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Director George Miller says the Mad Max film franchise that exists today was borne out of limitations.

Originally an emergency room doctor, the Australian director transitioned into film and created the story of a world where limitation is a central theme and abundance a dream.

Pic: Warner Bros/Domain Pictures
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(L-R): Taylor-Joy with Miller on set. Pic: Warner Bros/Domain Pictures

The Australian director made his first Mad Max film in 1978 with a crew of 35 and a fresh-faced Mel Gibson as the lead.

He says it was filmed on a discarded camera lens from a Steve McQueen film, and the lack of resources to create the project ended up working in his favour.

director George Miller attends the unveiling ceremony of Chris Hemsworth's star on the Hollywood Walk of Fame in Los Angeles, California, Pic: Reuters
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George Miller. Pic: Reuters

He tells Sky News: “The first Mad Max was definitely borne out of limitations. It ultimately turned out to be very key to it.”

The 79-year-old says the original story was written as a “contemporary story set in the city of Melbourne,” but financial limitations spawned the idea of it being set in a “dystopian future”.

“We couldn’t afford to have car chases in the middle of the street,” he says. “We couldn’t afford [to have] the extra cars or put stuntmen in those cars. We couldn’t have extras in the street, trams or busses and we couldn’t use the buildings so we decided to set it a few years in the future.”

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Miller says they decided to instead focus on what they could use and thus the Mad Max franchise we know today was created.

“We could shoot in backstreets, where there were no extras and no cars, or shoot in really old, decrepit buildings where the people wouldn’t ask you for rent. And that led to the film becoming more allegorical.

“Had we not done that? I don’t think we’d be still doing it.”

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Burnt land and no speed limits

Miller is a cinephile at heart and for Mad Max, he had a vision – for it to be shot on a “big anamorphic widescreen”.

He previously credited his childhood in rural Queensland and the over-powering car culture there as the influences for Mad Max.

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At the time, the area consisted of completely flat roads, burnt land and no speed limits – the results of which Miller witnessed as an emergency room doctor at the age of 26.

“We couldn’t afford the cameras, or the lenses, but there was a set of lenses in Australia at the time, in one particular place that had been dumped out of Hollywood from the movie that Sam Peckinpah shot called The Getaway with Steve McQueen and Ali MacGraw”.

All but one of these lenses was “wrecked”.

He says: “The rental house virtually gave it to us for nothing. There was one lens called the 35mm lens, and we used that and it allowed us to get much more dynamics in the shot”.

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Why are moments in the Mad Max franchise sped up?

Inspired by the silent film era, Miller’s aim was to create “pure cinema” and make “‘a silent film with sound”.

To achieve the aesthetic he craved, he played around with frame rates.

In film, video is essentially a number of images (frames) captured sequentially to make the image move. Movies display 24 frames per second.

Miller says his plan was to shoot everything at high speed but, because of financial restraints, could not use speed ramps as it would cost the equivalent of a day of filming.

When he started to edit Mad Max he noticed “something was too slow” and to achieve the look he desired, began removing frames from the sequence.

“It looks a little bit like the old silent movies and sped up. By the time I got to Mad Max two, we would shoot at 20 frames or 18 frames. And so, I started to do a lot of that.”

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Reflecting on Furiosa: A Mad Max Saga, he says: “Nowadays digitally I shoot most things at 48 frames because you can ramp it up and down from 48 frames, provided you’ve got the resolution, you can do so much more with that.”

The film Mad Max was released in 1979 and put Mel Gibson on the road to stardom.

Oddly, at that time the film distributor in the US, American International Pictures, opted to dub the strong Australian accents used by the actors for fears that they would not be understood by American audiences.

A far cry from misunderstanding the Australian accent, the country’s actors have become some of the most well-known faces in Hollywood nowadays.

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Furiosa: A Mad Max Saga

Miller’s latest release, Furiosa: A Mad Max Saga serves as a prequel to Mad Max: Fury Road.

