For years through childhood and early adulthood, Raven van Dorst felt different. The response evoked in others was always ‘too’: too loud, too wild, too aggressive, too messy.
It wasn’t until a visit to a doctor, aged in their early 20s, that it all fell into place. Having struggled to fit in as a little girl, then a young woman, the medic confirmed van Dorst had been born intersex, with aspects of both male and female sex characteristics, and operated on as a baby. It was something their parents had never spoken about.
“I never felt like a girl,” they say now. “I never felt like a boy either. I didn’t know what to feel, what to think.”
The doctor’s explanation made sense of years of frustration. I got a bit of a malfunctioning in my head, but all of a sudden, a lot became clear. It was kind of a relief… At the same time, I also got very sad. I felt disconnected to my family for a while until I could find the courage and the energy to talk to them about it.”
Now aged 39, van Dorst is a rock musician and presenter, a judge on Drag Race Holland and a well known TV personality in the Netherlands. In 2021, they made the decision to change their name and go by they/ them pronouns. Later this month, their rock-metal band Dool will release third album The Shape Of Fluidity, which tackles the themes of gender and identity in today’s changing world.
While coming to terms with who they are and their past has not been easy, the singer says they want to speak out about their experiences to anyone who might be struggling.
“When I was younger, I didn’t know anything about myself. I thought I was a lesbian, and even that was hard back then. I was desperately trying to find like-minded people and thought they didn’t exist. I was lonely and misunderstood and if I had someone back then who could show me the way, I would [have been] really grateful for that.”
‘They called it normalising’
Image: Pic: Mark Nolte
Following the discovery about their birth, they were told they had been operated on to remove male sex characteristics, at the age of about nine months. “My parents didn’t know what to do with the information,” van Dorst says. “It was in ’84, there was no Google.
“They trusted the doctor, [who] said they had to pick a gender, a biological sex, and ‘adjust’ – mutilate, I feel. They called that ‘normalising’ back in the day, you ‘normalise’ an intersex child and pick a sex, basically. And that’s what they did to me. I got mutilated as a baby.
“My parents were advised never to talk about it with me and everything will be fine, we’ll give the child hormones when they’re reaching puberty, stuff like that. But of course, that didn’t work because I always felt different. And people told me I was different.”
Teachers would say not to behave like a boy. “But I’m not a girl, you know? I felt that it wasn’t me. I lived my whole youth like that.”
Last week, the United Nations Human Rights Council voted to adopt a resolution designed to protect the rights of intersex people, the first initiative of its kind and described as a landmark moment by campaigners.
Intersex is a general term for variation within a person’s sex traits, including genitals or internal sex organs, hormones or chromosomes, and the UN estimates that up to 1.7% of babies are born with some form of intersex characteristics.
Many intersex adults exposed to such surgery as children can suffer significant physical and mental suffering, the UN says, including as a result of extensive and painful scarring. Like van Dorst, many also feel they have been forced into sex and gender categories that do not fit.
For van Dorst, it was changing their name and pronouns that made them feel truly liberated. “I felt like I was living the lie the doctors forced me in. They put me in this female straitjacket from which I have been trying to get out of… It took me another couple of years to realise that if I’m not changing my name or changing my pronouns, nothing’s going to change.”
Van Dorst changed details on their passport and on the birth papers that claimed they were born a girl. “Reclaiming my birthright, basically. They tried to erase me from f****** history, erase my nature from history. It’s not right.”
‘It’s okay to be non-conforming’
Image: Dool will play in the UK later this year. Pic: David Fitt
The name Dool is derived from the Dutch word for wandering, and the singer says the upcoming album is about broader themes of identity, personal to all the bandmates. But their story is inevitably intertwined. The song Venus In Flames deals with “shaking off societal expectations, obliterating gender roles”, while Hermagorgon features “gorgon”, the Greek word for female monsters.
“I feel that those doctors, when I was born and they were standing at my cradle, they saw a little monster. They saw a monster, and they tried to fix it. I’m singing, you can’t fix me. I’d rather be your f****** monster than live the lie you’ve made for me.”
Van Dorst says they sought solace in music to escape bullying in childhood, “for being too boyish, too ugly”, and recalls hearing Nirvana for the first time.
