The 23-year-old is completing a 10-week training and development camp as part of the International Player Pathway (IPP) in Bradenton, Florida.
The initiative is designed to attract players from outside the US to American Football.
On 20 March, Rees-Zammit will attend a Pro Day alongside 15 fellow attendees. It’s a showcase for their talents at which NFL team scouts will assess their suitability for a contract.
In an interview with Sky News, Rees-Zammit – nicknamed Rees Lightning because of his pace – talked of his ambition, his inspiration and of the NFL’s biggest fan, singer Taylor Swift.
On pursuing an NFL career
I’d regret this for the rest of my life if I never gave this a go. I fully believe that I can make this happen.
My dad has always been a role model to me and he played as a teenager – he loved the sport and brought me up to love the sport.
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He always supported Washington. We had a season ticket at Manchester United for the 2014 season, so I would have been 13 and, literally every journey up, I used to watch someone called DeSean Jackson – I used to watch all his videos on the three-hour journey up to Manchester, I’d watch all his videos, his documentaries and stuff like that.
I want to continue (my dad’s) legacy and create my own and inspire however many people I can back home to give this a go and believe in themselves.
On telling his Wales coach Warren Gatland and colleagues
My teammates are so supportive, I couldn’t thank them enough. They all messaged me straight away, good luck messages.
Gats (Warren Gatland) was so great with me. He only found out five minutes before the announcement, so it was tough for him and it was tough for me, because it was definitely the toughest decision I’ve ever made in my life.
I gave him a ring and he was like: go out there, smash it.
He asked ‘if it doesn’t work out, what happens?’ For sure, I’d be going back to rugby. So, he left it like that and I’m so appreciative of that and I can’t thank the boys enough for the support they’ve given me.
On the challenges of switching to NFL
The transferable skills, in terms of ball in hand, playing running back… is going to be a lot easier for me.
Obviously, the helmet and pads are completely different. The first few days were difficult, in the sense that you’ve got to use your peripherals (vision) a lot, but we’ve been doing it for seven weeks and it’s one of those things where you just get used to it.
It’s more route running, being able to accelerate and stop on a dime.
You’re trying to run a route and then, all of a sudden, you’ve got to turn around and try and catch a ball, with a helmet on, but you just get used to it.
We do hundreds and hundreds of repetitions so, after a few, you get a feel for where you are.
Mentally, you have to be so switched on. It’s such a cut-throat business that the margin for error is so small, you can’t forget anything.
A lot of it is mental and being able to transfer the stuff you learn in the classroom to the field.
In rugby, there are probably, like, 20 plays. In the NFL, you’ve got to try and learn 80-100 a game.
On Pro Day, the showcase for NFL scouts
It really excites me to be able to show people what I can do in this sport. I’ve worked incredibly hard over the past seven, eight weeks to get a feel for the game, not just on the field but off the field as well.
I want to show these scouts what we’ve all learned and I’m just so excited to get to that day and perform.
I fully believe that I can make this work. If I had any doubt in my head that I couldn’t do this then I wouldn’t be here.
On Taylor Swift, the musician and celebrity NFL fan
I think it’s great for the sport. She’s attracting people to love the sport and it’s great. I like Taylor Swift as a singer, as well.
There are a lot of people that have mixed reviews or mixed opinions, but I think it’s doing really good for the sport and it’s attracting a lot.
On the Welsh team he left behind
It’s a new World Cup cycle in there, so we’ve got a lot of youngsters, which is great. We’ve had very good periods of play, it’s just putting an 80-minute performance together is the issue at the minute.
I have no doubt that the more games you play, the chemistry will get better, the boys will know how each other play, how each other run.
It’s difficult to just throw a load of players in there and just say “get better”.
What would success look like?
It’s not about money, it’s not about location, it’s about having a plan.
I don’t want to look too far ahead. I have no preferences on teams, I just want to be at a club that supports me and I will do everything for them.
For my dad to be able to say that his son’s in the NFL would be the most proud moment of my life – not just my dad, my brother and mum are so supportive of me and I could never do this without them.
We’re so close, we do everything together, I mean, they’re going to come out and live with me.
They’ve supported me since I started sport at six, I think they probably missed about eight games in my whole life and that was purely because of lockdown.
They’ve travelled the world with me and I can’t do enough to give back to them.
If he returns to rugby
I started at Gloucester and I’d want to finish at Gloucester. Ultimately, if they didn’t give me the opportunity to play professional rugby then I wouldn’t be here today.
So I absolutely love Gloucester, I love the club, I love the supporters, I love everyone there. So, Gloucester would be my preference.
Sam Moore, who sang Soul Man and other 1960s hits in the legendary Sam & Dave duo, has died aged 89.
Moore, who influenced musicians including Michael Jackson, Al Green and Bruce Springsteen, died on Friday in Coral Gables, Florida, due to complications while recovering from surgery, his publicist Jeremy Westby said.
No additional details were immediately available.
Moore was inducted with Dave Prater, who had died in a 1988 car crash, into the Rock and Roll Hall of Fame in 1992.
The duo, at the Memphis, Tennessee-based Stax Records, transformed the “call and response” of gospel music into a frenzied stage show and recorded some of soul music’s most enduring hits, including Hold On, I’m Comin’.
Many of their records were written and produced by the team of Isaac Hayes and David Porter and featured the record label’s house band Booker T & the MGs.
