Consistently billed by organisers as non-political, this year’s Eurovision Song Contest had become mired in controversy before the first act even took to stage
As thousands protest against Israel’s inclusion while its war in Gaza continues – despite international calls for restraint – organisers resisted pressure to exclude Israel.
While Israeli artist Eden Golan was asked to change lyrics organisers felt referred to Hamas’s deadly 7 October attacks, large protests have continued in Swedish host city Malmo throughout this week.
Waving Palestinian flags, demonstrators shouted “Eurovision united by genocide” – a twist on the contest’s official slogan “united by music”. Israel’s Prime Minister Benjamin Netanyahu previously dismissed genocide claims as “outrageous”.
Calls to ban Israel
Ahead of Saturday’s final, between 6,000 and 8,000 people joined a demonstration, according to police estimates.
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Security has been ramped up in the city, which expected to welcome 100,000 Eurovision fans on top of the thousands of pro-Palestinian protesters.
More than 10,000 campaigners, including climate activist Greta Thunberg, staged a non-violent protest ahead of the semi-final on Thursday.
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Pro-Palestinian protests in Malmo
A smaller group of pro-Israeli supporters, including members of Malmo’s Jewish community, also staged a peaceful demonstration on Thursday, defending Golan’s right to take part in the contest.
This week, former Swedish contestant Eric Saade, who is said to be of Palestinian origin, wore a keffiyeh – a traditional scarf that has become a symbol of support – tied around his wrist as he sang.
Organisers at the European Broadcasting Union (EBU) put out a statement expressing “regret” over Saade’s actions.
Dutch act expelled
As preparations on the day got into full swing, organisers would be hit with two major blows from two of this year’s hotly-tipped performers.
The first of those came from the Netherlands, with organisers announcing Dutch entry Joost Klein had been expelled from the competition after a complaint by a production worker.
Image: Joost Klein. Pic: AP
According to Dutch broadcaster AVROTROS, Klein was filmed despite clearly made agreements, just after getting off stage after his performance at Thursday’s semi final.
“This wasn’t respected,” AVROTROS said in a post on social media platform X, adding: “This led to a threatening movement from Joost towards the camera.”
Klein did not touch the camerawoman, according to AVROTROS, who said it found the artist’s penalty “very heavy and disproportionate”.
Irish act calls for ‘urgent attention’
Barely a few hours later, Ireland’s entry Bambie Thug missed the flag parade in the show’s final rehearsal due to a “situation” needing “urgent attention” from organisers.
The singer has previously hit out at Golan competing in the contest and been outspoken about their pro-Palestinian views before becoming the first Irish qualifier since 2018.
Image: Bambie Thug. Pic: Reuters
Irish broadcaster RTE reported that the singer called on organisers to address commentary made on Israeli television before their performance in Tuesday’s semi-final.
They told the broadcaster: “I’m angry with other teams breaching their rules of the EBU, and still being allowed in.
“So there’s definitely a war drum sounding in my heart to push the performance even more than I have done before.”
Earlier this week, Bambie Thug told reporters they had been forced to change writing painted on their body ahead of the semi-final performance.
The 31-year-old said the painted script in Ogham – an early Medieval alphabet – had translated to “ceasefire and freedom”.
‘United by love’
While Bambie Thug missed a chunk of rehearsals, another act used his practice on stage to make a statement.
In an apparent reference to Eurovision’s motto, French contestant Slimane stopped mid-way through his rehearsal to say “united by music, yes, but for love, for peace”.
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His chant appeared to be met with a loud round of applause in the auditorium.
Meanwhile, Norway’s Alessandra Mele, who was scheduled to award her country’s points during the show, withdrew due to the “inflamed situation in Malmo this year”, according to broadcaster NRK.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.