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“When you first start out, it’s you versus the world,” says Kings Of Leon’s frontman, Caleb Followill, speaking from his home in Nashville, Tennessee.

He remembers the comparisons – “the Southern Strokes, I think someone called us Y’all 2, like U2, which was funny” – and how each one added to the fire in their bellies to make their own name.

Now, with the release of their ninth album, Can We Please Have Fun (not a question), 25 years after the band was formed by Caleb and his brothers, Nathan and Jared, and cousin Matthew, Kings Of Leon have definitely done that.

“I feel like at this point, the thing we’re trying to do is something that inspires the next generation,” says Followill. “It’s kind of hard because people don’t really look to the grown-ups for answers. So we listen to the kids, we get inspired by what they’re doing.”

Kings of Leon bass player Jared Followill, right, and his brother Caleb, centre background, play to a sold out crowd in Nashville in 2005. Pic: AP/ John Russell
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Caleb (centre background) on stage with brother Jared in the early days of Kings Of Leon. Pic: AP/ John Russell

Earlier this week, according to the Official Charts, things were looking good for Can We Please Have Fun to become the band’s seventh UK number one album, with only one teeny thing standing in their way – Taylor Swift, another artist who cut her teeth in Nashville. After topping the charts, The Tortured Poets Society is currently sitting at number two; but this is Taylor Swift, and she’s been known to climb back before.

Followill laughs. “At this point, I think everyone’s just trying to go for number two. Which, you know, that’s great too. But I love Taylor. I’m so happy for her and her success.”

Topping the charts once again would be a “kind of validation”, he says. “That’s also kind of a notch on the belt that you can show your family one day – hey, we had a number one.” Or several number ones, even. “But we don’t make records so they’ll be number one. We’ve been beat out by a lot of music that didn’t necessarily last as long as our music has.”

Caleb Followill, lead singer of Kings of Leon, performs on stage at the British Summertime Festival in Hyde Park, London, Thursday, July 6, 2017. (Photo by Joel Ryan/Invision/AP)
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On stage at the British Summertime Festival in Hyde Park, London, in 2017 – the band will return once again to play later this year. Pic: Joel Ryan/Invision/AP

‘It hasn’t been the most fun the last handful of years’

It’s been 21 years since their debut, Youth And Young Manhood, and hits including Molly’s Chambers and California Waiting, which saw them embraced by the UK way before their homeland took notice.

The band have previously talked about the tolls and pressures of fame, of sibling fights, and going through the motions. Now, Followill says there is “renewed passion and this kind of fire in us that we haven’t had necessarily, in the last handful of years”.

Can We Please Have Fun, both in title and content, definitely feels like a Kings Of Leon with a new lease of life. There were other options for its name – Actual Daydream, Moving Spectacle, Suicide Machine among them, says Followill, flicking through a notebook to remind himself – but they would all have painted a different picture.

“It hasn’t been the most fun the last handful of years”, he says. “Not being in this band necessarily, just life has been kind of heavy. There’s been a lot of seriousness. I feel like maybe it’s always been that way. It just feels much more nowadays because it’s in our face with our phones and our computers.”

Their last album, 2021’s When You See Yourself, saw the band moving into the world of NFTs, a form of cryptocurrency used to hold assets such as art and music, which exploded that year. They were billed as the first music artists ever to release an album in this way; for a band rooted in good old-fashioned rock ‘n’ roll, it seemed a surprise move.

Kings Of Leon have released their ninth album, Can We Please Have Fun
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Pic: PR

‘It doesn’t take AI to sound like us’

Followill admits they “never truly” understood it. “Apparently it was something that was happening and maybe is still happening, I don’t know. I know it got us into the Rock and Roll Hall of Fame, which was cool. We were the first band to ever sell our music as an NFT, might be the only one, I don’t know.

“But we weren’t trying to push some new type of technology on people… it was just something that looked like that was kind of where things were headed. So, you know, why not be on the forefront of it?”

Since then, AI has become a huge issue affecting the music industry, with stars including Billie Eilish and Nicki Minaj recently calling for more protection. Followill describes himself as “kind of an old man” when it comes to his knowledge. “I am scared of it though, I think, maybe, a little bit,” he says. “I’ve seen some stuff that makes makes me a little nervous.”

He grins. “As far as music, it doesn’t take AI to sound like us, my god. We’re still learning how to play, so our skill level is still very much achievable by just human beings. It’s not going to take aliens or artificial intelligence.”

After When You See Yourself, they parted ways with their long-term record label. Rather than being a negative experience, “we felt like we were free for the first time since the very beginning”, says Followill.

