Steve Harley, best known for being the frontman of the rock group Cockney Rebel, has died at the age of 73.
The English singer and songwriter, best known for the 1970s hit Make Me Smile, was receiving treatment for cancer.
“We are devastated to announce that our wonderful husband, father and grandfather, has passed away peacefully at home, with his family by his side,” his wife, Dorothy, and children, Kerr and Greta said in a statement.
Image: Pic: PA
“The birdsong from his woodland that he loved so much was singing for him. His home has been filled with the sounds and laughter of his four beloved grandchildren.
“Stephen. Steve. Dad. Grandar. Steve Harley. Whoever you know him as, his heart exuded only core elements. Passion, kindness, generosity, and much more, in abundance.
“Steve took enormous comfort from all of his fans’ well wishes during his battle, and we know he would want to thank you all deeply for your love and support throughout his career, and during his battle to the end.”
Harley’s family said they knew the singer would be “desperately missed by countless friends, family and devoted fans all over the world”.
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Along with Make Me Smile, which went to number one in the UK charts in 1975, Cockney Rebel’s hits include Here Comes The Sun, Mr Raffles (Man, It Was Mean), Love’s A Prima Donna and Judy Teen.
Earlier this year, Harley was forced to say he could not commit to any concerts in 2024 due to ill health.
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He had previously cancelled shows scheduled for spring and autumn of this year.
In a Facebook post in December, when announcing his cancer diagnosis, he said cancelling the shows were “heartbreaking” and gave an update on his treatment.
Image: Steve Harley in 1974. Pic: David Stevens/ANL/Shutterstock
He also thanked fans for their support and “touching messages”, adding: “It means more than I can tell.”
Scottish musician Midge Ure hailed Harley as a “true ‘working musician'” in a tribute this afternoon.
Ure, who produced Harley’s 1982 track I Can’t Even Touch You, said in a social media post: “Steve Harley was a true ‘working musician’.
“He toured until he could tour no more, playing his songs for fans old and new.
“My thoughts go out to Dorothy and his family at this very sad time. Our songs live on longer than we ever can.”
Image: Steve Harley in 2016 during a recording of a charity single for the Jo Cox Foundation. Pic: PA
TV presenter Lorraine Kelly also said she “loved his music” and recalled watching the band as a teenager as she paid tribute.
Meanwhile, singer-songwriter Mike Batt, who worked with Harley on several songs, described the musician as a “dear pal” and “lovely guy”.
The pair worked together on tracks including Ballerina (Prima Donna) released in 1983 and were joined by Yes lead singer Jon Anderson for the 1988 charity single Whatever You Believe.
“Oh no! My dear pal, Steve Harley has died,” Batt posted on X.
“I just found out on Twitter. I was just writing about him yesterday in my autobiography.
“What a talent. What a character. What a lovely guy. My condolences to Dorothy and all. RIP, mate.”
Born in southeast London in 1951, he spent almost four years in hospital as a child after contracting polio.
He joined the Daily Express as a trainee accountant aged 17 before working as a journalist for several regional newspapers including the East London Advertiser.
Cockney Rebel began in the early 1970s in London after Harley spent several years performing at folk clubs in the city.
The band – after undergoing several line-up changes – released their debut studio album, The Human Menagerie, in 1973 and followed it up with 1994’s The Psychomodo which went to number eight in the UK charts.
Image: Steve Harley (centre) and Cockney Rebel in 1975. Pic: PA
The band regrouped and changed its name to Steve Harley and Cockney Rebel and it was under this moniker they released a string of albums including 1975’s The Best Years Of Our Lives, which peaked at number four.
Their biggest hit Make Me Smile has sold around 1.5 million copies and has been covered more than 120 times, including by Robbie Williams and Duran Duran, according to the Official Charts, as well as being featured in films including The Full Monty.
Harley also enjoyed a solo career from 1977 onwards and wrote for other artists, including his friend Sir Rod Stewart.
He went on to present the BBC Radio 2 show Sounds Of The 70s from 1999 to 2008.
Helen Thomas, Head of BBC Radio 2, said: “All of us at Radio 2 are saddened to hear of the passing of former Sounds of the 70s presenter, Steve Harley. We send our condolences to his family and our presenters are paying tribute to him on air.”
Taylor Swift has announced her 12th studio album during an appearance on her boyfriend Travis Kelce’s podcast.
The pop megastar, appearing on New Heights, did not say when the record, titled The Life Of A Showgirl, will be released.
Fans can pre-order the album in various formats now and Swift’s website says physical copies will be shipped by 13 October.
Image: Pic: New Heights
On Monday, Taylor Nation – an official branch of the singer’s marketing team – teased the release on TikTok with a slideshow of 12 images alongside the caption: “Thinking about when she said ‘See you next era…'”
Swift is seen wearing orange in every picture.
A special limited vinyl edition of the album will be released in “Portofino orange glitter”, according to a pre-order page on her site. A special cassette edition is also available for pre-order.
Image: Taylor Swift’s website features The Life of a Showgirl pre-order options. Pic: Reuters
A brief clip from the New Heights podcast, hosted by Swift’s NFL star boyfriend, Travis Kelce and his brother Jason, a former NFL player, was posted on Instagram early on Tuesday.
The video showed Swift pulling a copy of the album from a briefcase with the cover blurred.
The full podcast episode will be released at 11pm on Tuesday, UK time.
