Guy Garvey says he looked back to his “rock n’ roll years” when writing parts of his new album Audio Vertigo, drawing on “destructive,” “tumultuous,” and “toxic” relationships from his past for inspiration.
Elbow’s lead singer tells Sky News: “Nobody wants to hear about how proud of my second hand Toyota RAV4 I am. It’s like I’m going to have to write about some of the more rock n’ roll years”.
Image: Pic: PA
Suffering for your art is a well-known trope, and having just turned 50 and with two and a half decades in the industry, Garvey knows well that “reflections on mistakes are so much more fun to listen to”.
His past pains have clearly done the trick, with their 10th studio LP earning the Mercury, Brit and Ivor Novello award-winning band – made up of Garvey, Pete Turner and Craig and Mark Potter – their fourth official number one album.
It also topped the vinyl album chart and was the most-purchased physical LP of the past seven days in independent UK record shops.
Garvey calls their achievement “amazing,” adding: “I never used to worry about such things. This time it feels different. I really wanted to make it.”
So how did he go about digging out what he dubs his “celebration of misadventures”?
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Garvey explains: “I’m in a very, very happy marriage. So, I’ve drawn on some perhaps more tumultuous relationships from the past.
“There’s two songs in particular, The Picture and Poker Face, that I’ve kind of put a few things together, not just my relationships, but [also] toxic relationships that people close to me have had.
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“And it’s I suppose it’s a little observation slash parable, the toxic relationship, because I think sometimes two people can be wonderful people, it’s just that chemistry brings the worst out in each other.
“It’s the closest to the brink of madness I’ve ever been, I think, to be in a destructive relationship. And thankfully, it’s been many, many years. But it’s good. It’s fertile ground for song writing, all of that.”
‘It’s been pretty frantic’
Garvey has been happily married to actress Rachel Stirling – daughter of acting icon Diana Rigg – for eight years, and the couple share one son, Jack.
Image: (L-R) Garvey and his wife Rachel Stirling in 2021. Pic: Reuters
Garvey’s written about “the gentle highs and lows of domesticity” in some of his past work, and as all those juggling family life with work will concede, it’s almost impossible to keep the two worlds from colliding at points.
An angst-inducing schedule clash that proves the point is the fact Stirling’s new play, The Divine Mrs S, opened on the same day Elbow’s record came out.
Garvey admits, “it’s been pretty frantic,” adding, “Jack’s been passed from pillar to post a little bit between the two of us.
“We made sure that one of us is home at all times. But, that’s also down to the rest of Elbow being gentleman about it. There’s been quite a few rehearsals where I’ve been on tape”.
Matching sequinned dressing gowns?
Balking somewhat at being labelled a celebrity couple (Garvey laughingly shrugs it off, saying “I’ve never actually heard somebody describe us as a showbiz family,”) he says they are definitely not the types to be wearing “matching sequinned dressing gowns”.
He also acknowledges the very real change of gear needed within any relationship when kids come into the equation.
Garvey says: “It’s one of the decisions we made when we said, ‘Shall we have a family?’ I mean, Rachel said, ‘Shall we have a family?’
“I took some convincing. She was very convincing.
“But a lot of it was like, ‘Well, what about work?’ And the phrase was, ‘We’ll make it work’, you know?
“And of course, the priority is the lad’s happiness and well-being. And he’s actually inspired so much of the work we both do. And he’s really proud of us both already at seven.”
One song on the album, From The River, he describes as “a love letter to my son” and “our aspirations for him”.
‘Gnarly, grimy and from the heart’
With the album noted as a departure from the band’s normal style, Garvey says they decided to move away from “reflectively writing about the worries of the world,” and to offer “something a bit more fun”.
Image: Elbow receive their official number one album award for Audio Vertigo. Pic: Official Charts
Met with praise from critics, it’s been hailed “landmark” (Mojo) and their best since their 2008 Mercury Prize-winning album The Seldom Seen Kid (NME) – so does Garvey read his own press?
