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Taylor Swift’s The Tortured Poets Department has become the first album in Spotify history to reach more than 300 million streams in a single day.

The 34-year-old singer also became the most-streamed artist in a single day on the platform when her record was released on 19 April, according to the streaming service.

Spotify wrote on X: “History made! On April 19, 2024, Taylor Swift’s The Tortured Poets Department was the first album in Spotify history to have over 300M streams in a single day.”

Analysis:
Marriage, babies, break-ups – breaking down the album

Swift’s 11th studio album includes collaborations with Florence And The Machine and Post Malone.

Fortnight, featuring Post Malone, is Swift’s first single from the album and also became Spotify’s most streamed song in a single day.

On social media Post Malone, whose real name is Austin Richard Post, said: “It’s once in a lifetime that someone like @taylorswift13 comes into this world.

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“I am floored by your heart and your mind, and I am beyond honoured to have been asked to help you with your journey I love you so much. Thank you Tay.”

On 18 April, Swift announced that Fortnight was the first single on her record and said a music video would drop after the album.

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The hidden meanings in the album’s lyrics

She also said she had been “a huge fan of Post because of the writer he is, his musical experimentation and those melodies he creates that just stick in your head forever”.

She added: “I got to witness that magic come to life firsthand when we worked together on Fortnight.”

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Fans react to new Taylor Swift album

The music video for the track includes an appearance from Dead Poets Society stars Ethan Hawke and Josh Charles.

Hours after dropping the 16-song edition of her album the US pop superstar announced an expanded version with an extra 15 songs, titled The Anthology.

Swift, who has 11 chart-topping UK albums, had announced the arrival of her latest record live on stage at the Grammy Awards in February.

The performer will bring her Eras Tour to the UK from 7 June, when she kicks off with three shows in Edinburgh with the run of London shows beginning on 21 June.

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Rod Stewart to play Glastonbury’s legend slot

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Rod Stewart to play Glastonbury's legend slot

Rod Stewart will be a headliner at Glastonbury next year year, the festival has announced.

Stewart, 79, will play the Sunday teatime legend slot.

The Do Ya Think I’m Sexy singer is the first act to be announced.

He announced the news on Instagram, writing: “I’m absolutely thrilled to announce that I’ll be playing Glastonbury Festival 2025! After all these years, I’m proud and ready and more than able to take the stage again to pleasure and titillate my friends at Glastonbury in June. I’ll see you there!”

Sir Rod will be 80 when the festival takes place between 25 and 29 June next year on Worthy Farm in Somerset.

Festival co-organiser Emily Eavis shared the same image of Sir Rod a few minutes later, with the message: “Bringing Sir Rod Stewart back for the Sunday afternoon slot on the Pyramid Stage is everything we could wish for.

“What a way to bow out with the final legends slot before we take a fallow year. We cannot wait.”

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2026 will be a fallow year for Glastonbury (a year off), with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.

Sir Rod – who is known for hits including Maggie May, You Wear It Well and Sailing – previously headlined the festival in 2002 alongside Coldplay and Stereophonics.

Sir Rod first rose to fame as frontman of 1970s rockers the Faces, alongside now-Rolling Stones guitarist Ronnie Wood along with Ian McLagan, Ronnie Lane, and Kenney Jones. They formed after the break-up of the Small Faces.

He’s also performed and recorded with the Jeff Beck Group appearing on the albums Truth and Beck-Ola.

Rod Stewart and Penny Lancaster
Image:
Sir Rod with his wife Penny Lancaster

Sir Rod has gone on to have 25 UK top 10 singles and 38 UK top 10 albums as a solo artist. His career spans six decades.

In 2016 he was knighted at Buckingham Palace for his services to music and charity.

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Drake claims UMG and Spotify schemed together to boost Kendrick Lamar’s Not Like Us diss track

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Drake claims UMG and Spotify schemed together to boost Kendrick Lamar's Not Like Us diss track

Drake has alleged that Universal Music Group (UMG) and Spotify artificially boosted Kendrick Lamar’s Not Like Us diss track, that was aimed at him.

Lawyers representing the Canadian artist’s firm Frozen Moments LLC filed a legal petition at a court in Manhattan on Monday making the claims.

It comes after Drake and Lamar, who are both signed to UMG labels, had a high-profile feud earlier this year, targeting one another with diss tracks.

This included Lamar’s Not Like Us single which has been streamed almost 900 million times and savagely attacked Drake, making serious allegations against him and those close to him.

The song proved to be a big hit as the row between the two hip-hop giants spilled into the public realm.

Such disagreements are not unusual in hip-hop but this one came between two artists who had previously collaborated on a number of songs.

‘Contrived and absurd legal arguments’

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Drake has claimed that UMG worked to inflate the streams and radio plays of the diss track “to maximise” profits.

He claimed that UMG and Spotify artificially boosted the track’s streams “including by using ‘bots’ and pay-to-play agreements”.

In a statement to Sky News, UMG sharply denied the allegations, with a spokesperson calling them “offensive and untrue”.

They added: “We employ the highest ethical practices in our marketing and promotional campaigns.

“No amount of contrived and absurd legal arguments in this pre-action submission can mask the fact that fans choose the music they want to hear.”

In the legal petition, representatives of Drake claim: “It [UMG] instead launched a campaign to manipulate and saturate the streaming services and airwaves with a song, ‘Not Like Us’, in order to make that song go viral.”

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It also claimed that UMG charged Spotify lower licensing rates than usual to play the song and that Spotify recommended the song to users searching for other content.

The petition also cites the claims of one individual made on a “popular podcast” that he was paid to use bots to inflate the song’s streams.

It also alleges that Apple digital assistant Siri “purposely misdirect[ed] users to ‘Not Like Us'” citing “online sources”.

Monday’s filing is not a full lawsuit but a pre-action petition – a procedure in New York that aims to secure information ahead of a lawsuit.

It isn’t clear if the proceedings will progress to a full lawsuit.

Sky News has approached Spotify and Apple for comment.

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Ed Sheeran apologises to Manchester United manager Ruben Amorim after interrupting Sky interview

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Ed Sheeran apologises to Manchester United manager Ruben Amorim after interrupting Sky interview

Ed Sheeran has apologised to Manchester United’s new manager for interrupting him during a live Sky Sports interview.

Ruben Amorim was speaking after United’s 1-1 draw with Ipswich on Sunday when the singer walked up to hug analyst Jamie Redknapp.

His intervention brought the interview to a halt before Redknapp told Sheeran to “come and say hello in a minute”.

Some people on social media said Sheeran had been “rude” and called for him to apologise.

Pic: AP
Image:
Sheeran celebrates during the match. Pic: AP

“Apologies if I offended Amorim yesterday, didn’t actually realise he was being interviewed at the time, was popping to say hi and bye to Jamie,” Sheeran wrote on Instagram.

“Obvz feel a bit of a bellend but life goes on. Great game though, congrats on all involved.”

The game at Portman Road was Amorim’s first since he left Portuguese club Sporting Lisbon to take over at United.

Marcus Rashford scored after two minutes before Omari Hutchinson equalised for the home side.

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Sheeran, a lifelong Ipswich fan, holds a minority stake in the club.

He was pictured celebrating after Hutchinson’s goal.

Last week Ipswich CEO Mark Ashton said Sheeran helped the club sign a new player in the off-season by taking a Zoom call with him just before he went on stage with Taylor Swift.

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