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Manchester’s beleaguered Co-op Live arena has finally officially opened its doors after weeks of setbacks, cancellations and postponements.

The venue was initially due to fully open with two Peter Kay stand-up shows on 23 and 24 April, but these dates were pushed back when problems emerged at a test event headlined by Ricky Astley.

The Co-op Live’s new opening night was then due to be 1 May when US act A Boogie Wit Da Hoodie should have performed – but this was cancelled at the last minute as fans queued outside.

The view inside the Co-op Live, as seen by Sky News reporter Shingi Maraike
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The view inside the Co-op Live, as seen by Sky News reporter Shingi Maraike

In the fortnight since, numerous other acts have been forced to postpone or move their Co-op Live gigs but the doors have finally opened to fans, with Manchester band Elbow taking to the stage this evening.

The show reportedly got under way a little late, with London band The WAEVE as the support act, the first to take to the stage as the massive arena began to fill with people.

Elbow took to the stage shortly after 9pm, with singer Guy Garvey shouting “let’s open this venue properly”, according to What’s On Editor for the Manchester Evening News Jenna Campbell, writing on X.

Concert goers arriving at the Co-op Live in Manchester for the Elbow concert. The troubled arena said it has completed an inspection and will open after a string of delays.  Peter Byrne/PA Wire
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Co-op Live bosses said inspections have taken place ahead of tonight’s gig. Pic: PA

Concert goers arriving at the Co-op Live in Manchester for the Elbow concert. The troubled arena said it has completed an inspection and will open after a string of delays. Pic: PA
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More than two weeks after Co-op Live should have fully opened, concertgoers are finally inside. Pic: PA

Guy Garvey of the band Elbow performs at the Platinum Jubilee concert in 2022. Pic: AP
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Elbow’s Guy Garvey. File pic: AP

A Boogie Wit Da Hoodie’s last-minute cancellation two weeks ago came after part of the venue’s ventilation and air conditioning system fell from the ceiling during a soundcheck.

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The venue’s boss said today that the accident could have been “catastrophic” if it had happened just 15 minutes later.

Read more: All the Co-op Live gigs cancelled or postponed

Signs Co-op Live is still a work in progress


Shingi Mararike

Shingi Mararike

North of England correspondent

@ShingiMararike

The fact that the opening of Co-op Live has been beset by issues was not lost on Dermot and Diane as they stared up at the sleek black structure with a capacity of 23,500.

The couple, who had travelled from Lancaster, said they already had a Plan B to go to the Trafford Centre in Manchester for a meal if the concert failed to go ahead. As an Elbow fan, Diane saw the concert as an early treat for her 60th birthday.

Another group who travelled from Norwich for five hours also had their own backup plan if things didn’t go as they had intended.

Less than a month ago, the arena still looked like a building site, with workers in hard hats surrounding it.

This evening, there was not a crane in sight as the queue began to build. As scheduled, the gates opened at 6.30pm and hundreds of people slowly streamed in through the security gates, scanning their own tickets on the way into an atrium that had a huge LED screen taking up most of one wall, flashing with the names of the headliners.

Some people walking into the arena audibly gasped at its sheer size. From the self-scanning tills to the lights lining the escalators, the venue is as modern and sleek as advertised, but there were also signs that Co-op Live is still a work in progress.

Some security and hospitality staff seemed to be playing catch-up with the technology, while police officers in the venue were deep in conversation with both staff and Manchester City Council. Meanwhile, a woman hovered around the atrium with a notepad to check all the screens were working.

For this multi-million-pound venue and its financial backers, the first crowds through the doors and first notes finally being played must have come with a huge sigh of relief.

PABest A view of the Co-op Live arena in Manchester. The £365 million venue, the biggest indoor arena in the UK, has postponed its opening numerous times after rescheduling performances from Peter Kay, The Black Keys, and A Boogie Wit Da Hoodie, as well as shows by Olivia Rodrigo scheduled for this Friday and Saturday. Picture date: Thursday May 2, 2024.
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Pic: PA

Tim Leiweke, chief executive of the arena’s operator Oak View Group, told BBC News: “They didn’t put the bolts in. It wasn’t visible to the eye and it fell out.

“So we [have since] got that double checked and triple checked. We’ve looked at thousands of bolts up in that ceiling now. We’ve looked at the life safety lines. And we were going to take our time to make sure we did this right.

“There was no way we were opening the doors until we checked every screw and every bolt and every one of those 95 shafts.”

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Co-Op Live delays explained

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A number of Elbow fans at the venue admitted they were feeling “apprehensive” ahead of the gig.