He admits: “Yes, against my better judgement, I do.”
He describes the collection as “gnarly, confrontational, a bit from the heart and a bit grimy, in the old sense of the word”.
With streaming now the go-to way to listen to music, has Elbow changed the way they put out their music in response?
“Streaming is marvellous… All the world’s music in your pocket… But as I said in my deposition to the Select Committee a couple of years ago on the economics of streaming, the money isn’t getting to the artist and that’s wrong…
“At the minute, it’s loaded way too heavily in favour of the business model, [but] the business model must change to protect music. Spotify are guilty. And I am guilty of having a Spotify account.”
‘Albums aren’t going anywhere’
And in a week that Sheryl Crow described making albums as a “waste of time and money” because people do not listen to them in full, does Garvey think she might have a point?
Image: The band with their Mercury Prize in 2008. Pic: PA
“We stubbornly stick to the fact that we’re an album band and have been from the beginning,” Garvey says.
“For some outfits, the finished product is a show. For us, it’s an album”.
He goes on: “I want to be changed by a listening experience. I want my musicians to take me by the hand, album to album, and lead me creatively to where they’re going next. You can’t do that in playlists and individual songs”.
He says his old family car still has a CD player so he’s bought all the records he owns on CD, and he plays them in the back of the car on the school run, and gives him the CD sleeve of tracks to read on the way.
Garvey is adamant that reports of the death of the album are greatly exaggerated: “The album as an art form isn’t going anywhere. Everybody thought the book was going to disappear on account of digital technology. It hasn’t and it won’t, and neither will the album.”
Never afraid of getting political, Garvey explains: “All art tends to reflect the society it’s made in. It’s also a litmus test of its health as well. I think we’re under a real threat. The rise of autocratic government is terrifying…
“I can understand why language is getting angry, absolutely. For every issue to become partisan, it’s just so wrong. It shouldn’t be partisan to object to mass slaughter.
“And also, if Putin’s not stopped, he’s a green light for all the rest of the world’s dictators, and then we’re really in trouble.”
Touring and Glastonbury
In May, the band will embark on a huge UK arena tour, performing in Brighton (which is already sold out), London, Birmingham, Glasgow, Leeds, Nottingham, and the new Co-op Live Arena in Manchester.
In a pleasing piece of symmetry, Garvey’s mum worked for Co-op supermarket when she was a girl, to which Garvey says, “Yeah, Shirley was very proud when she found out.”
Image: Elbow performing at Glastonbury Festival in 2017. Pic: PA
They have played at Glastonbury around 10 times according to Garvey, with at least four of those appearances on the coveted Pyramid Stage.
He says the band have “no plans so far” to perform there this year, but adds: “If we don’t play this year, hopefully they’ll invite us next year…
“Culturally, it’s the best music festival in the world. And in terms of our history with it, [Elbow’s] timeline is pinned out by our Glastonbury performances.”
The annual controversy around who is (and isn’t) on the bill – perhaps most notably in 2008 when hip hop star Jay-Z’s performance divided festival fans – is a “testimony” Garvey says “to how popular” the event is.
He explains: “Two female headliners, that’s amazing. There’s always a new frontier. There’s always a new thing to consider. And I’ll always trust the Eavis family [Michael and his daughter Emily who run the Worthy Farm event] to deliver us a party that the world envies year on year”.
So, with a number one album, and a wife working evenings for the foreseeable future, what’s he up to this Easter?
Garvey says with a wide smile that he’s visiting friends with his son, where they plan “to have a massive Easter egg hunt and drink too much wine”.
Like Glastonbury – Garvey knows how to kick back, have fun – and of course – keep putting out music that will resonate for years to come.
“Powerful individuals” at the BBC are making the lives of their colleagues “unbearable”, the corporation’s chairman has said, after a review into its workplace culture.
The independent report, sparked by the Huw Edwards scandal, was carried out by Change Associates, the same management consultancy that led a similar review in 2013, following the Jimmy Savile scandal.
