The final series of royal drama The Crown leads this year’s BAFTA TV Awards nominations, picking up eight nods including four in the acting categories – but misses out on the best drama shortlist.
Happy Valley, The Gold, Slow Horses and Top Boy are the four shows up for the prize, which will be one of the biggest of the night.
Black Mirror’s Demon 79 episode follows closely behind The Crown with seven BAFTA TV nominations, while The Sixth Commandment, The Last Of Us, The Long Shadow and Succession also feature several times on the shortlist.
Image: Black Mirror Demon 79. Pic: Netflix
In the news coverage category, Sky News takes two of the three slots, for its coverage on Myanmar and the Israel-Hamas war. Channel 4 is also nominated for its coverage of the war.
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Inside Sky’s chief correspondent Stuart Ramsay’s month-long undercover mission embedded at the epicentre of Myanmar’s secretive resistance movement. WARNING: VIDEO CONTAINS GRAPHIC IMAGES
After six seasons chronicling the Royal Family, the final season of The Crown covered the period from the late 1990s to 2005 – including the aftermath of the death of Princess Diana, William meeting Kate, and Charles and Camilla’s wedding.
Dominic West, who played the then Prince Charles, is up for best actor, while Elizabeth Debicki (Princess Diana), Lesley Manville (Princess Margaret) and Salim Daw (Mohamed Al Fayed) are shortlisted in the supporting categories. The series is also up for awards for costume design, make-up and hair, sound, and visual effects.
The return of Charlie Brooker’s dystopian anthology series Black Mirror receives all its BAFTA TV nominations for one episode, titled Demon 79, about a girl who accidentally releases a demon who tells her she must commit three murders to prevent the end of the world.
Star Anjana Vasan is in the running for leading actress alongside Bella Ramsey for The Last Of Us, Anne Reid for The Sixth Commandment, Helena Bonham Carter for Nolly, Sarah Lancashire for Happy Valley, and Sharon Horgan for Best Interests.
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Image: Sarah Lancashire is up for best actress for her performance in Happy Valley. Pic: BBC
Image: Brian Cox (right) is up for best actor for his portrayal of Logan Roy in Succession. Pic: Sky UK/HBO
In the leading actor category, West faces competition from Succession’s Brian Cox, Top Boy’s Kane “Kano” Robinson, Paapa Essiedu for The Lazarus Project, Steve Coogan for The Reckoning, and Timothy Spall for The Sixth Commandment.
In the comedy categories, Big Boys, Dreaming Whilst Black, Extraordinary and Such Brave Girls are up for best-scripted show, while Bridget Christie (The Change), Gbemisola Ikumelo (Black Ops), Mairead Tyers and Sofia Oxenham (Extraordinary), Roisin Gallagher (The Lovers), and Taj Atwal (Hullraisers) are shortlisted for best female performance.
Adjani Salmon (Dreaming Whilst Black), David Tennant (Good Omens), Hammed Animashaun (Black Ops), Jamie Demetriou (A Whole Lifetime with Jamie Demetriou), Joseph Gilgun (Brassic), and Mawaan Rizwan (Juice) are shortlisted for best male comedy performance.
The Bear, Beef, Class Act, The Last Of Us, Love & Death, and Succession make up the shortlist in the international category, while The Long Shadow, Demon 79, Best Interests and The Sixth Commandment are the four shows up for best limited series.
The main nominations announcement comes after the reveal of the memorable moments shortlist, which was announced earlier this month.
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A total of 118 programmes have been nominated, and for 17 out of 44 nominees in the performance categories it is their first BAFTA nod.
BAFTA chair Sara Putt said the “exceptional” variety and quality of programmes nominated reflects the “creative powerhouse” that is the UK television industry.
She also referenced the directing categories for factual and fiction shows, which feature predominantly male nominees.
“I’m delighted to see so many first-time nominees, so much new and emerging talent and so many debut projects recognised,” she said.
“At a time when budgets are tight and creative risk-taking can feel ever riskier, we hope our awards can play a positive role in reinforcing the value of nurturing new talent and ideas, as well as holding a mirror up to stubborn industry inequities, particularly for talented female directors who are still significantly outnumbered by their male counterparts when it comes to awards submissions.”
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Reports of a “board-level orchestrated coup” at the BBC are “complete nonsense”, non-executive director Sir Robbie Gibb has told MPs.
Sir Robbie, whose position on the BBC board has been challenged by critics in recent weeks, was among senior leaders, including the broadcaster’s chair, Samir Shah, to face questions from the Culture, Media and Sport committee about the current crisis.
The hearing took place in the wake of the fallout over the edit of a speech by US President Donald Trump, which prompted the resignation of the corporation’s director-general and the chief executive of BBC News, and the threat of a lawsuit from the US president.
