“Hate and death threats and abuse, and personal, deep things. All the hate out there… I don’t think anyone can prepare you for that.”
Georgia Steel doesn’t find it easy talking about the trolling directed at her during her time on Love Island, but says it is an issue she needs to address.
The reality star rose to fame in 2018, when, aged 20, she appeared in the fourth series and earned her place among the show’s most memorable contestants. In January this year, with more than 1.6m followers on Instagram, TikTok and other platforms, she returned to appear in a new “all stars” version of the show in South Africa.
Image: Georgia Steel with Toby Aromolaran in Love Island: All Stars. Pic: ITV
She found herself at the centre of the drama after – shock! – flirting with someone who wasn’t her “partner” at the time, and eventually getting together with a different contestant, Toby Aromolaran, after he unceremoniously ditched the partner he was with without warning during a public recoupling, and declared his interest in Steel. (They left the show together, but she revealed last week he had called things off).
This is essentially the extent of her crimes. The reaction was so vicious that her family and management team, looking after her social media accounts while she was cut off from the real world, decided to step in, sharing this post.
To the uninitiated, the romances and fall-outs of 20-somethings who have spent a maximum of five weeks together might seem trivial, but viewers become invested. “It’s a reality show, it’s not real life,” Steel points out. “You’re not in a normal situation.”
Steel comes across as a confident, funny, glamorous young woman on TV. In person, she is still all of those things, but more fragile. Most of the hundreds of messages were deleted before she was reunited with her phone to save her from the extent of the cruelty, and she becomes tearful hearing the words her loved ones felt were necessary to make public.
“For the people I love to have witnessed those things, it is terrible, awful, and it does make me feel slightly responsible.”
Image: Steel with her brother Alfie, dad Andrew and mum Sharon. Pic: Courtesy of Georgia Steel
‘A tidal wave of abuse’
Online trolling has been a rising problem for years and one that doesn’t appear to be going away. Anyone sending serious violent threats faces up to five years in prison – but despite the calls to “be kind”, the stories of abuse continue – as seen in recent weeks towards previous Love Island winner Ekin-Su Culculoglu following her time in the revived Celebrity Big Brother.
Anti-bullying and online abuse charities and organisations say the majority of trolling is directed at women, and Ofcom research in 2022 found that 60% of women were concerned by the issue, compared with 25% of men.
Image: Amber Heard, pictured in court in Virginia in 2022, was trolled online after being sued by her ex-husband Johnny Depp. Pic: Reuters/Elizabeth Frantz
Research by the Center for Countering Digital Hate into the direct (private) Instagram messages of five prominent women, including Heard and Countdown’s Rachel Riley, found that around one in seven were abusive, either through misogynist comments or sending unsolicited sexual advances.
Founder and chief executive Imran Ahmed says it can be “traumatising to receive a tidal wave of abuse”, and that he has known “strong, empowered people who found themselves in a heap on their sofa, crying, because that’s just what it’s like to have thousands of people screaming swear words at you”.
Linda James, founder and chief executive of the BulliesOut charity, says trolling can be “relentless and dangerous”, and that “even the nicest, most reasonable, and mild-mannered people in real life” can exhibit trolling behaviour once they are online.
Image: Steel says she was most upset knowing her friends and family had been sent abuse. Pic: ITV
‘You don’t know if the whole world hates you’
Most of the direct abuse sent to Steel, who celebrated her 26th birthday earlier this week, came through Instagram, but there were other “horrible” posts on TikTok and shared on Facebook and X (formerly Twitter), her team said. Steel is aware that being in the public eye means strangers will have opinions of her – but says there is a difference between opinion and threats and bullying.
“You don’t really know how to process it… you’re quite scared,” she says. “You don’t know if the whole world hates you – I felt like everyone hated me.”
The worst thing was knowing her family and friends had also been sent abuse, that they had seen the comments written about her. “It made me question everything I did,” she says.