BBC chairman Samir Shah told staff ahead of the report’s release on Monday morning: “There is a minority of people whose behaviour is simply not acceptable. And there are still places where powerful individuals – on and off screen – can abuse that power to make life for their colleagues unbearable.”
He said the report made recommendations to “prioritise action over procedural change”, as well as addressing “deep-seated issues” including staff not feeling confident enough to speak up.
Mr Shah added: “In the end, it’s quite simple: if you are a person who is prepared to abuse power or punch down or behave badly, there is no place for you at the BBC.”
While the review, which heard from around 2,500 employees and freelancers from 19 different countries, found no evidence of a toxic culture within the corporation, some staff said there was “a minority of people at the BBC – both on and off-air – who were able to behave unacceptably without it being addressed”.
The report said: “Even though they are small in number, their behaviour creates large ripples which negatively impact the BBC’s culture and external reputation.”
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It said these people were “dotted across the organisation in different functions and departments”, and were “often in positions where power could be abused”.
While no specific names were mentioned in the report, it did note “some names were mentioned several times”.
Image: Huw Edwards was handed a six-month suspended jail sentence in September. Pic: PA
Some considered ‘indispensable’
One example of poor behaviour given included an “untouchable” presenter being “called out for exceptionally inappropriate language”. It said that while “a report was made” and sanctions promised, a senior manager who was in the room at the time of the incident was “perceived as deferring so as not to rock the boat”.
It said a blind eye could be turned to poor behaviours “when productions were award winning or attracting large audiences”.
The report went on to warn that, “at its worst”, the corporation “rewards” such individuals “by providing little or no consequence to their actions”.
It recognised that some of those displaying “unacceptable behaviour” were perceived as “indispensable” to the corporation, and that by moving “potentially vexatious issues” to formal grievance without appropriate due diligence, the BBC was “tolerating” the problem.
It also said that by keeping those who formally raised an issue “in the dark about progress and outcomes,” it was unfairly punishing them.
The BBC board has fully accepted the report and its findings, as has BBC management.
Image: BBC chairman Samir Shah. Pic: PA
BBC director-general Tim Davie called the report “an important moment for the BBC and the wider industry”.
He said the corporation would implement the recommendations “at pace”, making sure that BBC values are “lived and championed by the whole organisation each and every day.”
Actions being taken include:
• A strengthened code of conduct, with specific guidance for on-air presenters • A more robust disciplinary policy, with updated examples of misconduct and clear consequences • All TV production partners must meet Creative Industries Independent Standards Authority (CIISA) industry standards • A new “Call It Out” campaign to promote positive behaviour, empower informal resolution and challenge poor conduct • Clear pledges for anyone raising concerns, setting out what they can expect from the BBC
Further actions include succession planning for the most senior on-air roles, a new “resolving concerns helpline”, more training for managers and clearer behaviour expectations for freelancers.
A difficult year for the BBC
The BBC has been under pressure to act after a string of complaints against some of its top talent over the last 12 months.
Brand, who worked for BBC Radio 2 and 6 Music between 2006 and 2008, denies all allegations against him and says all his sexual encounters were consensual.
The BBC also apologised in January after a review found it “did not take adequate action” upon learning about concerns over former Radio 1 DJ Tim Westwood following claims of “bullying and misogynistic behaviour”.
And late last year, Greg Wallace stepped down from his presenting role on MasterChef after multiple historical allegations of misconduct.
Wallace’s lawyers have said it is “entirely false that he engages in behaviour of a sexually harassing nature”. Wallace has since said he is seeking “space to heal”.
In October 2016, Kim Kardashian was robbed at gunpoint – with jewellery worth millions of dollars stolen during the audacious heist in Paris.
It was the biggest robbery of an individual in France for more than 20 years – and made front pages around the world.
Now, almost a decade on, the case is finally coming to court.
Why has it taken so long? Will Kardashian give evidence? And who exactly are the “grandpa robbers” facing trial?
