Eurovision 2024: Politics pushes its way into the spotlight as final 10 acts announced ahead of grand final
Politics has thrust its way into this year’s Eurovision Song Contest, with several of the finalists referring to ongoing global disputes while speaking about their progression into the final stage of the competition.
Latvian act Dons, whose song Hollow is about insecurity, was the first to use his platform to shine a light on to the troubled geopolitical landscape.
Latvia’s Dons. Pic: Corinne Cumming/EBU
Appearing at a news conference following the selection of the final 10 acts on Thursday, he responded to a question from Latvian media asking him “What was your message tonight?” by saying: “Today was a special day in my life. I’ve never been so proud to be part of the Latvian nation.
“Latvia is the only country in the world that is in the shape of a butterfly. Butterflies symbolise hope and freedom because to be a butterfly you have to fly and you have to be free. Every country in the world deserves to be free.”
He received a loud round of applause within the room.
The competition – which is the largest music contest in the world – is taking place against the backdrop of two wars, with ongoing fighting in both Ukraine following Russia’s invasion in 2022 and in Gaza due to the Israel-Hamas war.
Isreal has made it into the Eurovision semi-final, despite large-scale protests across Malmo. Pic: Reuters
Russia has been banned from the contest for the last two years, with the European Broadcasting Union (EBU) saying it was removed from the competition after repeatedly using its broadcasting channels as a tool for political propaganda.
This year tensions have been running high, with people calling for Israel to be banned from the contest due to actions in the ongoing Israel-Hamas war.
However, the EBU has said that unlike Russia, Israel has not broken any broadcasting rules and so will remain in the show.
A Pro-Palestinian demonstration ahead of the second semi-final at the Eurovision Song Contest in Malmo. Pic: AP
Pro-Palestine groups held large-scale protests across Malmo, Sweden – the host city – as the second semi-final took place today.
Security is high around Malmo, and extra police have been drafted in from neighbouring Denmark and Norway.
Speaking at the end of the briefing, Eden Golan – who will compete for Israel in the grand final – was asked by Polish radio’s Newsletter whether she thought she was causing a security risk for other participants by attending the event.
The moderator of the conference, Swedish presenter Jovan Radomir, told Golan she didn’t have to answer the question if she didn’t want to.
The 20-year-old singer responded by saying: “I think we’re all here for one reason, and one reason only. And the EBU is taking all safety precautions to make this a safe and united place for everyone. And so, I think it’s safe for everyone or we wouldn’t be here.”
Her response was also met with a round of applause.
Following Israel’s progress into the final stage, their betting odds have shot up, putting them in second place to win.
Pic: Sarah Louise Bennett/EBU
Golan was also asked what the most difficult part of her performance was and answered: “I wouldn’t say any part is difficult. I enjoy performing, my everything is performing.
“I feel like I was born for this, and I was given a gift from God to share and make people feel something and touch people’s souls. And this is exactly what I’m doing.
“Of course, there’s stress and nerves and excitement and many, many things around and thoughts. But at the end of the day, I’m very focused and I go on stage and just try to forget about everything around me and give my all and enjoy my time and for what’s next. This is just the beginning.”
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Israel performs at Eurovision semi-final
She performed her song Hurricane dressed in a white dress, flanked by five backing dancers and centred around a large wheel-like prop in the centre of the stage.
During a rehearsal earlier in the week, Golan was met with boos and cries of “Free Palestine”, and an audience member appeared to have a Palestinian flag removed from them in the auditorium.
She has previously said she hopes to unite people through music, echoing Eurovision’s motto, “united by music”.
Netherlands act Joost. Pic: Sarah Louise Bennett/EBU
The moto was also the theme of a question directed at Netherlands act Joost Klein, who was asked, “Do you think that your song can unite us all by music?”
The 26-year-old performer quickly responded: “That’s a good question for the EBU.”
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His song Europapa – one of the biggest earworms of the show and described by one critic as “so bad” it will “put you off music forever“.- is a favourite to win.
Meanwhile, Greek act Marina Satti inadvertently wandered into dangerous ground when answering one of her questions.
Greece’s Marina Satti. Pic: Sarah Louise Bennett/EBU
She jokingly answered “world peace”, when asked about the relevance of tourism in her song’s video, before realising that she could be seen to be referring to the current state of contentious geopolitics.
The 37-year-old singer quickly explained: “I’m kidding. No, it’s just because, such questions [are usually] in the beauty contests, usually world peace is the answer. Sorry. Cringe. Sorry, sorry, sorry.”
Hollywood actress Malin Akerman and Swedish comedian Petra Mede are the hosts of this year’s shows – which culminate in a grand final on Saturday when 26 countries will battle it out for the coveted Eurovision glass trophy.
