Ordinary Angels: Hilary Swank on the true story of a ‘snow baby’ and helpful stranger
Hilary Swank says playing roles based on real stories have made her a “better person”.
The 49-year-old has portrayed a real-life single mother, a lawyer and a high-school dropout – and won her first Academy Award in 2000 for Boys Don’t Cry, a story based on the life of Brandon Teena, a trans man who was murdered in 1993.
She tells Sky News: “Each character that I’ve ever played is in my heart, and I am so grateful for that because it just made me, I think, a better person and certainly helped me challenge myself as an artist”.
Hilary Swank as Sharon in Ordinary Angels. Pic: Sony Pictures/Allen Fraser
Swank says she never thought her acting choices would have such an impact on others and finds it “so beautiful to have those conversations” with people who relate to the roles she has played.
“[My filmography] touches not only different, genders, which is so unique, but different races and, and different classes of people and that is so beautiful because I then get to connect with people who have gone through something similar.
“Whether it’s people with addiction, people who are having a sexual identity crisis, people who are clear on their sexuality but had struggled in the past, people who were not seen in high school and dropped out because they didn’t matter and then that went on to graduating high school and college because they saw a movie that I was in”.
Her latest film, Ordinary Angels, is also non-fiction and she plays a woman who goes out of her way to help strangers at their time of need.
It’s based on the true story of a recently widowed father of two daughters, one of whom is in need of an organ transplant.
(R-L) Skywalker Hughes and Alan Ritchson in Ordinary Angels. Pic: Sony Pictures/Allen Fraser
Losing her father
The story has a real connection with Swank, whose father was an organ transplant recipient before his death in 2021.
In 2014, the two-time Oscar winner took a three-year break from acting to be the sole caretaker of her father and says it allowed them to grow closer “deepening our relationship and savouring every moment we had together”.
She was offered the role in Ordinary Angels just months after his death in 2021.
“When people are losing their lives it’s hard and it’s a reminder of the lives that are lost in our own lives as we play them”.
Swank describes playing real people as “an honour,” explaining: “It allows us, as actors and storytellers, to break the blinders of how we walk in the world and see the world and it reminds us that people are going through things that we have no idea about. So, to be a little kinder walk, tread a little gentler, give people more grace.”
She adds: “Each character that I’ve ever played is in my heart, and I am so grateful for that because it just made me, I think, a better person. And, certainly helped me challenge me as an artist”.
(R-L) Tamala Jones and Swank in Ordinary Angels. Pic: Sony Pictures/Allen Fraser
The real ‘snow baby’
Ordinary Angels centres on a struggling hairdresser Sharon who finds a new sense of purpose after reading about a tragic story in a Kentucky newspaper.
Ed, played by Reacher’s Alan Ritchson, is a recently widowed father of two daughters – one of whom is waiting for an organ transplant.
The film is based on real events that occurred in Kentucky in the early 1990s that saw a local hairdresser step in and launch fundraisers to help the family with their medical debt and organise the child’s journey via private plane whenever a donated liver became available.
Locally named the “snow baby”, Michelle Schmitt and her father were helped by a stranger, Sharon Stevens and their community, to get from Louisville to Nebraska for an organ transplant during a historic snowstorm.
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The tagline of Ordinary Angels is simple – “Find your purpose. Make a difference”.
Swank agrees and says it’s important to remember that we are not always aware of what others are going through.
“We have a choice in how we want to step into our lives every single day. That means helping others and helping ourselves to be a better person.”
Ordinary Angels is in UK cinemas now.
Entertainment
New Universal theme park set to open in UK – with promise of ‘billions’ of pounds for the economy
A deal for a new Universal theme park in Bedfordshire has been confirmed, which Rachel Reeves says will bring “billions” to the economy and create thousands of jobs.
It will be the first Universal-branded theme park and resort in Europe and is set to open in 2031, when it is expected to become the UK’s most popular visitor attraction.
The government said it will bring an estimated £50bn into the British economy and will create about 28,000 jobs – nearly 20,000 during the construction phase, and 8,000 more in hospitality and the creative industries when it opens.
A 500-room hotel and a retail and entertainment complex is planned alongside the theme park, which will be built on a former brickworks.
Universal, which is owned by Sky News’ US parent company Comcast, expects the 476-acre site just south of Bedford to generate nearly £50bn for the economy by 2055, with 8.5m visitors in its first year.
The plan remains subject to a formal planning decision process from the Ministry of Housing, Communities and Local Government.
Universal has committed to working with local colleges and universities to train students for hospitality jobs.
There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP
Among some of the famous Universal films are Wicked, Minions, Oppenheimer, Bridget Jones, Fast and the Furious, and Jurassic World.
There are five Universal theme parks already: Orlando in Florida, Hollywood, Japan, Beijing, and Singapore.
The new Universal theme park will be just south of Bedford
Speaking to Wilfred Frost on Sky News Breakfast, Culture Secretary Lisa Nandy said the deal was “huge”.
“This is not just about numbers on the spreadsheet,” she said.
“This is about good jobs. It’s about growth. It’s about raising people’s living standards and putting money in people’s pockets. And it’s a massive vote of confidence in the United Kingdom.”
