Taylor Swift’s The Tortured Poets Department analysed: Marriage, babies, bad boyfriends and the price of fame
As the title suggests, The Tortured Poets Department is a break-up album, and one that doesn’t disappoint in deconstructing Taylor Swift’s failed relationships and old boyfriends gone bad.
We hear about a chain-smoking man who tells jokes that are “revolting and far too loud” in I Can Fix Him (No Really I Can); a “coward” who pretends to be a “lion” in loml; and we learn about a ghosted Swift in I Can Do It With A Broken Heart, as she sings “I’m so obsessed with him but he avoids me like the plague”.
We’ve all been there, and that’s the trick to Swift‘s wide appeal.
Pic: Beth Garrabrant
The not-so-subtly titled The Smallest Man Who Ever Lived paints a picture of a drug-taking partner who: “In public, showed me off, then sank in stoned oblivion,” tried to “buy some pills from a friend of friends” and “didn’t measure up in any measure of a man”.
Amid dealing with these waste-of-space men, we learn about a Swift – who contrary to her sparkling and strong public persona – is “depressed,” “crying at the gym,” eating “kid’s cereal,” “unstable… on my knees” and very much the owner of a “broken heart”.
Of course, not all of her songs are purely confessional – she also adopts different personas (for example in But Daddy I Love Him which shares the basic storyline of Madonna’s Papa Don’t Preach), but in each track, we firmly return to Swift and parallels in her much-publicly dissected ‘private’ life.
With a history of writing about her exes (past examples include Joe Jonas, Harry Styles, Jake Gyllenhaal and John Mayer), Swift hasn’t disappointed with seeming allusions to former British boyfriends Joe Alwyn and Matty Healy, plus throws forward to current beau NFL star Travis Kelce.
So Long, London – positioned fifth in the tracklist, a spot Swift reserves for her most meaningful songs – is a choral ballad and seems to be about the end of her six-year relationship with The Favourite star Alwyn.
Her lyric – “I left all I knew, you left me at the house by the Heath” – references Hampstead Heath in north London where she lived with the star in the early 2020s.
As much a break-up song with the city as the man, she tells us “I’m just mad as hell cause I loved this place”.
In this song, we also get one of many references to marriage across the album – a theme which might be at the forefront of Swift’s mind?
Pic: Beth Garrabrant
Wedding bells and babies
So Long, London’s emotional lyric – “You swore that you loved me but where were the clues, I died on the altar waiting for the proof” – rings out loud and clear.
The song that gave the album its title – The Tortured Poets Department – describes a moment that paints a vivid picture: “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on, and that’s the closest I’ve come to my heart exploding.”
In loml (an acronym which stands for Love Of My Life) she sings: “You and I go from one kiss to gettin married… you told me I’m the love of your life.”
In But Daddy I Love Him – a ballad with country tones – she sings: “No, you can’t come to the wedding.”
And in imgonnagetyouback she says: “Whether I’m gonna be your wife or gonna smash up your bike, I haven’t decided yet.”
There’s even a reference to future family in The Manuscript – the final song on the album – with the lyric: “He said that if the sex was half as good as the conversation was, soon they’d be pushing strollers. But soon it was over.”
In Florida!!! (featuring Florence + The Machine) the topic of children comes up again, with Swift escaping to the Everglades, running from friends who “all smell like weed or little babies”.
Swift and Travis Kelce in February. Pic: AP
Loves old and new
The 1975 singer Healy, who Swift is rumoured to have briefly dated following her split from Alwyn, appears to be alluded to in Fortnight – a song featuring Post Malone which will be the first single from the album.
She sings: “I touched you for only a fortnight… I love you, it’s ruining my life.”
In Guilty As Sin, a slow, drum-backed track, Swift describes “fatal fantasies,” “recalling things we never did” and looking back on a past relationship – “how I long for our trysts… How can I be guilty as sin?”
And in But Daddy I Love Him, it’s possible Swift’s hitting back at criticism of her never-officially-confirmed relationship with Healy, telling naysayers: “I’ll tell you something about my good name, it’s mine alone to disgrace.”
