Taylor Swift is one of the world’s best-selling artists, a billionaire, and a record breaker. And she’s just 34.
With her 11th studio album – The Tortured Poets Department – out today (her follow up to 2022’s Grammy winning Midnights) the buzz around the singeris at fever pitch.
With a history of writing about her exes (you know who you are, Joe Jonas, Harry Styles, Jake Gyllenhaal and John Mayer), there’s much interest over whether any songs will refer to her English ex-boyfriend, actor Joe Alwyn who she dated for six years until their split last year.
There’s a strong suggestion track number five (the slot she always gives to her most meaningful songs) – So Long London – may do just that.
And the very title of album may be referring to a WhatsApp group Alwyn previously set up with fellow actors Andrew Scott and Paul Mescal, called The Tortured Man Club.
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Speaking about it in 2022, the actors joked that they’d not been using it much since becoming less tortured. Four months later news of Swift and Alwyn’s split emerged.
Meanwhile, in current boyfriend news, Swift’s latest beau – Travis Kelce – says he’s had a listen to parts of the album and says it’s “unbelievable”.
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The US star’s rise from teen country pop singer to all-round global phenomenon has been – well – swift.
We take a look at the unstoppable rise and rise of Taylor Swift.
Image: Swift with boyfriend Travis Kelce in February. Pic: Reuters
Moving forward while reclaiming her past
She started out Taylor Alison Swift, born in Pennsylvania and named after singer-songwriter James Taylor.
Inspired to become a country singer after watching a documentary about Faith Hill (one of the genre’s best-selling stars), her parents upped sticks to move to Tennessee in 1993 to help her forge her music career, and Swift landed her first record deal aged just 13.
A musical chameleon, she’s switched up her genre a few times since then, moving from country to pop to alternative and folk.
And as well as moving forward artistically, she’s quite literally reclaimed her past too, re-recording her back catalogue since 2021 as a way to regain ownership of her music following a spat with talent manager Scooter Braun, who bought her former label Big Machine Records.
Image: The MTV VMAs moment in 2009 when Kanye stormed the stage. Pic. Reuters
Earlier this year, Swift made Grammy history when she became the first person to win album of the year four times with Midnights.
She’s come a long way since Kanye West infamously stormed the stage at the 2009 VMAs as Swift accepted her award for best video by a female artist, a stunt he later claimed in a lyric “made that b**** famous“.
Her fame has been on the rise ever since – reaching peak Swift over the last few years.
Image: Taylor in 2006, when she was seen as the sweet girl of country music. Pic: Reuters
Billionaire status
Swift is a billionaire, according to Forbes magazine, accumulating $1.1bn (£875m), based on earnings from her Eras Tour and the worth of her pop music catalogue.
It makes her the first musician to hit 10-figure status solely based on her songs and performances.
Following the start of her Eras Tour, kicking off in March 2023, she became the first artist to surpass $1bn (£800m) in revenue, breaking the Guinness World Record for the highest-grossing music tour.
Plus, she was the biggest-selling global recording artist of 2023, breaking another record by topping the International Federation of the Phonographic Industry’s (IFPI) global artist chart for a fourth time.
Image: Swift making Grammy history. Pic: Reuters
In 2023 Swift was ranked as Spotify’s most popular artist, and she became the first female artist to have four albums on Billboard’s top 10 list concurrently.
Her Eras Tour – which started out with 53 shows played across the US before expanding to include 78 international dates – has sold out stadiums around the world, with an estimated $900m in ticket sales last year, according to Billboard.
It’s projected to become the highest-grossing tour in history by the end of this year, forecast to push Elton John’s Farewell Yellow Brick Road tour into second place.
Plus, the Swift magic touch has boosted the local economies her tour has passed through.
Image: Fans at the Tokyo Dome, for the Eras Tour. Pic:AP
Economic angel with the power to shake cities
Her seven sold-out concerts in Sydney and Melbourne in Australia in February were credited by the Australian Bureau of Statistics with increasing spending on clothing, merchandise, accessories and dining out across the month.
Six nights near Los Angeles added $320m (£257m) and 3,300 jobs to the area, according to the California Center for Jobs and the Economy.
And not content with ruling the music world or mending the economy, she has conquered the silver screen too, with a movie version of her concert tour taking over $250m (£200m) in ticket sales.
