As the title suggests, The Tortured Poets Department is a break-up album, and one that doesn’t disappoint in deconstructing Taylor Swift’s failed relationships and old boyfriends gone bad.
We hear about a chain-smoking man who tells jokes that are “revolting and far too loud” in I Can Fix Him (No Really I Can); a “coward” who pretends to be a “lion” in loml; and we learn about a ghosted Swift in I Can Do It With A Broken Heart, as she sings “I’m so obsessed with him but he avoids me like the plague”.
We’ve all been there, and that’s the trick to Swift‘s wide appeal.
Image: Pic: Beth Garrabrant
The not-so-subtly titled The Smallest Man Who Ever Lived paints a picture of a drug-taking partner who: “In public, showed me off, then sank in stoned oblivion,” tried to “buy some pills from a friend of friends” and “didn’t measure up in any measure of a man”.
Amid dealing with these waste-of-space men, we learn about a Swift – who contrary to her sparkling and strong public persona – is “depressed,” “crying at the gym,” eating “kid’s cereal,” “unstable… on my knees” and very much the owner of a “broken heart”.
Of course, not all of her songs are purely confessional – she also adopts different personas (for example in But Daddy I Love Him which shares the basic storyline of Madonna’s Papa Don’t Preach), but in each track, we firmly return to Swift and parallels in her much-publicly dissected ‘private’ life.
With a history of writing about her exes (past examples include Joe Jonas, Harry Styles, Jake Gyllenhaal and John Mayer), Swift hasn’t disappointed with seeming allusions to former British boyfriends Joe Alwyn and Matty Healy, plus throws forward to current beau NFL star Travis Kelce.
More on Taylor Swift
Related Topics:
So Long, London – positioned fifth in the tracklist, a spot Swift reserves for her most meaningful songs – is a choral ballad and seems to be about the end of her six-year relationship with The Favourite star Alwyn.
Her lyric – “I left all I knew, you left me at the house by the Heath” – references Hampstead Heath in north London where she lived with the star in the early 2020s.
Advertisement
As much a break-up song with the city as the man, she tells us “I’m just mad as hell cause I loved this place”.
In this song, we also get one of many references to marriage across the album – a theme which might be at the forefront of Swift’s mind?
Image: Pic: Beth Garrabrant
Wedding bells and babies
So Long, London’s emotional lyric – “You swore that you loved me but where were the clues, I died on the altar waiting for the proof” – rings out loud and clear.
The song that gave the album its title – The Tortured Poets Department – describes a moment that paints a vivid picture: “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on, and that’s the closest I’ve come to my heart exploding.”
In loml (an acronym which stands for Love Of My Life) she sings: “You and I go from one kiss to gettin married… you told me I’m the love of your life.”
In But Daddy I Love Him – a ballad with country tones – she sings: “No, you can’t come to the wedding.”
And in imgonnagetyouback she says: “Whether I’m gonna be your wife or gonna smash up your bike, I haven’t decided yet.”
There’s even a reference to future family in The Manuscript – the final song on the album – with the lyric: “He said that if the sex was half as good as the conversation was, soon they’d be pushing strollers. But soon it was over.”
In Florida!!! (featuring Florence + The Machine) the topic of children comes up again, with Swift escaping to the Everglades, running from friends who “all smell like weed or little babies”.
Image: Swift and Travis Kelce in February. Pic: AP
Loves old and new
The 1975 singer Healy, who Swift is rumoured to have briefly dated following her split from Alwyn, appears to be alluded to in Fortnight – a song featuring Post Malone which will be the first single from the album.
She sings: “I touched you for only a fortnight… I love you, it’s ruining my life.”
In Guilty As Sin, a slow, drum-backed track, Swift describes “fatal fantasies,” “recalling things we never did” and looking back on a past relationship – “how I long for our trysts… How can I be guilty as sin?”
And in But Daddy I Love Him, it’s possible Swift’s hitting back at criticism of her never-officially-confirmed relationship with Healy, telling naysayers: “I’ll tell you something about my good name, it’s mine alone to disgrace.”
The penultimate track on the initial album, The Alchemy, pulls in a wealth of American Football terms – seeming to mark the introduction of her latest relationship with NFL star Travis Kelce.