“It made me feel like I didn’t know myself to a certain degree… My family, my friends, they had death threats. My mum got messages like, ‘How could you raise a girl like this?’ I just want to make the people that support and love me proud. I know that they still are. But it makes me worry that they’re not.”
For an influencer whose career revolves around social media, it has been a tricky balancing act trying to keep away from it all. But after finishing the show and getting her phone back, she turned it off and left it for a week.
Image: Charities say trolling affects more women than men
“I needed to rebuild my confidence,” she says. “I spent it with my mum and my dad and my brother, and I just wanted reassurance constantly. ‘Have I done anything wrong? What could I have done better?'”
It’s sad to hear Steel say she accepts that to many viewers, she was the “villain” of this latest season of Love Island. She is, after all, a young woman who flirted and had her head turned, to use the Love Island lexicon – on a reality show that survives on flirting and contestants having their heads turned. She says Aromolaran did not receive the same level of abuse.
“I am still a person. I’m a [young] girl, I’m still learning my way. I’m not perfect. If anything, me making mistakes on a show, it shows that I’m genuine and that I’m real. But instead, it was kind of used against me… is it because I’m a woman? Is it double standards? I don’t know.”
Image: Former Love Island winner Ekin-Su Culculoglu was trolled after appearing on Celebrity Big Brother. Pic: ITV
The anonymity is one of the hardest things to come to terms with. “It’s like going into a shop and wearing a balaclava and abusing someone… these people are hiding behind anonymous names and fake accounts. There’s definitely times when I’d be out and thinking, they’re looking at me… ‘Oh my God, is that one of the trolls?’ It makes it really scary because you just don’t know who they are.”
Steel says she does not blame ITV or Love Island for the trolling as they cannot control what people say online, and that support from the show’s producers “is always there if you need it”.
When the trolling against the star was announced, producers put out a statement urging viewers “to be kind when engaging in social media conversations about our Islanders, and to remember that they are real people with feelings”.
Trolling ‘bleeds over’ into real world
Image: Love Island star Amy Hart gave evidence at an inquiry into influencing in 2021. Pic: Parliament Live TV
In recent years, the broadcaster has announced greater duty of care protocols for its reality show participants and last year implemented a ban on Love Island contestants’ social media accounts being active during their time on the show – although All Stars participants, as they already had public profiles, were given the option.
Steel thinks social media platforms should be doing more, and that the solution is simple.
“It would just be literally having an ID when you sign up to an account or having some proof of who you are, instead of constantly going behind a screen and being anonymous. That’s what I really don’t understand. I don’t understand how that’s allowed, if I’m honest.”
In its information on anti-bullying features and tools, Instagram says it is committed to protecting users and urges people to report anything that violates its guidelines so that action can be taken if necessary, while TikTok says it does not “allow language or behavior that harasses, humiliates, threatens, or doxxes anyone”.
X says it prohibits “behaviour and content that harasses, shames, or degrades others”, while Facebook also says it does not “tolerate this kind of behaviour because it prevents people from feeling safe and respected”.
Image: Steel with her cat, Oscar. Pic: Courtesy of Georgia Steel
Last year, the Online Safety Act was passed by MPs, requiring providers of online services to minimise the extent of illegal and harmful content. Once implemented, the act will require social media firms to enforce “stringent measures against criminal online abuse”, a government spokesperson said, including “proactively tackling exposure to illegal content that can disproportionately affect women and girls, including controlling and abusive behaviour”.
Before this can be enforced, new codes of practice and guidance have to be produced. A spokesperson for Ofcom told Sky News these are expected to be finalised around the end of the year, while further proposed measures “to protect children from sexist hate and abuse specifically” will be announced in May.
The Center for Countering Digital Hate says things need to change, and that online trolling and division can have real-world consequences.
“We have to stop this epidemic of abuse,” Mr Ahmed says. “It starts to bleed over and resocialise our real world as well, which is why we can see that relations in our society, our politics, our discourse are becoming more fragmented, more vicious, less productive and less conducive to the kind of democracy we want.”