The movie generated the highest ticket sales at the UK and Ireland box office on its opening day, according to Vue International.
And did I mention, she can also cause minor natural disasters?
In July 2023, a Swift concert in Seattle was pointed to for setting off a nearby seismometer, registering the equivalent of a magnitude 2.3 earthquake.
Image: A fan’s Taylor Swift T-shirt at a sing-a-long event in Singapore. Pic: Reuters
She’s across politics and sport too – and fellow celebs love her
While never telling her fans who to vote for, Swift has encouraged voter registration, with Vote.org reporting 35,000 signups after Swift urged her 282 million followers on Instagram to vote in Super Tuesday primary contests across the US in March.
And putting the super into Super Bowl, her high-profile relationship with Kansas City Chiefs star Travis Kelce has been credited with bringing more viewers to American Football. Indeed, sales of Kelce jerseys jumping 400% in one day, according to online seller Fanatics.
While she never went to college herself, numerous US colleges offer courses on her, including Harvard, Stanford and Bentley, while a university in Belgium offers a Swift-inspired literary class. Avoiding the hassle of years of study, in 2022 she received an honorary doctor of fine arts degree from New York University.
And earlier this year the Victoria And Albert Museum recruited for a Taylor Swift superfan adviserto help develop future Swift-themed programming.
Image: Teenagers trade friendship bracelets at an Eras Tour concert movie in Mexico City. Pic: Reuters
Known for her dedication to her fans – inspiring friendship bracelets, handmade signs, and all sorts of memorabilia – she has a legion of celebrity fans too including Jennifer Lopez, Julia Roberts and Adam Sandler.
This summer she will play 15 UK shows as part of her Eras Tour, kicking off on 7 June in Edinburgh before coming to London on 21 June. Her extended London run will conclude at Wembley Stadium on 20 August.
Culture lovers have long believed in the healing power art. Now, science has caught up, with new research showing it has measurable benefits on the body.
A study from King’s College London has found that looking at original artworks, in a gallery, doesn’t just lift us emotionally – it also has a positive impact on our physical health.
Fifty people aged between 18 and 40 were shown art by a selection of leading 19th-century artists: Toulouse-Lautrec, Manet, van Gogh and Gauguin.
Image: Henri de Toulouse-Lautrec (1864 – 1901), Jane Avril in the Entrance to the Moulin Rouge (c. 1892)
Image: Édouard Manet (1832 – 1883), Banks of the Seine at Argenteuil (1874)
Image: Édouard Manet (1832 – 1883), A Bar at the Folies-Bergere (1882)
Image: Vincent van Gogh (1853 – 1890), Self-Portrait with Bandaged Ear (1889)
Image: Paul Gauguin (1848 – 1903), Te Rerioa (The Dream) (1897)
Participants viewed five paintings for three minutes each, in a 20-minute session.
But while half viewed the original paintings in the Courtauld Gallery in London, the others looked at reproductions in a neutral setting.
Their heart rates and skin temperature were measured with research-grade digital watches to indicate levels of interest and arousal, and saliva samples were taken with swabs before and after the session to measure stress hormones.
The results in those looking at the results in the gallery were significant, and immediate: The stress hormone cortisol fell by 22% and inflammatory markers linked to health problems including heart disease, diabetes and depression were reduced by as much as 30%.
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No change was observed in the reproduction group.
Image: Dr Tony Woods, researcher at King’s College London
Dr Tony Woods of King’s College London, who was the study’s lead researcher, told Sky News: “The magnitude of the difference between being in here and looking at the real art, looking at the copies in the laboratory, the difference between the two participant groups was quite enormous.”
It’s good news for the NHS, which is increasing its use of social prescribing, which can include visits to galleries.
Dr Woods went on: “The government’s health strategy is all about prevention. And this is a gift to [Health Secretary] Wes Streeting. Art is very well worth investing in because of the return on investment – it will keep people out of hospitals.”
Over one and a half million people in the UK accessed social prescribing between September and August this year across the UK, and NHS England told Sky News their ambition is to make it available to every person in England.
Dr Woods says the next steps of the study will be to find out how long the positive effects last, and research further into the effects of art on older participants.