On Can We Please Have Fun, they worked with producer mastermind Kid Harpoon, renowned for his collaborations with artists including Miley Cyrus, Harry Styles, Calvin Harris and Florence + The Machine. Despite being industry veterans, Kings Of Leon were keen to impress.

“We had to record a little bit and then he would duck away for a couple of weeks to do some stuff he already had scheduled. But that was a pretty eye-opening experience because he would go away and then it was like, all right, let’s get a bunch of stuff that’s going to make him impressed when he gets back.”

The Kings of Leon win record of the year for Use Somebody at the Grammys in 2010. Pic: AP
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Winning Grammys in 2010. Pic: AP

Strip clubs to stadiums

Last week, they performed at a ranch in Nashville to mark the album’s release – “a real barn, no air conditioning, there was a peacock in the rafters screaming the whole time, a dog in the room”, is how Followill describes it.

It’s not the strangest setting they’ve ever found themselves in. That title would probably go to their first ever UK gig, in High Wycombe, at a pub that also doubled up as a lap-dancing venue.

“I remember we were backstage for soundcheck and we kept commenting on the potent smell of lotion,” Followill recalls. “It smelled like floral lotion everywhere.” After drawing small crowds in the US, that first UK show “was insanity, with probably only 100 people, but we had been playing in America to five people. So it was this crazy thing”.

The band went on to fill arenas and stadiums, headlining Glastonbury in 2008. They play London’s Hyde Park – “which always feels like a homecoming” – once again this summer. Last year, they played at Wrexham’s Racecourse Ground; a stage that at one time might also have been added to their unlikely venues list, but following its Hollywood takeover is now a huge celebrity draw.

Caleb Followill of Kings of Leon headlining Glastonbury Festival in 2008. Pic: Reuters/Luke MacGregor
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Kings Of Leon headlined Glastonbury in 2008. Pic: Reuters/Luke MacGregor


It felt like the whole town was there to see them, Followill says. “We were playing the show… but I feel like it was almost they were supporting just whatever was going to be happening at the club that night.

“The kind of fairytale story of Wrexham and what’s happened, it’s worldwide. Americans don’t necessarily know what it means with the different leagues and how you can get relegated and all that stuff. But we do know what an underdog story is and how special it is when you see someone work their way up.”

With celebrity football buy-outs becoming all the rage – Will Ferrell being among the latest, investing in Leeds – would Kings Of Leon ever consider it?

“We don’t have that kind of money,” says Followill. “Maybe darts. Can you sponsor a darts player?”

Read more:
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Reynolds and McElhenney unveil plans to expand Wrexham ground

They can add darts to the list of ambitions Kings Of Leon still have to tick off. Followill says there are “a lot of big lofty things I probably won’t say” because at one point they felt “ridiculous”; now, so many years in and still going, maybe less so.

The singer says he doesn’t look back on what the band has achieved “as much as I could or should, at times”. He sees reflection as something that comes when there is no longer “a lot left in the tank… and I feel like I still have a lot”.

But the reminders are all around. “My daughter came downstairs in a Kings Of Leon T-shirt… and it’s an old T-shirt too. It’s like, wow.” These moments, he says, are “like a splash of water in the face… it definitely has surpassed anything we ever dreamed of”.

And seeing crowds singing his songs back at him never gets old.

“It’s more than just singing. Sometimes you look at people and they’re not just singing the song… it means so much to them, it’s like they are screaming it back at you. Whenever that happens, that is always just confirmation that you’re doing what you’re meant to be doing.”

Kings Of Leon’s Can We Please Have Fun is out now. The band play BST Hyde Park on 30 June

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
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Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
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Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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Tom Cruise leads moment of silence in tribute to ‘dear friend’ Val Kilmer

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Tom Cruise leads moment of silence in tribute to 'dear friend' Val Kilmer

Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.

Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.

Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.

Tom Cruise, star of the upcoming film "Mission: Impossible - The Final Reckoning," leads a moment of silence for late actor Val Kilmer during the Paramount Pictures presentation at CinemaCon at Caesars Palace on Thursday, April 3, 2025, in Las Vegas. (AP Photo/Chris Pizzello)
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Tom Cruise said ‘I wish you well on the next journey’. Pic: AP

Val Kilmer in 2017. Pic: AP
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Val Kilmer in 2017. Pic: AP

His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.

Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.

“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.

“I wish you well on the next journey.”

The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.

Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.

Tom Cruise takes part in the Paramount Pictures presentation at CinemaCon at Caesars Palace on Thursday, April 3, 2025, in Las Vegas. (AP Photo/Chris Pizzello)
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Tom Cruise at Caesars Palace on Thursday. Pic: AP

Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.

He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.

Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.

Read more from Sky News:
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He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.

In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.

The couple had two children before divorcing in 1996.

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