The penultimate track on the initial album, The Alchemy, pulls in a wealth of American Football terms – seeming to mark the introduction of her latest relationship with NFL star Travis Kelce.
A swirl of “chemicals” – including “white wine” and “heroin” – are used as metaphors to describe the rush of first attraction amid a slew of sporting analogies.
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The hidden meanings in the album’s lyrics
Pic: Beth Garrabrant
‘Self-harm’ and ‘wounds’
Swift told her social media followers the album was a reflection of “events, opinions and sentiments from a fleeting and fatalistic moment in time,” calling them “both sensational and sorrowful in equal measure”.
And for Swift, the album itself appears to be a form of closure – in her words: “This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed”.
She also refers to personal wounding in the cover slip for the album, calling the period of her life one of “self-harm” and “cardiac arrest”. And on her love battle wounds she told fans: “A good number of them turned out to be self-inflicted”.
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It’s a self-reflection she shares in Who’s Afraid Of Little Old Me, calling herself “fearsome,” “wretched” and “wrong,” singing in the chorus “I was tame, I was gentle, til the circus life made me mean”.
After over two decades in the music industry – a notoriously tough one to survive in let alone thrive in – we perhaps see a glimpse into Swift’s psyche in I Can Do It With A Broken Heart. She sings: “They said, ‘Babe, you gotta fake it til you make it’. And I did. Lights, camera, bitch smile. Even when you want to die.”
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The album features a song inspired by her NFL superstar boyfriend Travis Kelce
The original It Girl
And in Clara Bow (the name of a 1920s American actress for whom the term ‘It Girl’ was coined), the final track of the original album, she gives us a self-referring dig which touches on both the fickleness of the music industry and pokes fun at her own ever-inflating success.
We hear a young wannabe praised by “suits in LA,” telling her: “You look like Taylor Swift in this light, we’re loving it. You’ve got edge she never did.”
Always looking ahead, to her next era, perhaps when her “girlish glow flickers”, a now 30-something Swift is always one step ahead of the industry she’s currently dominating.
As she tells us: “The future’s bright… Dazzling.”
The Tortured Poets Department: The Anthology, featuring 31 tracks, is out now.
Entertainment
‘We’re having the time of our lives’: Westlife on 25 years of touring, family fame and fans
They were one of the main staples of noughties music in the UK and Ireland and to celebrate 25 years of touring, Westlife have returned to the spotlight again.
The boy band has released a new song called Chariot, with an album following suit in February and a tour that will take them around the world next year.
“The Westlife story is fairy tale stuff and we’re very lucky and proud to be part of it”, Shane Filan tells Sky News at the Royal Albert Hall, where they have just performed for two nights.
“It took our breath away. We came out to the Royal Albert Hall thinking it might be a little bit more intimate than a big arena and just the sheer noise, the sheer screams from the women and everyone just having good fun.
“The support and love, we never felt it like we did in the room. It was amazing.”
Westlife started their 25th anniversary celebrations with two sold-out shows at the Royal Albert Hall in London
Formed by their manager Louis Walsh in the late 1990s, the group originally consisted of Filan, Mark Feehily, Brian McFadden, Nicky Byrne and Kian Egan.
McFadden left the group in 2004 to pursue a solo career, but the other four have remained together.
Due to health issues, Feehily can’t join the celebrations, but representatives say he is still very much part of the band and features on their new music and upcoming album.
Westlife were blown away by the ‘sheer noise’ of screaming fans at the Royal Albert Hall. Pic: Sony Music
Pic: Sony Music
History-making chart successes
Westlife are joint third with Sir Cliff Richard and Ed Sheeran for the most UK number one singles in history, just behind Elvis and The Beatles.
In their first 18 months, they secured seven of those top spots thanks to songs like Flying Without Wings, I Have A Dream and If I Let You Go.
Reflecting on the years gone by, Byrne says the nostalgia hits harder than ever.
“You see the generations coming to the shows, people letting their hair down, people remembering the songs from their first kiss, the first dance, all those special things that music does,” he says.
“Not even just for the fans – we’re having the time of our lives.
