyazaki, took best animated feature film.

Best documentary short film went to The Last Repair Shop, a film celebrating music education in public schools across America.

Best documentary feature went to 20 Days in Mariupol, which harrowingly documents the early days of Russia’s invasion of Ukraine.

Accepting the prize, the film’s director Mstyslav Chernov spoke movingly as he accepted the prize, saying: “This is the first Oscar in Ukrainian history, and I’m honoured. But I will be the first director on this stage to say I wish I’d never made this film, I wish I could exchange this for Russia never attacking Ukraine, and taking over our cities…”

During the night, many ceremony attendees wore red lapel pins from Artists4Ceasefire, calling for a ceasefire in Gaza. Outside of the ceremony around 300-500 pro-Palestinian protesters made their way down Sunset Boulevard shouting “ceasefire now” and “free Palestine” ahead of the show.

The In Memoriam section of the night – which included a tribute to Friends star Matthew Perry – was accompanied by a rendition of Time To Say goodbye by opera singer Andrea Bocelli and his son Matteo.

There were performances on the night from all the nominated acts in the best song category – Billie Eilish and her brother Finneas got a standing ovation after singing What Was I Made For, the first performance of the night.

There were also performances from Becky G, singing Diane Warren’s The Fire Inside, from Flamin’ Hot, Jon Batiste and Dan Wilson’s It Never Went Away from American Symphony, and Scott George’s Wahzhazhe (A Song for My People) from Killers Of The Flower Moon.

But the performance of the night was from Barbie star Ryan Gosling, who sang power ballad I’m Just Ken with ten backing dancers, accompanying giant Barbie cardboard cutout heads and a surprise cameo from Guns And Roses guitarist Slash.

Starting out his performance from his seat in the audience, Gosling paraded onto the stage, dressed in a hot pink suit, gloves and absolutely nailed his performance to the delight of the audience.

After all the performances, the original score was presented by Wicked stars Ariana Grande and Cynthia Erivo, going to Oppenheimer.

They followed up with best original song which went to Billie Eillish for What Was I Made For. The only win of the night for Barbie.

Accepting her second Oscar aged just 22, Eilish said: “I had a nightmare about this last night!” She thanked the film’s director Greta Gerwig, while her brother Finneas thanked Margot, and they both thanked their parents.

Eilish also thanked her “best friend Zoe, for playing Barbie’s with me when I was little”.

Entertainment

‘I will not go quietly,’ Gregg Wallace says amid reports he’s been sacked by the BBC

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3 hours ago

July 8, 2025

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'I will not go quietly,' Gregg Wallace says amid reports he's been sacked by the BBC

Former MasterChef host Gregg Wallace has vowed he will “not go quietly”, amid reports that he has been sacked by the BBC.

It comes after the TV host faced an investigation, commissioned by MasterChef’s production company Banijay UK, into alleged inappropriate behaviour while working for the BBC.

In November, the 60-year-old stepped back from presenting the cooking show after accusations that he made sexual comments towards staff and celebrity guests on a range of programmes over 17 years.

Broadcaster Kirsty Wark, author and actor Emma Kennedy, and presenter Kirstie Allsopp, were among the high-profile figures who made claims of inappropriate behaviour against Wallace.

In a statement, released ahead of the publication of the summary of a report into the claims, the 60-year-old said he had been “cleared of the most serious and sensational accusations” made against him.

However, he said the report, carried out by independent law firm Lewis Silkin, had found him “primarily guilty of inappropriate language between 2005 and 2018”.

Wallace’s statement, published on Instagram, came hours before the BBC News reported that 50 more people had made claims to the corporation against the presenter, including allegations he groped one MasterChef worker and pulled his trousers down in front of another.

In his statement, Wallace labelled BBC News’s claims as “uncorroborated tittle-tattle”.

Wallace wrote: “I have taken the decision to speak out ahead of the publication of the Silkin’s report – a decision I do not take lightly.

“But after 21 years of loyal service to the BBC, I cannot sit in silence while my reputation is further damaged to protect others.

“I have now been cleared by the Silkin’s report of the most serious and sensational accusations made against me.

“The most damaging claims (including from public figures which have not been upheld) were found to be baseless after a full and forensic six-month investigation.

“To be clear, the Silkin’s report exonerates me of all the serious allegations which made headlines last year and finds me primarily guilty of inappropriate language between 2005 and 2018.”

‘I was hired as the cheeky greengrocer – now that’s a problem’

Wallace said he recognised that “some of my humour and language” was at times “inappropriate” and, for that, he apologised “without reservation”.

“But I was never the caricature now being sold for clicks,” Wallace, who also referred to his recent diagnosis of autism, added.

“I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges, and all.

“For over two decades, that authenticity was part of the brand. Now, in a sanitised world, that same personality is seen as a problem.”

