The 68th Eurovision Song Contest is taking place in Malmo, Sweden, this year.
It’s a spiritual homecoming of sorts with Sweden’s supergroup Abba – who are the most famous band ever to come out of the contest – crowned the winners 50 years ago.
Loved and loathed in equal measure for its euro pop earworms, evocative power ballads, and eye-watering novelty acts, there’s no clear frontrunner for this year’s show – meaning it’s all to play for.
The political elephant in the room is of course Israel’s participation in light of the ongoing Gaza war, with many artists encouraged to boycott the event due to their participation.
As it stands, no act has withdrawn from the contest.
So, with 37 countries heading into the semi-finals ahead of a grand final featuring 26 songs on Saturday, who might we see take first place on the night?
The top three
Croatia is currently the country to beat, with Baby Lasagne (real name Marko Purisic) singing Rim Tim Tagi Dim.
The 28-year-old bleach-blonde frontman says the title doesn’t translate as anything, other than a catchy repeated riff, but a serious theme lies beneath the full-on performance.
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Image: Croatia’s Baby Lasagna with Rim Tim Tagi Dim. Pic: Sarah Louise Bennett/EBU
The song describes the tension of young Croatians leaving their homeland to seek better opportunities abroad, through the character of a farm boy who leaves his home – and his cat – to become a “city boy”.
Another hot favourite is Switzerland, with Nemo singing The Code.
The 24-year-old non-binary performer draws on their childhood opera singing to pull together an impressive song which scales rap, rock, drum ‘n bass and classical opera.
The message in this one is self-acceptance and the freedom for each one of us to live our lives openly and without fear of judgement.
Image: Switzerland’s Nemo with The Code. Pic: Alma Bengtsson/EBU
Meanwhile, a song that’s been growing in popularity is Ukraine’s Teresa & Maria sung by Alonya Alonya and Jerry Heil.
Alonya, 28, is a well-known rapper in Ukraine, while Heil, 32, found fame on YouTube and appeared on the country’s version of X-Factor.
Utterly hummable, the folk-inflected anti-war song paying tribute to Mother Theresa and the mother of Christ has a strong heritage and shares a songwriter with Kalush Orchestra’s winning 2022 entry Stefania.
Image: Ukraine’s Alyona Alyona & Jerry Heil with Teresa & Maria. Pic: Alma Bengtsson/EBU
In with a chance
Also in the running is Italy with Angelina Mango’s La Noia, which translates as “Boredom”.
The 23-year-old told Italian rock magazine Rockol that while boredom is often seen as a negative thing, she sees it as a time for self-discovery, adding: “Between a life of highs and lows and one of boredom, I will always choose one of highs and lows, but I will always leave myself time for boredom too.”
Image: Italy’s Angelina Mango with La Noia. Pic: Alma Bengtsson/EBU
Meanwhile, Netherlands act Joost has by far the biggest earworm of the crop with Europapa – a song that will delight and infuriate in equal measure. Indeed, one early review of the song proclaimed it was so bad, it had the power to “put you off music forever”.
Despite the silliness of the happy hardcore-infused pop song and the OTT nature of his shoulder-pad-enhanced performance, 26-year-old singer Joost Klein had a heartbreaking inspiration for the song – the loss of both his parents by age 13.
Image: Netherlands act Joost with Europapa. Pic: Sarah Louise Bennett/EBU
The track is about an orphan who travels around Europe trying to find himself, as his father taught him to believe in a Europe without borders, celebrating the national food of each nation en route.
Host country Sweden is also seen as having a chance for back-to-back wins, represented by Norwegian twin brothers Marcus and Martinus Gunnarsen performing their presumptuously titled song Unforgettable.
Image: Sweden’s Marcus & Martinus with Unforgettable. Pic: Alma Bengtsson/EBU
But Eurovision voters – made up equally of public votes and a jury of music experts – will of course be the judge of that.
Other notable mentions include France’s Silmane giving a heartfelt rendition of Mon Amour and Ireland’s Bambie Thug singing Doomsday Blue – a song she’s described as “an electro-metal breakdown”.