A swirl of “chemicals” – including “white wine” and “heroin” – are used as metaphors to describe the rush of first attraction amid a slew of sporting analogies.
Swift told her social media followers the album was a reflection of “events, opinions and sentiments from a fleeting and fatalistic moment in time,” calling them “both sensational and sorrowful in equal measure”.
And for Swift, the album itself appears to be a form of closure – in her words: “This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed”.
She also refers to personal wounding in the cover slip for the album, calling the period of her life one of “self-harm” and “cardiac arrest”. And on her love battle wounds she told fans: “A good number of them turned out to be self-inflicted”.
Follow Sky News on WhatsApp
Keep up with all the latest news from the UK and around the world by following Sky News
It’s a self-reflection she shares in Who’s Afraid Of Little Old Me, calling herself “fearsome,” “wretched” and “wrong,” singing in the chorus “I was tame, I was gentle, til the circus life made me mean”.
After over two decades in the music industry – a notoriously tough one to survive in let alone thrive in – we perhaps see a glimpse into Swift’s psyche in I Can Do It With A Broken Heart. She sings: “They said, ‘Babe, you gotta fake it til you make it’. And I did. Lights, camera, bitch smile. Even when you want to die.”
Please use Chrome browser for a more accessible video player
0:44
The album features a song inspired by her NFL superstar boyfriend Travis Kelce
The original It Girl
And in Clara Bow (the name of a 1920s American actress for whom the term ‘It Girl’ was coined), the final track of the original album, she gives us a self-referring dig which touches on both the fickleness of the music industry and pokes fun at her own ever-inflating success.
We hear a young wannabe praised by “suits in LA,” telling her: “You look like Taylor Swift in this light, we’re loving it. You’ve got edge she never did.”
Always looking ahead, to her next era, perhaps when her “girlish glow flickers”, a now 30-something Swift is always one step ahead of the industry she’s currently dominating.
As she tells us: “The future’s bright… Dazzling.”
The Tortured Poets Department: The Anthology, featuring 31 tracks, is out now.
Reports of a “board-level orchestrated coup” at the BBC are “complete nonsense”, non-executive director Sir Robbie Gibb has told MPs.
Sir Robbie, whose position on the BBC board has been challenged by critics in recent weeks, was among senior leaders, including the broadcaster’s chair, Samir Shah, to face questions from the Culture, Media and Sport committee about the current crisis.
The hearing took place in the wake of the fallout over the edit of a speech by US President Donald Trump, which prompted the resignation of the corporation’s director-general and the chief executive of BBC News, and the threat of a lawsuit from the US president.
Image: Former BBC editorial adviser Michael Prescott wrote the memo that was leaked. Pic: PA
Former editorial adviser Michael Prescott, whose leaked memo sparked the recent chain of events, also answered questions from MPs – telling the hearing he felt he kept seeing “incipient problems” that were not being tackled.
He also said Mr Trump’s reputation had “probably not” been tarnished by the Panorama edit.
During his own questioning, Sir Robbie addressed concerns of potential political bias – he left BBC News in 2017 to become then prime minister Theresa May’s director of communications, a post he held until 2019, and was appointed to the BBC board in 2021 by Boris Johnson.
Image: BBC board member Sir Robbie Gibb appearing before the Culture, Media and Sport committee. Pic: PA
“I know it’s hard to marry the fact that I spent two years as director of communications for the government… and my genuine passion for impartiality,” he said.
“I want to hear the full range of views… I don’t want the BBC to be partisan or favour any particular way.”
Asked about reports and speculation that there has been a “board-level orchestrated coup”, Sir Robbie responded: “It’s up there as one of the most ridiculous charges… People had to find some angle.
“It’s complete nonsense. It’s also deeply offensive to fellow board members… people of great standing in different fields.”
He said his political work has been “weaponised” – and that it was hard as a non-executive member of the BBC to respond to criticism.
‘We should have made the decision earlier’
Image: BBC chair Samir Shah also answered questions. Pic: PA
Mr Shah admitted the BBC was too slow in responding to the issue of the Panorama edit of Mr Trump, which had been flagged long before the leaked memo.
“Looking back, I think we should have made the decision earlier,” he said. “I think in May, as it happens.