Image: Former BBC editorial adviser Michael Prescott wrote the memo that was leaked. Pic: PA
Former editorial adviser Michael Prescott, whose leaked memo sparked the recent chain of events, also answered questions from MPs – telling the hearing he felt he kept seeing “incipient problems” that were not being tackled.
He also said Mr Trump’s reputation had “probably not” been tarnished by the Panorama edit.
During his own questioning, Sir Robbie addressed concerns of potential political bias – he left BBC News in 2017 to become then prime minister Theresa May’s director of communications, a post he held until 2019, and was appointed to the BBC board in 2021 by Boris Johnson.
Image: BBC board member Sir Robbie Gibb appearing before the Culture, Media and Sport committee. Pic: PA
“I know it’s hard to marry the fact that I spent two years as director of communications for the government… and my genuine passion for impartiality,” he said.
“I want to hear the full range of views… I don’t want the BBC to be partisan or favour any particular way.”
Asked about reports and speculation that there has been a “board-level orchestrated coup”, Sir Robbie responded: “It’s up there as one of the most ridiculous charges… People had to find some angle.
“It’s complete nonsense. It’s also deeply offensive to fellow board members… people of great standing in different fields.”
He said his political work has been “weaponised” – and that it was hard as a non-executive member of the BBC to respond to criticism.
‘We should have made the decision earlier’
Image: BBC chair Samir Shah also answered questions. Pic: PA
Mr Shah admitted the BBC was too slow in responding to the issue of the Panorama edit of Mr Trump, which had been flagged long before the leaked memo.
“Looking back, I think we should have made the decision earlier,” he said. “I think in May, as it happens.
“I think there is an issue about how quickly we respond, the speed of our response. Why do we not do it quickly enough? Why do we take so much time? And this was another illustration of that.”
Following reports of the leaked memo, it took nearly a week for the BBC to issue an apology.
Mr Shah told the committee he did not think Mr Davie needed to resign over the issue and that he “spent a great deal of time” trying to stop him from doing so.
Is director-general role too big for one person?
Image: Tim Davie is stepping down as BBC director-general
Asked about his own position, Mr Shah said his job now is to “steady the ship”, and that he is not someone “who walks away from a problem”.
A job advert for the BBC director-general role has since gone live on the corporation’s careers website.
Mr Shah told the hearing his view is that the role is “too big” for one person and that he is “inclined” to restructure roles at the top.
He says he believes there should also be a deputy director-general who is “laser-focused on journalism”, which is “the most important thing and our greatest vulnerability”.
Earlier in the hearing, Mr Prescott gave evidence alongside another former BBC editorial adviser, Caroline Daniel.
He told the CMS committee that there are “issues of denial” at the BBC and said “the management did not accept there was a problem” with the Panorama episode.
Mr Prescott’s memo highlighted concerns about the way clips of Mr Trump’s speech on January 6 2021 were spliced together so it appeared he had told supporters he was going to walk to the US Capitol with them to “fight like hell”.
‘I can’t think of anything I agree with Trump on’
Mr Trump has said he is going to pursue a lawsuit of between $1bn and $5bn against the broadcaster, despite receiving an official public apology.
Asked if the documentary had harmed Mr Trump’s image, Mr Prescott responded: “I should probably restrain myself a little bit, given that there is a potential legal action.
“All I could say is, I can’t think of anything I agree with Donald Trump on.”
He was later pushed on the subject, and asked again if he agreed that the programme tarnished the president’s reputation, to which he then replied: “Probably not.”
Mr Prescott, a former journalist, also told the committee he did not know how his memo was leaked to the Daily Telegraph.
“At the most fundamental level, I wrote that memo, let me be clear, because I am a strong supporter of the BBC.
“The BBC employs talented professionals across all of its factual and non-factual programmes, and most people in this country, certainly myself included, might go as far as to say that they love the BBC.
He said he “never envisaged” the fallout that would occur. “I was hoping the concerns I had could, and would, be addressed privately in the first instance.”
Asked if he thinks the BBC is institutionally biased, he said: “No, I don’t.”
He said that “tonnes” of the BBC’s work is “world class” – but added that there is “real work that needs to be done” to deal with problems.
Mr Davie, he said, did a “first-rate job” as director-general but had a “blind spot” toward editorial failings.
The rapper Ghetts, who allegedly caused the death of a man in a hit-and-run collision, is facing further charges.
The rapper was charged at the end of last month after a 20-year-old died in a road incident in northeast London.
The musician, whose real name is Justin Clarke-Samuel, initially faced a single count of causing the death of Yubin Tamang by dangerous driving.
He now faces two further charges of driving dangerously before and after the collision on 18 October.
It is alleged he drove dangerously in Tavistock Place, in the Bloomsbury area of central London, and on other roads in the borough of Camden, north London.
The collision with Mr Tamang occurred in Redbridge Lane, Ilford, at 11.33pm on 18 October, the Met Police said. Clarke-Samuel is accused of failing to stop after his BMW hit the victim.
