Why would the most notoriously cash-strapped man in America waste money on frivolous lawsuits?
On Monday, Donald Trumpwhose lawyers recently announced that he cant come up with the money to post a $454 million bond in his civil fraud casefired off yet another suit against a news organization that reported facts he didnt like. The targets this time are ABC News and its anchor George Stephanopoulos, who Trump alleges defamed him by stating that Trump had been found liable for raping E. Jean Carroll.
The case looks like a sure loser. Trump was technically found liable under New York law for sexual abuse, not for rape, but the judge in the civil case ruled that, by forcibly penetrating Carrolls vagina with his fingers, Mr. Trump in fact did rape Ms. Carroll as that term commonly is used and understood. But no matter. The Stephanopoulos suit slots into a well-worn groove for Trump, who for years has lodged periodic lawsuits against alleged purveyors of fake news about him. Targets have included The Washington Post, The New York Times, CNN, Bob Woodward, and a Wisconsin TV station that ran an attack ad against him during the 2020 campaign. Trump has even gone after the board of the Pulitzer Prizes for awarding Pulitzers to the Post and the Times for their coverage of his connections to Russia.
Filing these suits has been costly for Trumpor rather, for donors to his campaign and affiliated political action committees, who have footed millions of dollars in legal fees. Not one of Trumps media lawsuits has ever succeeded, nor is one ever likely to, given both the underlying facts and the towering bar a president or former president faces in proving defamation. In one case against The New York Times, a judge found Trumps argument so flimsy that he ordered Trump to pay the Times legal fees. In other cases, such as the one involving the Wisconsin station, the suit was quietly withdrawn a few months after it was filed.
David A. Graham: Trumps money problems are very real and very bad
So why does he keep doing it? On a basic level, this appears to be just Trump being Trumppeevish, headstrong, and narcissistic. For decades, his love-hate relationship with reporters has tended to flare into legal action, as it did in 2006 when he sued the writer Tim OBrien over a few pages in a book that questioned Trumps personal wealth. As Trump told me in an interview in 2016, he knew he couldnt win that suit (he didnt) but brought it anyway to score a few points. I spent a couple of bucks on legal fees, and [OBriens publisher] spent a whole lot more, he said then. I did it to make his life miserable, which Im happy about.
But Trumps quixotic legal crusades are not as irrational as they appear. Suing the press serves as a branding exercise and a fundraising tool. The lawsuits show his supporters that Trump is taking the fight to those lying journalistsso wont you contribute a few dollars to the cause? They thus have become an end unto themselves, part of an infinite loop: sue, publicize the suit, solicit and collect donations, sue again. The cases may be weak on the legal merits, but they further his narrative of being persecuted by the radical left media, Brett Kappel, a campaign-finance lawyer who has researched Trumps legal actions against the press, told me.
This narrative has been a fixture of Trumps fundraising pitches for years. A few weeks after his inauguration, in 2017, one of his fundraising committees sent out an email urging donors to do your part to fight back against the medias attacks and deceptions by sending contributions that would help cut through the noise of news reports. Even before Trump filed a lawsuit against CNN in August 2022 (for describing his election lies as the Big Lie), his campaign was using the nonexistent suit to drum up contributions. Im calling on my best and most dedicated supporters to add their names to stand with me in my impending LAWSUIT against Fake News CNN, read a fundraising email. A second email sent out under Trumps name a few hours later struck a sterner tone: Im going to look over the names of the first 45 Patriots who added their names to publicly stand with their President AGAINST CNN.
When Trump got around to filing the suit two months later, the appeals began anew. I am SUING the Corrupt News Network (CNN) for DEFAMING and SLANDERING my name, the campaign email read, in a chaotic typographical style reminiscent of a ransom note. Theyve called me a LIAR, and so far, Ive been proven RIGHT about EVERYTHING. Remember, when they come after ME, they are really coming after YOU Im calling on YOU to rush in a donation of ANY AMOUNT RIGHT NOW to make a statement that you PROUDLY stand with me. The suit was dismissed last year by a federal judge appointed by Trump. Trump is appealing.
Of course, the cost of suing news organizations is a pittance compared with what Trumps donors are spending on his criminal defense. But it isnt cheap. According to Federal Election Commission records culled by Kappel, the Trump-controlled Save America PAC shelled out nearly $500,000 to the firm that sued the Pulitzer Prize board on Trumps behalf in 2022. It paid $211,000 last year to another law firm that handled Trumps litigation against CNN, among other matters, and an additional $203,000 to the firm handling the appeal.
