Like all good (just about) millennials, my Instagram algorithm knows me better than anyone else.
Who and what do I spend my scroll time with? Dogs, mainly. Celebs in the ’90s, holiday cabins that are all floor-to-ceiling glass and breathtaking views and eyewatering prices. More dogs.
But over the past few months, something else has crept in: bare faces with swatches of different coloured fabric draped across their chests like rainbow napkins, their features brightening or dulling as the bibs are changed with a flourish by a stylist.
Pictures of celebrities with rainbow borders framing their faces fill my feed, sometimes with before and digitally altered “after” images side-by-side, showing how different our favourite stars might look with, say, a slightly warmer blonde tone to their hair, or in a silver dress rather than gold.
Welcome to the world of colour analysis – the science, the stylists say, behind the clothes that make you look good.
Like Avon parties, shoulder pads and blancmange, knowing your colour season was de rigueur in the 1980s, before the 1990s ushered in a more laidback approach, followed by instructions on What Not To Wear and How To Look Good Naked, focusing on body shape, in the noughties.
But colour styling is back.
In the past year or so, the trend has exploded on social media thanks to demand from millennials and Gen Zs who have discovered the power of knowing your season – search for #colouranalysis or #coloranalysis and you’ll find around 300,000 posts on Instagram alone, with similar numbers on TikTok.
Colour stylists say that not only is it a fun way to look at fashion, it’s also sustainable and a cost-saver – the idea being that if you know your colours, you’re not going to waste money on items that don’t optimise your looks.
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What is colour styling?
The idea is that every single person’s features can be classified into a set of shades associated with spring, summer, autumn or winter – broken down further into 12 sub-seasons such as “true spring” or “bright winter” – and from this palette you can take guidance on the colours that suit you best, not just for clothing but also for make-up and hair.
Winters look great in jewel tones such as emerald green, or neon brights, while autumns suit the colours you associate with the season – mustard, cinnamon, dark moss green. Springs are warm, bright and clear, summers more soft and subtle. But your season is not just about how you look on the outside, and some might surprise you.
Watching the switching of colour drapes, or scrolling through the digital equivalent, can feel like a magic trick; a glow-up without a hint of highlighter or hair dye. Stylists assure this is #nofilter and there is no digital trickery going on here; the wrong colours will wash you out, but the right colour on the right person could well make your eye bags and wrinkles all but melt away.
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Having watched this content from various colour stylists over the past few months, I have learned a lot about seasons, palettes and contrast, and undertone v overtone, warm v cool, clear v muted. I have learned that you might share the same eye, skin and natural hair colour as someone else and still be in a different season. That your colour season is not about skin colour or even tone.
And that, apparently, despite black being a go-to or a comfort blanket for many, it’s only – brace yourselves – those in the winter palette who truly suit it.
So now, in the interest of journalism, I’m finding out for myself.
Anyone who knows me will know my wardrobe is on the brighter side. I think I’m a spring. I hope I’m a spring. Am I a spring?
Have I been wearing the ‘wrong’ colours all my life?
I have my colours done by Francesca Cairns, a UK stylist of 10 years who says she has seen her Instagram following grow from about 10,000 to 500,000 across two accounts in the past 12 months or so, all thanks to colour analysis.
“It’s boomed, especially in the last year,” she says. “Gen Z want to learn about what works for them so they can create wardrobes that are sustainable. People are obsessed with it, it’s everywhere.”
Francesca works online, with clients internationally as well as in the UK, so needs photos. No make-up, natural lighting, standing in front of a window. I take about a million selfies before I find a couple that are vaguely passable and send them over, along with older pictures of myself over the years and some information: natural hair colour, (dark blonde/ mousey), eye colour (grey-green, a bit non-descript), how easily I tan (not bad) and my jewellery preference (silver; but, if I’m honest, this could well be a legacy from my frugal youth).
Rather than draping with material in person, she surrounds your face with colour digitally, the style equivalent of Tinder, swiping yes on the shades that work, relegating the ones that don’t, to see a pattern.