Here’s everything you need to know.
Image: Kardashian at the Siran Presentation on the day of the robbery. Pic: Matteo Prandoni/BFA/Shutterstock
What happened?
Two years after Kardashian and rapper Kanye West tied the knot in an ostentatious week-long celebration spanning Paris and Florence, the Kardashian-West clan were back in the French capital for Paris Fashion Week.
Her then husband had returned to the US to pick up his Saint Pablo tour – but Kardashian, along with her sister Kourtney and various members of their entourage, remained in Paris, staying in an exclusive set of apartments so discreet they’ve been dubbed the No Address Hotel.
Nestled on Tronchet Street, just a stone’s throw from Place de l’Opéra, and close to the fashionable Avenue Montaigne, the Hotel de Pourtalès is popular with A-list stars staying in the French capital.
A stay in the Sky Penthouse, the suite occupied by Kardashian, will currently set you back about £13,000 a night.
Image: Kardashian was staying at the Hotel de Pourtales
On the evening of 3 October, after attending a fashion show with her sister, Kardashian remained in the apartment alone while the rest of her convoy – including her bodyguard Pascal Duvier – went out for the night.
At about 2.30am, three armed men wearing ski masks and dressed as police forced their way into the apartment block – and according to investigators, they threatened the concierge at gunpoint.
Two of them are alleged to have forced the concierge to lead them to Kardashian’s suite. He later told police they yelled at him: “Where’s the rapper’s wife?”
Kardashian said she had been “dozing” on her bed when the men then entered her room.
She has said she believes her social media posts provided the alleged robbers with “a window of opportunity”.
“I was Snapchatting that I was home, and that everyone was going out,” she said in the months after the incident.
The Keeping Up With The Kardashians star vividly described the attack in a police report, as reported in the French weekly paper Le Journal Du Dimanche.
“They grabbed me and took me into the hallway. They tied me up with plastic cables and taped my hands, then they put tape over my mouth and my legs.”
She said they pointed a gun at her, asking specifically for her ring and also for money.
Image: Police guard the entrance to the Hotel de Pourtalès the day after the robbery
Kardashian says they carried her into the bathroom and put her in the bathtub. She said she was wearing only a bathrobe at the time.
She had initially thought the robbers “were terrorists who had come to kidnap me”, according to a French police report taken in New York three months after the robbery.
Kardashian told officers: “I thought I was going to die.”
According to police, the robbers – who left the room after grabbing their haul, escaped on bicycles with items estimated to be worth about $10m (£7.5m), including a $4m (£3m) 18.88-carat diamond engagement ring from West.
After they had left, Kardashian said she escaped her restraints and went to find help. After speaking to detectives, she immediately returned to the US on a private jet and later hired a completely new security team.
Image: Kardashian shows off her $4m ring on Instagram
What was stolen?
As well as her engagement ring, Kardashian said the thieves took her large Louis Vuitton jewellery box, which she said contained “everything I owned”.
In police reports given to the French authorities at about 4.30am on the night of the alleged robbery, Kardashian listed these items as having been stolen:
• Two diamond Cartier bracelets • A gold and diamond Jacob necklace • Diamond earrings by Lauren Schwartz • Yanina earrings • Three gold Jacob necklaces • Little bracelets, jewels and rings • A Lauren Schwartz diamond necklace • A necklace with six little diamonds • A necklace with Saint spelt out in diamonds • A cross-shaped diamond-encrusted Jacob cross • A yellow gold Rolex watch • Two yellow gold rings • An iPhone 6 and a BlackBerry
Police recovered only the diamond-encrusted cross that was dropped by the robbers while leaving.
It’s likely the gold in the haul was melted down and resold, while the diamond engagement ring that is now so associated with the robbery would be far too recognisable to sell on the open market.
Image: Kardashian at the Siran Presentation on the day of the robbery. Matteo Prandoni/BFA/Shutterstock
What will happen in court?
