Top Boy, Happy Valley and The Sixth Commandment are the big winners at this year’s BAFTA TV Awards, taking home two prizes apiece.
The final season of the critically acclaimed Netflix series Top Boy was named best drama, with star Jasmine Jobson also named best supporting actress for her portrayal of Jaq Lawrence.
Happy Valley picked up the award for most memorable moment, the only prize voted for by the public, while star Sarah Lancashire was named best actress once again for her portrayal of no-nonsense police sergeant Catherine Cawood – after first winning the prize for the role in 2017.
The Sixth Commandment picked up the awards for best limited drama and best actor for its star, Timothy Spall.
Despite leading the nominations race with eight nods in total, royal drama The Crown left empty-handed.
‘You changed my life’
Crime drama Top Boy follows the lives of Sully (Kane “Kano” Robinson) and Dushane (Ashley Walters) and deals with themes of crime, drugs and violence on the Summerhouse estate in Hackney, east London.
Picking up the best drama award ahead of Happy Valley, Slow Horses and The Gold, producer Charles Steel paid tribute to stars Walters and Robinson.
Jobson also took the chance to tell the BAFTAs audience: “I just want to say I am the woman who has been standing in a group full of men, you have shown me what it is to be strong and independent and how important it is to stand out in a crowd full of people where it’s easy to be invisible.
Yorkshire-based crime drama Happy Valley was another show that came to an end in 2023, bringing to a close the story of Sgt Cawood and Tommy Lee Royce (James Norton), the criminal who destroyed her family.
Accepting the award for best actress, Lancashire said it was an honour to win and praised Sally Wainwright, the writer and creator of the show.
“I would like to acknowledge my fellow nominees and their tremendous work,” she said. “Sally Wainwright, I shall forever be grateful to you for this opportunity.
“I feel very, very privileged to have been surrounded by these brilliant actors and I thank each and every one of you.”
The series also won the memorable moment award for her character’s explosive final kitchen showdown with Royce, beating fellow shortlisted moments including David Beckham teasing wife Victoria about her “working class” roots in the Beckham documentary, and Logan Roy’s death in Succession.
‘Look it up on IMDB’
Picking up the leading actor award for The Sixth Commandment, a true crime drama exploring the murders of Peter Farquhar and Ann Moore-Martin in Buckinghamshire in 2014 and 2017, as well as the subsequent investigation and trial, veteran British star Timothy Spall joked: “Look it all up on IMDB and you will see who was involved because to each and every soul of them, they are brilliant.”
He continued: “Acting is a stupid thing, it’s a soppy old thing, standing up pretending to be someone and p*ssing around in costume. Sixty-seven and you think ‘am I still doing this?’
“But sometimes you get the chance to play people that have had a terrible thing happen to them and all they wanted was love, and it’s a beautiful thing to be able to tell a story about that. It’s about crimes but it’s also about love.”
Looking at his award, he added: “I’ve always wanted one of these. I’m just so pleased to be amongst you lot.”
Elsewhere, Matthew Macfadyen won in the supporting actor category for his performance in the final series of Succession, the conclusion of the drama about the struggle for power in a media dynasty, while Strictly Come Dancing won the best entertainment prize in its 20th year on the air.
Tess Daly, who co-hosts with Claudia Winkleman, described the win as “the best birthday present”.
Squid Game: The Challenge was named best reality TV series, while last year’s Eurovision Song Contest won the award for live event coverage.
And there was a surprise in the international category, when French series Class Act beat huge shows including The Bear and Succession.
Comedy prizes include the hosts
In the comedy categories, Mawaan Rizwan won the award for best male performance for his role in Juice, about a young gay man who desperately wants to be the centre of attention as his family continuously steals his thunder, while Gbemisola Ikumelo won the female performance award for Black Ops.
Accepting his award, Rizwan said: “Thank you to my therapist – we had a conversation last week where we said I had to stop relying on external forms of validation.”
There was even an award for the ceremony hosts, comedians Rob Beckett and Romesh Ranganathan, who took home the comedy entertainment prize for Sky show Rob And Romesh Vs.
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Former Play School children’s presenter Baroness Floella Benjamin was presented with BAFTA’s highest honour, the Fellowship, by newsreader Clive Myrie, while daytime TV queen Lorraine Kelly was also honoured with a special prize, presented by Succession’s Brian Cox.
“Don’t pull up the ladder” to those from working-class backgrounds, Kelly told the crowd as she accepted her prize.
The ceremony also paid tribute to the stars of TV we have said goodbye to in the past year, including talk show host Sir Michael Parkinson, Lord Of The Rings actor Bernard Hill, newsreader George Alagiah, Hairy Biker Dave Myers, film and TV director Roy Battersby and Friends star Matthew Perry.
The first episode of a podcast hosted by AI replicating Sir Michael Parkinson has been released – and comedian and podcaster Jenny Eclair has branded it a “terrible, terrible idea”.
The podcast Virtually Parkinson sees AI technology synthetically recreate the late presenter’s voice and style to interview real-life celebrities.
The first episode released on Monday saw the Parkinson AI speak to R&B singer Jason Derulo, who was answering questions about his upbringing, fatherhood and fracturing part of his neck.
Eclair, who co-hosts the podcast Older and Wider with Judith Holder, said it made her “furious”.