‘That one comment could tip someone over the edge’
Image: Love Island presenter Caroline Flack died in 2020. Pic: AP
Steel says she wants to speak out as she feels she is in a position where she is able to, with an “amazing” support system in her friends and family at home in York.
“I’m very lucky,” she says. “I want to admit: I got trolled really, really, really bad. And yeah, it really, really, really affected me. But I am okay. And some people, if they were in my position, might not be okay. I think some people are built stronger than others or some people have better foundations than others, and the ones that maybe don’t, they’re the ones that we really have to think about.”
Two former Love Island contestants, Sophie Gradon and Mike Thalassitis, have ended their own lives. Gradon died in 2018, two years after appearing on the show; Thalassitis the following year, also two years after taking part.
Gradon had reportedly spoken about the “horrific” trolling she experienced in a radio interview in the months before her death, while Montana Brown, a contestant in Thalassitis’s season, urged people to “be a little bit nicer, little bit kinder“, following the inquest into his death.
It was the suicide of Love Island presenter Caroline Flack in 2020 that sparked the “be kind” encouragement on social media. But Steel isn’t convinced people are taking notice.
“Caroline presented my show in 2018 and I never expected that to happen,” she says. “As much as we talk about it and say it’s not okay, I think there actually needs to be something set in place, before it’s too late and something else happens, and then it’s just a vicious circle. It’s, ‘we’ll be kind for a bit, and then we’ll forget about it, and then someone else… then we’ll be kind for a bit again’. That circle needs to stop.”
She wants people to know how much abuse can hurt.
“I feel like maybe some [trolls] really want to see me down, which… I am. So you’ve won. But I will also prove a point that trolling can’t be allowed.”
Finally, she says she wants social media users to really, really think hard about anything they have written before pressing send.
“Would you say this to them if they were sat across the table? Would you say things to their family and their friends? Would you be happy if the consequences were really bad?
“It could just take that one comment that tips someone over the edge. Would you want to be accountable for that?”
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
A new documentary proves “beyond any shadow of a doubt” that the Elgin Marbles were stolen, according to its director.
David Wilkinson claims The Marbles settles one of the most divisive debates in cultural heritage: whether 19th-century diplomat Lord Elgin legally acquired the Parthenon Sculptures, better known as the Elgin Marbles.
The film revisits how the sculptures were removed from the Parthenon in Athens while Greece was under Ottoman rule – and ended up in London.
It argues that Lord Elgin did not legally acquire the artefacts – and instead, it amounts to “the greatest heist in art history”.
Image: Reuters file pic
Actor Brian Cox, historian Dominic Selwood and solicitor Mark Stephens are among those who appear in the documentary.
The British government bought the sculptures from Lord Elgin and installed them into the trusteeship of the British Museum, where they have remained for 200 years.
“He needed the money from the British government to pay for all the bribes he’d given to members of the Ottoman Empire,” Wilkinson says of the transaction.
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“Lord Elgin did sell them … but the question becomes, did Lord Elgin actually have the right to purchase them?”
Image: PA file pic
Classical archaeologist Mario Trabucco della Torretta dismisses Wilkinson’s claims.
“The allegation of bribery to obtain the Marbles is just wrong in historical terms,” he told Sky News.
Responding to Wilkinson’s claims of bribery, he added: “The only reference to ‘presents’ comes years after the start of the removals … do people presume that they run a ‘bribe now, pay later’ scheme back then in Constantinople?”
One of the most contentious points in the debate is the legitimacy of an Ottoman permission document known as a “firman”, which is claimed to have authorised Lord Elgin removing the items from Greece.
There is only an Italian text referred to as a translation of this document.
Image: David Wilkinson
Wilkinson said: “It was normal practice at the time that a copy would be kept in what was then Constantinople, and another copy would have been sent off to Athens.
“There would be a record in Istanbul and the Turks have gone through it in great detail over many decades and they can find nothing.”
