“Hate and death threats and abuse, and personal, deep things. All the hate out there… I don’t think anyone can prepare you for that.”
Georgia Steel doesn’t find it easy talking about the trolling directed at her during her time on Love Island, but says it is an issue she needs to address.
The reality star rose to fame in 2018, when, aged 20, she appeared in the fourth series and earned her place among the show’s most memorable contestants.
In January this year, with more than 1.6m followers on Instagram, TikTok and other platforms, she returned to appear in a new “all stars” version of the show in South Africa.
Image: Georgia Steel with Toby Aromolaran in Love Island: All Stars. Pic: ITV
She found herself at the centre of the drama after – shock! – flirting with someone who wasn’t her “partner” at the time, and eventually getting together with a different contestant, Toby Aromolaran, after he unceremoniously ditched the partner he was with without warning during a public recoupling, and declared his interest in Steel. (They left the show together, but she revealed last week he had called things off).
This is essentially the extent of her crimes. The reaction was so vicious that her family and management team, looking after her social media accounts while she was cut off from the real world, decided to step in, sharing this post.
To the uninitiated, the romances and fall-outs of 20-somethings who have spent a maximum of five weeks together might seem trivial, but viewers become invested. “It’s a reality show, it’s not real life,” Steel points out. “You’re not in a normal situation.”
Steel comes across as a confident, funny, glamorous young woman on TV. In person, she is still all of those things, but more fragile.
Most of the hundreds of messages were deleted before she was reunited with her phone to save her from the extent of the cruelty, and she becomes tearful hearing the words her loved ones felt were necessary to make public.
“For the people I love to have witnessed those things, it is terrible, awful, and it does make me feel slightly responsible.”
Image: Steel with her brother Alfie, dad Andrew and mum Sharon. Pic: Courtesy of Georgia Steel
‘A tidal wave of abuse’
Online trolling has been a rising problem for years and one that doesn’t appear to be going away.
Anyone sending serious violent threats faces up to five years in prison – but despite the calls to “be kind”, the stories of abuse continue – as seen in recent weeks towards previous Love Island winner Ekin-Su Culculoglu following her time in the revived Celebrity Big Brother.
Then there was the trolling of Amber Heard during the Johnny Depp court cases, now the subject of a new investigative podcast.
Anti-bullying and online abuse charities and organisations say the majority of trolling is directed at women, and Ofcom research in 2022 found that 60% of women were concerned by the issue, compared with 25% of men.
Image: Amber Heard, pictured in court in Virginia in 2022, was trolled online after being sued by her ex-husband Johnny Depp. Pic: Reuters/Elizabeth Frantz
Research by the Center for Countering Digital Hate into the direct (private) Instagram messages of five prominent women, including Heard and Countdown’s Rachel Riley, found that around one in seven were abusive, either through misogynist comments or sending unsolicited sexual advances.
Founder and chief executive Imran Ahmed says it can be “traumatising to receive a tidal wave of abuse”, and that he has known “strong, empowered people who found themselves in a heap on their sofa, crying, because that’s just what it’s like to have thousands of people screaming swear words at you”.
Linda James, founder and chief executive of the BulliesOut charity, says trolling can be “relentless and dangerous”, and that “even the nicest, most reasonable, and mild-mannered people in real life” can exhibit trolling behaviour once they are online.
Image: Steel says she was most upset knowing her friends and family had been sent abuse. Pic: ITV
‘You don’t know if the whole world hates you’
Most of the direct abuse sent to Steel, who celebrated her 26th birthday earlier this week, came through Instagram, but there were other “horrible” posts on TikTok and shared on Facebook and X (formerly Twitter), her team said.
Steel is aware that being in the public eye means strangers will have opinions of her – but says there is a difference between opinion and threats and bullying.
“You don’t really know how to process it… you’re quite scared,” she says. “You don’t know if the whole world hates you – I felt like everyone hated me.”