“I think there is an issue about how quickly we respond, the speed of our response. Why do we not do it quickly enough? Why do we take so much time? And this was another illustration of that.”
Following reports of the leaked memo, it took nearly a week for the BBC to issue an apology.
Mr Shah told the committee he did not think Mr Davie needed to resign over the issue and that he “spent a great deal of time” trying to stop him from doing so.
Is director-general role too big for one person?
Image: Tim Davie is stepping down as BBC director-general
Asked about his own position, Mr Shah said his job now is to “steady the ship”, and that he is not someone “who walks away from a problem”.
A job advert for the BBC director-general role has since gone live on the corporation’s careers website.
Mr Shah told the hearing his view is that the role is “too big” for one person and that he is “inclined” to restructure roles at the top.
He says he believes there should also be a deputy director-general who is “laser-focused on journalism”, which is “the most important thing and our greatest vulnerability”.
Earlier in the hearing, Mr Prescott gave evidence alongside another former BBC editorial adviser, Caroline Daniel.
He told the CMS committee that there are “issues of denial” at the BBC and said “the management did not accept there was a problem” with the Panorama episode.
Mr Prescott’s memo highlighted concerns about the way clips of Mr Trump’s speech on January 6 2021 were spliced together so it appeared he had told supporters he was going to walk to the US Capitol with them to “fight like hell”.
‘I can’t think of anything I agree with Trump on’
Mr Trump has said he is going to pursue a lawsuit of between $1bn and $5bn against the broadcaster, despite receiving an official public apology.
Asked if the documentary had harmed Mr Trump’s image, Mr Prescott responded: “I should probably restrain myself a little bit, given that there is a potential legal action.
“All I could say is, I can’t think of anything I agree with Donald Trump on.”
He was later pushed on the subject, and asked again if he agreed that the programme tarnished the president’s reputation, to which he then replied: “Probably not.”
Mr Prescott, a former journalist, also told the committee he did not know how his memo was leaked to the Daily Telegraph.
“At the most fundamental level, I wrote that memo, let me be clear, because I am a strong supporter of the BBC.
“The BBC employs talented professionals across all of its factual and non-factual programmes, and most people in this country, certainly myself included, might go as far as to say that they love the BBC.
He said he “never envisaged” the fallout that would occur. “I was hoping the concerns I had could, and would, be addressed privately in the first instance.”
Asked if he thinks the BBC is institutionally biased, he said: “No, I don’t.”
He said that “tonnes” of the BBC’s work is “world class” – but added that there is “real work that needs to be done” to deal with problems.
Mr Davie, he said, did a “first-rate job” as director-general but had a “blind spot” toward editorial failings.
The rapper Ghetts, who allegedly caused the death of a man in a hit-and-run collision, is facing further charges.
The rapper was charged at the end of last month after a 20-year-old died in a road incident in northeast London.
The musician, whose real name is Justin Clarke-Samuel, initially faced a single count of causing the death of Yubin Tamang by dangerous driving.
He now faces two further charges of driving dangerously before and after the collision on 18 October.
It is alleged he drove dangerously in Tavistock Place, in the Bloomsbury area of central London, and on other roads in the borough of Camden, north London.
The collision with Mr Tamang occurred in Redbridge Lane, Ilford, at 11.33pm on 18 October, the Met Police said. Clarke-Samuel is accused of failing to stop after his BMW hit the victim.
Mr Tamang died on 20 October.
More on Ghetts
Related Topics:
Clarke-Samuel allegedly continued to drive dangerously in Worcester Crescent, Redbridge, on the journey back to his home in King’s Avenue, Woodford, east London.
The black BMW, which is allegedly registered and insured in the defendant’s name, was said to have suffered significant damage.
The rapper has been in custody since a preliminary appearance at Barkingside Magistrates’ Court on 27 October.
Jimmy Cliff, a musical artist who helped bring reggae to an international audience, has died aged 81.
Known for hits including You Can Get It If You Really Want, The Harder They Come, and Many Rivers To Cross, his career spanned six decades.
Image: Cliff performing on the Pyramid Stage, at the Glastonbury Festival in 2003. Pic: PA
His wife, Latifa Chambers wrote on Instagram: “It’s with profound sadness that I share that my husband, Jimmy Cliff, has crossed over due to a seizure followed by pneumonia.
