Reality TV star Joey Essex has entered the Love Island villa as the show’s first ever celebrity contestant.
The 33-year-old, who rose to fame on The Only Way Is Essex, has said he is taking part in the show because he is “extremely single right now” and hopes to leave the island “hand in hand with the love of my life”.
The ITV dating series returned on Monday, introducing more contestants to the villa in Majorca, Spain, with host Maya Jama making an entrance in a white dress.
Jama told the contestants: “Well it’s good to see you’re all settled in, as you know you are in Love Island, you must always expect the unexpected.
“So please welcome Joey.”
The TV personality said he was “the king of Essex” who wanted to find his “queen”.
ITV says he is the show’s “first celebrity contestant”.
More on Love Island
Related Topics:
Essex chose to apply to be on the show himself before ITV bosses worked hard to keep his involvement a secret, according to The Sun.
Speaking exclusively to the newspaper before flying out to the villa, Essex said: “I feel like Joey Bond, ‘the name’s Essex, Joey Essex’. It felt like a military operation, not even the journey itself but the process of even getting through the application process and to this point… I’m extremely single right now, so I’m praying that I’m going to walk out of the villa hand in hand with the love of my life, that’s my main aim and all I care about.”
Advertisement
Following his appearances on the The Only Way Is Essex between 2011 and 2013, Essex featured on similar shows including I’m A Celebrity… Get Me Out Of Here!, Celebrity SAS: Who Dares Wins, Celebrity MasterChef, Celebs Go Dating and Dancing On Ice.
Before Essex’s appearance on Love Island, Jama told the other contestants: “First impressions count. Boys and girls, I now want you to rate each other in order of who you think has come across the most like boyfriend and girlfriend material, right down to who has given the least relationship vibes.”
Jama then revealed the rankings would mean who they were paired with.
Please use Chrome browser for a more accessible video player
0:34
Maya Jama chats Love Island with the King
The couples included Mimii Ngulube, 24, a mental health nurse from Portsmouth, and Munveer Jabbal, 30, a recruitment manager from Surbiton; and Nicole Samuel, 24, an accounts manager from Aberdare, and Sean Stone, 24, a salesman from Hertford.
Other partners were Samantha Kenny, 26, a make-up artist from Liverpool, and Sam Taylor, 23, a hair stylist from Chesterfield; Harriett Blackmore, 24, a dancer and personal shopper from Brighton, and Ciaran Davies, 21, a surveyor from Pencoed, South Wales; and Jess White, 25, a retail manager from Stockport, and semi-professional footballer Ronnie Vint, 27, from London.
Ayo Odukoya, 25, a model from Canning Town, and Patsy Field, 29, an office administrator from Orpington, were also joined together.
Patsy, who was born with Erb’s palsy – a paralysis of the arm caused by injury to the upper group of the arm’s main nerves resulting from a difficult birth – revealed that she shares her bed with her mother.
She explained that her mother did not have a place in her home for her to stay except for in the same room.
Elsewhere in the episode, Ciaran admitted to “being with” a woman over the age of 40 when he was 18.
Love Island continues at 9pm on ITV2 and ITVX on Tuesday.
The Donetsk theatre in the city of Mariupol was supposed to be a place of safety for hundreds of civilians sheltering during the first few weeks of Russia’s invasion in Ukraine. A sign bearing the word “children” was marked on the ground outside, visible from the air.
On 16 March 2022, the building was bombed. Authorities at the time said about 300 people had died, although some estimates were higher.
The stories of survivors are now being recounted by actors who were among those sheltering in the theatre at the time. Mariupol Drama, a play which opens in the UK this week, features real video footage captured on their phones, and personal items saved from the rubble.
Olena Bila and her partner Ihor Kytrysh, who have acted at the theatre since 2003, managed to escape the devastation with their son, Matvii.
“This is a story with a lot of memories from a previous life,” Olena tells Sky News from Ukraine, speaking through a translator. “We worked and lived in Mariupol and did what we loved. In a few days, we lost everything.”
The family also lost their home. Olena says she hopes the play shows that material possessions are not what’s important.
“We lost the material side of our lives. We want to show for everybody that all items around you, the material side of your life, doesn’t matter… it’s your mind, it’s your soul, it’s your heart [that does].”
More on Mariupol
Related Topics:
The couple also hope the production will remind people, almost three years on from the start of Russia’s invasion, that the war is still ongoing.
“We are still at war,” Olena says. “It’s our stories, real stories. Not Hollywood fiction, but a story of real people in Ukraine.
“It’s very hard to see that this war is still continuing. We still have no room for our plans for the future.”
After the start of Russia’s invasion in February 2022, the theatre, in the city’s Tsentralnyi district, became a hub for the distribution of medicine, food and water, and a designated gathering point for people hoping to be evacuated from Mariupol via humanitarian corridors.
The building was attacked after weeks of Russian fire on Mariupol.
Vira Lebedynska, the theatre’s head of music and drama, is also one of the performers in Mariupol Drama. When the bombs hit, she was sheltering in an underground room used for music recording which remained mostly untouched, she says.
It saved her.
Russia denied bombing the building deliberately. Following their own investigation, Amnesty International described the attack as a war crime.
