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Billie Eilish has announced a new tour and will be coming to the UK next summer.

The 22-year year old‘s show is named after her latest album – Hit Me Hard And Soft – and will kick off in North America in September.

It will then head to Australia in February 2025, before travelling across Europe and arriving in the UK on 7 July when she will perform for two nights in Glasgow, at OVO Hydro.

Eilish will then play six nights at the O2 in London, and four nights at the new Co-Op Live arena in Manchester – a venue that has been beset with problems as it prepares to open to the public.

The singer will then play two gigs in Dublin, Ireland, at the 3Arena.

A vocal environmentalist, fans are being encouraged to take “sustainable transport” during the tour, which will also feature “eco-villages” and encourage plant-based food options.

The tour will partner with the plant-based food organisation Support + Feed – an initiative founded by Eilish’s mother Maggie Baird – and environmental non-profit organisation REVERB.

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The concerts will also aim to reduce “greenhouse gas pollution, decreasing single-use plastic waste, supporting climate action”, the promoters Live Nation said.

Eilish’s third studio album comes out on 17 May, a month after Taylor Swift‘s much lauded album The Tortured Poets Department.

Like Swift, Eilish is encouraging fans to listen to the collection as a whole, saying on her website that the new body of work should be listened to chronologically as it “hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way”.

She’s not released any singles in advance, encouraging fans to listen “in one go”.

The album cover features Eilish on her back under dark water with a white door open above her.

Finneas, left, and Billie Eilish accept the award for song of the year for "What Was I Made For?" during the 66th annual Grammy Awards on Sunday, Feb. 4, 2024, in Los Angeles. (AP Photo/Chris Pizzello)
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Eilish and Finneas accept their second Oscar. Pic: AP /Chris Pizzello

Eilish’s last album was 2021’s Happier Than Ever, and her debut record When We All Fall Asleep, Where Do We Go? was released in 2019.

The youngest person ever to have won two Oscars, she took home the award for best original song Oscar gong for Barbie’s What Was I Made For? in March, and won the same prize for James Bond’s No Time To Die in 2022.

Tickets for Hit Me Hard And Soft go on general sale on Friday.

Billie Eilish’s UK tour dates:

Mon 7 July, 2025 – Glasgow, UK – OVO Hydro

Tue 8 July, 2025 – Glasgow, UK – OVO Hydro

Thu 10 July, 2025 – London, UK – The O2

Fri 11 July, 2025 -London, UK – The O2

Sun 13 July, 2025 – London, UK – The O2

Mon 14 July, 2025 – London, UK – The O2

Wed 16 July, 2025 – London, UK – The O2

Thu 17 July, 2025 – London, UK – The O2

Sat 19 July, 2025 – Manchester, UK – Co-op Live

Sun 20 July, 2025 – Manchester, UK – Co-op Live

Tue 22 July, 2025 – Manchester, UK – Co-op Live

Wed 23 July, 2025 – Manchester, UK – Co-op Live

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
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Eline Van der Velden said she wanted the character to ‘have her own creative path’

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Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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Creator of AI actress Tilly Norwood addresses claims she’ll ‘steal jobs’ from real stars

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Read more:
How AI music is fooling most of us
Tom Hollander ‘not scared’ of AI star

Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

Continue Reading

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