Switzerland has won Eurovision, topping the leaderboard in a competition fraught with last-minute changes and backstage incidents.
Non-binary performer Nemo used their childhood opera experience to pull together an impressive performance mixing rap, rock, drum ‘n bass and classical opera, as well as balancing on a revolving disc spinning at speed as they sang.
The song – which took an early lead in the race – shares a message of self-acceptance and the freedom for each one of us to live our lives openly and without fear of judgment.
When accepting their glass trophy, Nemo said: “I hope this contest can live up to its promise, and continue to stand up for peace.” They then performed their song to wrap the show.
Croatian act Baby Lasagne (whose real name is Marko Purisic) took second place with the anarchic rock track Rim Tim Tagi Dim.
The UK’s act, Dizzy, sung by Olly Alexander came 18th out of 25, with 46 points. He performed 13th in the running order – a number considered unlucky for some, and received a crushing “Nul Points” in the public vote.
The Years And Years star gave an energetic performance surrounded by his four dancers dressed in boxing shorts, writhing around a brightly lit cube decked out like a boxing ring.
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Ireland’s act, Bambie Thug, came a sixth, with their self-named “Ouija pop” track Doomsday Blue.
Victoria, Crown Princess of Sweden, opened the show, speaking in a short, pre-recorded video, and wishing all the contestants luck, before Sweden’s identical twins Marcus and Martinus performed the first song.
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UK receives ‘nul points’ at Eurovision
Performers made some tentative moves towards bringing politics to the stage, with Lithuania signing off their song with the command, “Spread love to the world”, while Portugal’s act said, “Peace will prevail”.
At the end of France’s performance by Slimane, he said: “United by music, for love and peace, thank you so much.”
During an earlier performance he had cut his act short, saying: “Every artist here want to sing about love and sing about peace. We need to be united by music yes but with love for peace. United by music yes but with love for peace”.
Meanwhile, Ireland’s act Bambie Thug rounded off their performance by saying: “Love will always triumph hate.”
During a cutaway of their team, which was played after all the songs had performed in a round-up of the acts sat in the ‘green room’ area onstage, there was a large soft-toy watermelon clearly in the background behind Bambie.
The fruit is widely used as a symbol of Palestinian solidarity.
Earlier this week, the 31-year-old, who is non-binary, said the EBU prevented them from displaying a pro-Palestinian message during their performance during the first semi-final.
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Israel receives mixed reaction at Eurovision
There was some audible booing when Israel’s Eden Golan performed, and more audible booing when Israel handed out their scores.
But the loudest booing of the night was reserved for the man in charge of the Eurovision Song Contest, Martin Osterdahl, who was almost drowned out by jeering from the crowd when he first spoke, and then again when he handed out the points for Netherlands.
This year’s Eurovision contest has been embroiled in controversy over the last few months, with demonstrations and calls for Israel to be banned due to their actions in the ongoing Israel-Hamas war.
On Thursday, between 10,000 and 12,000 people took part in a pro-Palestinian march through Malmo, the host city.
But on Friday, drama unfolded closer to home when Dutch act Joost – who had been among the favourites to win – was axed over allegations he made verbal threats to a female Eurovision production worker after coming off stage following the second semi-final on Thursday.
It is the first time in Eurovision history that an act has been disqualified after reaching the grand final.
Then on Saturday, Irish contender Bambie Thug did not take part in the final rehearsal for the show, due to “a situation” they said needed “urgent attention” from organisers.
Several presenters scheduled to award the points of their country during the programme, withdrew from the show just hours before it was due to begin, including Finnish singer Kaarij (whose song Cha Cha Cha came second in last year’s show) and Norwegian singer Alessandra Mele.
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Away from the political overtones the EBU was trying so hard to avoid, Swedish supergroup Abba – the most famous band ever to come out of the contest – were shown in hologram form and performed on stage in London.
The four “Abbatars” as they’ve been dubbed sang Waterloo, accompanied from the Malmo stage by fellow former winners Conchita Wurst, Charlotte Perrelli and Carola Haggkvist.
Next year’s contest will be held in Switzerland.
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The first episode of a podcast hosted by AI replicating Sir Michael Parkinson has been released – and comedian and podcaster Jenny Eclair has branded it a “terrible, terrible idea”.
The podcast Virtually Parkinson sees AI technology synthetically recreate the late presenter’s voice and style to interview real-life celebrities.
The first episode released on Monday saw the Parkinson AI speak to R&B singer Jason Derulo, who was answering questions about his upbringing, fatherhood and fracturing part of his neck.
Eclair, who co-hosts the podcast Older and Wider with Judith Holder, said it made her “furious”.
Speaking about the podcast on ITV’s Good Morning Britain, Eclair, 64, said: “I’m furious, because there are living people like me who’ve still got mortgages, I’ve just actually mostly got rid of mine.
“But there’s not enough room. I know he was dearly loved and that sort of thing but there’s loads of back catalogue content that people can help themselves to.