Sam & Dave faded after their 1960s heyday but Soul Man hit the charts again in the late 1970s when the Blues Brothers, John Belushi and Dan Aykroyd, recorded it with many of the same musicians.
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Moore had mixed feelings about the hit becoming associated with the Saturday Night Live stars, remembering how young people believed it originated with the Blues Brothers.
Sam & Dave broke up in 1970 and neither had another major hit.
Moore later said his drug habit played a part in the band’s troubles and made record executives wary of giving him a fresh start.
He married his wife Joyce in 1982, and she helped him get treatment for his addiction that he credited with saving his life.
Moore spent years suing Prater after his former partner hired a substitute and toured as the New Sam & Dave.
He also lost a lawsuit claiming the pair of aging, estranged singers in the 2008 movie Soul Men was too close to the duo.
In another legal case, he and other artists sued multiple record companies and the American Federation of Television and Radio Artists in 1993, claiming he had been cheated out of retirement benefits.
Despite his million-selling records, he said in 1994 his pension amounted to just 2,285 US dollars (£1,872), which he could take as a lump sum or in monthly payments of 73 US dollars (£60).
“Two thousand dollars for my lifetime?” Moore said at the time. “If you’re making a profit off of me, give me some too. Don’t give me cornbread and tell me it’s biscuits.”
Moore wrote Dole Man, based on Soul Man, for Republican Bob Dole’s 1996 presidential campaign and was one of the few entertainers who performed at President Donald Trump’s inaugural festivities in 2017.
Eight years earlier, he objected to Democratic presidential candidate Barack Obama’s use of the song Hold On, I’m Comin’ during his campaign.
The fires that have been raging in Los Angeles County this week may be the “most destructive” in modern US history.
In just three days, the blazes have covered tens of thousands of acres of land and could potentially have an economic impact of up to $150bn (£123bn), according to private forecaster Accuweather.
Sky News has used a combination of open-source techniques, data analysis, satellite imagery and social media footage to analyse how and why the fires started, and work out the estimated economic and environmental cost.
More than 1,000 structures have been damaged so far, local officials have estimated. The real figure is likely to be much higher.
“In fact, it’s likely that perhaps 15,000 or even more structures have been destroyed,” said Jonathan Porter, chief meteorologist at Accuweather.
These include some of the country’s most expensive real estate, as well as critical infrastructure.
Accuweather has estimated the fires could have a total damage and economic loss of between $135bn and $150bn.
“It’s clear this is going to be the most destructive wildfire in California history, and likely the most destructive wildfire in modern US history,” said Mr Porter.
“That is our estimate based upon what has occurred thus far, plus some considerations for the near-term impacts of the fires,” he added.
The calculations were made using a wide variety of data inputs, from property damage and evacuation efforts, to the longer-term negative impacts from job and wage losses as well as a decline in tourism to the area.
The Palisades fire, which has burned at least 20,000 acres of land, has been the biggest so far.
Satellite imagery and social media videos indicate the fire was first visible in the area around Skull Rock, part of a 4.5 mile hiking trail, northeast of the upscale Pacific Palisades neighbourhood.
These videos were taken by hikers on the route at around 10.30am on Tuesday 7 January, when the fire began spreading.
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At about the same time, this footage of a plane landing at Los Angeles International Airport was captured. A growing cloud of smoke is visible in the hills in the background – the same area where the hikers filmed their videos.
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The area’s high winds and dry weather accelerated the speed that the fire has spread. By Tuesday night, Eaton fire sparked in a forested area north of downtown LA, and Hurst fire broke out in Sylmar, a suburban neighbourhood north of San Fernando, after a brush fire.
These images from NASA’s Black Marble tool that detects light sources on the ground show how much the Palisades and Eaton fires grew in less than 24 hours.
On Tuesday, the Palisades fire had covered 772 acres. At the time of publication of Friday, the fire had grown to cover nearly 20,500 acres, some 26.5 times its initial size.
The Palisades fire was the first to spark, but others erupted over the following days.
At around 1pm on Wednesday afternoon, the Lidia fire was first reported in Acton, next to the Angeles National Forest north of LA. Smaller than the others, firefighters managed to contain the blaze by 75% on Friday.
On Thursday, the Kenneth fire was reported at 2.40pm local time, according to Ventura County Fire Department, near a place called Victory Trailhead at the border of Ventura and Los Angeles counties.
This footage from a fire-monitoring camera in Simi Valley shows plumes of smoke billowing from the Kenneth fire.
Sky News analysed infrared satellite imagery to show how these fires grew all across LA.
The largest fires are still far from being contained, and have prompted thousands of residents to flee their homes as officials continued to keep large areas under evacuation orders. It’s unclear when they’ll be able to return.
“This is a tremendous loss that is going to result in many people and businesses needing a lot of help, as they begin the very slow process of putting their lives back together and rebuilding,” said Mr Porter.
“This is going to be an event that is going to likely take some people and businesses, perhaps a decade to recover from this fully.”
The Data and Forensics team is a multi-skilled unit dedicated to providing transparent journalism from Sky News. We gather, analyse and visualise data to tell data-driven stories. We combine traditional reporting skills with advanced analysis of satellite images, social media and other open source information. Through multimedia storytelling we aim to better explain the world while also showing how our journalism is done.