“When I was younger, I would dress up like Kurt Cobain, tear up my trousers, dye my hair green and have a mohawk or whatever. I discovered very soon that if you do that on the streets, people make fun of you. But if you go on stage, people think you’re cool. A freak on the streets, but a hero on the stage.”
As the debate around transgender rights continues, The Shape Of Fluidity aims to show how identity can change, with artwork featuring a flag made out of ice.
Image: The cover of The Shape Of Fluidity features a flag made of icy water
“It feels that ever since COVID, the world is going a little bit mad,” says van Dorst. “Polarisation is a really big issue, misinformation is a really big issue, you don’t know what you can believe. Everything that comes through your phone… it’s so much, more than a human brain can handle, in a way.
“This is something we try to address on the album. On the cover, you see a flag, a symbol of identity. You have the UK flag, you can say, this is my country, or there’s a rainbow flag – this is my community – or the flag of your favourite football club. It appeals to a certain part of your identity. And this flag of ours is a changing element, it can evaporate, it can freeze, it can fall from the sky.
“That is exactly what we as a band try to express: it’s okay to be non-conforming and to change and to shape yourself. You don’t have to be a finished and polished person all the time. You can have doubts… I hope it appeals to soul-searching people like us.”
The new measures aim tackle harm caused by hatred and prejudice, extending protections from abusive behaviour to people on grounds including age, disability, religion, sexual orientation and transgender identity. Critics such as Rowling claim the legislation could stifle free speech – and fails to extend these protections to women. The author has been widely condemned in recent years for her views on transgender rights.
Van Dorst says they believe in free speech and understand some of Rowling’s points, but that her arguments are “dangerous”.
“I think people can say whatever the f*** they want, but they should expect a reply, too. She’s acting as if she’s being silenced but no one is silencing her.
“I really do get her points. She wants to protect female rights and they always have been under fire. But she must understand what the LGBT and trans community is going through. I mean, women have been going through that for centuries as well. She should be an ally, in my opinion, not an enemy.
“There should also be space for others, just like there’s now more space for women than there’s been in the centuries before. It’s dangerous and it’s kind of hateful.”
For Dool, van Dorst hopes the music can offer comfort, support, a friend, even, to anyone struggling.
“It’s been a long process, a hard process, I’m not going to lie. I don’t feel like a victim or anything, but it hasn’t been easy.
“Ever since I came out, I’ve had so much response from kids and parents and people in general fighting with gender issues. Struggling with a lot of stuff, and they say [things like], ‘Your story helped me so much because now I can talk to my grandmother, who really likes you on television and thinks you’re really funny. Now I can say, grandma, I kind of feel like Raven does’.
“I never aimed for that. I just basically wanted to rid myself of the straitjacket I was put in. But at the same time, accidentally, it helped a lot of people. Now I understand that it’s important to speak a little louder about this – especially with all the violent voices that are arising all around us at the moment.”
The Shape Of Fluidity is released on 19 April and Dool will perform at Damnation Festival in Manchester in November
Ozzy Osbourne has reunited with Black Sabbath and performed his final gig – telling fans “you’ve no idea how I feel – thank you from the bottom of my heart”, in an emotional but truly metal goodbye.
Announced earlier this year, Back To The Beginning at Villa Park stadium was billed as the “final bow” for the man revered as a founder of heavy metal after several years of health problems, including Parkinson’s disease.
Rising up on a black throne featuring jewelled skulls, the 76-year-old performed a solo set before being joined by his original bandmates – Terence “Geezer” Butler, Tony Iommi and Bill Ward – for Black Sabbath’s first performance in 20 years.
“Let the madness begin,” Osbourne cried as he appeared for the first time, telling about 40,000 fans: “It’s so good to be on this stage.”
Image: Ozzy smiles and waves his arms. Pic: Ross Halfin
Image: Ozzy Osbourne sings while sitting on a black throne
With the crowd chanting his name, he performed both sets sitting down, but the voice and the crazed glint in his eyes were there almost throughout.
Singing fan favourites including Mr Crowley and Crazy Train, and Iron Man and Paranoid with Black Sabbath, Osbourne conducted the crowd to sing “louder, louder”, and “go f****** crazy”.
This was an orchestrated exit by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries – from Slayer and Halestorm to Metallica and Guns ‘n’ Roses, plus stars including Steven Tyler, Ronnie Wood, Yungblud, Travis Barker and Chad Smith, who showed up for “supergroup” performances.