The biggest recipient, by far, has been the attorney Charles Harder, the defamation specialist who represented Hulk Hogan in his successful suit against Gawker Media in 2016. From early 2018 to May 2021, according to FEC records, Harder took $4.4 million in fees from Trump-affiliated organizations. At one point in 2020, Harders Beverly Hills firm received more money than any other firm doing work for Trump.
From the January/February 2024 issue: Is journalism ready?
Harders work on Trumps behalf didnt produce anything close to his career-making Hogan verdict, which resulted in a $140 million award that drove Gawker into bankruptcy. Harder took the lead in Trumps effort to suppress publication of Michael Wolffs book Fire and Fury in 2018; he sent cease-and-desist letters to Wolff and his publisher, Henry Holt and Co., before the books release, claiming that it contained libelous passages. The book was released as scheduled and became a best seller, and Trump didnt sue. In 2020, Harder handled Trumps lawsuit against the Times, alleging that an opinion piece by the former Times editor Max Frankel was defamatory. A judge dismissed that suit in 2021. (Harder, who no longer represents Trump, declined to comment for this story.)
Whether Trumps beat-the-press strategy is a net financial winner, once all the donations are collected and the attorney fees are subtracted, is hard to say. But Trumps filing of another hopeless lawsuit this week suggests that the math may be in his favor. Why bother paying lawyers millions of dollars to sue and appeal if the return on investment is less than zero? Trump may be petty and irrational, but he has never been accused of neglecting his own financial interests. (A Trump spokesperson didnt return a request for comment.)
At the moment, of course, Trump has much bigger headaches. As of this writing, hes days away from having his assets seized to satisfy that civil-fraud judgment. His overall fundraising has lagged President Joe Bidens. And he is burning through his supporters money to pay for his criminal defense. Despite all that, he still finds a way to keep filing lawsuits against the media. You almost have to admire the commitment.
Tears, laughter and some Take That fangirling from a best actress nominee – this year’s BAFTA Film Awards had it all.
Conclave and The Brutalist were the night’s big winners, taking home four awards each – including best picture and outstanding British film for Conclave, and best actor for The Brutalist star Adrien Brody and directing award for its filmmaker, Brady Corbet.
But as always with these big entertainment awards ceremonies, there were plenty of moments to remember outside the big prizes.
Hosts can make or break an awards ceremony, so when you get a good ‘un you want to keep them. After a successful stint in 2024, Doctor Who and Rivals star David Tennantwas back to take the helm once again.
This time round, the Scottish actor, sporting a kilt and sporran at first, kicked things off by calling on the “BAFTA gods” – acting legends Dame Helen Mirren, Jim Broadbent and Brian Cox, naturally – before a sketch performance of The Proclaimers’ hit I’m Gonna Be (500 Miles).
Of course, this needed some audience participation – including from US stars Camila Cabello, Colman Domingo and Anna Kendrick, who probably didn’t have a clue what was going on but joined in with gusto.
Tennant joked about actors “freshening up” while they age, after referencing that Doctor Who star Ncuti Gatwa took on his role in the BBC series, as well as the length of films such as The Brutalist (three-and-a-half hours).
“Who doesn’t like a chance to have a wee halfway through?” he asked, while talking about the film’s much-needed intermission.
Emilia Perez awards despite controversy – and Saldana’s speech
Image: Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA
It went into awards season as one of the favourites, but Emilia Perez has been surrounded by controversy in recent weeks.
As stars Zoe Saldanaand Selena Gomez enjoyed the show, leading actress Karla Sofia Gascon was notably absent from the ceremony following the resurgence of offensive tweets, and the film has also come under fire for its portrayal of Mexico and of trans people.
Despite this, it picked up the BAFTAs for best film not in the English language and best supporting actress for Saldana.
Earlier this month, director Jacques Audiard said Gascon’s tweets were “inexcusable” and that he was “very sad” to see the issue “taking up all the space” around the film.
However, collecting the BAFTA for best film not in the English language, the French filmmaker namechecked all his stars, including Gascon – and blew her a kiss through his translator.
“I’m deeply proud of what we have all achieved together – long live Emilia Perez,” he said.
In her speech, an emotional Saldana said the film defied categorisation and also paid tribute to her co-stars, before realising she was taking too long and being given a countdown. “F***, f***, f***”, she panicked, before continuing with her speech anyway.
Thanking her mother for “being such a selfless person”, she broke down in tears, and added: “Films are supposed to change hearts and challenge minds and I hope Emilia Perez did something like this, because voices need to be heard.”