“When you go anywhere you want to know about the structural integrity of the place you’re going to,” said Samantha, 51, who did not want to share her surname.

“I know all venues have to start somewhere but as long as they say everything is fine, that’s as reassuring as it can be.”

With a capacity of 23,500, Co-op Live is the UK’s latest indoor arena and it cost £365m to build.

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The Kessler twins, German dance stars in the 50s and 60s, die in ‘joint suicide’, police say

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The Kessler twins, German dance stars in the 50s and 60s, die in 'joint suicide', police say

The Kessler Twins, German sisters famous across Europe for their singing and dancing, have died together through assisted means, local police have said.

Content warning: this article contains references to suicide

Munich officers said in a statement on Tuesday that Alice and Ellen Kessler had died by “joint suicide” at their shared home in Grunwald. They were 89.

The German Society for Humane Dying, a group in support of assisted dying, told Sky’s US partner network NBC News that the sisters had “been considering this option for some time”.

It added they had been members for more than a year and that “a lawyer and a doctor conducted preliminary discussions with them”, and said: “People who choose this option in Germany must be absolutely clear-headed, meaning free and responsible.

“The decision must be thoughtful and consistent, meaning made over a long period of time and not impulsive.”

In an interview last year with the Italian news outlet Corriere della Sera, the sisters said they wished to die together on the same day.

Read more: Why is assisted dying so controversial – and where is it already legal?

Alice and Ellen Kessler on stage in Stuttgart on 21 November 2006. File pic: AP
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Alice and Ellen Kessler on stage in Stuttgart on 21 November 2006. File pic: AP

A ban on assisted dying in Germany was overturned by the country’s federal court in 2020.

While the practice is not explicitly permitted, judges said at the time the previous law outlawing it infringed on constitutional rights.

Alice and Ellen were born in 1936 and trained as ballet dancers in their youth. They began their entertainment careers in the 1950s after their family fled from East Germany to West Germany.

Professionally known as The Kessler Twins, they were then discovered by the director of the Lido cabaret theatre in Paris in 1955, launching their international career.

In 1959, the sisters also represented a now-unified Germany at the Eurovision Song Contest, held in Cannes, France.

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Throughout the 1960s, Alice and Ellen toured the world, moved to Rome, and performed with singers Fred Astaire, Frank Sinatra and Harry Belafonte.

Both sisters continued to perform together into later life, appearing on stage in a musical at 80 years old.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK.

In the US, call the Samaritans branch in your area or 1 (800) 273-TALK

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Anna Maxwell Martin: Actor says primary school tests ‘devastating’ for children with special educational needs and disabilities

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Anna Maxwell Martin: Actor says primary school tests 'devastating' for children with special educational needs and disabilities

Actor Anna Maxwell Martin and a group of parents have warned that primary school tests have “devastating effects” for children with special educational needs and disabilities (SEND).

They have written an open letter to the government asking ministers to consider reforming SATs (standard assessment tests) to accommodate the youngsters’ needs.

The 22 parent groups say the system is damaging for children with SEND and they want to see a more inclusive approach which incorporates the needs of the individual child.

The letter to Education Secretary Bridget Phillipson said the current system “actively harms” children with SEND, leaving them often disengaged from school as they move on to secondary school.

Maxwell Martin, who has starred in TV comedy Motherland and police drama Line Of Duty, said: “The government needs to look much harder at how to make things better for children in schools, particularly children with SEND.

“This is a systemic failing within our assessment system, not the fault of any individual teacher or headteacher.”

What has research found?

More on Education

Research by the SEND parent group said only 24% of SEND children passed the SATs, and 67% of SEND children did not want to attend school because of them.

Half of the parents questioned also said their child’s self-esteem was damaged, and they believed SATs would have a lasting negative impact.

File pic: iStock
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File pic: iStock

‘Change the system’

The letter to Ms Phillipson said: “Forcing children into a system that actively harms them is not the answer. Changing the system so that our children want to attend is.”

But some think SATs do not serve any child.

Lee Parkinson MBE, a primary school teacher and education consultant from Manchester, said SATs are a negative process for all children, not just children with SEND.

He told Sky News: “SATs don’t serve any child, let alone those with SEND. They were never designed to support learning.”

He called the tests a “blunt accountability tool, a stick to beat schools with, rather than something that helps teachers understand children”.

Primary school teacher Lee Parkinson
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Primary school teacher Lee Parkinson

‘Speed rewarded over understanding’

Mr Parkinson claimed SATs were “built to catch pupils out. They reward speed over understanding and memorisation over genuine thinking”.