It’s mainly about undertone – not skin colour (overtone), she says. The tricky thing? You can’t necessarily see it.
“When I look at someone, I’m putting silver and gold next to them, or very warm versus cool colours,” Francesca says. “I’m seeing which looks best next to their features, which one’s not overpowering them.”
The aim of wearing your best colours is to see your face first, before everything else, she says. The right colour will enhance your features, bring out your eyes. “You don’t want a dress to wear you,” Francesca says. “When you walk into a room, you want people to see your face and your features before your outfit. You want it to all be in harmony rather than overpowering you.”
Her process usually takes 48 hours, but Francesca has my results over to me the next day.
I am, it seems, not a spring.
According to Francesca’s workings, I am a soft summer, just like Rihanna, Sarah Jessica Parker and Rachel McAdams. I have a neutral undertone which leans cool, she tells me, with muted and soft colouring, subtle rather than high contrast. Baby blue, pine green, lavender, sage and taupe are on the list of recommended clothing colours, while ash brown and cool blonde are suggested for my hair (not too far off, but my highlights are probably on the warmer side).
I do own a fair bit of light blue denim, which is good, but I’m looking at all the bright greens, oranges and pinks in my wardrobe. This isn’t about my favourites, though, it’s about the ones that harmonise with my features best.
“It’s colour science,” Francesca says. “If someone’s got a warm undertone, nine out of 10 times they’re probably going to be in the spring or autumn seasons because they look better with a lot of warm tones most of the time. But if you’re neutral, you can border both the seasons.” As I’m neutral, she says some of the spring colours would work – but winter is too high contrast and cool-toned.
Someone with a high contrast – pale skin, dark hair, bright eyes, for example – can pull off high contrast colours such as cobalt blue and fuchsia pink. “But they might overpower someone who’s got softer features,” she says.
Celebs in – and out – of season
It’s important to note that colour analysts don’t always agree. Some put Margot Robbie as a summer, for example, while others, including Francesca, say she’s a spring. Some say you have to do the analysis in person to be certain, while others say photos taken in the right conditions are enough.
I take an online colour quiz for a second opinion and it puts me as a spring, but this is without photographic evidence; I can’t help but think the result is probably something to do with the questions being mainly about the colours I’m drawn to and how I see myself.
Francesca is confident in my summer analysis, but says I can lean into the spring palette. And this isn’t about throwing away an entire wardrobe, but potentially making tweaks.
“Colour analysis isn’t about restriction,” she says. “I’m an autumn. People ask me all the time if I still wear black? Yes, because 90% of my wardrobe before I did this was black. I’ll always wear black, but I’ll make it work for me better by wearing my make-up in my colours, or accessories round my face, wear black lower down or with a lower neckline.
“If you love a colour that’s not in your season it doesn’t mean you can’t wear it, it just means that you wear your colours with it or make it work for you in a different way. And when I post celebrities against different [background] colours, it can be quite subjective.”
Because being groomed and beautiful means stars often look good against all sorts of different shades.
“People might prefer them in a different [colour to their season] and that’s their opinion. But when it comes down to the trained eye and you know what you’re looking for, you see straight away why one palette works better than another.”
But wearing colours out of your season can pack a punch – think Taylor Swift‘s platinum white hair and dark lipstick look during the height of the Kim and Kanye feud in 2016, or Beyonce‘s current platinum look for the release of Cowboy Carter. Swift is a spring, apparently, while Beyonce is autumn.
“But I’m always training my eye, even now after years,” says Francesca. “You’ll always find that someone’s colours will always surprise you. And there’s no rule book – it’s all about having fun.”
The BBC was alerted to Gregg Wallace’s “unacceptable” behaviour while filming Inside The Factory more than a year and a half ago, Sky News can confirm.
A memo to staff at the Nestle factory in York shows concerns were raised with both the broadcaster and production company Voltage TV after Wallace’s final visit in February 2023.