Wallace: Complaints from ‘middle-class women of a certain age’

Shortly after the allegations first emerged, Wallace recorded a video where he dismissed his accusers as “middle-class women of a certain age”.

His remarks were met with huge criticism – including from Downing Street, where a spokesperson for the prime minister described them as “completely inappropriate and misogynistic”.

Wallace responded by posting a follow-up clip where he apologised and said he “wasn’t in a good space” when he posted the comments.

Wallace was replaced in the 20th season of MasterChef, which aired this spring, by restaurant critic and former I‘m A Celebrity contestant Grace Dent. Several Christmas episodes of the show were also pulled from the BBC’s 2024 festive schedule.

In April, Wallace spoke to the Daily Mail, denying all accusations against him and saying he had contemplated suicide following the allegations.

Wallace’s lawyers have previously called allegations that he engages in behaviour of a sexually harassing nature “entirely false”.

A spokesperson for the BBC said: “Banijay UK instructed the law firm Lewis Silkin to run an investigation into allegations against Gregg Wallace. We are not going to comment until the investigation is complete and the findings are published.”

A Banijay spokesperson told Sky News: “We won’t be commenting until our report is published.” They have signalled the report will be published later this week or next.

Banijay previously said Wallace is “committed to fully co-operating” with the external review.

Alongside MasterChef, Wallace presented Inside The Factory for BBC Two from 2015 to 2023.

He also featured on various BBC shows over the years, including Saturday Kitchen, Eat Well For Less, Supermarket Secrets, Celebrity MasterChef and MasterChef: The Professionals, as well as being a Strictly Come Dancing contestant in 2014.

More recently, Wallace has been promoting his health and lifestyle website, offering one-to-one coaching from both himself and a team of experts, which includes nutritionists and doctors, and his wife Anna in the role of recipe curator.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.

Entertainment

Ozzy Osbourne reunites with Black Sabbath for ‘final bow’ in emotional metal goodbye

Published

3 days ago

July 5, 2025

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Ozzy Osbourne reunites with Black Sabbath for 'final bow' in emotional metal goodbye

Ozzy Osbourne has reunited with Black Sabbath and performed his final gig – telling fans “you’ve no idea how I feel – thank you from the bottom of my heart”, in an emotional but truly metal goodbye.

Announced earlier this year, Back To The Beginning at Villa Park stadium was billed as the “final bow” for the man revered as a founder of heavy metal after several years of health problems, including Parkinson’s disease.

Rising up on a black throne featuring jewelled skulls, the 76-year-old performed a solo set before being joined by his original bandmates – Terence “Geezer” Butler, Tony Iommi and Bill Ward – for Black Sabbath’s first performance in 20 years.

“Let the madness begin,” Osbourne cried as he appeared for the first time, telling about 40,000 fans: “It’s so good to be on this stage.”

With the crowd chanting his name, he performed both sets sitting down, but the voice and the crazed glint in his eyes were there almost throughout.

Singing fan favourites including Mr Crowley and Crazy Train, and Iron Man and Paranoid with Black Sabbath, Osbourne conducted the crowd to sing “louder, louder”, and “go f****** crazy”.

This was an orchestrated exit by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries – from Slayer and Halestorm to Metallica and Guns ‘n’ Roses, plus stars including Steven Tyler, Ronnie Wood, Yungblud, Travis Barker and Chad Smith, who showed up for “supergroup” performances.

Many said they would not be the musicians they are without Osbourne and Black Sabbath.

“You know, there’s not another guy as respected in metal as Ozzy Osbourne,” former Van Halen singer Sammy Hagar told Sky News just ahead of his performance. “And for him to be sick and to be saying, I’m out, I’m done. Man. There’s no one else that can replace that.”

“Without Sabbath, there would be no Metallica,” said frontman James Hetfield during their performance.

“We’re not here to say goodbye,” said Anthrax’s Scott Ian. “We’re just here to say thank you.”

Throughout the day, giant Ozzy and Black Sabbath beach balls, in the Aston Villa claret and blue, were bounced around a jubilant crowd.

Tributes from other celebrity friends and fans, from Billy Idol and Ricky Gervais to Dolly Parton and Sir Elton John, were played on screen.

Hollywood actor Jason Momoa, who hosted the event, told the crowd heavy metal had been a “safehaven” for many growing up, and Black Sabbath’s music had “influenced and inspired musicians” of all eras and genres.

The farewell show was the idea of Osbourne’s wife, Sharon – one final gig to finish his performing career on a high – after he was forced to cancel shows he had planned in 2023, telling fans he “never imagined” his touring days would end that way.

Sharon Osbourne told Sky News earlier this year that his one regret was not being able to say a thank you to his fans, and so the idea for the reunion gig was born.

Profits from the show will be shared between Cure Parkinson’s, Birmingham Children’s Hospital, and Acorn’s Children’s Hospice.