“That alone disadvantages huge numbers of children, but for pupils with SEND the gap becomes a chasm. Processing speed, anxiety, sensory needs, working memory difficulties, language disorders… none of these are accounted for in a system that measures every child by the same stopwatch and mark scheme.”

Mr Parkinson added: “For many SEND pupils, success in school looks like communication gains, emotional regulation, confidence, independence and steady academic growth in a way that matches their needs.

“SATs don’t measure any of that. Instead, they label, limit and distort the reality of what progress actually looks like for the children who need thoughtful, personalised provision the most.”

The open letter also said children with SEND who failed SATs “spend their entire year 6 convinced they are not clever enough”.

Read more:
How children with SEND from poorer families left behind

MPs want overhaul of school support for special needs pupils

‘Urgent need for rethink’

Sarah Hannafin, head of policy at school leaders’ union NAHT, said there is an “urgent need” for the government to rethink the value of SATs.

“If statutory tests are here to stay, they must be designed to be accessible for the vast majority of pupils, they should recognise the attainment and progress of all children, and they should not damage children’s confidence or cause distress,” she said.

What does the government say?

A Department for Education spokesperson said: “Primary tests and assessments play a vital role in helping schools ensure every pupil can achieve and thrive, while also identifying those who need additional support.”

“The government’s independent, expert-led Curriculum and Assessment Review panel shaped key recommendations aimed at improving our national curriculum, and included key insights from SEND experts.

“We are actively working with parents and experts to improve support for children with SEND, including through more early intervention to prevent needs from escalating and investing £740 million to encourage councils to create more specialist places in mainstream schools.”

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Anthony Joshua ‘about to break the internet over Jake Paul’s face’ in Netflix boxing match

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Anthony Joshua 'about to break the internet over Jake Paul's face' in Netflix boxing match

Boxer Anthony Joshua is set to mark his comeback to the ring with a surprise heavyweight bout against Jake Paul in Miami.

The former world heavyweight champion and YouTuber-turned-boxer will face off in a match consisting of eight three-minute rounds, with both boxers using 10oz gloves.

The 36-year-old hasn’t fought since September 2024, when he suffered a shock loss to British compatriot Daniel Dubois at Wembley in the fifth round of their IBF world heavyweight title fight.

Anthony Joshua. File pic: Reuters
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Anthony Joshua. File pic: Reuters

Joshua, who goes in with a record of 28 wins and four losses, promised the American “no mercy” ahead of his comeback.

“I took some time out, and I’m coming back with a mega show. It’s a big opportunity for me. Whether you like it or not, I’m here to do massive numbers, have big fights and break every record whilst keeping cool, calm and collected,” he said.

“Mark my words, you’ll see a lot more fighters take these opportunities in the future. I’m about to break the internet over Jake Paul’s face.”

If Jake Paul wins, he’ll be in the running for a title, according to his manager, Nakisa Bidarian, chief executive of Most Valuable Promotions.

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Jake Paul. File pic: Reuters
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Jake Paul. File pic: Reuters

He said: “For Jake it’s doing the impossible, silencing the doubters and putting himself in a position to be in conversation for a belt, and he gets that if he beats Anthony Joshua.

“And for Joshua it’s pretty simple: he’s been out for quite a bit of time, he comes back and does one of the biggest events in the world, and if he knocks out Jake Paul he will be idolised by many within boxing.”

He continued: “What we’ve accomplished in four years with Jake, with no amateur background, with no Olympic pedigree, makes everyone kind of take a step back and say, ‘What is going on here? How is this possible?’

“It angers people in boxing that we can come in and get as much attention and notoriety as we have, as quickly as we have.”

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‘Joshua could inflict horrendous damage on Paul’

Paul was due to face Gervonta Davis this month, but the bout was cancelled after a civil lawsuit was filed against the WBA lightweight champion.

The 28-year-old, who has a 12-1 record, last fought at heavyweight when he beat Mike Tyson by unanimous decision in November last year, in what was the then 58-year-old’s first fight in 19 years, before following that up in June with another unanimous decision victory over Julio Cesar Chavez Jr.

Read more from Sky News:
Anthony Joshua could return to ring to fight ex-YouTuber
Tyson reveals he ‘almost died’ ahead of fight with Paul

Paul labelled the fight in Miami as “Judgement Day.”

“A professional heavyweight fight against an elite world champion in his prime. When I beat Anthony Joshua, every doubt disappears and no one can deny me the opportunity to fight for a world title.

“To all my haters, this is what you wanted. To the people of the United Kingdom, I am sorry. On Friday, December 19, under the lights in Miami, live globally only on Netflix, the torch gets passed and Britain’s Goliath gets put to sleep.”

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