It was written before the Tom Hardy film began in production in order to “fully understand” the characters on screen.

It stars Anya Taylor-Joy as Imperator Furiosa and Chris Hemsworth as Dementus.

Miller says it feels good for the prequel to finally be in cinemas.

“We had a magnificent cast and crew who gave their very best. We tried to get the best story we could have on the screen using all the tools we have and hopefully it means something significant to people.”

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Miller on the future of film

The Australian director decided against using de-ageing technology for the role of Furiosa and instead cast Anya Taylor-Joy to play the character first depicted by Charlize Theron.

It is not that he is against using AI technology in fact, Taylor-Joy recently revealed they used software to mix her face with that of the child actor, Alyla Browne, for her scenes.

Miller says the beauty of cinema is that it constantly changes.

“From the very beginning of cinema, which is 130 years old, there’s always change. The silent era and sound. Then there was Technicolor, then there was the digital dispensation in the early 90s. Once that’s come along, things have changed so rapidly even since then.”

Always attracted to the tech behind the scenes, Miller cites the digital ability to make Sheep-Pig talk in Babe or Mumble tap dance in Happy Feet as game-changing moments for him.

“By the time we got to do Fury Road, I realiSed, ‘Oh my God, we could do things that we never dreamed of doing back in the celluloid days’.

“Technology will keep changing and advancing… I don’t think we should limit ourselves if the tools are available. It’s always been the case, and cinema has to adjust.”

Furiosa: A Mad Max Saga is in cinemas now

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Sean ‘Diddy’ Combs attempting to obstruct justice from jail, prosecutors say

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Sean 'Diddy' Combs attempting to obstruct justice from jail, prosecutors say

Sean “Diddy” Combs has attempted to contact prospective witnesses from jail in a bid to sway public opinion ahead of his upcoming sex trafficking trial, prosecutors have claimed.

The accusations were made in a Manhattan federal court filing in which the prosecution opposes the 55-year-old rapper‘s latest $50m (£39m) bail proposal. A bail hearing is scheduled for next week.

Combs pleaded not guilty to charges that he coerced and abused women for years with the aid of a network of associates and employees, while silencing victims through blackmail and violence, including kidnapping, arson and physical beatings.

He says his sexual relationships were consensual, and strenuously denies all wrongdoing.

In the latest step of the ongoing case, prosecutors say a review of recorded jail calls made by Combs shows he has asked family members to reach out to potential victims and witnesses and has urged them to create “narratives” to influence the jury pool.

They say he has also encouraged marketing strategies to influence public opinion.

The filing said: “The defendant has shown repeatedly – even while in custody – that he will flagrantly and repeatedly flout rules in order to improperly impact the outcome of his case.

“The defendant has shown, in other words, that he cannot be trusted to abide by rules or conditions.”

Prosecutors wrote that it could be inferred from his behaviour that Combs wants to blackmail victims and witnesses into silence or into providing testimony helpful to his defence.

Read more: What is Sean Combs charged with?

It is alleged that Combs began breaking rules almost as soon as he was detained at the Metropolitan Detention Center in Brooklyn, New York City, after his arrest in September.

Two judges have concluded he is a danger to the community and at risk of fleeing, rejecting two previous bail requests.

In Combs’s latest request, his lawyers cited changed circumstances, including new evidence, which they said made it sensible to release him ahead of his trial next year.

But prosecutors said defence lawyers created their latest bail proposal using some evidence prosecutors turned over to them, and the new material was already known to defence lawyers when they made previous bail applications.

In their submission to a judge, prosecutors said Combs’s behaviour in jail shows he must remain locked up.

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They cited examples including Combs enlisting family members to plan and carry out a social media campaign around his birthday earlier this month, “with the intention of influencing the potential jury in this criminal proceeding”.

They say he encouraged his seven children to post a video to their social media accounts showing them gathered to celebrate his birthday.

Afterwards, they say he allegedly monitored the analytics, including audience engagement, from inside the jail and “explicitly discussed with his family how to ensure that the video had his desired effect on potential jury members in this case”.