The worst thing was knowing her family and friends had also been sent abuse, that they had seen the comments written about her. “It made me question everything I did,” she says.
“It made me feel like I didn’t know myself to a certain degree… My family, my friends, they had death threats. My mum got messages like, ‘How could you raise a girl like this?’ I just want to make the people that support and love me proud. I know that they still are. But it makes me worry that they’re not.”
For an influencer whose career revolves around social media, it has been a tricky balancing act trying to keep away from it all. But after finishing the show and getting her phone back, she turned it off and left it for a week.
Image: Charities say trolling affects more women than men
“I needed to rebuild my confidence,” she says. “I spent it with my mum and my dad and my brother, and I just wanted reassurance constantly. ‘Have I done anything wrong? What could I have done better?'”
It’s sad to hear Steel say she accepts that to many viewers, she was the “villain” of this latest season of Love Island.
She is, after all, a young woman who flirted and had her head turned, to use the Love Island lexicon – on a reality show that survives on flirting and contestants having their heads turned. She says Aromolaran did not receive the same level of abuse.
“I am still a person. I’m a [young] girl, I’m still learning my way. I’m not perfect. If anything, me making mistakes on a show, it shows that I’m genuine and that I’m real. But instead, it was kind of used against me… is it because I’m a woman? Is it double standards? I don’t know.”
Image: Former Love Island winner Ekin-Su Culculoglu was trolled after appearing on Celebrity Big Brother. Pic: ITV
The anonymity is one of the hardest things to come to terms with. She said: “It’s like going into a shop and wearing a balaclava and abusing someone… these people are hiding behind anonymous names and fake accounts.
“There’s definitely times when I’d be out and thinking, they’re looking at me… ‘Oh my God, is that one of the trolls?’ It makes it really scary because you just don’t know who they are.”
Steel says she does not blame ITV or Love Island for the trolling as they cannot control what people say online, and that support from the show’s producers “is always there if you need it”.
When the trolling against the star was announced, producers put out a statement urging viewers “to be kind when engaging in social media conversations about our Islanders, and to remember that they are real people with feelings”.
Trolling ‘bleeds over’ into real world
Image: Love Island star Amy Hart gave evidence at an inquiry into influencing in 2021. Pic: Parliament Live TV
In recent years, the broadcaster has announced greater duty of care protocols for its reality show participants and last year implemented a ban on Love Island contestants’ social media accounts being active during their time on the show – although All Stars participants, as they already had public profiles, were given the option.
Steel thinks social media platforms should be doing more, and that the solution is simple.
“It would just be literally having an ID when you sign up to an account or having some proof of who you are, instead of constantly going behind a screen and being anonymous. That’s what I really don’t understand. I don’t understand how that’s allowed, if I’m honest.”
In its information on anti-bullying features and tools, Instagram says it is committed to protecting users and urges people to report anything that violates its guidelines so that action can be taken if necessary, while TikTok says it does not “allow language or behavior that harasses, humiliates, threatens, or doxxes anyone”.
X says it prohibits “behaviour and content that harasses, shames, or degrades others”, while Facebook also says it does not “tolerate this kind of behaviour because it prevents people from feeling safe and respected”.
Image: Steel with her cat, Oscar. Pic: Courtesy of Georgia Steel
Last year, the Online Safety Act was passed by MPs, requiring providers of online services to minimise the extent of illegal and harmful content.
Once implemented, the act will require social media firms to enforce “stringent measures against criminal online abuse”, a government spokesperson said, including “proactively tackling exposure to illegal content that can disproportionately affect women and girls, including controlling and abusive behaviour”.
Before this can be enforced, new codes of practice and guidance have to be produced.
A spokesperson for Ofcom told Sky News these are expected to be finalised around the end of the year, while further proposed measures “to protect children from sexist hate and abuse specifically” will be announced in May.
The Center for Countering Digital Hate says things need to change, and that online trolling and division can have real-world consequences.