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Many said they would not be the musicians they are without Osbourne and Black Sabbath.
Image: Ronnie Wood was among the hard rock luminaries in the line-up. Pic: Ross Halfin
Image: Stars at the concert included Steven Tyler. Pic: Ross Halfin
“You know, there’s not another guy as respected in metal as Ozzy Osbourne,” former Van Halen singer Sammy Hagar told Sky News just ahead of his performance. “And for him to be sick and to be saying, I’m out, I’m done. Man. There’s no one else that can replace that.”
“Without Sabbath, there would be no Metallica,” said frontman James Hetfield during their performance.
“We’re not here to say goodbye,” said Anthrax’s Scott Ian. “We’re just here to say thank you.”
Throughout the day, giant Ozzy and Black Sabbath beach balls, in the Aston Villa claret and blue, were bounced around a jubilant crowd.
Tributes from other celebrity friends and fans, from Billy Idol and Ricky Gervais to Dolly Parton and Sir Elton John, were played on screen.
Image: Metallica frontman James Hetfield during the show. Pic: Ross Halfin
Image: Yungblud also performed. Pic: Kazuyo Horie
Hollywood actor Jason Momoa, who hosted the event, told the crowd heavy metal had been a “safehaven” for many growing up, and Black Sabbath’s music had “influenced and inspired musicians” of all eras and genres.
The farewell show was the idea of Osbourne’s wife, Sharon – one final gig to finish his performing career on a high – after he was forced to cancel shows he had planned in 2023, telling fans he “never imagined” his touring days would end that way.
Sharon Osbourne told Sky News earlier this year that his one regret was not being able to say a thank you to his fans, and so the idea for the reunion gig was born.
Profits from the show will be shared between Cure Parkinson’s, Birmingham Children’s Hospital, and Acorn’s Children’s Hospice.
Image: Confetti rained down on fans during the show
The gig came after the Black Sabbath band members were awarded the freedom of Birmingham earlier in June, recognised for their significance to the cultural and musical identity of the city they grew up in.
The group formed in 1968 and went on to become one of the most successful metal bands of all time, selling more than 75 million albums worldwide over the years.
They were inducted into the Rock & Roll Hall of Fame in 2006 – Osbourne again later as a solo artist last year – and awarded a lifetime Ivor Novello songwriting award in 2015. In 2019, they were presented with a Grammy lifetime achievement prize.
Image: Back To The Beginning’s all star line-up. Pic: Ross Halfin
Now, their first performance in 20 years will also be their last – one for the metal history books.
The show ended with fireworks and a roar from the crowd, who had chanted Ozzy’s name throughout.
For fans, Back To The Beginning capped it all – the ultimate rock and metal line-up, and one last opportunity to show their love for the Prince of Darkness.
“I feel lucky to be able to attend this,” said Calum Kennedy, 19, from Dunfermline. “It’s the biggest metal show known to man, [the biggest line-up] ever. I’ve never seen anything better.”
Image: Ozzy wore a shiny black jacket and a gold armband bearing his name. Pic: Ross Halfin
Ben Sutton, 24, from Chester, added: “I feel like it’s important – we’re of the younger generation – for us to see some of the heritage and history of the genre we love, metal in general. It’s such an honour to say goodbye to him.”
Steve Townson, from Lincolnshire, said: “I saw him the first time round and the fact that he’s still going is incredible, isn’t it? I was there at the start, I’m happy to be here at the end.”
Oasis have reunited on stage for the first time in almost 16 years – with brothers Liam and Noel Gallagher sharing a high five and the briefest of hugs as they closed a performance that for fans was more than worth the wait.
After the split in 2009, for many years Noel said he would never go back – and for a long time, as the brothers exchanged insults through separate interviews (and on social media, for Liam), it seemed pretty unlikely to ever happen.
But now, here they are. As they walked out on stage at Cardiff’s Principality Stadium, all eyes were on the Gallaghers for a sense of their relationship – dare we say it, friendship? – now after all these years.
There was no reference to their fall-out or making up, but the gestures were there – lifting hands together as they walked out for the first time.
Image: The headline “OASIS REUNITED” was shown on stage at the gig. Pic: PA
Image: Fans at the Oasis gig. Pic: PA
Headlines and tweets of speculation and then confirmation of the reunion filled the screens as the show started. “This is happening,” said one, repeatedly.