Mr Tamang died on 20 October.
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Clarke-Samuel allegedly continued to drive dangerously in Worcester Crescent, Redbridge, on the journey back to his home in King’s Avenue, Woodford, east London.
The black BMW, which is allegedly registered and insured in the defendant’s name, was said to have suffered significant damage.
The rapper has been in custody since a preliminary appearance at Barkingside Magistrates’ Court on 27 October.
Jimmy Cliff, a musical artist who helped bring reggae to an international audience, has died aged 81.
Known for hits including You Can Get It If You Really Want, The Harder They Come, and Many Rivers To Cross, his career spanned six decades.
Image: Cliff performing on the Pyramid Stage, at the Glastonbury Festival in 2003. Pic: PA
His wife, Latifa Chambers wrote on Instagram: “It’s with profound sadness that I share that my husband, Jimmy Cliff, has crossed over due to a seizure followed by pneumonia.
“I am thankful for his family, friends, fellow artists and coworkers who have shared his journey with him.
“To all his fans around the world, please know that your support was his strength throughout his whole career. He really appreciated each and every fan for their love.”
Thanking the medical staff who helped during his illness, she added: “Jimmy, my darling, may you rest in peace. I will follow your wishes.”
Signed by his wife, and two of his children, Latifa and Lilty, the statement concluded: “We see you Legend.”
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Tributes to the singer included those from Jamaican Prime Minister Andrew Holness, calling him “a true cultural giant whose music carried the heart of our nation to the world… Jimmy Cliff told our story with honesty and soul. His music lifted people through hard times, inspired generations, and helped to shape the global respect that Jamaican culture enjoys today.”
UB40 star Ali Campbell, who covered Cliff’s song Many Rivers To Cross in 1983, also paid tribute, saying he was “absolutely heartbroken to hear about the passing of a Reggae forefather” in a post on X.
Campbell also called Cliff “a pillar of our music, and one of the first to carry reggae out into the world”.
Image: Jimmy Cliff (L) stands with Wyclef Jean at his Rock and Roll Hall of Fame induction in 2010. Pic: Reuters
A legend of music and screen
A two-time Grammy-winning artist, Cliff was awarded the Jamaican Order of Merit in 2003, the highest honour in the arts and sciences, from the Jamaican government.
Over the years, he would work with stars including the Rolling Stones, Sting, Elvis Costello, Annie Lennox, Paul Simon and Wyclef Jean.
He was inducted into the Rock and Roll Hall of Fame in 2010.
A prolific writer, frequently expressing his humanitarian views through his work, his 1969 track Vietnam was reportedly described by Bob Dylan as “the best protest song” he had ever heard.
Cliff was also well known for cover versions of songs, including Johnny Nash’s I Can See Clearly Now, which appeared on the soundtrack of the 1993 movie Cool Runnings, and Cat Stevens’ Wild World.
He twice performed on high-profile US chat show Saturday Night Live.
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An actor and a musician, as well as singing the title track of 1972 cult classic The Harder They Come, Cliff also starred in it.
One of the first major commercial releases to come out of Jamaica, the movie is credited with bringing reggae to the world, as well as showing a grittier and more realistic side to the country.
During this time, Cliff’s fame rivalled Bob Marley as the reggae’s most prominent artist.
The storyline, which revolved around Cliff’s character, Ivan, moving to Kingston, Jamaica, to make it as a musical superstar, had parallels with his own.
Image: Cliff at the MOBO (Music of Black Origin) Awards at the London Arena in London’s Docklands in 2002. Pic: PA
‘Hurricane Hattie’
He was born James Chambers, during a hurricane, on 30 July 1944, in St James Parish, northwestern Jamaica.
In the 1950s, he moved with his father from the family farm to Kingston, determined to succeed in the music industry.
He began writing as Jamaica was gaining its independence from Britain, and as the early sounds of reggae – first called ska – were being developed.
At just 14, he became nationally famous for the song Hurricane Hattie, which he had written himself.
Cliff would go on to record over 30 albums and perform all over the world, including in Paris, in Brazil and at the World’s Fair, an international exhibition held in New York in 1964.
The following year, Island Records’ Chris Blackwell, the producer who launched Bob Marley And The Wailers, invited Cliff to work in the UK.
Image: Jimmy Cliff during the Love Supreme Jazz Festival in 2019. Pic: Shutterstock
‘I still have many rivers to cross!’
Speaking about his burning passion for life during a 2019 interview, when the star had begun losing his sight, Cliff said: “When I’ve achieved all my ambitions, then I guess that I will have done it and I can just say ‘great’.
“But I’m still hungry. I want it. I’ve still got the burning fire that burns brightly inside of me – like I just said to you. I still have many rivers to cross!”
Cliff’s last studio album, Refugees, made with Wyclef Jean, was released in 2022, and the singer said he wrote the title track “due to emotional feelings towards freedom taken away from human beings”.