“We have to stop this epidemic of abuse,” Mr Ahmed says. “It starts to bleed over and resocialise our real world as well, which is why we can see that relations in our society, our politics, our discourse are becoming more fragmented, more vicious, less productive and less conducive to the kind of democracy we want.”
‘That one comment could tip someone over the edge’
Image: Love Island presenter Caroline Flack died in 2020. Pic: AP
Steel says she wants to speak out as she feels she is in a position where she is able to, with an “amazing” support system in her friends and family at home in York.
“I’m very lucky,” she says. “I want to admit: I got trolled really, really, really bad. And yeah, it really, really, really affected me. But I am okay. And some people, if they were in my position, might not be okay.
“I think some people are built stronger than others or some people have better foundations than others, and the ones that maybe don’t, they’re the ones that we really have to think about.”
Two former Love Island contestants, Sophie Gradon and Mike Thalassitis, have ended their own lives. Gradon died in 2018, two years after appearing on the show; Thalassitis the following year, also two years after taking part.
Gradon had reportedly spoken about the “horrific” trolling she experienced in a radio interview in the months before her death, while Montana Brown, a contestant in Thalassitis’s season, urged people to “be a little bit nicer, little bit kinder“, following the inquest into his death.
It was the suicide of Love Island presenter Caroline Flack in 2020 that sparked the “be kind” encouragement on social media. But Steel isn’t convinced people are taking notice.
“Caroline presented my show in 2018 and I never expected that to happen,” she says. “As much as we talk about it and say it’s not okay, I think there actually needs to be something set in place, before it’s too late and something else happens, and then it’s just a vicious circle. It’s, ‘we’ll be kind for a bit, and then we’ll forget about it, and then someone else… then we’ll be kind for a bit again’. That circle needs to stop.”
She wants people to know how much abuse can hurt.
“I feel like maybe some [trolls] really want to see me down, which… I am. So you’ve won. But I will also prove a point that trolling can’t be allowed.”
Finally, she says she wants social media users to really, really think hard about anything they have written before pressing send.
“Would you say this to them if they were sat across the table? Would you say things to their family and their friends? Would you be happy if the consequences were really bad?
“It could just take that one comment that tips someone over the edge. Would you want to be accountable for that?”
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
Astro Bot was the big winner at this year’s BAFTA Games Awards, taking home five prizes, including the coveted best game.
The 3D platformer, which was launched to critical acclaim in September to mark PlayStation’s 30th anniversary, was nominated for eight gongs, while Senua’s Saga: Hellblade II, led with 11 nods.
But in the end, the critics – some of whom had dubbed Astro Bot a “perfect game” – were right as it dominated the awards at London’s Queen Elizabeth Hall, hosted by comedian Phil Wang for the second year running.
Image: Astro Bot. Pic: Team Asobi
Image: Nicolas Doucet with his five awards for Astro Bot. Pic: PA
BAFTAs for audio achievement, game design, animation, and best family game completed the set for developers Team Asobi, who designed multiple galaxies and dozens of levels for the titular Astro to journey through, retrieving spaceship parts and rescuing lost robots.
“We’re a team based in Japan, but we have over 12 nationalities. We really mix it up and get ideas from everyone,” Nicolas Doucet, president of Team Asobi, told Sky News.
“We do a lot of jokes in the game, but the joke has a different meaning depending on where you are in the world. So it’s really, really nice to go around and ask everyone ‘is that joke fine in your country?’ And then together we come to a kind of universal playfulness.”
Image: Among the gongs for Astro Bot was the best game award. Pic: BAFTA
It’s a very different atmosphere than that generated by British psychological horror Still Wakes The Deep, which won three awards for best new intellectual property and best supporting and leading roles.
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Compared to John Carpenter’s 1980 sci-fi horror The Thing but on a Scottish oil rig, the game sees players take on the role of an electrician trapped on a damaged facility while being pursued by monsters.