“I am thankful for his family, friends, fellow artists and coworkers who have shared his journey with him.
“To all his fans around the world, please know that your support was his strength throughout his whole career. He really appreciated each and every fan for their love.”
Thanking the medical staff who helped during his illness, she added: “Jimmy, my darling, may you rest in peace. I will follow your wishes.”
Signed by his wife, and two of his children, Latifa and Lilty, the statement concluded: “We see you Legend.”
More from Ents & Arts
Tributes to the singer included those from Jamaican Prime Minister Andrew Holness, calling him “a true cultural giant whose music carried the heart of our nation to the world… Jimmy Cliff told our story with honesty and soul. His music lifted people through hard times, inspired generations, and helped to shape the global respect that Jamaican culture enjoys today.”
UB40 star Ali Campbell, who covered Cliff’s song Many Rivers To Cross in 1983, also paid tribute, saying he was “absolutely heartbroken to hear about the passing of a Reggae forefather” in a post on X.
Campbell also called Cliff “a pillar of our music, and one of the first to carry reggae out into the world”.
Image: Jimmy Cliff (L) stands with Wyclef Jean at his Rock and Roll Hall of Fame induction in 2010. Pic: Reuters
A legend of music and screen
A two-time Grammy-winning artist, Cliff was awarded the Jamaican Order of Merit in 2003, the highest honour in the arts and sciences, from the Jamaican government.
Over the years, he would work with stars including the Rolling Stones, Sting, Elvis Costello, Annie Lennox, Paul Simon and Wyclef Jean.
He was inducted into the Rock and Roll Hall of Fame in 2010.
A prolific writer, frequently expressing his humanitarian views through his work, his 1969 track Vietnam was reportedly described by Bob Dylan as “the best protest song” he had ever heard.
Cliff was also well known for cover versions of songs, including Johnny Nash’s I Can See Clearly Now, which appeared on the soundtrack of the 1993 movie Cool Runnings, and Cat Stevens’ Wild World.
He twice performed on high-profile US chat show Saturday Night Live.
Instagram
This content is provided by Instagram, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Instagram cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Instagram cookies.
To view this content you can use the button below to allow Instagram cookies for this session only.
An actor and a musician, as well as singing the title track of 1972 cult classic The Harder They Come, Cliff also starred in it.
One of the first major commercial releases to come out of Jamaica, the movie is credited with bringing reggae to the world, as well as showing a grittier and more realistic side to the country.
During this time, Cliff’s fame rivalled Bob Marley as the reggae’s most prominent artist.
The storyline, which revolved around Cliff’s character, Ivan, moving to Kingston, Jamaica, to make it as a musical superstar, had parallels with his own.
Image: Cliff at the MOBO (Music of Black Origin) Awards at the London Arena in London’s Docklands in 2002. Pic: PA
‘Hurricane Hattie’
He was born James Chambers, during a hurricane, on 30 July 1944, in St James Parish, northwestern Jamaica.
In the 1950s, he moved with his father from the family farm to Kingston, determined to succeed in the music industry.
He began writing as Jamaica was gaining its independence from Britain, and as the early sounds of reggae – first called ska – were being developed.
At just 14, he became nationally famous for the song Hurricane Hattie, which he had written himself.
Cliff would go on to record over 30 albums and perform all over the world, including in Paris, in Brazil and at the World’s Fair, an international exhibition held in New York in 1964.
The following year, Island Records’ Chris Blackwell, the producer who launched Bob Marley And The Wailers, invited Cliff to work in the UK.
Image: Jimmy Cliff during the Love Supreme Jazz Festival in 2019. Pic: Shutterstock
‘I still have many rivers to cross!’
Speaking about his burning passion for life during a 2019 interview, when the star had begun losing his sight, Cliff said: “When I’ve achieved all my ambitions, then I guess that I will have done it and I can just say ‘great’.
“But I’m still hungry. I want it. I’ve still got the burning fire that burns brightly inside of me – like I just said to you. I still have many rivers to cross!”
Cliff’s last studio album, Refugees, made with Wyclef Jean, was released in 2022, and the singer said he wrote the title track “due to emotional feelings towards freedom taken away from human beings”.