Speaking about the podcast on ITV’s Good Morning Britain, Eclair, 64, said: “I’m furious, because there are living people like me who’ve still got mortgages, I’ve just actually mostly got rid of mine.
“But there’s not enough room. I know he was dearly loved and that sort of thing but there’s loads of back catalogue content that people can help themselves to.
“This is a terrible, terrible idea, we’re all fighting over the same space you know, the podcasts and the telly, and everybody’s desperately trying to say ‘me over here, please listen to my stuff’.
“I’ve got a podcast and I don’t think I can compete with Michael Parkinson, even when he’s not living and breathing.”
Virtually Parkinson’s producers Deep Fusion Films, who created the show with the support and involvement of Parkinson’s family and estate, said: “Jenny’s comments are precisely why the podcast was created, AI is a subject which people have strong opinions about, but is AI as scary as people think it is?
“Is it really coming for people’s jobs? Virtually Parkinson exists to explore the relationship between AI and humans, it simply couldn’t do that without having an AI host, so this is not a case of an AI replacing a human job.
“In fact, the podcast is launched at a time when the creative sector has been hit very hard and many find themselves out of work and Virtually Parkinson has created 15 jobs, which otherwise wouldn’t have existed.”
‘A tribute to my dad’
It was Parkinson’s son, Mike Parkinson, who reached out to the company with the idea of creating the podcast as a way to preserve his father’s legacy, calling it “a tribute to my dad”.
Deep Fusion was already using AI technology – dubbed “Squawk” – to allow live humans to speak with voices from the past.
When Mike Parkinson reached out, Deep Fusion drew from a back catalogue of more than 2,000 of his father’s interviews to recreate his voice and interview technique.
The company also expanded to create the project, hiring a new head of creative AI, an AI prompt engineer, researchers, guest bookers, podcast producers, and a sound engineer.
When the podcast was first announced last year, Mike Parkinson said: “I want audiences to marvel at the technology, the cleverness and cheekiness of the concept, but mostly I want them to remember just how good he was at interviewing and enjoy the nostalgia and happy memories.
“Through this platform, his legacy can continue, entertaining a new generation of fans.”
Podcast comes as government embraces AI future
The show’s launch has coincided with the government’s pledge to “mainline AI into the veins” of the UK, claiming that if AI is “fully embraced”, it could bring £47bn to the economy every year.
Announcing his goals to make the UK “the world leader” in AI, prime minister Sir Keir Starmer said: “Artificial Intelligence will drive incredible change in our country. From teachers personalising lessons, to supporting small businesses with their record-keeping, to speeding up planning applications, it has the potential to transform the lives of working people.
“But the AI industry needs a government that is on their side, one that won’t sit back and let opportunities slip through its fingers. And in a world of fierce competition, we cannot stand by. We must move fast and take action to win the global race.”
RuPaul’s Drag Race star The Vivienne was remembered at a vigil in their home city of Liverpool on Sunday night.
James Lee Williams, originally from Colwyn Bay in North Wales, died on 5 January aged 32.
Hundreds of fans and friends of The Vivienne gathered at Liverpool‘s St George’s Hall.
Buildings across the city were lit up in green to commemorate the drag queen and their role as the Wicked Witch of the West in the Wizard Of Oz musical.
Fellow drag queen Danny Beard said the vigil was “a celebration of someone who touched the lives of so many”.
“The Vivienne was one of the world’s most recognisable drag queens, a proper world class entertainer,” they added.
“And above all a shining beacon in all of our lives and especially for the LGBT community.”
Since The Vivienne first rose to prominence in 2019, they appeared on a number of TV programmes, including Blankety Blank over the Christmas period.
The first episode in the series of Dancing On Ice on Sunday night also featured a tribute to The Vivienne, who competed on the 2023 series.
Presenter Holly Willoughby said many would have been “saddened by the tragic news”.
“They were a huge part of our show, making it all the way to the final in 2023,” she added.
“They will be very sorely missed and our thoughts are with The Vivienne’s loved ones at this time. So sad.”
In a tribute released after Mr Williams’s death, a Dancing On Ice spokesperson said they were “deeply saddened” by the news.
They said Mr Williams had made “TV history through their groundbreaking and spellbinding skating partnership”, becoming the first drag act to reach the Dancing On Ice final.
In an interview withThe Sun, his first since he underwent the lifesaving surgery, the 36-year-old described the moment when he thought he would die.
He said: “If I could go from being absolutely on top of the world to being told ‘the bottom part of your heart isn’t working’, I kept thinking in my head, ‘Well, what if the top half stops working overnight?'”
“That first night I wrote a will, I thought I was going to die,” the 36-year-old musician added.
On the night of 13 December, George said his heart rate and blood pressure dropped, “I felt like I was dying,” he said.
He had a pacemaker fitted by doctors during the surgery, but the former Strictly Come Dancing star said he made a will on his phone fearing the worst.
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Before the surgery, George said his thoughts turned to his partner, British actress Maisie Smith, and his family who he feared he’d leave behind.
He shared updates on social media throughout the process.
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Tom Parker, who also rose to fame in the 2010s with the boy band along with George, died at the age of 33 after being diagnosed with an inoperable brain tumour.