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Prosecutors also alleged Combs made clear his intention to anonymously publish information that he thought would help his defence team.

“The defendant’s efforts to obstruct the integrity of this proceeding also includes relentless efforts to contact potential witnesses, including victims of his abuse who could provide powerful testimony against him,” they wrote.

Sky News has contacted Combs’s lawyer for comment.

Combs is currently in custody in Manhattan. His criminal trial is scheduled for 5 May 2025.

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Davina McCall makes ‘enormous leap forward’ and is out of ICU after surgery to remove brain tumour

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Davina McCall makes 'enormous leap forward' and is out of ICU after surgery to remove brain tumour

Davina McCall has made an “enormous leap forward in the last 24 hours”, her partner has said on her Instagram.

In an update, her partner Michael Douglas, said: “Update folks. Thanks so much to all the well wishers. She really has made an enormous leap forward in the last 24 hours. She is out of ICU She is ‘loving awareness’. Thank you xx Michael.”

The post also featured a bright pink text image, which said, “massive relief to see some light breaking through,” followed by four heart emojis.

“Thanks for all the good vibes coming in from all angles. Up and up,” it added.

Friends and fellow celebrities were quick to comment on the update, with actress Patsy Palmer writing, “sending healing,” Dame Kelly Holmes commenting “awesome news Michael” and Jools Oliver adding three heart emojis.

The 57-year-old television presenter had revealed in a video posted on Instagram earlier on Friday she had a benign brain tumour, a colloid cyst, which she described as “very rare”.

Speaking in the short video ahead of her operation, McCall had explained to her followers the benign tumour was around 14mm wide and “needed to come out, because if it grows it would be bad” .

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She said a surgeon would remove the cyst through the top of her head in a procedure called a craniotomy.

In her video post the former Big Brother host had said she was “in good spirits,” and would be in hospital “for around nine days” following the procedure.

According to the NHS, non-cancerous brain tumours are slow-growing and unlikely to spread, but are still serious and can be life-threatening.

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Davina McCall asked fans to ‘say a prayer’

McCall’s current partner, hairdresser Michael Douglas, is sharing updates from McCall’s account while she is recovering. This is his second update since her operation.

McCall rose to fame presenting on MTV in the mid-1990s, and later on Channel 4’s Streetmate, before becoming a household name as the host of Big Brother from 2000 to 2010.

She’s gone on to present programmes across the networks, and currently presents ITV dating show My Mum, Your Dad.

Last year, McCall was appointed Member of the Order of the British Empire (MBE) in the 2023 Birthday Honours for services to broadcasting.

Davina McCall  with her partner Michael Douglas and her daughter Holly Robertson after being made a Member of the Order of the British Empire
Pic: PA
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McCall was made an MBE last year, pictured with Michael Douglas and her daughter Holly Robertson. Pic: PA

In recent years, McCall has spoken regularly on women’s health and the effects of menopause in a bid to break taboos around the subject. Her 2022 book, Menopausing, won book of the year at the British Book Awards.

The same year, McCall fronted the Channel 4 documentary Davina McCall: Sex, Mind And The Menopause, and told the BBC that the perimenopausal symptoms caused her difficulties multi-tasking and she considered that she had a brain tumour or Alzheimer’s disease at the time.

Married twice, McCall has three children, two daughters and a son, with her second husband, presenter Matthew Robertson.

She has lived with Douglas since 2022, and they present a weekly lifestyle podcast together, Making The Cut.

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Ed Sheeran says his didn’t give Band Aid 40 permission to use his vocals

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Ed Sheeran says his didn't give Band Aid 40 permission to use his vocals

Ed Sheeran says Band Aid 40 organisers did not seek his approval to use his vocals in the new version of the charity hit Do They Know It’s Christmas?

The Shape Of You star said he would have “respectively declined” any permission, going on to share another post criticising foreign aid in Africa.