The hearing will begin at the Court of Appeal of Paris – the largest appeals court in France – on 28 April and is scheduled to last a month.
It will consist of a presiding judge, two professional assessors, and six main jurors.
The hearing involves more than 2,000 documents and there are four civil parties.
Image: Kardashian at the Balenciaga show on the day of the robbery. Pic: Pixelformula/Sipa/Shutterstock
Who is being tried?
There were initially 12 defendants in the case, but one person has died and another has a medical condition that prevents their involvement. This means 10 people – nine men and one woman – are standing trial.
Five of them, who were all aged between 60 and 72 at the time of the incident, face armed robbery and kidnapping charges. They are:
• Yunice Abbas • Aomar Ait Khedache • Harminv Ait Khedache • Didier Dubreucq • Marc-Alexandre Boyer
Abbas, 72, has admitted his participation in the robbery. In 2021, he published a book about the robbery, titled I Kidnapped Kim Kardashian. In 2021, a court ruled he would not benefit financially from the book.
Aomar Ait Khedache, 69, known to French crime reporters as “Old Omar”, has also admitted participating in the heist but denies the prosecution’s accusation that he was the ringleader.
The remaining five defendants are charged with complicity in the heist or the unauthorised possession of a weapon. They are:
• Florus Heroui • Gary Madar • Christiane Glotin • François Delaporte • Marc Boyer
Among those, Mader was a VIP greeter who worked for the car company Kardashian used in Paris, and Heroui was a bar manager who allegedly passed on information about Kardashian’s movements.
With many of the accused now ageing and with various serious health conditions, and some having spent time in jail following their arrest, all are currently free under judicial supervision.
If found guilty, those accused of the more serious crimes could face 10 years to life imprisonment.
Image: Kardashian at the Off-White show three days before the robbery. Pic: Photo Image Press/Shutterstock
Will Kardashian give evidence?
Yes, Kardashian will face the robbers in court in May.
Lawyer Michael Rhodes said Kardashian has “tremendous appreciation and admiration for the French judicial system” and “wishes for the trial to proceed in an orderly fashion in accordance with French law and with respect for all parties to the case”.
A trainee lawyer herself, Kardashian has become a high-profile criminal justice advocate in the US in recent years.
Image: (R-L) Kanye West, Kim Kardashian, Kourtney Kardashian, Kris Jenner in the front row three days before the robbery. Pic: Caroline Blumberg/EPA/Shutterstock
Why has it taken so long to come to court?
There was initially a manhunt after the robbery, with French police under pressure to prove that Paris’s security was not in question.
Just the year before in 2015, the capital had been shaken by terrorist attacks by Islamic militants, in which 130 people were killed, including 90 at a music event at the Bataclan theatre.
French police initially arrested 17 people in the Kardashian case in January 2017 – three months after the robbery – assisted by DNA traces found on plastic bands used to tie her wrists. Twelve people were later charged.
It was ordered to be sent to trial in 2021 – at a time when limited court proceedings were happening due to multiple COVID lockdowns, and France was holding its largest ever criminal trial over the November 2015 terror attacks.
Image: Kardashian at the Givenchy show on the day of the robbery. Pic: Bukajlo Frederic/Sipa/Shutterstock
What has Kardashian said about the incident?
Kardashian has described the robbery as a “life-changing” moment. She took three weeks away from filming her reality TV show Keeping Up With the Kardashians, and took a three-month break from social media.
In a March 2017 episode titled Paris, Kardashian first spoke publicly about her ordeal.
She described first hearing a noise in her apartment, and calling out, thinking it was her sister and assistant: “At that moment when there wasn’t an answer, my heart started to get really tense. Like, you know, your stomach just kind of like, knots up and you’re like, ‘OK, what’s going on?’ I knew something wasn’t quite right.”
She went on: “They asked for money. I said, ‘I don’t have any money’. They dragged me out to the hallway on top of the stairs. That’s when I saw the gun, clear as day. I was looking at the gun, looking down back at the stairs. I was like, I have a split second in my mind to make this quick decision.