Speaking to Sky News in 2024, Dr Zeynep Boz – head of combatting illicit trafficking for Turkey’s culture ministry – said there is no proof of the firman in the Ottoman archive.
“Despite extensive archival research, no such firman has been found. It is even difficult to call this document a translation when the original is not available,” she said at the time.
Torretta offers an explanation: “Burning the Ottoman governor’s archive was one of the first acts of the Greek revolution.”
Image: Reuters file pic
While the arguments are not new, The Marbles also examines how other institutions have handled similar restitution cases.
In the film, Cox says if the marbles would have gone back to Athens already if they had found their way to Edinburgh and not London.
Meanwhile, Glasgow’s Kevingrove Art Gallery Museum returned a shirt to the South Dakota Cultural Heritage Center in the US.
And when it comes to the Parthenon Sculptures – Germany’s Heidelberg University and The Vatican have both returned fragments to Greece.
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Dec 2024: Elgin Marbles ‘belong in the UK’
The British Museum Act 1963 prevents treasures being legally given away by the British Museum.
The government has repeatedly it has no plans to change existing policy on restitution, and that it is up to the trustees of the museum to decide.
A spokesperson for the British Museum repeated a statement given to Sky News in July: “Discussions with Greece about a Parthenon Partnership are ongoing and constructive.”
The documentary scrutinises the ethics of foreign national treasures that were taken and are now housed in Western museums, but as it stands the institutional and governmental answers don’t appear to be changing.
The Marbles is in UK and Irish cinemas from today.
Shirley Valentine actress Pauline Collins has died “peacefully”, aged 85, surrounded by her family.
The actress, who starred in the first series of sitcom The Liver Birds, and became a household name in Upstairs Downstairs, had Parkinson’s disease for several years.
Her later role in the 1989 film Shirley Valentine, playing the lead character of the bored Liverpudlian housewife, earned her an Oscar nomination.
‘Iconic, strong-willed’
Her family said in a statement: “Pauline was so many things to so many people, playing a variety of roles in her life. A bright, sparky, witty presence on stage and screen. Her illustrious career saw her play politicians, mothers and queens.
“She will always be remembered as the iconic, strong-willed, vivacious and wise Shirley Valentine – a role that she made all her own.
“We were familiar with all those parts of her because her magic was contained in each one of them.
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“More than anything, though, she was our loving mum, our wonderful grandma and great-grandma. Warm, funny, generous, thoughtful, wise, she was always there for us.
“And she was John (Alderton)’s life-long love. A partner, work collaborator, and wife of 56 years.
“We particularly want to thank her carers: angels who looked after her with dignity, compassion, and most of all love.
“She could not have had a more peaceful goodbye. We hope you will remember her at the height of her powers; so joyful and full of energy; and give us the space and privacy to contemplate a life without her.”
Image: Receiving her OBE from Queen Elizabeth II at Buckingham Palace in 2001. Pic: PA
She married fellow actor John Alderton in 1969.
‘Nation’s sweetheart’
He described her as a “remarkable star”.
Image: Collins with, from left, Sheridan Smith, Dame Maggie Smith, Dustin Hoffman, Tom Courtenay and Billy Connolly at the London Film Festival in 2012: Pic: PA
He said he worked with her more than any other actor in TV series, films and West End stage shows, and had “watched her genius at close quarters”.
He added: “What I saw was not only her brilliant range of diverse characters but her magic of bringing out the best in all of the people she worked with. She wanted everyone to be special and she did this by never saying ‘Look at me’.
“It’s no wonder that she was voted the nation’s sweetheart in the 1970s.
“She will always be remembered for Shirley Valentine, not only for her Oscar nomination or the film itself, but for clean-sweeping all seven awards when she portrayed her on Broadway in the stage play, in which she played every character herself.
“But her greatest performance was as my wife and mother to our beautiful children.”
Born in Exmouth in 1940, Collins was raised near Liverpool and began her career as a teacher.
But after taking up acting part-time, she landed her first television role as a nurse in the series Emergency Ward 10.