Image: Still Wakes The Deep. Pic: Sumo Digital Limited
Developer The Chinese Room has been praised for using home-grown talent to voice the characters, including comedian and actress Karen Dunbar, who picked up best performer in a supporting role for voicing Finlay.
“I’ve been nominated for quite a few BAFTAs in my time in Scotland, and I’ve never won one,” said Dunbar.
“It was such a great category, so many great performances. When they shouted my name, I think I started clapping for someone else!”
Image: Still Wakes The Deep star Karen Dunbar won best performer in a supporting role. Pic: BAFTA
Meanwhile, best multiplayer game went to Helldivers II – a satirical, sci-fi shooter that sees players fight bugs, aliens and robots with the gumption and gullibility of the characters in Paul Verhoeven’s Starship Troopers.
It has gained a cult following since launching in February 2024 with so much initial interest it created server problems.
“Games for me are about connecting people and forging those bonds of friendship and the multiplayer award is exactly what it stands for,” said Johan Pilestedt, chief executive of Arrowhead Game Studios.
Image: Helldivers II. Pic: Arrowhead/Sony
From outer space to a fictional Yorkshire town called Barnsworth. Thank Goodness You’re Here! – a cartoonish, comedy platformer – won Best British Game. Like Still Wakes The Deep, it has won praise for the authenticity of its actors and setting.
“I think it’s been a real privilege to be able to represent Barnsley on the silver screen,” said Will Todd, who is from the town and one of two game designers behind the project.
Co-creator James Carbutt added: “Me and Will wrote everything in our tone of voice, quite literally. The further along development we got, the more we lent into it. I think the voices from different parts of the UK and different voices in gaming are super important, and hopefully we’re one of them.”
By the time the BAFTAs wrapped up, Senua’s Saga: Hellblade II was only handed one of the 11 BAFTAs it was nominated for, technical achievement.
Image: Senua’s Saga: Hellblade II. Pic: Ninja Theory
But developers Ninja Theory are already adding this year’s win to a tally of five BAFTAs they were awarded for the first game in the series, which created a protagonist with psychosis by drawing on clinical neuroscience and the experiences of people living with the condition.
The BAFTA Games Awards celebrate gaming excellence and creative achievement in the best games of the last year.
Hosted by comedian Phil Wang for the second year running, the biggest names in gaming gathered at London’s Queen Elizabeth Hall.
With 41 games nominated across 17 categories, here are all the winners – in bold – from the night.
Animation Astro Bot Call of Duty: Black Ops 6 LEGO Horizon Adventures Senua’s Saga: Hellblade II Thank Goodness You’re Here! Warhammer 40,000: Space Marine 2
Artistic Achievement Astro Bot Black Myth: Wukong Harold Halibut Neva Senua’s Saga: Hellblade II Still Wakes the Deep
Audio Achievement ANIMAL WELL Astro Bot Helldivers 2 Senua’s Saga: Hellblade II Star Wars Outlaws Still Wakes the Deep
Best Game Astro Bot Balatro Black Myth: Wukong Helldivers 2 The Legend of Zelda: Echoes of Wisdom Thank Goodness You’re Here!
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British Game A Highland Song LEGO Horizon Adventures Paper Trail Senua’s Saga: Hellblade II Still Wakes the Deep Thank Goodness You’re Here!
Debut Game ANIMAL WELL Balatro Pacific Drive The Plucky Squire Tales of Kenzera: ZAU Thank Goodness You’re Here!
