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The final series of royal drama The Crown leads this year’s BAFTA TV Awards nominations, picking up eight nods including four in the acting categories – but misses out on the best drama shortlist.

Happy Valley, The Gold, Slow Horses and Top Boy are the four shows up for the prize, which will be one of the biggest of the night.

Black Mirror’s Demon 79 episode follows closely behind The Crown with seven BAFTA TV nominations, while The Sixth Commandment, The Last Of Us, The Long Shadow and Succession also feature several times on the shortlist.

Black Mirror Demon 79. Pic: Netflix
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Black Mirror Demon 79. Pic: Netflix

In the news coverage category, Sky News takes two of the three slots, for its coverage on Myanmar and the Israel-Hamas war. Channel 4 is also nominated for its coverage of the war.

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Inside Myanmar’s secret jungle hospital

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Inside Sky’s chief correspondent Stuart Ramsay’s month-long undercover mission embedded at the epicentre of Myanmar’s secretive resistance movement. WARNING: VIDEO CONTAINS GRAPHIC IMAGES

After six seasons chronicling the Royal Family, the final season of The Crown covered the period from the late 1990s to 2005 – including the aftermath of the death of Princess Diana, William meeting Kate, and Charles and Camilla’s wedding.

Dominic West, who played the then Prince Charles, is up for best actor, while Elizabeth Debicki (Princess Diana), Lesley Manville (Princess Margaret) and Salim Daw (Mohamed Al Fayed) are shortlisted in the supporting categories. The series is also up for awards for costume design, make-up and hair, sound, and visual effects.

The return of Charlie Brooker’s dystopian anthology series Black Mirror receives all its BAFTA TV nominations for one episode, titled Demon 79, about a girl who accidentally releases a demon who tells her she must commit three murders to prevent the end of the world.

Star Anjana Vasan is in the running for leading actress alongside Bella Ramsey for The Last Of Us, Anne Reid for The Sixth Commandment, Helena Bonham Carter for Nolly, Sarah Lancashire for Happy Valley, and Sharon Horgan for Best Interests.

Pic: BBC
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Sarah Lancashire is up for best actress for her performance in Happy Valley. Pic: BBC

Undated Handout Photo from Succession Season 4 Pictured: (Front) Jeremy Strong as Kendall and Brian Cox as Logan Roy
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Brian Cox (right) is up for best actor for his portrayal of Logan Roy in Succession. Pic: Sky UK/HBO

In the leading actor category, West faces competition from Succession’s Brian Cox, Top Boy’s Kane “Kano” Robinson, Paapa Essiedu for The Lazarus Project, Steve Coogan for The Reckoning, and Timothy Spall for The Sixth Commandment.

In the comedy categories, Big Boys, Dreaming Whilst Black, Extraordinary and Such Brave Girls are up for best-scripted show, while Bridget Christie (The Change), Gbemisola Ikumelo (Black Ops), Mairead Tyers and Sofia Oxenham (Extraordinary), Roisin Gallagher (The Lovers), and Taj Atwal (Hullraisers) are shortlisted for best female performance.

Adjani Salmon (Dreaming Whilst Black), David Tennant (Good Omens), Hammed Animashaun (Black Ops), Jamie Demetriou (A Whole Lifetime with Jamie Demetriou), Joseph Gilgun (Brassic), and Mawaan Rizwan (Juice) are shortlisted for best male comedy performance.

The Bear, Beef, Class Act, The Last Of Us, Love & Death, and Succession make up the shortlist in the international category, while The Long Shadow, Demon 79, Best Interests and The Sixth Commandment are the four shows up for best limited series.

The main nominations announcement comes after the reveal of the memorable moments shortlist, which was announced earlier this month.

A total of 118 programmes have been nominated, and for 17 out of 44 nominees in the performance categories it is their first BAFTA nod.

BAFTA chair Sara Putt said the “exceptional” variety and quality of programmes nominated reflects the “creative powerhouse” that is the UK television industry.

She also referenced the directing categories for factual and fiction shows, which feature predominantly male nominees.

“I’m delighted to see so many first-time nominees, so much new and emerging talent and so many debut projects recognised,” she said.

“At a time when budgets are tight and creative risk-taking can feel ever riskier, we hope our awards can play a positive role in reinforcing the value of nurturing new talent and ideas, as well as holding a mirror up to stubborn industry inequities, particularly for talented female directors who are still significantly outnumbered by their male counterparts when it comes to awards submissions.”

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Harry and Meghan extend Netflix partnership – but it’s no longer exclusive

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Harry and Meghan extend Netflix partnership - but it's no longer exclusive

Harry and Meghan have signed a new “multi-year, first-look deal” with Netflix, following the deal they struck with the streaming giant five years ago.

Described by the Sussexes as “extending their creative partnership”, while the news quashes rumours the relationship might not be renewed, it would appear to be a less prestigious deal than their first.

With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix
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With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix

As a “first-look deal” rather than an overall deal, the entertainment giant will be able to say yes or no to their content before anyone else, but they will not be under an obligation to stream it.

Several US outlets have suggested it is a downgrade from the Sussexes’ previous contract, which saw the streaming giant pay for exclusive rights for the content and was thought to be worth more than $100m (£74m).

British PR expert Mark Borkowski described the deal as a “downgrade” and suggested Netflix was “pivoting away” from Harry and Meghan.

Read more: Some call the deal a demotion – but the company still sees them as a power couple

Harry and Meghan set up their media company, Archewell Productions, after quitting as senior working royals in 2020.

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Their partnership with Netflix had promised documentaries, docuseries, feature films, scripted shows and children’s television, but has so far only delivered documentaries and docuseries.

These include Harry & Meghan, a six-part series about their departure from the royal household, which is Netflix’s fifth most popular series of all time, and most recently, the lifestyle show With Love, Meghan, which is the streamer’s most-watched culinary show since its release earlier this year.

Speaking about the new deal, Meghan said: “We’re proud to extend our partnership with Netflix and expand our work together to include the As ever brand.”

As ever is Meghan’s lifestyle brand, launched in 2024, and rebranded this year, selling products including jams, shortbread and wine.

Meghan went on: “My husband and I feel inspired by our partners who work closely with us and our Archewell Productions team to create thoughtful content across genres that resonates globally and celebrates our shared vision.”

(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix
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(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix

Netflix’s chief content officer Bela Bajaria called the Sussexes “influential voices” and said their stories “resonate with audiences everywhere”.

New output includes the second season of With Love Meghan later this month, and a Christmas special in December.

Archewell Productions is also working on a documentary about orphaned children in Uganda’s Masaka region, an area heavily hit by the HIV/AIDS crisis, titled Masaka Kids, A Rhythm Within, and is developing a feature adaptation of the bestselling romantic novel by Carley Fortune, Meet Me At The Lake.

It comes as Harry has cut ties with his Sentebale charity but has said he still intends to do what he can to help young people in Lesotho, Botswana and Southern Africa.

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Some call the Sussexes’ Netflix deal a demotion – but the company still sees them as a power couple

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Some call the Sussexes' Netflix deal a demotion - but the company still sees them as a power couple

While we’re all desperate to know what this new deal is really worth in dollars and pounds, one thing I can tell you for certain is that Prince Harry and Meghan want us to know they’re delighted that Netflix again wanted to get a deal done.

“Absolutely over the moon” is how it was described to me.

But they’ll also be aware of the attention it’ll attract as we all try to pick apart what it means.

Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix
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Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix

Firstly because of that ongoing fascination in how they’re making money since stepping away from royal life and losing financial support from the King, but also because of the recent reports that Netflix were intending to cut ties.

Yes this is a different type of deal from their original one in 2020. Some have argued that a “first look deal” looks like a demotion from what they previously signed up to.

With no real clarity on how much their original deal was worth, and no numbers being publicly thrown around this time, that is hard to judge.

But talking to those who know something about these kinds of deals you do get a sense it could potentially be more lucrative than it looks on face value.

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With first look deals, yes there is often financial commitments from the likes of Netflix to get that first exclusive look at projects and first refusal.

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Harry claims: War of words continues

But there could be other significant monetary incentives for the Sussexes to sign.

For example, when the Obamas signed a first look deal with Netflix, the streaming service agreed to pay the operational costs for their production company “Higher Ground”.

Could it be that Netflix are also now covering the costs of Archewell Productions?

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It’s stating the obvious to say that Harry and Meghan continue to divide opinions, some wanting to watch their programmes from a place of respect and fondness, others as a reason to grumble about them.

But signing on this latest dotted line shows Netflix still sees them as a power couple, who attract significant attention and are worthy of investment, whatever that really adds up to.

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

Actor Gina Carano has settled her lawsuit with Disney and Lucasfilm after claiming she was wrongfully dismissed from The Mandalorian for expressing her political opinions.

Carano was fired in February 2021 after starring as Rebel ranger Cara Dune in two series of the Disney+ Star Wars series The Mandalorian.

According to court documents, it came after the 41-year-old referenced the Nazis’ treatment of Jewish people while discussing current political differences in the US.

At the time, production company Lucasfilm said in a statement that her “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable”.

But late on Thursday, she posted on X: “I have come to an agreement with Disney/Lucasfilm which I believe is the best outcome for all parties involved.”

She added that she “hopes this brings some healing to the force”.

The details of the financial settlement have not been disclosed.

When filing her lawsuit at the Californian District Court last year, she had sought $75,000 (£59,000) in damages.

She also thanked Elon Musk for financing the lawsuit, despite the two having never met.

“I want to extend my deepest most heartfelt gratitude to Elon Musk, a man I’ve never met, who did this Good Samaritan deed for me in funding my lawsuit,” she wrote in her post. “Thank you Mr. Musk and X for backing my case and asking for nothing in return.”

The X owner is an ardent advocate of free speech and has funded similar legal battles previously.

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Carano as Cara Dune.'The Mandalorian'. Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Carano as Cara Dune.’The Mandalorian’. Pic: Lucasfilm/Disney/Kobal/Shutterstock

Carano signed off: “I am excited to flip the page and move onto the next chapter.

“My desires remain in the arts, which is where I hope you will join me. Yes, I’m smiling. From my heart to yours, Gina.”

In response to the settlement, Lucasfilm said in a statement: “Ms Carano was always well respected by her directors, co-stars, and staff, and she worked hard to perfect her craft while treating her colleagues with kindness and respect.

“With this lawsuit concluded, we look forward to identifying opportunities to work together with Ms. Carano in the near future.”

In legal documents, Carano’s team claimed both Disney and Lucasfilm had “targeted, harassed, publicly humiliated, defamed, and went to great lengths to destroy Carano’s career”.

She also alleged she was treated differently to her male colleagues. Neither company commented on these claims.

Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Pic: Lucasfilm/Disney/Kobal/Shutterstock

Lawyer Gene Schaerr, managing partner at Schaerr Jaffe, said at the time: “Disney bullied Ms Carano, trying to force her to conform to their views about cultural and political issues, and when that bullying failed, they fired her.

“Punishing employees for their speech on political or social issues is illegal under California law.”

Carano, who began her career as a mixed martial arts fighter, has starred in other Hollywood franchises, including Fast & Furious 6 as Riley Hicks, and Deadpool, in which she played Angel Dust.

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