Russell Tovey, actor, art lover and co-host of Talk Art, chatted to Sky News about his favourite piece at the gallery – van Gogh’s Self-Portrait with Bandaged Ear (1889).
Image: Talk Art podcast hosts Russell Tovey and Robert Diament
Tovey jokes: “Look at this painting here. It’s quite a troublesome picture, especially for me with my ears…
“But you can look at the surface and the way that he makes brushstrokes and the scale of the things and the colour he used. And you think about his life at the time and where he was living, and all those questions and answers will reveal the painting.”
Tovey adds: “Art is intrinsic to humanity,” and “shows us who we are”.
And now with the new findings, the hope is that gallery visits will be considered just as good as your ‘five-a-day’.
Tovey goes on: “It’s good for your health, it’s beneficial to your mental health and to your wellbeing to be in a museum and to be around art…
“If you eat well, go to the gym and go to a regular art gallery visit, then your health will be through the roof.”
Tovey’s podcast co-host, gallery owner Robert Diament, agrees: “I think it’s really important just to slow down a bit. Going to a museum or gallery can be part of your self-care routine… It will improve your life.”
Amid rising costs, reduced funding and dwindling visitor numbers, the findings could also provide a boost to galleries.
Jenny Waldman, Art Fund director, told Sky News: “These museums and galleries were set up in all cities and towns by people, you know, hundreds of years ago, who felt that it was good for people. So, this is the evidence, finally, that they were right.”
Image: Jenny Waldman, Art Fund director
The national charity for museums and galleries, Art Fund champions art around the country, with initiatives including the National Art Pass which offers free or discounted entry to hundreds of museums, galleries and historic places around the UK.
So, what do gallery visitors think of the news that their time looking at art will positively impact their wellbeing?
Charlie, 10, from London said: “It makes me feel quite calm, and it draws me in.”
His dad Patrick, who had brought Charlie with his two young brothers to see the exhibition, added: “Looking at them on screens, or even in books, you just don’t get the full impression.”
Taeseok, an arts student from Amsterdam visiting the UK for the first time, said it felt good to stand and focus on just one thing, with no distractions. He summed it up: “Things around you start to not matter at all… It’s just you and the artwork.”
Re-framed as a course of treatment instead of an indulgent pastime, could the hard edge of science change the role galleries play in society?
If so, it could be a fitting reminder to the government of the true power of art, at a time when so many institutions are struggling to survive.
Thieves have stolen more than 1,000 items from a museum’s collection in California, including jewellery, carvings and Native American artefacts.
The burglary took place at an off-site storage facility holding items for the Oakland Museum of California (OMCA) on 15 October.
Image: A neckpiece by Florence Resnikoff was also taken. Pic: Leopold Macaya/Oakland Museum of California/AP
The museum’s director said on Thursday details about the incident were being made public because the items might show up at flea markets, pawn shops and antique stores.
“The theft that occurred represents a brazen act that robs the public of our state’s cultural heritage,” said Lori Fogarty.
“They’re not just a loss to the museum. They’re a loss to the public, to our community and we’re hoping our community can help us bring them home.”
She also said she believed it was an opportunistic crime, rather than a targeted raid.
“We think the thieves found a way to enter the building, and they grabbed what they could easily find and snatch and get out of the building with,” she said.
Image: Oakland Museum of California. Pic: Leopold Macaya/Oakland Museum of California/AP
A metal neckpiece by the late artist Florence Resnikoff, scrimshaw walrus tusks and Native American baskets were taken, with the thieves also making off with historic memorabilia like pins and sporting items.
Experts believe some items may have already been sold.
John Romero, a retired police captain, told the Los Angeles Times he expects detectives are looking at resale platforms such as Craigslist and Ebay, as well as networks specialising in historic or collectable goods.
“These people are interested in fast cash, not the full appraisal value,” he said. “They need to get rid of it quickly.”
Oakland Police Department is working with a specialist art crime unit of the FBI to track down the items.
They were one of the main staples of noughties music in the UK and Ireland and to celebrate 25 years of touring, Westlife have returned to the spotlight again.
The boy band has released a new song called Chariot, with an album following suit in February and a tour that will take them around the world next year.
“The Westlife story is fairy tale stuff and we’re very lucky and proud to be part of it”, Shane Filan tells Sky News at the Royal Albert Hall, where they have just performed for two nights.
