Peter Andre says the famous shirtless dancing in a lagoon for his hit 90s single Mysterious Girl was all his own idea.
Speaking about the video for the global hit, the 51-year-old told Sky News: “We were climbing up a waterfall and I said, ‘Guys, this looks like a great location,’ because I was really part of developing this whole image.
“So, I climbed up in my jeans looking at this place, and I went, ‘Start filming here, this looks like great lighting’.”
Image: Peter Andre in a swimming pool in 1996. Pic: Rex Features
The 1995 reggae / dancehall track featuring rapper Bubbler Ranx was a top 10 hit around the world and reached number two in the UK on its re-release the following year.
In the music video, which was filmed in Thailand, a topless Andre dances and sings while inexplicably wearing a pair of jeans and a belt in a lagoon, in front of a waterfall and on a beach.
Image: Andre and his wife Emily MacDonagh. Pic: PA
Now a father of five, Andre says his children have seen the video and are “proud,” adding “but there are also a few eyerolls… to everything [in the video] really”.
Andre married doctor Emily MacDonagh in 2015 and welcomed their third child in April. He has four other children, seven-year-old son, Theo, and daughter, Amelia, 10, whom he shares with MacDonagh, and 18-year-old son Junior and daughter Princess, 16 – whom he shares with his ex-wife, Katie Price.
As for his slicked-back curtain hairstyle – which was very much en vogue at the time – Andre says he misses it: “I wish I carried it on.”
Image: Peter Andre in 1995. Pic: Fryderyk Gabowicz/picture-alliance/dpa/AP
‘A decline of music videos since the 1980s’
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Discussing nostalgia and looking back at changes in the music industry, Andre said times have definitely changed. “I think the 80s were when videos were the most important and then it was a slight sort of decline after that. I think 90s was popular, but as it’s gone on, videos have been less effective.”
He added: “If you look at the 80s, specifically, superstars were superstars.
“If Madonna was on the radio, you knew it was Madonna. If Michael Jackson came on the radio, you knew it was Michael Jackson.
“Now there are great songs out there, but you don’t know who’s who unless you’re in with what’s going on on social media. So, it’s a different time.”
Image: Andre was married to Katie Price until 2009. Pic: Reuters
He says the time when “people would wait to go to the store and buy a record and it would be such a huge moment” is long gone.
He admits when recently showing his kids a VHS tape – the way everyone recorded TV and film in the 70s and 80s – they were utterly baffled, asking him “What is that?”
As for his own success in the industry, Andre says he thinks it’s largely due to working with one of the world’s biggest female music stars.
“I can only be grateful for what happened to me because my first big gig was touring with Madonna in Australia in 1980,” he said.
“I was the opening act, the only act actually for the Girly Tour in Australia… And then I came to England as an unknown after selling out arenas in Australia and it was just crazy.”
Brazilian police say they foiled a bomb attack planned for a Lady Gaga concert on Rio de Janeiro’s Copacabana beach that attracted an estimated 2.1 million people.
The plot was orchestrated by a group promoting hate speech and the radicalisation of teenagers, including self-harm and violent content as a form of social belonging, according to the Civil Police of Rio de Janeiro, which worked in coordination with the country’s justice ministry.
“The suspects were recruiting participants, including minors, to carry out coordinated attacks using improvised explosives and Molotov cocktails,” the force said.
The justice ministry said the recruiters identified themselves as Gaga’s fans, known as “Little Monsters”.
It said Operation Fake Monster was based on a report by the ministry’s cyber operations lab following a tip-off from Rio state police intelligence, which uncovered digital cells encouraging violent behaviour among teenagers using coded language and extremist symbolism.
Authorities carried out over a dozen search and seizure warrants, and a man described as the group’s leader was arrested in the southern state of Rio Grande do Sul for illegal possession of a firearm, and a teenager was detained in Rio de Janeiro for storing child abuse images.
Image: Lady Gaga performing at the huge open-air concert. Pic: Reuters
Gaga’s biggest ever show
Some 500,000 tourists travelled to watch the concert, which was paid for by the city in an attempt to boost the struggling economy.
Saturday night’s two-hour show, which marked Gaga’s biggest ever, marked the first time she had played in Brazil since 2012, having cancelled an appearance at the Rock in Rio festival in 2017 over health issues.
Gaga, who released her seventh studio album, Mayhem, in March, opened with a dramatic, operatic edition of her 2011 track Bloody Mary, before launching into Abracadabra, a recent track.