The memo, which was shared on the company intranet, says the “experience of some of the team taking part in the filming had not been a pleasant one” and had “compromised” Nestle’s values.
An accompanying letter from Nestle’s head of media relations to the factory manager states: “We have written to the production company… and spoken to the BBC to bring our unacceptable experience to their attention in the hope that it is not repeated in other workplaces around the UK.”
While the letter does not name Wallace directly, it is understood to be in reference to him.
Wallace, who is best known for being a MasterChef presenter, is facing allegations of inappropriate behaviour from more than a dozen people across a range of shows over a 17-year period.
His lawyers have said it’s “entirely false that he engages in behaviour of a sexually harassing nature”.
Wallace quit as co-presenter of Inside the Factory in March 2023, saying he intended to focus on other TV commitments, and his young son, who is autistic.
At the time, there were reports the 60-year-old former greengrocer had offended some staff at the York factory with inappropriate comments.
The company’s memo reiterates a “zero-tolerance approach towards any allegation of discrimination, harassment or bullying of any kind in the workplace, whether this be by an employee, contractor, or visitor”.
It was the programme’s fifth visit to a Nestle site and its third to York, but the memo says “we will not be working with Inside the Factory again in the future” as the show “did not meet our high standards of respect”.
“We will not tolerate any kind of racism, misogyny, homophobia, bullying, exclusion or harassment and we have strict policies in place to deal swiftly and decisively with this kind of behaviour,” the memo adds.
Sky News has contacted representatives for Wallace, and the BBC and Voltage TV for comment.
Earlier on Tuesday, the BBC confirmed it was pulling three repeat episodes of Inside The Factory from the Christmas schedule.
It told Sky News it would not be removing them from iPlayer “at this stage”.
Wallace has temporarily stepped down from the cooking show while the complaints are externally reviewed by a law firm.
Groping allegation
More allegations against the presenter surfaced on Tuesday – with two women claiming Wallace had inappropriately touched them.
One told the BBChe “groped” her bottom, while another alleged he laughed after touching her bottom “with his waist and penis” when brushing past her.
A third claimed Wallace’s penis was partially exposed in his dressing room in what she felt was a “power play”.
The Guardian also reporteda complaint that he once asked a sign language interpreter to translate “big boobs” and “sexy bum” in front of the audience at the BBC Good Food Show.
Sky News has also asked the BBC and Wallace’s representatives for comment on these claims.
An increasing number of people have accused the presenter of inappropriate sexual comments in recent days, including a former contestant who told Sky News one remark left her crying in the toilets.
Jackie Kearney said she had been “troubled” by Wallace’s “household favourite status” as she felt he was “a bit of a sleaze behind closed doors”.
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‘If it’s just banter then why am I crying in the toilet?’
Banijay UK has appointed law firm Lewis Silkin to lead the investigation.
A spokesperson said the company takes complaints “incredibly seriously” but will not comment on individual allegations while the external investigation is ongoing.
“It is important to note that MasterChef welfare processes are regularly adapted and strengthened and there are clear protocols to support both crew and contributors,” the Banijay spokesperson said.
“These include multiple ways of reporting issues, including anonymously.”
In response to reports multiple complaints had been raised with the BBC, a source for the corporation said it would not comment on individuals or any internal HR processes, but that it would be “wrong to report the BBC has done nothing if or when matters have been raised with us – not least because it is already being widely reported there were interventions in both 2017 and 2018 where action was taken”.
Last week, a BBC spokesperson said any issues raised are taken seriously and there are “robust processes in place” to deal with them.
“We are always clear that any behaviour which falls below the standards expected by the BBC will not be tolerated,” they said.
Ghetts, Jorja Smith and Central Cee are among the artists leading the nominations for this year’s MOBO Awards.
They all have three nods, alongside Sampha, Bashy, Cleo Sol and Odeal, while Brit record-breaker Raye is up for two awards and Beyonce, Kendrick Lamar, Nicki Minajand Tyla are among the stars in the running for best international act.