Sky News will be in Malmo with updates, a live blog, and all the biggest news from the contest as it happens.
Dean Cain has been branded the “worst superman ever” as he announced he will join the US Immigration and Customs Enforcement (ICE) “ASAP”.
The 59-year-old, who was cast as Superman in the TV series Lois & Clark: The New Adventures of Superman, announced he had joined the team amid the federal agency’s unprecedented immigration raids.
He told Fox News on Wednesday his recruitment video on Instagram had gone viral and since then, “I have spoken with some of the officials over at ICE and I will be sworn in as an ICE agent ASAP”.
“You can defend your homeland and get great benefits,” he said in the Instagram post where he appealed for his followers to join ICE.
Speaking with the Superman theme song in the background, he said “hundreds of thousands of criminals” had been arrested since US President Donald Trump took office.
He then told his followers they would get a series of benefits if they joined ICE, including a $50,000 (£37,407) signing bonus and student loan repayment.
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“If you want to help save America ICE is arresting the worst of the worst and removing them from America’s streets,” he said, before adding: “I voted for that.”
ICE agents are under pressure from the White House to boost their deportation numbers in line with Mr Trump’s campaign promise to crack down on illegal immigration.
Cain’s post on Instagram received some backlash, with one user commenting: “Worst superman ever”.
Another said: “Shame on you Dean – that’s the most un-Superman thing you could possibly advocate.”
One fan turned against him and said: “Until I saw this I was such a fan. What a sad human being you must be.”
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Oasis gig at Murrayfield in Edinburgh beats Taylor Swift for most ‘ground-shaking’ concert
Oasis provided the most “ground-shaking” performance at Edinburgh’s Murrayfield Stadium when they last performed there in 2009, according to analysis of seismic data.
The Gallagher brothers’ last Scottish gig has topped the chart for the most powerful seismic concert at the venue in the past 20 years, the British Geological Survey (BGS) said.
Oasis’ June 2009 gig beat the Red Hot Chili Peppers in June 2004, Kings of Leon in June 2011 and Taylor Swift in June 2024 – when measuring the peak earthshaking power of each event.
Noel Gallagher. Pic: PA
The measurements were taken from a seismic monitoring station, some 4km from the venue.
At peak power of 215.06kW, the Oasis gig was more than twice as powerful as the next strongest one by the Red Hot Chili Peppers at 106.87kW.
Murrayfield Stadium’s most seismic concerts:
• Oasis: 17 June 2009, 215.06kW
• Red Hot Chili Peppers: 14 June 2004, 106.87kW
• Kings of Leon: 26 June 2011, 96.18kW
• Taylor Swift: 8 June 2024, 82.56kW
• Foo Fighters: 8 September 2015, 78.65kW
• Harry Styles: 26 May 2023, 65.38kW
• Beyonce: 20 May 2023, 29.31kW
• Robbie Williams: 31 May 2025, 14.18kW
• Bon Jovi: 22 June 2011, 13.20kW
• Spice Girls: 8 June 2019, 10.63kW
• One Direction: 3 June 2014, 6.82kW
The rankings were revealed ahead of Oasis’ return to the Scottish capital this weekend as part of their comeback tour.
The power output is not related to the volume of the band or the crowd; rather, it is the movement of fans jumping and dancing in time to the music, with the height of the jumping and weight of the crowd also potential factors.
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BGS seismologist Callum Harrison said: “In 2009, seismic signals generated by Oasis fans were consistent with a crowd energy of 215kW at its peak – enough to power around 30 of the scooters featured on the iconic Be Here Now album cover.
“Our network of sensors around the country is sensitive enough to pick up ground movement from a source miles away that may not be detectable to humans – and precise enough to register exact timestamps for when the events occur.
“The peak energy reading was recorded around 8.30pm on that June evening back in 2009, which correlates to the time the band first took the stage and performed Rock ‘N’ Roll Star, which couldn’t be more fitting in terms of topping our seismic music chart.”
The BGS keeps an archive of continuous ground motion recordings from seismic sensors around the country, dating back several decades.
Mr Harrison said: “Improving our understanding of historical earthquakes is an important part of BGS research in trying to understand and mitigate the seismic risk around the country.”
Oasis will take to Murrayfield’s stage on Friday, Saturday and Tuesday, so there is potential for another “shakermaker”.
Mr Harrison said it is “certainly possible” the band could top their 2009 gig, adding: “We’ll just have to wait and see.
“The main contributing factors are going to be how energetic the crowd is. If they’re jumping along with the music, how high or how fast are they jumping?”
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