Bill Nighy is a man of many talents – but he knows his limitations – most specifically in the trouser department.
The 74-year-old actor tells Sky News he has very clear sartorial demands when it comes to his acting rider.
“It’s odd, people used to say: ‘There’s a significant lack of classical work on your CV’. And I would say something like: ‘The reason is, I can’t operate in those kind of trousers,’ which is a joke, but it’s also kind of true.
“If you want me at my best, put me in a decent lounge suit. It’s a stupid thing for an actor to say, but art does reflect life.”
And he’s not afraid to bring his own life quite literally into his films, adding: “If it’s a contemporary film and it’s an independent film and they haven’t got a lot of money, I just say, ‘Come to my flat,’ and I open the wardrobe and they can take out whatever they want for that movie. So, the two things do blend.”
He’s currently starring in underdog sports drama The Beautiful Game, playing a retired football talent scout coaching England’s team in the Homeless World Cup.
Founded in 2001, the real-life international tournament that inspired the movie now involves over 70 countries and has transformed the lives of more than one million homeless people.
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Former Homeless World Cup players – who are no longer homeless – feature in the film, playing team members from other countries, which Nighy calls “a wonderful piece of symmetry”.
He of course wore a suit and tie for the majority of the film, despite it being shot in Rome during a heatwave. Scorching weather aside, he says: “It was quite fun to stand on the touchline and scream.”
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Image: Nighy as football talent scout Mal in The Beautiful Game. Pic: Netflix
While Nighy may not necessarily look the part of a stereotypical football coach, he does work on his fitness, training three times a week. It’s something he insists he won’t be “winning any prizes for”, and he certainly won’t be sharing snaps of his workouts on Instagram.
‘My iPhone doesn’t see a lot of action’
He explains: “I’ve never been on social media. I’m lucky in that regard because I’m of an age where I can just about get away with it.
“I nearly went on it. I got very close to, I think it was Instagram, but I didn’t in the end make that jump.
“I don’t have a laptop. I mean, I’m carrying a computer in my pocket, obviously, like everybody else, but I’ve never had a computer. I’ve never owned one, again because I’m fortunate. I don’t need one for anything. I’ve got an iPhone, but there’s not a lot of action on it apart from, you know, the obvious.”
I can only guess ‘the obvious’ is phoning his nearest and dearest, including his daughter and friends. Nighy keeps his romantic dealings close to his chest, and since splitting with his partner of 26 years, he hasn’t been publicly linked to anyone new – either in the public eye or out.
Image: Nighy with friend Anna Wintour at the Met Gala last year. Pic: Reuters
As one of Britain’s most recognisable actors, he’s humble in his appraisal of his five decade career spanning theatre, TV and film – reaching to Hollywood and back.
‘I didn’t expect acting to last’
“I don’t know what I’m cut out to be, but it probably isn’t an actor, although I don’t know if anybody is. I think we all have to bend ourselves out of shape to do whatever it is we do.
“I didn’t expect to be an actor. I didn’t expect when I became an actor that it would last very long. I didn’t have a Plan B, it was all basically out of necessity.
“I flunked school, so I didn’t have any qualifications for anything, and I didn’t have a Plan B, so I had no safety net. But, you know, it gradually worked out.”
With two BAFTAs, a Golden Globe and Teen Choice Award (yes really) to name but a few of his accolades, he’s being modest.
And his acting career is about to take a step into the unknown, with his first big horror role in First Omen coming to the screen next month.
Image: Nighy as Cardinal Lawrence in The First Omen. Pic: Disney/20th Century Studios
A prequel to the 1976 original, it returns to the very beginning of the story, with Nighy warning it’s not a film for the feint hearted: “The early signs suggest that it is truly horrible.”
Red satin and holy socks
He does have a wide experience of otherworldly roles, if not out and out horror. Nighy lists a few. “In Shaun Of The Dead I was a werewolf. Yeah, I was a werewolf.”
(Nighy was actually a zombie, but the movie was filmed 20 years ago, and who’s splitting hairs?)
He goes on: “And I’ve been a vampire several times. And I’ve been a squid. If you count animations, I’ve been a rattle snake with a machine gun in its tail. But they’re not straight horror. [First Omen] is really my first horror movie, like what you’d call straight horror. So, it is a departure.”
It goes without saying he was well suited and booted for the role.
“I was dressed by the Vatican tailor. So, you can see I look my best if you’re going to be a priest. And I’m drenched in red satin”.
Rumour has it he was given holy socks from the Vatican shop as part of his costume. Blessed beyond doubt.
Nighy ‘can’t stand’ his own films
He says it “will frighten the life” out of its viewers, adding “a few people I’ve met who’ve seen it and who are horror freaks were stunned. One journalist actually said [they were] traumatised.”
But he doesn’t have to worry about nightmares himself. “I’ve never seen it and I’m never going to see it because I don’t watch films I’m in because I can’t stand it.”
Image: Pic: Netflix
Meanwhile, his latest offering, The Beautiful Game, is a very different prospect, crafted to leave the viewer uplifted rather than in pieces.
Nighy says it’s a feelgood nostalgia that takes him right back to his childhood. “The deal was when I was a kid, you went, you paid some money, you went to the cinema, and you came out feeling a bit better than you did when you went in. This is what [The Beautiful Game] is.”
The Beautiful Game is streaming now on Netflix, and The First Omen will be in cinemas from 5 April.
The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.
Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.
The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.
Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.
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Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.
The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.
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The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.
The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.
Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.
Image: Neil Young performing at the New Orleans Jazz & Heritage Festival last May. Pic: Amy Harris/Invision/AP
Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.
They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.
The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.
The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.
2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.
Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.
US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.
The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.
She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.
Image: Sabrina Carpenter performing her second song. Pic: Reuters
Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.
But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.
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The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”
Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”
Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.
Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.
They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.
Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.
What will the trial cover?
Clarke is suing GNM for libel, sometimes also referred to as defamation.
It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.
Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.
He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.
“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”
The Guardian is defending the claim on the basis of truth and public interest.
It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.
“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”
The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.
The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.
His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.
Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.
The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.
Image: In July 2015. Pic: PA
What has happened since the articles were published?
A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.
However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.
His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.
ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.
The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.
Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.
He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.
Image: At the UK premiere of Kidulthood in London’s Leicester Square in 2006. Pic: PA
‘Rising star’
Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.
Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.
He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.
It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.