Kylie Jenner sneaks in
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Timothee Chalamet and Kylie Jenner at the BAFTAs
We didn’t see her on the red carpet, but sneaky old Kylie Jenner, girlfriend of Timothee Chalamet, was most definitely in attendance to show her support.
The Kardashians star was in the audience next to Chalamet, who was nominated for best actor for his portrayal of Bob Dylan in A Complete Unknown.
During a break from awards announcements, Tennant spent time joking with some of the A-listers in the crowd, and the couple didn’t escape from his mic (or the cameras), despite their efforts to keep their appearance lowkey.
Image: Take That performed Greatest Day, from Anora. Pic: BAFTA
If you’ve seen Anora, you’ll know the filmmakers behind it are fans of Take That, specifically the 2008 hit Greatest Day.
The band, now a trio of Gary Barlow, Mark Owen and Howard Donald, performed the hit remix used in the film on stage at the ceremony.
As host Tennant made his way through the crowd afterwards, he came across best actress nominee Saoirse Ronan and her husband Jack Lowden.
Is Ronan a Take That fan? “I’ve seen you twice,” she shouted at the boys as they made their way off stage.
That’s a yes, then.
Kieran Culkin couldn’t attend – so Jesse Eisenberg stepped up
Image: Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain, and picked up best supporting actor for co-star Kieran Culkin. Pic: PA
Following best supporting actor wins at earlier ceremonies including the Golden Globes, Kieran Culkin has been a favourite when it comes to speeches this awards season.
It was no surprise to see him honoured at the BAFTAs, but as he sadly couldn’t attend the ceremony in person, his co-star and director Jesse Eisenberg stepped up – not only collecting the award on his behalf but also delivering the laughs, too.
In A Real Pain, the pair play two very different cousins on a trip exploring their Jewish grandmother’s roots in Poland.
The BAFTA was “like the fifth” award Eisenberg has picked up for Culkin, he told the audience. “We have a similar life, but his is 20% better than mine,” he added.
Accepting the award for best original screenplay, Eisenberg also joked that his wife had not attended the ceremony as she did not think he would win.
Breakthrough star pays tribute to sex workers
Image: Mikey Madison was named best actress for her performance in Anora. Pic: Joel C Ryan/Invision/AP
After gaining a lot of support throughout the awards ceremony, Demi Moore was a favourite for a prize for her performance in The Substance. However, Mikey Madison had also gained momentum in recent weeks thanks to her breakout role as a young sex worker who marries the son of a Russian oligarch in Anora.
This one is a particularly exciting win as Madison, 25, was also up for the rising star award for up-and-coming talent. Being nominated in a major category in the same year is quite a feat in itself – winning it even more so.
On stage, Madison thanked her mother for driving her “to so many auditions”, as well as her fellow castmates.
She also paid tribute to the sex worker community, after working with many women in the industry to perfect her performance.
“I want to take a second to recognise the sex worker community,” Madison said. “You deserve respect and decency, and I… (urge) others to do the same… I will always be a friend and an ally.”
Kneecap: ‘It’s a movement’
Image: Kneecap do the BAFTA red carpet. Pic: PA
Irish-language film Kneecap, a semi-autobiographical story starring a trio of rappers of the same name from Belfast, picked up the award for outstanding debut for a British filmmaker.
Band member JJ O Dochartaigh always wears a balaclava featuring the Irish flag – but for the BAFTAs he went all out, matching his suit.
The award went to director and writer Rich Peppiatt, who collected the prize on stage.
“Within two weeks of moving to Belfast I met Kneecap and now I’m standing here,” he told the audience, saying his movie was “more than a film, it’s a movement – about how everyone should have their language respected, their culture respected, their homeland respected.
“This award is dedicated to everyone out there fighting that fight.”
British success and a new collab?
Image: Camila Cabello meets Wallace and Gromit… and Nick Park and Merlin Crossingham. Pic: Joel C Ryan/Invision/AP
Here’s a look backstage at US singer-songwriter Camila Cabello and the Wallace and Gromit: Vengeance Most Fowl filmmakers Nick Park, left, and Merlin Crossingham.
The pair picked up the prize for best children’s and family film, becoming the first ever recipients of the award, which was presented by Cabello.
We’re hoping this could be the start of a new partnership.
Wallace & Gromit: Vengeance Most Fowl also took home the animated film trophy, with Park joking on stage: “I didn’t actually write a second speech.”
And there was more recognition for British technical creatives in other categories, too.
Nathan Crowley and Lee Sandales picked up the award for best production design, for their incredible visual work on the blockbuster smash Wicked.