“This is a terrible, terrible idea, we’re all fighting over the same space you know, the podcasts and the telly, and everybody’s desperately trying to say ‘me over here, please listen to my stuff’.
“I’ve got a podcast and I don’t think I can compete with Michael Parkinson, even when he’s not living and breathing.”
Virtually Parkinson’s producers Deep Fusion Films, who created the show with the support and involvement of Parkinson’s family and estate, said: “Jenny’s comments are precisely why the podcast was created, AI is a subject which people have strong opinions about, but is AI as scary as people think it is?
“Is it really coming for people’s jobs? Virtually Parkinson exists to explore the relationship between AI and humans, it simply couldn’t do that without having an AI host, so this is not a case of an AI replacing a human job.
“In fact, the podcast is launched at a time when the creative sector has been hit very hard and many find themselves out of work and Virtually Parkinson has created 15 jobs, which otherwise wouldn’t have existed.”
‘A tribute to my dad’
It was Parkinson’s son, Mike Parkinson, who reached out to the company with the idea of creating the podcast as a way to preserve his father’s legacy, calling it “a tribute to my dad”.
Deep Fusion was already using AI technology – dubbed “Squawk” – to allow live humans to speak with voices from the past.
When Mike Parkinson reached out, Deep Fusion drew from a back catalogue of more than 2,000 of his father’s interviews to recreate his voice and interview technique.
The company also expanded to create the project, hiring a new head of creative AI, an AI prompt engineer, researchers, guest bookers, podcast producers, and a sound engineer.
When the podcast was first announced last year, Mike Parkinson said: “I want audiences to marvel at the technology, the cleverness and cheekiness of the concept, but mostly I want them to remember just how good he was at interviewing and enjoy the nostalgia and happy memories.
“Through this platform, his legacy can continue, entertaining a new generation of fans.”
Podcast comes as government embraces AI future
The show’s launch has coincided with the government’s pledge to “mainline AI into the veins” of the UK, claiming that if AI is “fully embraced”, it could bring £47bn to the economy every year.
Announcing his goals to make the UK “the world leader” in AI, prime minister Sir Keir Starmer said: “Artificial Intelligence will drive incredible change in our country. From teachers personalising lessons, to supporting small businesses with their record-keeping, to speeding up planning applications, it has the potential to transform the lives of working people.
“But the AI industry needs a government that is on their side, one that won’t sit back and let opportunities slip through its fingers. And in a world of fierce competition, we cannot stand by. We must move fast and take action to win the global race.”
RuPaul’s Drag Race star The Vivienne was remembered at a vigil in their home city of Liverpool on Sunday night.
James Lee Williams, originally from Colwyn Bay in North Wales, died on 5 January aged 32.
Hundreds of fans and friends of The Vivienne gathered at Liverpool‘s St George’s Hall.
Buildings across the city were lit up in green to commemorate the drag queen and their role as the Wicked Witch of the West in the Wizard Of Oz musical.
Fellow drag queen Danny Beard said the vigil was “a celebration of someone who touched the lives of so many”.
“The Vivienne was one of the world’s most recognisable drag queens, a proper world class entertainer,” they added.
“And above all a shining beacon in all of our lives and especially for the LGBT community.”
Since The Vivienne first rose to prominence in 2019, they appeared on a number of TV programmes, including Blankety Blank over the Christmas period.
The first episode in the series of Dancing On Ice on Sunday night also featured a tribute to The Vivienne, who competed on the 2023 series.
Presenter Holly Willoughby said many would have been “saddened by the tragic news”.
“They were a huge part of our show, making it all the way to the final in 2023,” she added.
“They will be very sorely missed and our thoughts are with The Vivienne’s loved ones at this time. So sad.”
In a tribute released after Mr Williams’s death, a Dancing On Ice spokesperson said they were “deeply saddened” by the news.
They said Mr Williams had made “TV history through their groundbreaking and spellbinding skating partnership”, becoming the first drag act to reach the Dancing On Ice final.
In an interview withThe Sun, his first since he underwent the lifesaving surgery, the 36-year-old described the moment when he thought he would die.
He said: “If I could go from being absolutely on top of the world to being told ‘the bottom part of your heart isn’t working’, I kept thinking in my head, ‘Well, what if the top half stops working overnight?'”
“That first night I wrote a will, I thought I was going to die,” the 36-year-old musician added.
On the night of 13 December, George said his heart rate and blood pressure dropped, “I felt like I was dying,” he said.
He had a pacemaker fitted by doctors during the surgery, but the former Strictly Come Dancing star said he made a will on his phone fearing the worst.
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Before the surgery, George said his thoughts turned to his partner, British actress Maisie Smith, and his family who he feared he’d leave behind.
He shared updates on social media throughout the process.
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Tom Parker, who also rose to fame in the 2010s with the boy band along with George, died at the age of 33 after being diagnosed with an inoperable brain tumour.