As previously announced, the 2025 ceremony will take place in Newcastle in February. The MOBOs, which have been running since 1996, celebrate black music and culture, from established names to up-and-coming talent.
For Bashy, who is also a successful actor – known for his role as Jermaine Newton in Top Boy – the nominations come following his return to music with his first album in 15 years.
The record, Being Poor Is Expensive, looks back at his childhood and has earned him a place in the shortlists for best male act, best hip-hop act, and album of the year.
He has competition from Cleo Sol’s Gold, Ghetts’s On Purpose, With Purpose, Jorja Smith’s Falling Or Flying, Sampha’s Lahai and Skrapz’s Reflection in the album category.
Both Smith and Sol are up for best female, alongside Darkoo, Little Simz, Nia Archives and Raye, while Central Cee, D-Block Europe, Ghetts, Nemzz and Sampha are in the running against Bashy for best male.
Central Cee will be hoping to take the best male gong for the third year in a row – and is also shortlisted for best drill act and song of the year, for Band4Band, featuring Lil Baby.
Other tracks in the running for song of the year are Backbone, by Chase & Status and Stormzy; Favourite Girl, by Darkoo featuring Dess Dior; Kehlani, by Jordan Adetunji; Pink Lemonade, by LeoStayTrill; and Soh-Soh, by Odeal.
Stars including Headie One, Nines, PinkPantheress, Bob Vylan and Shygirl are also in the mix, nominated in genre categories including best hip-hop, best electronic and dance, and best alternative act.
Film and TV contributions are also recognised – with Netflix series Supacell garnering nods for Ghetts for his role as Krazy, as well as for Josh Tedeku, who plays Tazer, and Tosin Cole as Michael.
EastEnders also picks up nominations in the same category for Angela Wynter as Yolande Trueman and Diane Parish as Denise Fox, while Jasmine Jobson is shortlisted for her performance in Top Boy.
The MOBO Awards take place at Newcastle’s Utilita Arena on 18 February.
Debbie Nelson, the mother of rapper Eminem, has died at the age of 69.
Her death was confirmed by Eminem’s representative Dennis Dennehy on Tuesday.
The cause of death is yet to be confirmed, although Ms Nelson had battled lung cancer.
Eminem, whose real name is Marshall Mathers III, often highlighted the strained relationship he had with his mother in his music.
In two of his most popular songs, My Name Is and Cleanin’ Out My Closet, he accuses Ms Nelson of drug abuse and neglect.
In the 2002 hit Cleanin’ Out My Closet he says: “Witnessin’ your mama poppin’ prescription pills in the kitchen”. He later claims she was “trying to take what you didn’t help me get”.
Later the same year, a fictionalised version of his mother who is an alcoholic, was played by Kim Basinger in the semi-autobiographical film 8 Mile which the rapper also stars in.
Ms Nelson brought and settled a pair of defamation lawsuits over Eminem’s statements about her in magazines and on radio talk shows.
But in her 2008 book My Son Marshall, My Son Eminem, she attempted to set the record straight.
The book’s blurb claims that she was a “single mother who wanted the world for her son, only to see herself defamed and shut out when he got it”, Sky News’ US partner network NBC said.
She also shared details about the rapper’s early life, writing that Eminem had forgotten the good times they had.
Over the years, the tensions between the two seemed to simmer, with the rapper apologising to Ms Nelson in his 2013 song Headlights.
“Cause to this day we remain estranged, and I hate it though,” he raps, adding: “Cause you ain’t even get to witness your grandbabies grow. But I’m sorry, momma, for Cleanin’ Out My Closet. At the time I was angry, rightfully? Maybe so. Never meant that far to take it, though.”
Ms Nelson also publicly congratulated her son in 2022 after he was indicted into the Rock and Roll Hall Of Fame, Billboard reported, saying in a video shared at the time: “I love you very much. I knew you’d get there. It’s been a long ride. I’m very, very proud of you.”