Paul Lambert was on the team awarded the BAFTA for best visual effects, for his work on the science fiction blockbuster Dune: Part Two – which also won best sound, with a winning team including British mixer and engineer Gareth John.
Warwick Davis’s emotional speech
Image: Warwick Davis was given the BAFTA fellowship award. Pic: Joel C Ryan/Invision/AP
Honoured with the prestigious BAFTA fellowship award, Warwick Davis dedicated the prize to his late wife Samantha, who died in March last year.
Davis, who is known for fantasy film Willow and the Harry Potter movies, received the organisation’s highest honour for his performing and advocacy work.
“This is the best thing that’s ever happened to me – and I’ve been in Star Wars,” he joked at the start of his speech, before getting emotional as he talked about his wife and referenced his children, Annabelle and Harrison, who were in the audience.
“Thank you to the support of our wonderful children, I’ve been able to keep engaging in life,” he said.
Davis was born with spondyloepiphyseal dysplasia congenita, a rare bone disorder that results in dwarfism.
Previous recipients of the fellowship include Steven Spielberg, Martin Scorsese, Sir Alfred Hitchcock, Dame Elizabeth Taylor, Stanley Kubrick, Billy Wilder, Ken Loach, Sir Michael Caine, Sir Anthony Hopkins, Lord Laurence Olivier and Dame Judi Dench.
Look out for David Jonsson
Image: David Jonsson is this year’s rising star. Pic: Joel C Ryan/Invision/AP
British actor David Jonsson was named this year’s BAFTA rising star – the only award voted for by the public.
The 31-year-old recently starred in the film Alien: Romulus and his credits also include TV series Industry as well as the 2023 romantic comedy Rye Lane.
“I’ve got to be honest, this isn’t why I do it,” he told the BAFTA audience in his speech. “Do you know what I mean? I’m just an east London boy.
“I didn’t really see a space for me in this industry. But this award is about people and as long as we can keep telling stories about people I think there’s got to be a space for me.”
Jonsson saw off competition from his fellow Industry and Back To Black star Marisa Abela, American actor Jharrel Jerome, Anora’s Madison and Informer star Nabhaan Rizwan.
Previous winners include Kristen Stewart, Daniel Kaluuya, John Boyega and Tom Hardy, all before they became big names in the industry.
Sing Sing stars visas denied, filmmakers say
Image: Clarence Maclin in Sing Sing. Pic: Dominic Leon
This wasn’t a moment from the ceremony, but on the red carpet ahead of the awards the filmmakers behind Sing Sing, which tells the true story of a group of men who take part in an arts rehabilitation project at a maximum security prison, spoke to Sky News on the red carpet.
While Colman Domingo, an established Hollywood star who was nominated for best actor, was able to attend the ceremony, the real-life person he portrayed in the film, Divine G Whitfield, was not – and neither was his co-star Clarence Maclin.
Maclin is a former inmate who played himself in the film, after being rehabilitated through the programme, and was nominated for best supporting actor.
Both were denied denied entry to the UK earlier this week due to their previous convictions, filmmakers Greg Kwedar and Clint Bentley said.
“Their visas were denied to enter the country because they have served prison time, which goes against the grain of everything this movie stands for,” Kwedar told us. “It shows that people have the capacity to grow and to come back into their communities when they leave prison.
“These two particular men have such courage, vulnerability, integrity – and they’re not here tonight and they should be. The story is about them, it was built with them.”
NASA’s Polar Resources Ice Mining Experiment-1 (PRIME-1) is being prepared to analyse the Moon’s subsurface for resource extraction, with its technology expected to aid future Artemis missions. The experiment, which will assess lunar soil and identify potential resources, has been developed to support sustained human exploration. The instruments onboard will work together to drill, collect, and examine samples, providing data crucial for understanding the lunar environment. The mission is expected to deliver insights that could contribute to establishing long-term lunar habitation.
Instruments to Extract and Analyse Lunar Samples
According to the study, PRIME-1 consists of two primary instruments designed for simultaneous operation. The Regolith and Ice Drill for Exploring New Terrains (TRIDENT) has been engineered to drill into the Moon’s surface and collect samples, while the Mass Spectrometer Observing Lunar Operations (MSOLO) will analyse the gases released from these samples. Insights gained from this experiment could influence strategies for lunar resource utilisation, facilitating the production of essential supplies for deep-space missions.
Jackie Quinn, PRIME-1 project manager at NASA’s Kennedy Space Centre, stated in a report that the ability to drill and analyse samples simultaneously will provide critical information for future lunar missions. The technology is expected to assist in developing efficient methods for extracting and utilising resources available on the Moon’s surface and subsurface.
