As the title suggests, The Tortured Poets Department is a break-up album, and one that doesn’t disappoint in deconstructing Taylor Swift’s failed relationships and old boyfriends gone bad.
We hear about a chain-smoking man who tells jokes that are “revolting and far too loud” in I Can Fix Him (No Really I Can); a “coward” who pretends to be a “lion” in loml; and we learn about a ghosted Swift in I Can Do It With A Broken Heart, as she sings “I’m so obsessed with him but he avoids me like the plague”.
We’ve all been there, and that’s the trick to Swift‘s wide appeal.
Image: Pic: Beth Garrabrant
The not-so-subtly titled The Smallest Man Who Ever Lived paints a picture of a drug-taking partner who: “In public, showed me off, then sank in stoned oblivion,” tried to “buy some pills from a friend of friends” and “didn’t measure up in any measure of a man”.
Amid dealing with these waste-of-space men, we learn about a Swift – who contrary to her sparkling and strong public persona – is “depressed,” “crying at the gym,” eating “kid’s cereal,” “unstable… on my knees” and very much the owner of a “broken heart”.
Of course, not all of her songs are purely confessional – she also adopts different personas (for example in But Daddy I Love Him which shares the basic storyline of Madonna’s Papa Don’t Preach), but in each track, we firmly return to Swift and parallels in her much-publicly dissected ‘private’ life.
With a history of writing about her exes (past examples include Joe Jonas, Harry Styles, Jake Gyllenhaal and John Mayer), Swift hasn’t disappointed with seeming allusions to former British boyfriends Joe Alwyn and Matty Healy, plus throws forward to current beau NFL star Travis Kelce.
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So Long, London – positioned fifth in the tracklist, a spot Swift reserves for her most meaningful songs – is a choral ballad and seems to be about the end of her six-year relationship with The Favourite star Alwyn.
Her lyric – “I left all I knew, you left me at the house by the Heath” – references Hampstead Heath in north London where she lived with the star in the early 2020s.
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As much a break-up song with the city as the man, she tells us “I’m just mad as hell cause I loved this place”.
In this song, we also get one of many references to marriage across the album – a theme which might be at the forefront of Swift’s mind?
Image: Pic: Beth Garrabrant
Wedding bells and babies
So Long, London’s emotional lyric – “You swore that you loved me but where were the clues, I died on the altar waiting for the proof” – rings out loud and clear.
The song that gave the album its title – The Tortured Poets Department – describes a moment that paints a vivid picture: “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on, and that’s the closest I’ve come to my heart exploding.”
In loml (an acronym which stands for Love Of My Life) she sings: “You and I go from one kiss to gettin married… you told me I’m the love of your life.”
In But Daddy I Love Him – a ballad with country tones – she sings: “No, you can’t come to the wedding.”
And in imgonnagetyouback she says: “Whether I’m gonna be your wife or gonna smash up your bike, I haven’t decided yet.”
There’s even a reference to future family in The Manuscript – the final song on the album – with the lyric: “He said that if the sex was half as good as the conversation was, soon they’d be pushing strollers. But soon it was over.”
In Florida!!! (featuring Florence + The Machine) the topic of children comes up again, with Swift escaping to the Everglades, running from friends who “all smell like weed or little babies”.
Image: Swift and Travis Kelce in February. Pic: AP
Loves old and new
The 1975 singer Healy, who Swift is rumoured to have briefly dated following her split from Alwyn, appears to be alluded to in Fortnight – a song featuring Post Malone which will be the first single from the album.
She sings: “I touched you for only a fortnight… I love you, it’s ruining my life.”
In Guilty As Sin, a slow, drum-backed track, Swift describes “fatal fantasies,” “recalling things we never did” and looking back on a past relationship – “how I long for our trysts… How can I be guilty as sin?”
And in But Daddy I Love Him, it’s possible Swift’s hitting back at criticism of her never-officially-confirmed relationship with Healy, telling naysayers: “I’ll tell you something about my good name, it’s mine alone to disgrace.”
The penultimate track on the initial album, The Alchemy, pulls in a wealth of American Football terms – seeming to mark the introduction of her latest relationship with NFL star Travis Kelce.
A swirl of “chemicals” – including “white wine” and “heroin” – are used as metaphors to describe the rush of first attraction amid a slew of sporting analogies.
Swift told her social media followers the album was a reflection of “events, opinions and sentiments from a fleeting and fatalistic moment in time,” calling them “both sensational and sorrowful in equal measure”.
And for Swift, the album itself appears to be a form of closure – in her words: “This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed”.
She also refers to personal wounding in the cover slip for the album, calling the period of her life one of “self-harm” and “cardiac arrest”. And on her love battle wounds she told fans: “A good number of them turned out to be self-inflicted”.