Image: Pic: AP
Image: Pic: AP
“Brazil! I missed you. I missed you so much,” she exclaimed, before launching into Poker Face, one of her biggest hits.
The American pop star drew in a similar crowd to Madonna’s in May last year, who performed at the same beach, which is transformed into an enormous dance floor for the shows.
Addressing the crowd in English and through a Portuguese translator, Gaga became emotional as she said: “I’m so honoured to be here with you tonight.
Image: Gaga addresses the crowd. Pic: Reuters
Image: Gaga seen performing on giant screens set up across the beach. Pic: Reuters
“Tonight we’re making history, but no one makes history alone. Without all of you, the incredible people of Brazil, I wouldn’t have this moment. Thank you for making history with me.
“The people of Brazil are the reason I get to shine today. But of all the things I can thank you for, the one I most am grateful for is this: that you waited for me. You waited more than 10 years for me.”
She said it took so long to come back because she was “healing” and “getting stronger”. The pop sensation cancelled many of her shows in 2017 and 2018 due to her fibromyalgia condition, which can cause pain and fatigue.
It is estimated Gaga’s show will have injected around 600 million reais (£79.9m) into the economy, nearly 30% more than Madonna’s show.
The large-scale free shows are set to continue annually until at least 2028, always taking place in May, which is considered the economy’s “low season”, according to the city’s government.
A hefty security plan was in place, including the presence of 3,300 military and 1,500 police officers, along with 400 military firefighters.
‘A dream come true’
Image: Pic: AP
The city has been swarmed with Gaga fans since her arrival on Tuesday, with some even keeping vigil outside of the hotel she has been staying at.
Many arrived at the beach at the crack of dawn on Saturday to secure good spots on the beach, despite the show not starting until 9.45pm.
Image: An aerial view shows fans gathering on Copacabana beach ahead of Lady Gaga’s arrival. Pic: Reuters
Ana Lara Folador, who attended with her sister, said it was “a dream come true”, and that Gaga had “really shaped a part of my personality, as a person and an artist”.
Ingrid Serrano, a 30-year-old engineer who made a cross-continent trip from Colombia to Brazil to attend the show, turned up in a T-shirt featuring Lady Gaga’s outlandish costumes over the years.
“I’ve been a 100% fan of Lady Gaga my whole life,” she said, adding the 39-year-old megastar represented “total freedom of expression – being who one wants without shame”.
Image: A fan dons an unusual face mask. Pic: AP
Image: A fan strikes a pose. Pic: AP
Matheus Silvestroni, 25, an aspiring DJ and a Gaga fan since the age of 12, endured an eight-hour bus ride from Sao Paulo for the show.
He said it was Gaga who had inspired him to embrace his sexuality and pursue his dream of becoming an artist.
“I was bullied because I was a fat, gay kid, so I was an easy target,” he said. “Gaga was very important because she sent a message that everything was okay with me, I wasn’t a freak, because I was ‘Born This Way’.”
Rio is known for holding massive open-air concerts, with Rod Stewart holding a Guinness World Record for the four million-strong crowd he drew to Copacabana beach in 1994.
John Lithgow is a man well aware of cancel culture and its ability to destroy careers in the blink of an eye.
The Oscar-nominated actor tells Sky News: “It is terrible to be so careful about what you say. Even in an interview like this. It goes into the world, and you can get misconstrued and misrepresented and cancelled in [the click of a finger].”
Image: Roald Dahl is the subject of West End play Giant, by Mark Rosenblatt. Pic: Johan Persson
It’s a theme that runs parallel with his latest work – the stage show Giant – which through the lens of one explosive day in children’s author Roald Dahl‘s life, poses the question, should we look for moral purity in our artists?
The writer of great works including The Witches, Matilda and The BFG, Dahl revolutionised children’s literature with his irreverent approach, inspiring generations of readers and selling hundreds of millions worldwide. But his legacy is conflicted.
Lithgow describes Dahl as “a man with great charm, great wit and literary talent. A man who really cared about children and loved them. But a man who carried a lot of demons.”
Specifically, the play – which explores Palestinian rights versus antisemitism – deals with the fallout from controversial comments the children’s author made over the Israeli invasion of Lebanon in 1982. Its themes couldn’t be more timely.
Lithgow explains: “Things are said in the play that nobody dares to say out loud… But God knows this is a complicated and contradictory issue.”