The gig came after the Black Sabbath band members were awarded the freedom of Birmingham earlier in June, recognised for their significance to the cultural and musical identity of the city they grew up in.

The group formed in 1968 and went on to become one of the most successful metal bands of all time, selling more than 75 million albums worldwide over the years.

They were inducted into the Rock & Roll Hall of Fame in 2006 – Osbourne again later as a solo artist last year – and awarded a lifetime Ivor Novello songwriting award in 2015. In 2019, they were presented with a Grammy lifetime achievement prize.

Now, their first performance in 20 years will also be their last – one for the metal history books.

The show ended with fireworks and a roar from the crowd, who had chanted Ozzy’s name throughout.

For fans, Back To The Beginning capped it all – the ultimate rock and metal line-up, and one last opportunity to show their love for the Prince of Darkness.

“I feel lucky to be able to attend this,” said Calum Kennedy, 19, from Dunfermline. “It’s the biggest metal show known to man, [the biggest line-up] ever. I’ve never seen anything better.”

Ben Sutton, 24, from Chester, added: “I feel like it’s important – we’re of the younger generation – for us to see some of the heritage and history of the genre we love, metal in general. It’s such an honour to say goodbye to him.”

Steve Townson, from Lincolnshire, said: “I saw him the first time round and the fact that he’s still going is incredible, isn’t it? I was there at the start, I’m happy to be here at the end.”

Entertainment

Oasis reunion: A high-five and a hug – the gestures were there, but ultimately it was all about the music

Published

4 days ago

July 5, 2025

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Oasis reunion: A high-five and a hug - the gestures were there, but ultimately it was all about the music

Oasis have reunited on stage for the first time in almost 16 years – with brothers Liam and Noel Gallagher sharing a high five and the briefest of hugs as they closed a performance that for fans was more than worth the wait.

After the split in 2009, for many years Noel said he would never go back – and for a long time, as the brothers exchanged insults through separate interviews (and on social media, for Liam), it seemed pretty unlikely to ever happen.

But now, here they are. As they walked out on stage at Cardiff’s Principality Stadium, all eyes were on the Gallaghers for a sense of their relationship – dare we say it, friendship? – now after all these years.

As it happened: How Oasis’s first gig together in 16 years unfolded

There was no reference to their fall-out or making up, but the gestures were there – lifting hands together as they walked out for the first time.

Headlines and tweets of speculation and then confirmation of the reunion filled the screens as the show started. “This is happening,” said one, repeatedly.

In the end, it was all about the music.

Liam has received criticism in the past for his voice not being what it once was, but back on stage with his brother tonight he delivered exactly what fans would have hoped for – a raw, steely-eyed performance, snarling vocals, and the swagger that makes him arguably the greatest frontman of his day.

This was Oasis sounding almost as good as they ever have.

They opened with Hello, because of course, “it’s good to be back”. And then Acquiesce, and those lyrics: “Because we need each other/ We believe in one another.”

The song is said to be about friendship in the wider sense, rather than their brotherly bond and sibling rivalry, but you can’t help but feel like it means something here.

Over two hours, they played favourite after favourite – including Morning Glory, Some Might Say, Cigarettes & Alcohol, Supersonic and Roll With It.

In the mid-section, Liam takes his break for Noel to sing Talk Tonight, Half The World Away and Little By Little; the tempo slows but there is by no means a lull, with the fans singing all his words back to him.

Liam returns for hits including Stand By Me, Slide Away, Whatever and Live Forever, before sending the crowd wild (or even wilder) with Rock And Roll Star.

When the reunion announcement was made last summer, it quickly became overshadowed by the controversy of dynamic pricing causing prices to rocket. As he has done on X before, Liam addressed the issue on stage with a joke.

“Was it worth the £4,000 you paid for the ticket?” he shouted at one point. “Yeah,” the crowd shouts back; seemingly all is forgiven.

After Rock And Roll Star, the dream that very quickly became a reality for this band, Noel introduced the rest of the group, calling Bonehead a “legend”.

Then he acknowledges all their young fans, some who maybe weren’t even born when they split. “This one is for all the people in their 20s who’ve never seen us before, who’ve kept this shit going,” he says before the encore starts with The Masterplan.

Noel follows with Don’t Look Back In Anger, and the screens fill with Manchester bees in reference to the arena bombing and how the song became the sound of hope and defiance for the city afterwards.

During Wonderwall, there’s a nice touch as Liam sings to the crowd: “There are many things I would like to say to you, but I don’t speak Welsh.”

It is at the end of Champagne Supernova, which closes the set, that it happens; Noel puts down his guitar, and they come together for a high-five and a back-slap, a blink-and-you’d miss it hug.

“Right then, beautiful people, this is it,” Liam had told the crowd as he introduced the song just a few minutes earlier. “Nice one for putting up with us over the years.”

From the roar of the audience, it’s safe to say most people here would agree it’s been worth it.