Ireland’s Eurovision entry, Bambie Thug, has called on the European Broadcasting Union (EBU) to “gain some conscience” and “humanity,” as the contest bosses struggle to keep politics off the stage at the annual competition.
The 31-year-old, who is non-binary and uses the pronouns “they” and “them”, also said “they cried with their team” when they found out Israel had got through to the grand final of the contest.
Image: Eden Golan. Pic: Reuters
Bambie is currently fifth favourite to win the competition with “ouija pop” song Doomsday Blue.
Israel’s act, Eden Golan, will competewith her song Hurricane which was reworked after an initial version titled October Rain was ruled too political by the EBU, which believed some lyrics referred to the 7 October Hamas attacks on Israel.
In March, Bambie was one of the nine contestants – including the UK’s Olly Alexander, Finland’s Windows95Man and Switzerland’s Nemo – who called for a ceasefire in Gaza and the “safe return” of Israeli hostages in a joint statement.
Earlier in the week, Bambie said the EBU prevented them from displaying a pro-Palestinian message during their performance during the first semi-final.
They told reporters at an earlier news conference that they had been forced to change writing painted on their body which had been painted in an early Medieval alphabet which translated to “ceasefire and freedom”.
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At the time, a spokesperson for the EBU said: “The writing seen on Bambie Thug’s body during dress rehearsals contravened contest rules that are designed to protect the non-political nature of the event.
“After discussions with the Irish delegation, they agreed to change the text for the live show.”
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Image: Pic: Reuters
Bambie said for the EBU to better handle future political issues it needed to focus on “gaining some heart and some conscience and some humanity”.
During an earlier rehearsal on Wednesday, Golan was met with some boos and cries of “Free Palestine”, and an audience member appeared to have a Palestinian flag removed from them in the auditorium.
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Eurovision fans boo Israeli singer
Separately, Spain’s state-owned broadcaster hit out at the EBU on Friday, calling for it to respect “press and opinion” at this year’s event.
RTVE wrote on social media: “The Spanish delegation from @eurovision_tve has conveyed to @EBU_HQ its commitment to freedom of the press and opinion and has asked that @Eurovision let them watch it.”
The post was made shortly after it was announced that Madrid would be hosting the Junior Eurovision Song Contest later this year.
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Some 26 countries, including UK entry Olly Alexander, 33, with his track Dizzy, are due to battle it out for the coveted Eurovision glass trophy tonight.
When asked if they and other acts were supportive of him, Bambie said: “I don’t know what exactly happened with the incident, but I am with anyone who was pro-Palestine.”
There is no indication that today’s “incident” is linked to disagreements about the situation in the Middle East.
Joost had been part of the flag parade at the start of Friday’s rehearsal, and walked around the stage in full costume, but then failed to arrive on stage for his performance around 30 minutes later.
He later failed to perform in the grand final jury vote – which is the final rehearsal before the real show.
The EBU – which has said the investigation is “ongoing” – is yet to confirm whether Joost will be performing in the grand final tonight.
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Golan responded to a question over whether she was a ‘security risk’
Bambie also said they were worried Ireland might miss out on votes due to the ongoing boycott to stop Eurovision.
They said: “I’m fearful that we will miss a lot of votes because of the boycotting, and that those then will make someone else have more of a chance to win.
“I don’t think it should, but there are 200 million viewers.”
They said people should vote for Bambie Thug “for art, for change, to shake things up and for best song, best performer in the competition”.
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The crowd chanting ‘Joost’ and booing in response to his absence
Croatia is currently predicted to win the contest, followed by Israel, with fellow non-binary contestant Nemo, who is competing for Switzerland, resting in third place.
Meanwhile, Irish premier Simon Harris has said the “whole country will be rooting” for Bambie, who is the first Irish finalist since 2018.
:: Sky News will be in Malmo with updates, a live blog, and all the biggest news from the final as it happens
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.
Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.
Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.
Image: Tom Cruise said ‘I wish you well on the next journey’. Pic: AP
Image: Val Kilmer in 2017. Pic: AP
His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.
Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.
“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.
“I wish you well on the next journey.”
The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.
Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.
Image: Tom Cruise at Caesars Palace on Thursday. Pic: AP
Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.
He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.
Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.
He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.
In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.
The couple had two children before divorcing in 1996.