In the end, it was all about the music.
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Liam has received criticism in the past for his voice not being what it once was, but back on stage with his brother tonight he delivered exactly what fans would have hoped for – a raw, steely-eyed performance, snarling vocals, and the swagger that makes him arguably the greatest frontman of his day.
This was Oasis sounding almost as good as they ever have.
Image: Fans sang along and held up their phones to film as Oasis performed. Pic: PA
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2:56
Oasis: ‘It’s good to be back’
They opened with Hello, because of course, “it’s good to be back”. And then Acquiesce, and those lyrics: “Because we need each other/ We believe in one another.”
The song is said to be about friendship in the wider sense, rather than their brotherly bond and sibling rivalry, but you can’t help but feel like it means something here.
Over two hours, they played favourite after favourite – including Morning Glory, Some Might Say, Cigarettes & Alcohol, Supersonic and Roll With It.
Image: Liam Gallagher as Oasis takes to the stage in Cardiff. Pic: PA
In the mid-section, Liam takes his break for Noel to sing Talk Tonight, Half The World Away and Little By Little; the tempo slows but there is by no means a lull, with the fans singing all his words back to him.
Liam returns for hits including Stand By Me, Slide Away, Whatever and Live Forever, before sending the crowd wild (or even wilder) with Rock And Roll Star.
Image: Noel Gallagher performing on stage. Pic: PA
Image: An Oasis fan is pointing at the stage during the gig. Pic: PA
When the reunion announcement was made last summer, it quickly became overshadowed by the controversy of dynamic pricing causing prices to rocket. As he has done on X before, Liam addressed the issue on stage with a joke.
“Was it worth the £4,000 you paid for the ticket?” he shouted at one point. “Yeah,” the crowd shouts back; seemingly all is forgiven.
After Rock And Roll Star, the dream that very quickly became a reality for this band, Noel introduced the rest of the group, calling Bonehead a “legend”.
Image: Paul ‘Bonehead’ Arthurs of Oasis. Pic: PA
Image: Liam Gallagher carried a tambourine in his mouth during the concert. Pic: PA
Then he acknowledges all their young fans, some who maybe weren’t even born when they split. “This one is for all the people in their 20s who’ve never seen us before, who’ve kept this shit going,” he says before the encore starts with The Masterplan.
Noel follows with Don’t Look Back In Anger, and the screens fill with Manchester bees in reference to the arena bombing and how the song became the sound of hope and defiance for the city afterwards.
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1:31
‘I’d have paid £10,000 to see them’
Image: Two fans sat on their friends’ shoulders as Oasis performed. Pic: PA
During Wonderwall, there’s a nice touch as Liam sings to the crowd: “There are many things I would like to say to you, but I don’t speak Welsh.”
It is at the end of Champagne Supernova, which closes the set, that it happens; Noel puts down his guitar, and they come together for a high-five and a back-slap, a blink-and-you’d miss it hug.
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“Right then, beautiful people, this is it,” Liam had told the crowd as he introduced the song just a few minutes earlier. “Nice one for putting up with us over the years.”
From the roar of the audience, it’s safe to say most people here would agree it’s been worth it.
Oasis are set to kick off their reunion tour in Cardiff this weekend, with thousands expected to descend on the Welsh capital.
The 41-date Oasis Live 25 tour begins in the city on Friday and Saturday, amid warnings for people to plan ahead before they travel.
The Gallagher brothers’ last performance together was in 2009, and the tour sold out within hours of its announcement last August, with fans eager to catch a glimpse of the reunion.
But where is the tour heading – and why was Cardiff chosen as the city where the brothers will perform for the first time together in almost 16 years?