“It took our breath away. We came out to the Royal Albert Hall thinking it might be a little bit more intimate than a big arena and just the sheer noise, the sheer screams from the women and everyone just having good fun.
“The support and love, we never felt it like we did in the room. It was amazing.”
Image: Westlife started their 25th anniversary celebrations with two sold-out shows at the Royal Albert Hall in London
Formed by their manager Louis Walsh in the late 1990s, the group originally consisted of Filan, Mark Feehily, Brian McFadden, Nicky Byrne and Kian Egan.
McFadden left the group in 2004 to pursue a solo career, but the other four have remained together.
Due to health issues, Feehily can’t join the celebrations, but representatives say he is still very much part of the band and features on their new music and upcoming album.
Image: Westlife were blown away by the ‘sheer noise’ of screaming fans at the Royal Albert Hall. Pic: Sony Music
Image: Pic: Sony Music
History-making chart successes
Westlife are joint third with Sir Cliff Richard and Ed Sheeran for the most UK number one singles in history, just behind Elvis and The Beatles.
In their first 18 months, they secured seven of those top spots thanks to songs like Flying Without Wings, I Have A Dream and If I Let You Go.
Reflecting on the years gone by, Byrne says the nostalgia hits harder than ever.
“You see the generations coming to the shows, people letting their hair down, people remembering the songs from their first kiss, the first dance, all those special things that music does,” he says.
“Not even just for the fans – we’re having the time of our lives.
“We’re singing these songs up there… I remember breaking the wardrobe door when we were promoting Swear It Again, and now we’re singing it in front of the Royal Albert Hall and look, I mean, just look at this place.”
Image: (L-R) Kian Egan, Nicky Bryne and Shane Filan say they are having ‘the time of their lives’ performing together again
Famous fans and furniture
For Byrne, finding out about fans of their music never gets old, and their song Flying Without Wings seems to be a key component of their stature in music.
“I did Soccer Aid with Tom Grennan recently, and he was talking all about how he grew up listening to Westlife – his dad is Irish. Big Zuu, who scored the winning goal, he was like, ‘Flying Without Wings, man, is the best song I’ve ever heard’.”
It’s the same song Sheeran first learned to play guitar on, and years later, he began writing songs for the group, including their latest single Chariot.
Oddly, it’s their choice in furniture that receives just as much attention as their music over the years, with four stools becoming synonymous with the group.
Stemming from their lack of dancing skills, according to Simon Cowell at least, they chose to change it up and simply rise from their chair on the key change of the song.
“We are stool connoisseurs. It’s become a very strange thing and it’s nearly as big as our music. It’s genuinely as big as You Raise Me Up,” Filan laughs.
Image: Filan (R) jokes that the band have become ‘stool connoisseurs’
Keeping their kids grounded
As the band continued to release music, each member settled down and had families of their own. Now their children are around the same age they were when they first started as a group.
Egan says they all made a conscious decision to raise the next generation away from the spotlight.
“We don’t want our kids growing up in this world and at the end of the day they are privileged, so it’s really important for us to keep them grounded and to try and give them as much of a natural kind of upbringing as they possibly can, and I think that’s why we choose to bring them up in the same places that we grew up,” he adds.
Byrne chimes in jokingly: “Slightly bigger houses, though!”
It was this tour that caused Byrne’s children to realise the extent of their father’s fame.
“I have twin boys who are 18 and a half, and the middle girl is 12. So last week, when the tour went on sale in Ireland, and we went from five nights in the 3Arena to 13, and from Belfast it went from three right up to seven, and the boys are looking at me, going, ‘You’re doing 13 nights in the 3Arena’.
“And it is even me looking at them going, ‘Yeah, right’. It hits you, it hits you there in a way, to be honest with you. I got a little bit cooler then.”
Running from September 2026, Westlife 25 – The Anniversary World Tour, will kick off in Dublin for 13 shows before heading to Aberdeen, Glasgow, Newcastle, Leeds, Sheffield, London, Brighton, Bournemouth, Birmingham, Cardiff, Manchester and then Belfast for seven nights.
Gigs in Paris, Hamburg, Copenhagen, Stockholm, Amsterdam, Antwerp, Cologne and Zurich will follow.
Tickets for Westlife’s UK tour dates go on sale this Friday.