Swift is living up to her reputation as pop’s hardest-working star
You might think that after pulling off the highest-grossing tour in history, all while writing and releasing an unexpected record-breaking double album at the same time, Taylor Swift would be happy to take a little break.
But no. The singer-songwriter has announced her 12th album, her sixth in six years.
Since her self-titled debut in 2006, the longest period Swifties have had to wait is just three years, between 2014’s 1989 and 2017’s Reputation; the period in which the star took time out following her public feud with Kim Kardashian and Kanye West.
Over the past few years, Swift has also re-recorded and re-released four of her early albums in a (now resolved) battle over the rights to her master recordings.
With the new announcement, she’s living up to her reputation as the hardest-working star in pop.
Album number 12 is titled The Life Of A Showgirl, hinting at inspiration drawn from spending the best part of two years on the road – and perhaps a return to pop after embracing folk and her more gothic side.
Fans are now eagerly waiting to find out what Swift’s new era will bring.
New Heights had previously teased Swift’s appearance by posting an orange image on social media with a mysterious silhouette, which many correctly identified as the pop star.
The Life Of A Showgirl follows Swift’s The Tortured Poets Department, released last year during her record-breaking Eras tour, which generated more than $2.2bn (£1.6bn) across two years and five continents, making it the highest-grossing tour of all time.
In an effort to regain control over her music in recent years, Swift has been re-recording and releasing her first six albums. The move was prompted by Hybe America CEO Scooter Braun’s purchase and sale of her early catalogue.
Some of the ‘Taylor’s Version’ releases have included new songs as well as Easter eggs and visuals to offer a deeper understanding of her work.
The four re-recorded albums released so far have been massive commercial and cultural successes, each one entering the Billboard 200 US album chart at number one, helping her become the woman with the most number one albums in history.
Harry and Meghan have signed a new “multi-year, first-look deal” with Netflix, following the deal they struck with the streaming giant five years ago.
Described by the Sussexes as “extending their creative partnership”, while the news quashes rumours the relationship might not be renewed, it would appear to be a less prestigious deal than their first.
Image: With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix
As a “first-look deal” rather than an overall deal, the entertainment giant will be able to say yes or no to their content before anyone else, but they will not be under an obligation to stream it.
Several US outlets have suggested it is a downgrade from the Sussexes’ previous contract, which saw the streaming giant pay for exclusive rights for the content and was thought to be worth more than $100m (£74m).
British PR expert Mark Borkowski described the deal as a “downgrade” and suggested Netflix was “pivoting away” from Harry and Meghan.
Their partnership with Netflix had promised documentaries, docuseries, feature films, scripted shows and children’s television, but has so far only delivered documentaries and docuseries.
These include Harry & Meghan, a six-part series about their departure from the royal household, which is Netflix’s fifth most popular series of all time, and most recently, the lifestyle show With Love, Meghan, which is the streamer’s most-watched culinary show since its release earlier this year.
Speaking about the new deal, Meghan said: “We’re proud to extend our partnership with Netflix and expand our work together to include the As ever brand.”
As ever is Meghan’s lifestyle brand, launched in 2024, and rebranded this year, selling products including jams, shortbread and wine.
Meghan went on: “My husband and I feel inspired by our partners who work closely with us and our Archewell Productions team to create thoughtful content across genres that resonates globally and celebrates our shared vision.”
Image: (R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix
Netflix’s chief content officer Bela Bajaria called the Sussexes “influential voices” and said their stories “resonate with audiences everywhere”.
New output includes the second season of With Love Meghan later this month, and a Christmas special in December.
Archewell Productions is also working on a documentary about orphaned children in Uganda’s Masaka region, an area heavily hit by the HIV/AIDS crisis, titled Masaka Kids, A Rhythm Within, and is developing a feature adaptation of the bestselling romantic novel by Carley Fortune, Meet Me At The Lake.
It comes as Harry has cut ties with his Sentebale charity but has said he still intends to do what he can to help young people in Lesotho, Botswana and Southern Africa.
While we’re all desperate to know what this new deal is really worth in dollars and pounds, one thing I can tell you for certain is that Prince Harry and Meghan want us to know they’re delighted that Netflix again wanted to get a deal done.
“Absolutely over the moon” is how it was described to me.
But they’ll also be aware of the attention it’ll attract as we all try to pick apart what it means.
Image: Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix
Firstly because of that ongoing fascination in how they’re making money since stepping away from royal life and losing financial support from the King, but also because of the recent reports that Netflix were intending to cut ties.
Yes this is a different type of deal from their original one in 2020. Some have argued that a “first look deal” looks like a demotion from what they previously signed up to.
With no real clarity on how much their original deal was worth, and no numbers being publicly thrown around this time, that is hard to judge.
But talking to those who know something about these kinds of deals you do get a sense it could potentially be more lucrative than it looks on face value.
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With first look deals, yes there is often financial commitments from the likes of Netflix to get that first exclusive look at projects and first refusal.
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But there could be other significant monetary incentives for the Sussexes to sign.
For example, when the Obamas signed a first look deal with Netflix, the streaming service agreed to pay the operational costs for their production company “Higher Ground”.
Could it be that Netflix are also now covering the costs of Archewell Productions?
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It’s stating the obvious to say that Harry and Meghan continue to divide opinions, some wanting to watch their programmes from a place of respect and fondness, others as a reason to grumble about them.
But signing on this latest dotted line shows Netflix still sees them as a power couple, who attract significant attention and are worthy of investment, whatever that really adds up to.