Collins also won great acclaim for her role in 1997 film Paradise Road, which tells the story of a group of women in a Japanese prisoner of war camp who defy their captors by founding an orchestra.
The film also starred Glenn Close, Cate Blanchett and Frances McDormand.
In 2001, Collins was made an OBE for her services to drama.
Over the last two decades, Eddie Marsan has established himself as one of Britain’s most versatile and acclaimed character actors. From major blockbusters like the Sherlock Holmes films and Mission: Impossible III, to his roles on the TV series Ray Donovan, and more recently the sci-fi drama Supacell.
As a performer, he is a skilled observer. And one thing he’s come to notice a lot over the years is how few of his castmates tend to share his working-class roots.
“If you want to be an actor in this country, and you come from a disadvantaged background, you have to be exceptional to have a hope of a career,” he says. “If you come from a privileged background, you can be mediocre.”
Speaking after being named one of the new vice presidents of drama school Mountview, and meeting students at the establishment where he too first trained, Marsan is keen to stress why it’s so necessary to support young actors who can’t fund their careers.
Image: Eddie Marsan at Mountview. Pic: Steve Gregson
“I came here when I was in my 20s… I was a bit lost, to be honest… I was serving an apprenticeship as a printer when Mountview offered me a place,” he says.
“There were no kinds of grants then, so for the first year an East End bookmaker paid my fees, then my mum and him got together and paid the second year, then Mountview gave me a scholarship for the third year, so I owe them everything.
“I didn’t earn a living as an actor for like six, seven years… years ago, actors could sign on and basically go on the dole while doing plays… now, in order to become an actor, you have to have the bank of mummy and daddy to bankroll you for those seven or eight years when you’re not going to earn a living.”
Marson and Dame Elaine Paige are both taking on ambassadorial roles to mark Mountview’s 80th anniversary, joining Dame Judi Dench, who has been president of the school since 2006.
“The parties are fantastic,” he jokes. “The two dames, they get so half-cut, honestly, you have to get an Uber to get them home!”
But he’s rather more serious about TV and film’s “fashion for posh boys”.
Image: ‘If you come from a privileged background you can be mediocre’ in the TV and film industry, says Marsan. Pic: Steve Gregson
“When I went to America and I did 21 Grams and Vera Drake. I remember thinking, ‘great I’m going to have a career now,’ but I wasn’t the idea of what Britain was selling of itself.
“Coming back from Hollywood, a publicist said to me ‘when we get to London and do publicity for the film 21 Grams we’re going to come to you’… but no one was interested… I remember coming to Waterloo station and looking up and seeing all these posh actors selling Burberry coats and posters, and they hadn’t done anything compared to what I’d done, and yet they were the image that we were pushing as a country.”
A 2024 Creative Industries, Policy, and Evidence Centre report found 8% of British actors come from working class backgrounds, compared to 20% in the 70s and 80s.
“Even a gangster movie now, 40 years ago you would have something like The Long Good Friday or Get Carter with people like Michael Caine or Bob Hoskins who were real working-class actors playing those parts, now you have posh boys playing working-class characters.”
Within the last five or six years, he says there has at least been “more of an effort to include people of colour”.
Image: Pic: Steve Gregson
‘They’re scared of a level-playing field’
“What I find really interesting is, I’ve been an actor for 34 years, and I remember for the first 20 years going on a set and very rarely within the crew and within the cast would you see a black face, very rarely.
“One of the saving graces really are things now like Top Boy and Supacell, where you have members of the black community making dramas about their communities, that can’t be co-opted by the middle classes.”
“People like Laurence Fox complaining that it’s unfair, I never heard them complain when you never saw a black face, never once did they say anything. Now that people are trying to address it, they think it’s unfair…because they’re scared of a level playing field.”
Now, more than ever, Marsan says he feels compelled to point out what needs to change within the industry he works in.
“Look, social media is destroying cultural discourse. It’s making people become very binary… acting and drama is an exercise in empathy and if there’s one thing that we need more of at the moment it’s that.”