“We’re singing these songs up there… I remember breaking the wardrobe door when we were promoting Swear It Again, and now we’re singing it in front of the Royal Albert Hall and look, I mean, just look at this place.”
(L-R) Kian Egan, Nicky Bryne and Shane Filan say they are having ‘the time of their lives’ performing together again
Famous fans and furniture
For Byrne, finding out about fans of their music never gets old, and their song Flying Without Wings seems to be a key component of their stature in music.
“I did Soccer Aid with Tom Grennan recently, and he was talking all about how he grew up listening to Westlife – his dad is Irish. Big Zuu, who scored the winning goal, he was like, ‘Flying Without Wings, man, is the best song I’ve ever heard’.”
It’s the same song Sheeran first learned to play guitar on, and years later, he began writing songs for the group, including their latest single Chariot.
Oddly, it’s their choice in furniture that receives just as much attention as their music over the years, with four stools becoming synonymous with the group.
Stemming from their lack of dancing skills, according to Simon Cowell at least, they chose to change it up and simply rise from their chair on the key change of the song.
“We are stool connoisseurs. It’s become a very strange thing and it’s nearly as big as our music. It’s genuinely as big as You Raise Me Up,” Filan laughs.
Filan (R) jokes that the band have become ‘stool connoisseurs’
Keeping their kids grounded
As the band continued to release music, each member settled down and had families of their own. Now their children are around the same age they were when they first started as a group.
Egan says they all made a conscious decision to raise the next generation away from the spotlight.
“We don’t want our kids growing up in this world and at the end of the day they are privileged, so it’s really important for us to keep them grounded and to try and give them as much of a natural kind of upbringing as they possibly can, and I think that’s why we choose to bring them up in the same places that we grew up,” he adds.
Byrne chimes in jokingly: “Slightly bigger houses, though!”
It was this tour that caused Byrne’s children to realise the extent of their father’s fame.
“I have twin boys who are 18 and a half, and the middle girl is 12. So last week, when the tour went on sale in Ireland, and we went from five nights in the 3Arena to 13, and from Belfast it went from three right up to seven, and the boys are looking at me, going, ‘You’re doing 13 nights in the 3Arena’.
“And it is even me looking at them going, ‘Yeah, right’. It hits you, it hits you there in a way, to be honest with you. I got a little bit cooler then.”
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Running from September 2026, Westlife 25 – The Anniversary World Tour, will kick off in Dublin for 13 shows before heading to Aberdeen, Glasgow, Newcastle, Leeds, Sheffield, London, Brighton, Bournemouth, Birmingham, Cardiff, Manchester and then Belfast for seven nights.
Gigs in Paris, Hamburg, Copenhagen, Stockholm, Amsterdam, Antwerp, Cologne and Zurich will follow.
Tickets for Westlife’s UK tour dates go on sale this Friday.
Entertainment
Suspects arrested over Louvre heist ‘partially admit involvement’ – as officials address inside job theory
The two suspects arrested over the Louvre jewellery heist have “partially” confessed to their involvement in the robbery, according to a prosecutor.
Paris prosecutor Laure Beccuau revealed the development at a news conference on Wednesday.
Four thieves stole nine items – one of which was dropped and recovered at the scene – in a heist pulled off while the world-famous Paris museum was open to visitors on 19 October.
It took the thieves less than eight minutes to steal the jewels. They forced open a window and cut into cases with power tools after gaining access via a vehicle-mounted mechanical lift.
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Suspects in Louvre robbery ‘partially confessed’
Ms Beccuau also said the jewels had not yet been recovered.
“These jewels are now, of course, unsellable,” said Ms Beccuau. “Anyone who buys them would be guilty of concealment of stolen goods. It’s still time to give them back.”
‘No evidence’
Ms Beccuau also addressed reports that police believe the robbery could have been an inside job.
She said that there was “no evidence the thieves benefited from inside help”.
Under French rules for organised theft, custody can run up to 96 hours. That limit is due to expire late on Wednesday, and prosecutors must charge the suspects, release them or seek a judge’s extension.