British actor David MacCreedy heard about Mariupol Drama and met the actors during an aid trip to Ukraine and says he was struck “by just how powerful it was”. He has been instrumental in bringing the story to the UK.
“It needed to be seen here,” he says.
The play’s actors want to show that despite the destruction of the building, Mariupol’s theatre is still alive.
“Our theatre is fighting,” says Olena.”It is restored not to cry, but to fight.”
Mariupol Drama is on at the Home performing arts centre in Manchester from today until Saturday.
The first episode of a podcast hosted by AI replicating Sir Michael Parkinson has been released – and comedian and podcaster Jenny Eclair has branded it a “terrible, terrible idea”.
The podcast Virtually Parkinson sees AI technology synthetically recreate the late presenter’s voice and style to interview real-life celebrities.
The first episode released on Monday saw the Parkinson AI speak to R&B singer Jason Derulo, who was answering questions about his upbringing, fatherhood and fracturing part of his neck.
Eclair, who co-hosts the podcast Older and Wider with Judith Holder, said it made her “furious”.
Speaking about the podcast on ITV’s Good Morning Britain, Eclair, 64, said: “I’m furious, because there are living people like me who’ve still got mortgages, I’ve just actually mostly got rid of mine.
“But there’s not enough room. I know he was dearly loved and that sort of thing but there’s loads of back catalogue content that people can help themselves to.
“This is a terrible, terrible idea, we’re all fighting over the same space you know, the podcasts and the telly, and everybody’s desperately trying to say ‘me over here, please listen to my stuff’.
“I’ve got a podcast and I don’t think I can compete with Michael Parkinson, even when he’s not living and breathing.”
Virtually Parkinson’s producers Deep Fusion Films, who created the show with the support and involvement of Parkinson’s family and estate, said: “Jenny’s comments are precisely why the podcast was created, AI is a subject which people have strong opinions about, but is AI as scary as people think it is?
“Is it really coming for people’s jobs? Virtually Parkinson exists to explore the relationship between AI and humans, it simply couldn’t do that without having an AI host, so this is not a case of an AI replacing a human job.
“In fact, the podcast is launched at a time when the creative sector has been hit very hard and many find themselves out of work and Virtually Parkinson has created 15 jobs, which otherwise wouldn’t have existed.”
‘A tribute to my dad’
It was Parkinson’s son, Mike Parkinson, who reached out to the company with the idea of creating the podcast as a way to preserve his father’s legacy, calling it “a tribute to my dad”.
Deep Fusion was already using AI technology – dubbed “Squawk” – to allow live humans to speak with voices from the past.
When Mike Parkinson reached out, Deep Fusion drew from a back catalogue of more than 2,000 of his father’s interviews to recreate his voice and interview technique.
The company also expanded to create the project, hiring a new head of creative AI, an AI prompt engineer, researchers, guest bookers, podcast producers, and a sound engineer.
When the podcast was first announced last year, Mike Parkinson said: “I want audiences to marvel at the technology, the cleverness and cheekiness of the concept, but mostly I want them to remember just how good he was at interviewing and enjoy the nostalgia and happy memories.
“Through this platform, his legacy can continue, entertaining a new generation of fans.”
Podcast comes as government embraces AI future
The show’s launch has coincided with the government’s pledge to “mainline AI into the veins” of the UK, claiming that if AI is “fully embraced”, it could bring £47bn to the economy every year.
Announcing his goals to make the UK “the world leader” in AI, prime minister Sir Keir Starmer said: “Artificial Intelligence will drive incredible change in our country. From teachers personalising lessons, to supporting small businesses with their record-keeping, to speeding up planning applications, it has the potential to transform the lives of working people.
“But the AI industry needs a government that is on their side, one that won’t sit back and let opportunities slip through its fingers. And in a world of fierce competition, we cannot stand by. We must move fast and take action to win the global race.”
RuPaul’s Drag Race star The Vivienne was remembered at a vigil in their home city of Liverpool on Sunday night.
James Lee Williams, originally from Colwyn Bay in North Wales, died on 5 January aged 32.
Hundreds of fans and friends of The Vivienne gathered at Liverpool‘s St George’s Hall.
Buildings across the city were lit up in green to commemorate the drag queen and their role as the Wicked Witch of the West in the Wizard Of Oz musical.
Fellow drag queen Danny Beard said the vigil was “a celebration of someone who touched the lives of so many”.
“The Vivienne was one of the world’s most recognisable drag queens, a proper world class entertainer,” they added.
“And above all a shining beacon in all of our lives and especially for the LGBT community.”
Since The Vivienne first rose to prominence in 2019, they appeared on a number of TV programmes, including Blankety Blank over the Christmas period.
The first episode in the series of Dancing On Ice on Sunday night also featured a tribute to The Vivienne, who competed on the 2023 series.
Presenter Holly Willoughby said many would have been “saddened by the tragic news”.
“They were a huge part of our show, making it all the way to the final in 2023,” she added.
“They will be very sorely missed and our thoughts are with The Vivienne’s loved ones at this time. So sad.”
In a tribute released after Mr Williams’s death, a Dancing On Ice spokesperson said they were “deeply saddened” by the news.
They said Mr Williams had made “TV history through their groundbreaking and spellbinding skating partnership”, becoming the first drag act to reach the Dancing On Ice final.