Image: France’s Slimane with Mon Amour. Pic: Corinne Cumming/EBU
Image: Ireland’s Bambie Thug with Doomsday Blue. Pic: Sarah Louise Bennett/EBU
What about the UK?
As one of the “Big Five” (the countries that contribute the most to the EBU along with France, Germany, Spain and Italy) the UK is guaranteed a place in the final. Plus, as the host nation, Sweden gets an automatic pass too.
This year the UK are represented by ex-Years And Years star Olly Alexander singing the dance-pop track Dizzy.
Performed in a glass box full of boxers, quirky choreography and a catchy refrain have placed it in the top 10, but we’re unlikely to be contenders for the top spot.
Indeed bookmakers reckon the UK are more likely to come last than nail the top spot.
Image: UK’s Olly Alexander with Dizzy. Pic: Corinne Cumming/EBU
Controversy this year
There have been calls on the European Broadcasting Union EBU to ban Israel from competing in the show, due to their ongoing ground offensive in Gaza.
An apolitical organisation, the EBU has said Israel will remain in the competition.
In comparison to Russia’s removal from the show back in 2022 due to its invasion of Russia, the EBU say Israel’s broadcaster Kan hasn’t broken any rules. They say Moscow was banned for using their broadcasting channels as a tool for political propaganda multiple times.
Image: Israel’s Eden Golan with Hurricane for Israel. Pic: Sarah Louise Bennett/EBU
Normally strong Eurovision contenders, four-time winners Israel is represented by 20-year-old Eden Golan, and ranks in the top 10. But how the public will vote for them in the second semi-final heat on Thursday remains to be seen.
Golan’s song Hurricane was Israel’s third proposed entry after contest bosses rejected their first two songs over lyrics deemed political.
More than 34,000 people have been killed, and over 78,000 have been injured in Gaza since the conflict began, according to Gaza’s Hamas-led health ministry.
Israel retaliated after Hamas fighters killed more than 1,000 Israelis and took hundreds of hostages in attacks on 7 October last year.
Any other songs that have stirred up a fuss?
Spain’s entry, Zorra, by husband and wife act Nebulossa, has drawn controversy because its title can be translated as an anti-female slur.
While it’s been officially translated as “Vixen,” it’s a term used in Spain which would translate in the UK as “Bitch” or “Slut”.
Image: Spain’s Nebulossa with Zorra. Pic: Alma Bengtsson/EBU
Lyrics include: “If I head out solo, I’m a bit of a bitch/ If I’m having fun, I’m the biggest bitch/…When I get what I want (bitch, bitch) /It’s never ’cause I deserve it (bitch, bitch) … Well, she’s been empowering herself, And now she’s a picture-perfect bitch.”
The Feminist Movement of Madrid has called for it to be withdrawn from Eurovision, saying it insults women and is not suitable for a family audience.
Singer Maria Bas has argued her lyrics describe how a woman is referred to as a “zorra” no matter what she does, and that the song highlights society’s double standards, reclaiming a word that is weaponised against women only.
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Spain’s prime minister added his twopenneth this week, saying he liked the song and joking about how right-wing critics might have preferred the national anthem used during the Franco dictatorship as Spain’s Eurovision submission.
The hard-right Vox party hit back by saying Pedro Sanchez would prefer to listen to the communist anthem The Internationale.
The Eurovision semi-finals are on Tuesday and Thursday evening, ahead of the grand final on Saturday night.
Sky News will be in Malmo with updates, a live blog, and all the biggest news from the contest as it happens.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.
Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.
Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.
Image: Tom Cruise said ‘I wish you well on the next journey’. Pic: AP
Image: Val Kilmer in 2017. Pic: AP
His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.
Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.
“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.
“I wish you well on the next journey.”
The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.
Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.
Image: Tom Cruise at Caesars Palace on Thursday. Pic: AP
Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.
He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.
Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.
He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.
In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.
The couple had two children before divorcing in 1996.