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Image: John Lithgow plays Dahl – a man capable of ‘great compassion’ and ‘enormous cruelty’. Pic: Johan Persson
‘It didn’t start as an idea about Roald Dahl at all’
So controversial are some of the play’s themes, the 79-year-old star admits his own son warned him: “Prepare yourself. There’ll be demonstrations in Sloane Square outside the Royal Court Theatre.”
Indeed, the play’s first run carried an audience warning flagging “antisemitic language; graphic descriptions of violence; emotional discussion of themes including conflict in the Middle East, Israel and Palestine; and strong language”.
But it didn’t put audiences off. Following a sold-out run at the Royal Court, the role won Lithgow an Olivier. Now, it’s transferring to London’s West End.
The play was written by Mark Rosenblatt, a seasoned theatre director but debut playwright.
He tells Sky News: “It didn’t start as an idea about Roald Dahl at all. It was about the blurring of meaningful political discourse with racism, specifically when, in 2018, the inquiry into antisemitism in the Labour Party started to come out.”
Rosenblatt describes Dahl’s Revolting Rhymes and Dirty Beasts as the “wallpaper” of his childhood, and says he had no desire to “smash the Roald Dahl pinata”.
But despite the fond recollections, he was conflicted: “Understanding that [Dahl] also, possibly, didn’t like someone like me because I’m Jewish felt complicated.” It was Rosenblatt’s exploration of “how you hold those two things at the same time” that led to Dahl becoming the play’s focus.
Image: Elliot Levey plays Dahl’s Jewish publisher, and Aya Cash plays an American Jewish sales executive. Pic: Johan Persson
‘He’s not cancelled in our home’
Rosenblatt describes him as “a complex man, capable of great compassion, great passionate defence of oppressed people, and also capable of enormous cruelty and manipulation. He was many things at once”.
And as for Dahl’s place in his life now? Rosenblatt says: “I still read his books to my kids. He’s certainly not cancelled in our home.”
It’s likely that Dahl’s comments, if uttered today, would lead to swift social media condemnation, but writing in a pre-social media age, the judgment over his words came at a much slower pace.
Dahl died in 1990, and his family later apologised for antisemitic remarks he made during his lifetime. But the debate of whether art can be separated from the artist is still very much alive today.
Earlier this month, Lithgow found himself drawn into a different row over artists and their opinions – this time concerning author JK Rowling.
Image: JK Rowling in 2019. Pic:AP
‘A matter of nuance’
Soon to play Dumbledore in the Harry Potter TV series, he has been criticised by some fans for working with the author known for her gender critical beliefs.
Lithgow told Sky News: “It’s a question I’m getting asked constantly. I suppose I should get used to that, but JK Rowling has created an amazing canon of books for kids…
“I have my own feelings on this subject. But I’m certainly not going to hesitate to speak about it. Just because I may disagree… It’s a matter of nuance… I think she’s handled it fairly gracefully.”
The actor ignored calls not to take the role.
He goes on: “Honestly, I’d rather be involved in this than not. And if I’m going to speak on this subject, I’m speaking from inside this project and very much a partner with JK Rowling on it.”
Demanding an eight-year commitment and a move to the UK for the part, the stakes are high.
And with a legion of Harry Potter fans watching on from the wings, only time will tell if the Lithgow-Rowling partnership will prove a magical one.
Giant is playing at the Harold Pinter Theatre in London until Saturday, 2 August.
Lorraine Kelly has revealed she is undergoing surgery to remove her ovaries and fallopian tubes.
The 65-year-old TV presenter posted a video of her in a hospital bed on Instagram, and said “I’ve not been feeling all that well for a little while”.
Kellyadded she “had a little scan and I have to have my ovaries and my tubes taken out” with keyhole surgery.
She said that the procedure is “purely preventative,” and that “I’m going to be totally fine, see you soon”.
According to the NHS, keyhole surgery – also called laparoscopic surgery – is carried out using several small incisions.
The procedure can take between one and two hours, and doctors recommend staying off work for two to four weeks after the surgery.
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In the caption, the ITV presenter wrote she felt “very lucky to be treated so well” and thanked gynaecologist Dr Ahmed Raafat and hospital staff.
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Good Morning Britain presenter Susanna Reid said she was “sending you all the love in the world”, while TV presenter Julia Bradbury added: “Wishing you a speedy recovery Lorraine, and good luck with the post op rehab.”