“Either they’re going to shoot me in the back or if I make it [down the stairs] and the elevator does not open in time or the stairs are locked, there’s no way out.”
Three months later, she told a Forbes Power Women’s Summit she had changed her approach to posting on social media: “They had followed my moves on social media, and they knew my every move and what I had.”
She added: “It was definitely a huge, huge, huge lesson for me to not show off some of the things that I have. It was a huge lesson to me to not show off where I go.
“It’s just changed my whole life, but I think for the better.”
Image: West and Kardashian at the Off-White show three days before the robbery. Pic: Matteo Prandoni/BFA/Shutterstock
In October 2020, Kardashian told US interviewer David Letterman she feared she would be raped and murdered during the heist, and that her sister had been at the forefront of her mind during the incident.
Speaking on My Next Guest Needs No Introduction, Kardashian said: “I kept on thinking about Kourtney, I kept on thinking she’s going to come home and I’m going to be dead in the room and she’s going to be traumatised for the rest of her life if she sees me… I thought that was my fate.”
When speaking to French police about the impact the robbery had had on her three months after it, Kardashian said: “I think that my perception of jewellery now is that I am not as attached to it as I used to be. I don’t have the same feeling about it. In fact, I even think that it has become a bit of a burden to have the responsibility of such expensive jewels.
“There is nothing of sentimental value to compare with the act of going home and finding one’s children and one’s family.”
She went on to describe Paris as “not the right place” for her, and didn’t return to the French capital for two years following the robbery.
Kardashian has since said in a 2023 episode of Keeping Up With The Kardashians that she did not purchase any jewellery in the seven years following the robbery, kept no jewellery at her home and only wore items that are either borrowed or fake.
She said the realisation that material items don’t matter has made her “a completely different person in the best way”.
Conservative leader Kemi Badenoch has demanded the prosecution of rap trio Kneecap after video emerged of the band allegedly advocating for the death of Tory MPs.
Footage of the group at a November 2023 gig appears to show one member saying: “The only good Tory is a dead Tory. Kill your local MP.”
Downing Street has described the alleged comments as “completely unacceptable”.
Police are investigating – and are also assessing footage reportedly from a gig a year later in London’s Kentish Town Forum.
In the November 2024 video, a member of the band appears to shout “up Hamas, up Hezbollah” – referencing groups which are banned as terrorist organisations in the UK.
A Metropolitan Police spokesman said: “We were made aware of a video on 22 April, believed to be from an event in November 2024, and it has been referred to the counter-terrorism internet referral unit for assessment and to determine whether any further police investigation may be required.
“We have also been made aware of another video believed to be from an event in November 2023.”
Mrs Badenoch said it was “good” the police were looking into the allegations, adding: “Kneecap’s glorification of terrorism and anti-British hatred has no place in our society.
“Now footage shows one of them saying: ‘The only good Tory is a dead Tory. Kill your local MP’.
“After the murder of Sir David Amess, this demands prosecution.”
Image: Kemi Badenoch. Pic: PA
Conservative MP Sir David was stabbed to death while meeting constituents in Leigh-on-Sea, Essex, in 2021.
Kneecap, made up of Liam Og O Hannaidh, Naoise O Caireallain and JJ O Dochartaigh, have said they are facing a “co-ordinated smear campaign” after speaking out about “the ongoing genocide against the Palestinian people”.
Mrs Badenoch and Kneecap are already known to each other.
The Tory leader blocked a government grant to the bilingual Belfast group while she was business secretary.
But last November, Kneecap won a discrimination challenge over the decision to refuse them a £14,250 funding award after the UK government conceded it was “unlawful”.
Downing Street condemned the alleged comments.
“We do not think individuals expressing those views should be receiving government funding,” the prime minister’s official spokesman said.
Asked if the money should be returned, the spokesman added: “That’s up to the group, but clearly the PM rejects the views expressed … does not shy away from condemning them.”