Undated handout photo issued by Band Aid of (left to right) Sting, Bono and Simon Le Bon during the recording of the first ever Band Aid single, Do They Know It's Christmas. A new 40th anniversary mix of Band Aid's Do They Know It's Christmas? will see the young and old voices of the charity single's artists come together to create an "ultimate" version. Issue date: Wednesday November 13, 2024. PA Photo. Do They Know It's Christmas? - 2024 Ultimate Mix will premiere on UK breakfast radio and streaming on November 25, the 40th anniversary of the recording of the original song, and will be released physically on the Band Aid Compilation on November 29 on CD and vinyl. The new version of the song will feature voices from three previous editions of the song, Band Aid (1984), Band Aid 20 (2004) and Band Aid 30 (2014), including Harry Styles, George Michael and Chris Martin, and will see young and old voices of the likes of Bono singing together. See PA story SHOWBIZ BandAid . Photo credit should read: Brian Aris/Band Aid/PA Wire NOTE TO EDITORS: This handout photo may only be used in for editorial reporting purposes for the contemporaneous illustration of events, things or the people in the image or facts mentioned in the caption. Reuse of the picture may require further permission from the copyright holder.
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Sting, Bono and Duran Duran’s Simon Le Bon during the recording of the first Band Aid single in November 1984. Pic: Brian Aris/ Band Aid

The new version of the festive hit blends previous recordings to create an “ultimate” mix from Band Aid 1984 including the voices of George Michael, Sting and Boy George, alongside the likes of Harry Styles, Chris Martin and the Sugababes, who appeared on the Band Aid 20 and Band Aid 30 versions in 2004 and 2014.

Sheeran had previously sung on Band Aid 30 alongside One Direction, Sam Smith and Coldplay’s Chris Martin.

The 33-year-old singer wrote in an Instagram story: “My approval wasn’t sought on this new Band Aid 40 release and had I had the choice I would have respectfully declined the use of my vocals.

“A decade on and my understanding of the narrative associated with this has changed, eloquently explained by @fuseodg. This is just my personal stance, I’m hoping it’s a forward-looking one. Love to all x.”

Sheeran referenced a post by Ghanaian-English singer, songwriter and rapper Fuse ODG, who worked with him on the track Boa Me.

Fuse ODG said that a decade earlier he “refused” to be part of the Band Aid 30 song as he feels that while the charity helps get “sympathy and donations, they perpetuate damaging stereotypes that stifle Africa’s economic growth, tourism, and investment”.

The rapper added: “By showcasing dehumanising imagery, these initiatives fuel pity rather than partnership, discouraging meaningful engagement.

“My mission has been to reclaim the narrative, empowering Africans to tell their own stories, redefine their identity, and position Africa as a thriving hub for investment and tourism.

“Today, the diaspora drives the largest flow of funds back into the continent, not Band Aid or foreign aid proving that Africa’s solutions and progress lies in its own hands.”

Sheeran has also worked with other African artists including Nigerian singers Fireboy DML and Burna Boy.

Pic: PA
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Sir Bob Geldof alongside the other artists involved in the original version of charity hit Do They Know It’s Christmas? Pic: PA

The original Band Aid single released in 1984 featured artists led by Boomtown Rats frontman Bob Geldof and Ultravox’s Midge Ure to help charities working with starving children in Ethiopia. It sold a million copies in the first week alone.

For the new version, the singers will be backed by the Band Aid house band of Sir Paul McCartney, Sting, Duran Duran’s John Taylor, Phil Collins, Queen’s Roger Taylor, Supergrass’s Danny Goffey, Radiohead’s Thom Yorke and Jonny Greenwood, Paul Weller, Damon Albarn, Ure, Gary Kemp and Justin Hawkins.

Premiering on 25 November, the song will be physically released too on 29 November, with a minimum of £5 donated to the Band Aid Trust when the single is sold on vinyl, a minimum of £1.50 donated when the single is sold on CD, and a minimum 50p donated when the single is digitally downloaded.

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