Evolving Game Diablo IV FINAL FANTASY XIV ONLINE No Man’s Sky Sea of Thieves Vampire Survivors World of Warcraft
Family Astro Bot Cat Quest III LEGO Horizon Adventures Little Kitty, Big City The Plucky Squire Super Mario Party Jamboree
Game Beyond Entertainment Botany Manor Kind Words 2 (lofi city pop) Senua’s Saga: Hellblade II Tales of Kenzera: ZAU Tetris Forever Vampire Therapist
Game Design ANIMAL WELL Astro Bot Balatro Helldivers 2 The Legend of Zelda: Echoes of Wisdom Tactical Breach Wizards
Multiplayer Call of Duty: Black Ops 6 Helldivers 2 LEGO Horizon Adventures Super Mario Party Jamboree TEKKEN 8 Warhammer 40,000: Space Marine 2
Music Astro Bot Black Myth: Wukong FINAL FANTASY VII REBIRTH Helldivers 2 Senua’s Saga: Hellblade II Star Wars Outlaws
Narrative Black Myth: Wukong Dragon Age: The Veilguard FINAL FANTASY VII REBIRTH Metaphor: ReFantazio Senua’s Saga: Hellblade II Still Wakes the Deep
New Intellectual Property ANIMAL WELL Balatro Black Myth: Wukong Metaphor: ReFantazio Still Wakes the Deep Thank Goodness You’re Here!
Technical Achievement Astro Bot Black Myth: Wukong Call of Duty: Black Ops 6 Senua’s Saga: Hellblade II Tiny Glade Warhammer 40,000: Space Marine 2
Performer in a Leading Role Alec Newman as Cameron ‘Caz’ McLeary in Still Wakes the Deep Humberly González as Kay Vess in Star Wars Outlaws Isabella Inchbald as Indika in INDIKA Luke Roberts as James Sunderland in SILENT HILL 2 Melina Juergens as Senua in Senua’s Saga: Hellblade II Y’lan Noel as Troy Marshall in Call of Duty: Black Ops 6
Performer in a Supporting Role Abbi Greenland & Helen Goalen as The Furies in Senua’s Saga: Hellblade II Aldís Amah Hamilton as Ástríðr in Senua’s Saga: Hellblade II Jon Blyth as Big Ron in Thank Goodness You’re Here! Karen Dunbar as Finlay in Still Wakes the Deep Matt Berry as Herbert the Gardner in Thank Goodness You’re Here! Michael Abubakar as Brodie in Still Wakes the Deep
Blondie drummer Clem Burke has died at the age of 70
The band said Blurke had been diagnosed with cancer, and described his death as a “profound loss”.
He featured on all the Debbie Harry-fronted group’s studio albums since joining a year after their formation in 1975.
Blurke was with the band from their self-titled debut, through their 1978 classic Parallel Lines, to 2017’s Pollinator.
Image: Drummer Burke.
Pic: Reuters
In a statement on Blondie’s Instagram, Harry and the band’s guitarist, Chris Stein, said: “It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer.
“Clem was not just a drummer, he was the heartbeat of Blondie.
“His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.
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“Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him.
“Clem’s influence extended far beyond Blondie, a self-proclaimed ‘rock and roll survivalist’, he played and collaborated with numerous iconic artists.”
Image: Burke in his performance at Festival Estereo Picnic 2023.
Pic: AP
Burke featured on Iggy Pop’s 1982 album Zombie Birdhouse and also performed with Bob Dylan, The Ramones, The Who guitarist Pete Townshend and Joan Jett.
The statement went on to say Burke had left an “indelible mark on every project he was part of”.
It added: “We extend our deepest condolences to Clem’s family, friends, and fans around the world. His legacy will live on through the tremendous amount of music he created and the countless lives he touched.”
Burke, who performed on classic tracks such as Call Me, Heart Of Glass and One Way Or Another, made his final live appearance with Blondie last year.
Image: Blondie performing during Glastonbury Festival in 2023.
Pic: Invision/AP
Among those paying tribute to him was Kinks guitarist Dave Davies, who said: “I feel saddened that Clem Burke was taken from us so soon.
“May he rest in peace, spectacular drumming, we were friends.”
Nancy Sinatra said: “My heart is shattered. Clem became an icon as a member of Blondie, but he was also an important part of my band, the K.A.B. I was blessed to call him my friend.
“If I ever needed him, he was there. Always. Sending healing prayers and comfort to his widow, Ellen, his family, and all who loved him.”