Welcoming the timing of the announcement, Ms Nandy added: “This deal comes off the back of one of the most tumultuous few weeks in global markets that I think anyone can remember within living memory.”
She said the fact that the government had been able to show it kept a “cool head” and “we don’t take knee-jerk decisions in response to global events” was one of the reasons it was able to announce the deal.
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The proposals to transform the site, a former brickworks, remain subject to a formal planning decision process
The government has said about 80% of employees at the theme park are expected to come from local areas, and it will support the “Oxford-Cambridge corridor” revived by the chancellor in January after the Conservatives scrapped plans for an Abingdon-Milton Keynes train link in 2021.
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It will also commit to a “major investment” in infrastructure around the Universal site to ensure it is well-connected and easily accessible.
The announcement comes days after the government approved an expansion of nearby Luton Airport.
Mike Cavanagh, President of Comcast Corporation, said: “We could not be more excited to take this very important step in our plan to create and deliver an incredible Universal theme park and resort in the heart of the United Kingdom, which complements our growing US-based parks business by expanding our global footprint to Europe.
“We appreciate the leadership and support of Prime Minister Keir Starmer, Chancellor Rachel Reeves, Minister for Investment Poppy Gustafsson, Culture Secretary Lisa Nandy and their teams, as we work together to create and deliver a fantastic new landmark destination.”
Entertainment
BAFTA Games Awards: Astro Bot tops leaderboard – with psychological horror close behind
Astro Bot was the big winner at this year’s BAFTA Games Awards, taking home five prizes, including the coveted best game.
The 3D platformer, which was launched to critical acclaim in September to mark PlayStation’s 30th anniversary, was nominated for eight gongs, while Senua’s Saga: Hellblade II, led with 11 nods.
But in the end, the critics – some of whom had dubbed Astro Bot a “perfect game” – were right as it dominated the awards at London’s Queen Elizabeth Hall, hosted by comedian Phil Wang for the second year running.
Astro Bot. Pic: Team Asobi
Nicolas Doucet with his five awards for Astro Bot. Pic: PA
BAFTAs for audio achievement, game design, animation, and best family game completed the set for developers Team Asobi, who designed multiple galaxies and dozens of levels for the titular Astro to journey through, retrieving spaceship parts and rescuing lost robots.
“We’re a team based in Japan, but we have over 12 nationalities. We really mix it up and get ideas from everyone,” Nicolas Doucet, president of Team Asobi, told Sky News.
“We do a lot of jokes in the game, but the joke has a different meaning depending on where you are in the world. So it’s really, really nice to go around and ask everyone ‘is that joke fine in your country?’ And then together we come to a kind of universal playfulness.”
Among the gongs for Astro Bot was the best game award. Pic: BAFTA
It’s a very different atmosphere than that generated by British psychological horror Still Wakes The Deep, which won three awards for best new intellectual property and best supporting and leading roles.
Compared to John Carpenter’s 1980 sci-fi horror The Thing but on a Scottish oil rig, the game sees players take on the role of an electrician trapped on a damaged facility while being pursued by monsters.
Still Wakes The Deep. Pic: Sumo Digital Limited
Developer The Chinese Room has been praised for using home-grown talent to voice the characters, including comedian and actress Karen Dunbar, who picked up best performer in a supporting role for voicing Finlay.
“I’ve been nominated for quite a few BAFTAs in my time in Scotland, and I’ve never won one,” said Dunbar.
“It was such a great category, so many great performances. When they shouted my name, I think I started clapping for someone else!”
Read more: See full list of winners
Still Wakes The Deep star Karen Dunbar won best performer in a supporting role. Pic: BAFTA
Meanwhile, best multiplayer game went to Helldivers II – a satirical, sci-fi shooter that sees players fight bugs, aliens and robots with the gumption and gullibility of the characters in Paul Verhoeven’s Starship Troopers.
It has gained a cult following since launching in February 2024 with so much initial interest it created server problems.
“Games for me are about connecting people and forging those bonds of friendship and the multiplayer award is exactly what it stands for,” said Johan Pilestedt, chief executive of Arrowhead Game Studios.
Helldivers II. Pic: Arrowhead/Sony
From outer space to a fictional Yorkshire town called Barnsworth. Thank Goodness You’re Here! – a cartoonish, comedy platformer – won Best British Game. Like Still Wakes The Deep, it has won praise for the authenticity of its actors and setting.
“I think it’s been a real privilege to be able to represent Barnsley on the silver screen,” said Will Todd, who is from the town and one of two game designers behind the project.
Thank Goodness You’re Here! Pic: Coal Supper/Panic Inc
Co-creator James Carbutt added: “Me and Will wrote everything in our tone of voice, quite literally. The further along development we got, the more we lent into it. I think the voices from different parts of the UK and different voices in gaming are super important, and hopefully we’re one of them.”
By the time the BAFTAs wrapped up, Senua’s Saga: Hellblade II was only handed one of the 11 BAFTAs it was nominated for, technical achievement.
Senua’s Saga: Hellblade II. Pic: Ninja Theory
But developers Ninja Theory are already adding this year’s win to a tally of five BAFTAs they were awarded for the first game in the series, which created a protagonist with psychosis by drawing on clinical neuroscience and the experiences of people living with the condition.
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