Paris prosecutor Laure Beccuau speaks during a press conference about the investigation into the Louvre robbery. Pic: Reuters
One suspect is a 34-year-old Algerian national who has been living in France since 2010, Ms Beccuau said. He was arrested Saturday night at Charles de Gaulle airport as he was about to fly to Algeria with no return ticket.
Ms Beccuau said that he was living in the Paris suburb of Aubervilliers, and was known to police mostly for road traffic offences.
The other suspect, 39, was arrested Saturday night at his home in Aubervilliers.
“There is no evidence to suggest that he was about to leave the country,” said Ms Beccuau.
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Louvre jewels ‘have not returned’
The man was known to police for several thefts, and his DNA was found on one of the glass cases where the jewels were displayed, and on items the thieves left behind, she added.
Earlier, French police acknowledged major gaps in the Louvre’s defences.
Paris police chief Patrice Faure told politicians that ageing security systems had left weak spots.
“A technological step has not been taken,” he said.
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Mr Faure also revealed that the Louvre’s authorisation to operate its security cameras quietly expired in July and had not been renewed.
He said the first alert to police came not from the Louvre’s alarms, but from a cyclist outside who dialled the emergency line after seeing helmeted men with a basket lift.
Members of a forensic team inspect a window believed to have been used by the culprits. Pic: Reuters
Mr Faure also rejected calls for a permanent police post inside the museum, warning it would set an unworkable precedent and do little against fast and mobile thieves.
“I am firmly opposed,” he said. “The issue is not a guard at a door; it is speeding the chain of alert.”
Five new arrests have been made in the investigation into the Louvre jewellery heist, the prosecutor for Paris has said.
French radio station RTL reported the arrests on Thursday, following an interview with Laure Beccuau.
The Paris prosecutor’s department shared the interview on social media with the caption: “Louvre Burglary: Five New Suspects Apprehended.”
In the interview, Ms Beccuau said one of the five suspects was identified through DNA traces left at the crime scene, but she added that it was “too early” to comment further on the suspects’ identities.
All five were arrested in coordinated raids in Paris and its surrounding areas late Wednesday, but searches overnight “did not allow us to find the goods”, Ms Beccuau said.
It comes after the prosecutor said two suspects arrested over the jewellery heist had “partially” confessed to their involvement in the robbery.
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Suspects in Louvre robbery ‘partially confessed’
Four thieves stole nine items – one of which was dropped and recovered at the scene – in a heist pulled off while the world-famous Paris museum was open to visitors on 19 October.
It took the thieves less than eight minutes to steal the jewels worth £76m. They forced open a window and cut into cases with power tools after gaining access via a vehicle-mounted mechanical lift.
Ms Beccuau urged the thieves to return the French crown jewels on Wednesday.
“These jewels are now, of course, unsellable,” she said. “Anyone who buys them would be guilty of concealment of stolen goods. It’s still time to give them back.”
Footage shows the moment thieves escaped the Louvre with £76 million worth of jewellery in broad daylight
Regarding the two suspects in custody since Saturday, Ms Beccuau previously revealed that one is a 34-year-old Algerian national who has been living in France since 2010.
He was arrested Saturday night at Charles de Gaulle airport as he was about to fly to Algeria with no return ticket.
Ms Beccuau said that he was living in the Paris suburb of Aubervilliers, and was known to police mostly for road traffic offences. His DNA was found on one of the scooters used by the thieves to leave the scene, according to the prosecutor.
The other suspect, 39, was arrested Saturday night at his home in Aubervilliers.
“There is no evidence to suggest that he was about to leave the country,” said Ms Beccuau.
Members of a forensic team inspect a window believed to have been used by the culprits. Pic: Reuters
The man was known to police for several thefts, and his DNA was found on one of the glass cases where the jewels were displayed, and on items the thieves left behind, she added.
The heist exposed major gaps in the Louvre’s defences, with Paris police chief Patrice Faure telling politicians that ageing security systems had left weak spots.
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“A technological step has not been taken,” he said. Mr Faure also revealed that the Louvre’s authorisation to operate its security cameras quietly expired in July and had not been renewed.
He said the first alert to police came not from the Louvre’s alarms, but from a cyclist outside who dialled the emergency line after seeing helmeted men with a basket lift.
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