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It’s a self-reflection she shares in Who’s Afraid Of Little Old Me, calling herself “fearsome,” “wretched” and “wrong,” singing in the chorus “I was tame, I was gentle, til the circus life made me mean”.
After over two decades in the music industry – a notoriously tough one to survive in let alone thrive in – we perhaps see a glimpse into Swift’s psyche in I Can Do It With A Broken Heart. She sings: “They said, ‘Babe, you gotta fake it til you make it’. And I did. Lights, camera, bitch smile. Even when you want to die.”
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The album features a song inspired by her NFL superstar boyfriend Travis Kelce
The original It Girl
And in Clara Bow (the name of a 1920s American actress for whom the term ‘It Girl’ was coined), the final track of the original album, she gives us a self-referring dig which touches on both the fickleness of the music industry and pokes fun at her own ever-inflating success.
We hear a young wannabe praised by “suits in LA,” telling her: “You look like Taylor Swift in this light, we’re loving it. You’ve got edge she never did.”
Always looking ahead, to her next era, perhaps when her “girlish glow flickers”, a now 30-something Swift is always one step ahead of the industry she’s currently dominating.
As she tells us: “The future’s bright… Dazzling.”
The Tortured Poets Department: The Anthology, featuring 31 tracks, is out now.
Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.
US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.
The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.
She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.
Image: Sabrina Carpenter performing her second song. Pic: Reuters
Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.
But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.
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The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”
Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”
Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.
Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.
They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.
Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.
What will the trial cover?
Clarke is suing GNM for libel, sometimes also referred to as defamation.
It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.
Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.
He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.
“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”
The Guardian is defending the claim on the basis of truth and public interest.
It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.
“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”
The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.
The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.
His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.
Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.
The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.
Image: In July 2015. Pic: PA
What has happened since the articles were published?
A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.
However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.
His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.
ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.
The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.
Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.
He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.
Image: At the UK premiere of Kidulthood in London’s Leicester Square in 2006. Pic: PA
‘Rising star’
Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.
Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.
He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.
It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.
Liam Payne’s girlfriend Kate Cassidy has opened up about the singer’s death, saying she is “still working on accepting the fact that he’s not here anymore”.
The singer, 31, died in October last year after falling from a hotel balcony in Argentina.
Cassidy was with Payne in Buenos Aires but flew to the US days before the British pop star star died.
In an emotional interview with ITV presenter Lorraine Kelly, she said: “It’s hard for me to refer to him in the past tense, and when I do refer to him in the past tense it almost stings that little bit more because… it just … it’s more official.”
Cassidy, 25, said she has her “harder days” and has sometimes struggled “to get out of bed in the morning”, but added: “I’m surrounded by such a great support system that I cannot thank enough.”
Image: Payne and Cassidy. Pic: Instagram/Kate Cassidy
She praised Kelly and ITV for launching a new mental health initiative, which she is helping to promote, and said: “I genuinely believe Liam, in a way, guided me to this campaign and wanted me to be involved in this, and to help other people.”
Cassidy, an American social media influencer, said that he “was so open about his mental health” and she is supporting the push as “he no longer can help people”.
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She added: “I’m going through this healing journey, sometimes it’s hard for me to get out of bed in the morning and something I don’t want to do.
“But I have this responsibility and this obligation that I am almost in a way… I have no choice. I have to get out of bed [for my dog] Nala and whether it’s a five-minute walk or 20-minute walk first thing in the morning.
“Either way, it just wakes me up and refreshes my mind instead of laying in bed all day just scrolling through social media or old photos, it gets me out of bed and really, really helps my mindset and my mental health.”
Image: Kate Cassidy and model Damian Hurley at Payne’s funeral service in November. Pic: PA
Cassidy, who began dating Payne in 2022, previously said he was “the most humble, charming, normal person you could ever hope to come across, and genuinely one of the best people I’ve ever met in my life”.
Court documents state that former One Direction star Payne fell from the balcony of his room on the third floor of the Casa Sur Hotel in Buenos Aires at about 5.10pm on 16 October.
Toxicology tests revealed that before his death, he had traces of alcohol, cocaine, and a prescription antidepressant in his body.
His cause of death was “polytrauma” from multiple injuries and internal and external bleeding, a postmortem found.
Last month, manslaughter charges against Payne’s friend Rogelio “Roger” Nores, hotel operator Gilda Martin, and head of reception Esteban Grassi were dropped following an appeal.
Hotel employee Ezequiel Pereyra and waiter Braian Paiz are still facing prosecution for allegedly supplying Payne with drugs, having been charged in December. Supplying drugs in Argentina carries a sentence of up to 15 years in prison.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK