Black Samphire – an environmental horror about water pollution – premiered at the buzzing Ritzy cinema in Brixton just before World Water Day – but its subject was far from the urban sprawl of south London.
Filmed in West Sussex, the modern-day monster the short film portrays is water pollution and its suffocating effect on Britain’s rivers.
Image: Pic: Silicon Gothic
The filmmakers behind the project – Silicon Gothic co-founders Cathy Wippell and Joseph Archer – say it’s a message they felt compelled to shout about.
“Our world faces so many huge, complex, intangible problems out there, and what Silicon Gothic does is we take those problems and ‘monstify’ them, so we make them physical and understandable.”
As rivers around the country are polluted by sewage, caused in part by a changing climate and extreme weather patterns, it offers a timely message.
A keen open-water swimmer, Wippell – who is both the co-star and author of the film – was inspired to write it after stretches of water she was once able to swim in in her home county were closed off due to rising water toxicity levels.
Wippell tells Sky News: “It’s not something that’s really obvious when you look at a river and you don’t really see what’s sort of lurking under the surface. So, to make something like that tangible and like a threat was really important with the story.”
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And the production’s eco-credentials ran deeper than just its storyline, with two beach cleans during pre-production to help raise funds and a strict sustainability policy practiced throughout the shoot.
The production company has pledged to carry out at least one climate positive action per film, not only trying to complete a swifter shoot and produce less waste, but proactively trying to fix damage already caused.
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Image: Pic: Silicon Gothic
All cast and crew were asked to sign a green rider ahead of the shoot, detailing the sustainability measures in place on set and basic conduct measures, including bringing a refillable water container to set and agreeing to separate rubbish.
Pass it on, don’t burn it
All meals available on set were vegetarian or vegan, and in place of plastic-wrapped crisps or cereal bars, over 160 flapjacks were homebaked for the shoot.
In the spirit of a “circular production”, assets from bigger TV and film productions were re-used for the shoot, and after wrapping, items were passed on or donated onwards.
Archer admits items from fast turnaround movies and shows are sometimes burned rather than passed on – a crying shame amid a cost of living crisis and pressing concerns around overconsumption of the world’s resources.
Image: Pic: Silicon Gothic
Even the month of the shoot – October – was chosen to ensure that no birds were nesting in the marshes, with priority given to the natural cycle of the marshland, not to the film production.
‘Forget trailer sizes – it doesn’t matter’
Fittingly for a film commenting on the damaging effects of over-consumption of resources, battery-powered generators, rather than traditional gas ones were used as well as LED lights over fluorescent lights in an attempt to be more efficient.
Australian actor Ishtar Currie-Wilson, who stars in the film alongside Wippell, tells Sky News it was a joyful production to work on.
She explains: “The green rider was really refreshing to me, I think because it’s really small, simple, actionable changes. And I think from an individual and like an actor’s perspective, it’s something that we can bring on to all other sets moving forward.”
Image: Pic: Silicon Gothic
The First Omen star goes on: “I know on big productions, there are conversations about trailer sizes and things that really don’t matter. But you can make little changes and it feels quite good as an actress to be able to have control over the variables.”
National treasure Stephen Fry
Comparing it to other jobs, Currie-Wilson says: “After being on this project, I went and did reshoots for a bigger project and was completely aware of my, just single use plastics. So, I made sure that I had a keep cup and my water bottle, and I kind of looked into the past of how much waste I personally would use on a set without thinking about it.”
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Another element in the film is actor and comedian Stephen Fry, who voices an unseen character – a less than supportive media boss.
Describing him as an “absolute delight”, Wippell says his involvement “made a massive difference”, with the recognition and gravitas of his voice “really adding something to the film”.
A micro-budget film with big ambitions, the part-crowdfunded project hopes it will set an example to larger studios.
Setting an example to other studios
Image: Pic: Silicon Gothic
Wippell explains: “It’s so important to do these things at a smaller indie level because it holds the bigger companies accountable as well for their own sustainability measures on their sets. If we can do it with this amount of money, [they] can do it with millions of pounds.”
Away from its eco-credentials, the 13-minute production uses its short screen time to lay bare the plight of our precious river habitats.
The equivalent of more than 1,270 years of raw sewage has been dumped into Britain’s rivers, lakes and seas since 2016, according to Environment Agency data.
But despite hitting the headlines, both water companies and regulators seem slow to take action.
Image: Pic: Silicon Gothic
Campaigning group River Action UK, which partnered with the production, hope those in charge will now sit up and take notice.
‘Delving down into the murky depths’
James Wallace, chief executive of River Action UK, who came on board during production to executive produce the film, says that while they’d previously used animation and short documentary films in their work, this was the campaigning group’s first venture into the world of horror.
He told Sky News: “I couldn’t resist [the film]. It delves down deep into the murky depths of what’s going on in our rivers when it comes to sewage pollution, agricultural pollution, other nasties that lurk in our water.”
He goes on: “It’s going to tell a very powerful story, one that’s going to be really hard to ignore if you’re a politician, if you’re a polluter, or if you’re a member of the public. Hopefully this will really get into the heart of what’s going on in this world.”
Image: Pic: Silicon Gothic
But decades of underinvestment in the sewage and water systems, mean it’s an issue no one seems quite ready to deal with head on.
With the clock ticking as dirty water is pumped into seas and rivers, this green tale about dark forces, strives to highlight the potential horror story flowing through our waterways, and the consequences of ignoring the signs.
Watch the full interview on The Climate Show with Tom Heap, Saturday and Sunday at 3.30 and 7.30pm on Sky News.
Black Samphire is now being developed into a full-length feature film. For more info on the project’s progress visit @blacksamphire on Instagram.
The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.
Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.
The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.
Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.
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Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.
The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.
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The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.
The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.
Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.
Image: Neil Young performing at the New Orleans Jazz & Heritage Festival last May. Pic: Amy Harris/Invision/AP
Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.
They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.
The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.
The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.
2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.
Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.
US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.
The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.
She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.
Image: Sabrina Carpenter performing her second song. Pic: Reuters
Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.
But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.
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The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”
Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”
Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.
Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.
They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.
Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.
What will the trial cover?
Clarke is suing GNM for libel, sometimes also referred to as defamation.
It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.
Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.
He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.
“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”
The Guardian is defending the claim on the basis of truth and public interest.
It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.
“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”
The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.
The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.
His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.
Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.
The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.
Image: In July 2015. Pic: PA
What has happened since the articles were published?
A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.
However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.
His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.
ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.
The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.
Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.
He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.
Image: At the UK premiere of Kidulthood in London’s Leicester Square in 2006. Pic: PA
‘Rising star’
Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.
Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.
He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.
It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.