Principality Stadium, Cardiff, Wales – Friday 4 July
Principality Stadium, Cardiff, Wales – Saturday 5 July
Heaton Park, Manchester, England – Friday 11 July
Heaton Park, Manchester, England – Saturday 12 July
Heaton Park, Manchester, England – Wednesday 16 July
Heaton Park, Manchester, England – Saturday 19 July
Heaton Park, Manchester, England – Sunday 20 July
Wembley Stadium, London, England – Friday 25 July
Wembley Stadium, London, England – Saturday 26 July
Wembley Stadium, London, England – Wednesday 30 July
Wembley Stadium, London, England – Saturday 2 August
Wembley Stadium, London, England – Sunday 3 August
Scottish Gas Murrayfield Stadium, Edinburgh, Scotland – Friday 8 August
Scottish Gas Murrayfield Stadium, Edinburgh, Scotland – Saturday 9 August
Scottish Gas Murrayfield Stadium, Edinburgh, Scotland – Tuesday 12 August
Croke Park, Dublin, Ireland – Saturday 16 August
Croke Park, Dublin, Ireland – Sunday 17 August
Toronto, Canada – Sunday 24 August
Toronto, Canada – Monday 25 August
Chicago, USA – Thursday 28 August
East Rutherford, USA – Sunday 31 August
East Rutherford, USA – Monday 1 September
Los Angeles, USA – Saturday 6 September
Los Angeles, USA – Sunday 7 September
Mexico City, Mexico – Friday 12 September
Mexico City, Mexico – Saturday 13 September
Wembley Stadium, London, England – Saturday 27 September
Wembley Stadium, London, England – Sunday 28 September
Seoul, South Korea – Tuesday 21 October
Tokyo, Japan – Saturday 25 October
Tokyo, Japan – Sunday 26 October
Melbourne, Australia – Friday 31 October
Melbourne, Australia – Saturday 1 November
Melbourne, Australia – Tuesday 4 November
Sydney, Australia – Friday 7 November
Sydney, Australia – Saturday 8 November
Buenos Aires, Argentina – Saturday 15 November
Buenos Aires, Argentina – Sunday 16 November
Santiago, Chile – Wednesday 19 November
São Paulo, Brazil – Saturday 22 November
São Paulo, Brazil – Sunday 23 November
Image: Principality Stadium, Cardiff. Pic: PA
Why was Cardiff picked as the first stop?
Asked on X in May why Cardiff was chosen as the location for the opening leg, Liam Gallagher said “because Cardiff is the bollox”.
Principality Stadium is a 74,500-seat venue, known as the home of Welsh rugby, which played host to Bruce Springsteen and Taylor Swift concerts last year.
Businesses in the area are hoping the arrival of Oasis will bring an influx of trade to the city.
Gary Corp, manager of the City Arms, told Sky News that he was expecting the concert would “treble if not quadruple the footfall on the street”.
Meanwhile, Ethan John, events manager at Tiny Rebel, said Oasis choosing Cardiff to kick off their tour was “surreal” and that previous events such as Taylor Swift’s Eras Tour had a “massive impact” on footfall.
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Train operators say trains will be busy and people should allow plenty of time for their journey home.
Georgie Wills, from Transport for Wales, said the company was “thrilled to welcome thousands to Cardiff this summer”.
“Look out for our queuing systems and travel tips – and let’s make it a safe and smooth experience for everyone,” she added.
Cardiff Council has confirmed that roads around the stadium will close from 12pm until 12am on both Friday and Saturday.
The road closures come into force three hours earlier than is planned for upcoming Stereophonics, Kendrick Lamar and Catfish and the Bottlemen concerts later this summer.
The Cardiff Bus Interchange will close at 3pm and Cardiff Queen Street railway station will close at 10pm (apart from accessible travel or journeys to Cardiff Bay).
Image: Liam Gallagher (left) and Noel Gallagher (right). Pic: PA
What time does the show start and who are the support acts?
Principality Stadium’s doors open at 5pm on both Friday and Saturday.
The band will be supported by indie rock band Cast and Richard Ashcroft (who formed alternative rock band the Verve) in Cardiff, Manchester, London, Edinburgh and Dublin.
Cast start their Cardiff set at 6pm, followed by Richard Ashcroft at 7pm.
Oasis will take to the stage at 8.15pm, and should finish by 10.30pm.
American rock band Cage the Elephant will support Oasis in Canada, Mexico and at the Chicago gig.
They will be joined again by Cast for the East Rutherford and Pasadena dates.
Australian indie rock band Ball Park Music will support in Australia.
Are tickets still available for the shows?
The tour is sold out, but the band has said it is possible some additional tickets may be released.
In an Instagram post on 25 June, the band advised members of Oasismynet to “keep an eye” on their inbox.
The final releases would come “over the coming days” once production was “fine tuned”, the band said.