Scheduled Launch and Mission Objectives
Reports indicate that PRIME-1 is part of NASA’s Commercial Lunar Payload Services (CLPS) initiative, set to launch no earlier than February 26. The mission will be transported aboard Intuitive Machines’ Athena lunar lander, which is expected to explore the Mons Mouton plateau near the Moon’s South Pole. This location has been selected due to its potential for resource-rich deposits.
Technology Developed for Lunar Drilling and Analysis
TRIDENT, developed by Honeybee Robotics, a subsidiary of Blue Origin, has been designed as a rotary percussive drill capable of penetrating up to one metre below the lunar surface. The drill will extract 10-centimetre-long samples, allowing scientists to examine the distribution of frozen gases at varying depths. Equipped with carbide cutting teeth, the drill is built to handle the challenging lunar terrain. Unlike the Apollo-era drills, TRIDENT will be remotely operated from Earth, offering valuable data on regolith composition and temperature variations.
MSOLO, developed by INFICON and adapted for spaceflight at Kennedy Space Centre, will analyse the gases released from the drilled samples. This mass spectrometer is expected to identify the presence of water ice and other volatile compounds, contributing to a better understanding of lunar resource availability.
NASA’s CLPS Initiative and Future Exploration
Under the CLPS model, NASA is investing in commercial partnerships to enable lunar deliveries, with the goal of supporting long-term exploration. NASA, as a primary customer, is one of several organisations utilising these missions for scientific and technological advancements. The PRIME-1 mission has been funded by NASA’s Space Technology Mission Directorate Game Changing Development program and is expected to provide foundational data for future lunar operations.
Sir Keir Starmer has said he is prepared to put “our own troops on the ground if necessary” in Ukraine if there is a deal to end the war with Russia.
Ahead of an “emergency meeting” of European leaders on Monday, the prime minister said he was “ready and willing” to put British troops into a peacekeeping force in Ukraine.
Writing in The Daily Telegraph, the prime minister also said the UK was “ready to play a leading role” in Ukraine’s defence and security, by committing £3bn a year until 2030.
It comes as Emmanuel Macron rallies the likes of Sir Keir and German Chancellor Olaf Scholz at a hastily-arranged Paris summit to discuss Ukraine’s next steps.
The French president will look to recapture Ukraine’s future at the informal meeting, which has been swiftly put together following announcements from the United States.
It will take place as the US sends senior officials to Saudi Arabia for peace talks with Russia – which representatives from Europe have not been invited to. It is unclear if Ukrainewill take part.
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European leaders to hold meeting
A delegation from Ukraine is in Saudi Arabia to pave the way for a possible visit from Volodymyr Zelenskyy, one Ukrainian official said on Sunday.
However, less than 24 hours prior, a top Zelenskyy adviser had denied Ukraine would take part in the discussions.
“There is nothing on the negotiating table that would be worth discussing,” Mykhailo Podolyak said in a TV interview.
Image: Trump spoke to reporters on the tarmac as he arrived in Florida for the Daytona 500. Pic: Reuters
Speaking prior to attending a NASCAR event in Florida on Sunday, Donald Trump said of Mr Putin: “I think he wants to stop fighting.
“They [Russia] have a big powerful machine, you understand that. They defeated Hitler and they defeated Napoleon. They’ve been fighting a long time.”
Mr Macron’s meeting is expected to be attended by British Prime Minister Sir Keir, Germany’s Mr Scholz, Danish PM Mette Frederiksen and Poland’s Prime Minister Donald Tusk, alongside other European leaders.
European Commission president Ursula von der Leyen and NATO chief Mark Rutte are also expected at the Paris summit.
The goal of the discussions is to “bring together all partners interested in peace and security in Europe”, a French statement said.
Image: President Zelenskyy met with US vice president JD Vance last week
Meanwhile, representatives from the Trump administration are travelling to Saudi Arabia for peace talks with Russia. The discussions are expected to begin in Riyadh on Tuesday, according to Russian newspaper Kommersant.
Mr Trump’s push for a quick way out of Russia’s war on Ukraine has stirred concern and uncertainty from European leaders.
After a recent phone call with Mr Putin, Mr Trump has – on multiple occasions – said he and the Russian president will meet soon to discuss a peace deal over Ukraine.
He has assured Mr Zelenskyy he will have a seat at the table, but it is unclear if European officials will be invited.
The Ukrainian president has previously said he will not accept any negotiations that do not include his country.